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BIBLIOTHÈQUE
Haendel, Georg Friedrich Georg Friedrich Haendel
Allemagne Allemagne
(1685 - 1759)

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Partitions Clarinette Quatuor de Clarinettes Georg Friedrich Haendel
Haendel, Georg Friedrich: "My Song Shall be Always" for Clarinet Quartet

"My Song Shall be Always" for Clarinet Quartet
HWV 252 No. 1
Georg Friedrich Haendel




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Compositeur :Georg Friedrich HaendelHaendel, Georg Friedrich (1685 - 1759)
Instrumentation :

Quatuor de Clarinettes

Genre :

Baroque

Arrangeur :
Editeur :
Georg Friedrich HaendelMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
George Frideric Handel (1685 - 1759) was a German-born British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Handel was born in 1685, in a family indifferent to music. He received critical musical training in Halle, Hamburg and Italy before settling in London (1712) and becoming a naturalised British subject in 1727. By then he was strongly influenced by the great composers of the Italian Baroque and the middle-German polyphonic choral tradition.

The opening Sonata of "My song shall be alway" will probably be immediately familiar, as it was used in its entirety in the Concerto grosso in G major, Op 3 No 3. (The second section is based on an idea from Handel’s Birthday Ode to Queen Anne.) In the first vocal number (all the texts are selected from Psalm 89) Handel ingeniously combines two ideas from earlier works: the orchestral introduction is taken from a chorale setting in the Brockes Passion, while the choral intonation in octaves on the words ‘The heav’ns shall praise thy wondrous works’ is derived from the ‘De torrente’ movement in Dixit Dominus. The solo tenor enters with an accompanied recitative, of which there are only a few examples in the anthems, and continues with a more orthodox solo dominated by angular rhythms in the accompaniment. This, and two other movements of the anthem, are reworkings of movements in the ‘Caroline’ Te Deum in D major (HWV280) of 1714. (In some sources of the anthem a trio follows at this point, but it is almost certainly an interpolation by another composer.) Handel sets ‘The heav’ns are thine’ as a contemplative duet for alto and bass, perhaps surprisingly, but it has an appropriate sense of awe and makes an excellent contrast to the rhythmic vigour of the chorus ‘Righteousness and equity’ that follows. The last solo, ‘Blessed is the people’, and the short concluding chorus are the other movements derived from the Te Deum.

Although originally written for Orchestra, I created this arrangement for Clarinet Quartet (3 Bb Clarinets & Bass Clarinet).
Source / Web :MuseScore
Ajoutée par magataganm le 2013-05-21
Partition centrale :My song shall be alway; Chandos Anthem No. 7, 252 (2 partitions)

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