Free-scores.com : Bach, Johann Sebastian - Prelude: "Christ unser Herr zum Jordan kam" for Double-Reed Trio (2 Hautbois et Basson)

CRITÈRES : Chorale Préludes, BWV 684 (61) (Bach, Johann Sebastian)

HAUTBOIS › Bach, Johann Sebastian

Prelude: "Christ unser Herr zum Jordan kam" for Double-Reed Trio
BWV 684
Johann Sebastian Bach
2 Hautbois et Basson

0 J'aime

Playlist

Niveau de difficulté :

Évaluer :

VoirPDF : Prelude: "Christ unser Herr zum Jordan kam" (BWV 684) for Double-Reed Trio (5 pages - 183.92 Ko)217x⬇

FERMER

Depuis 25 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.
Si vous utilisez et appréciez Free-scores.com, merci d'envisager un don de soutien.

A propos de free-scores.com / Témoignages de membres

Ne plus revoir cette fenêtre pour la durée de cette session.

MP3 : Prelude: "Christ unser Herr zum Jordan kam" (BWV 684) for Double-Reed Trio 35x⬇ 332x

VIDEO

MP3

Vidéo :

Compositeur	Bach, Johann Sebastian (1685 - 1750)
Instrumentation	2 Hautbois et Basson
Partition centrale	Chorale Préludes (61 partitions)
Genre	Baroque
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 25 Sep 2016
The Clavier-Übung III, sometimes referred to as the German Organ Mass, is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739. It is considered Bach's most significant and extensive work for organ, containing some of his musically most complex and technically most demanding compositions for that instrument. In its use of modal forms, motet-style and canons, it looks back to the religious music of masters of the stile antico, such ...(+) The Clavier-Übung III, sometimes referred to as the German Organ Mass, is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739. It is considered Bach's most significant and extensive work for organ, containing some of his musically most complex and technically most demanding compositions for that instrument. In its use of modal forms, motet-style and canons, it looks back to the religious music of masters of the stile antico, such as Frescobaldi, Palestrina, Lotti and Caldara. At the same time, Bach was forward-looking, incorporating and distilling modern baroque musical forms, such as the French-style chorale. The work has the form of an Organ Mass: between its opening and closing movements—the prelude and "St Anne" fugue in E-flat, BWV 552—are 21 chorale preludes, BWV 669–689, setting parts of the Lutheran mass and catechisms, followed by four duets, BWV 802–805. The chorale preludes range from compositions for single keyboard to a six-part fugal prelude with two parts in the pedal. The purpose of the collection was fourfold: an idealized organ programme, taking as its starting point the organ recitals given by Bach himself in Leipzig; a practical translation of Lutheran doctrine into musical terms for devotional use in the church or the home; a compendium of organ music in all possible styles and idioms, both ancient and modern, and properly internationalised; and as a didactic work presenting examples of all possible forms of contrapuntal composition, going far beyond previous treatises on musical theory. The chorale prelude Christ unser Herr zum Jordan kam BWV 684 has a trio sonata like ritornello in C minor in the three parts of the manuals. (Note that I have replaced the the cantus firmus in the tenor register of the pedal). Bach specifically stipulates two keyboards to give different sonorities to the imitative upper parts and the bass part. The undulating semiquavers in the bass, usually interpreted as representing the flowing waters of the Jordan, imitate a violine continuo, according to the model of Kauffmann's Harmonische Seelenlust. The musical content of the ritornello contains explicit allusions to the melody of the chorale, sometimes hidden in the semiquaver passage work and motifs. Source: Wikipedia (https://en.wikipedia.org/wiki/Clavier-%C3%9Cbung_III). Although originally created for Organ, I created this Interpretation of the Chorale Prelude (BWV 684) "Christ unser Herr zum Jordan kam" (Christ our Lord to the Jordan came) for Double-Reed Trio (2 Oboes & Bassoon).