MUSICOTHÈQUE

Rameau, Jean-Philippe Jean-Philippe Rameau
France France
(1683 - 1764)
205 partitions
76 MP3 58 MIDI

ARRANGEURS :
› Rameau, Jean-Philippe Original 5
› Doebber, Johannes 1
› Kross, Emil 1
› Magatagan, Mike 2
› Mottl, Felix 1

Ses partitions:




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Partitions Harpe Harpe Jean-Philippe Rameau
Rameau, Jean-Philippe: Variation III from

Variation III from "Gavotte with Six Doubles" for Harp
Jean-Philippe Rameau



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Télécharger MP3 : Audio principal (2.1 Mo)228x 1 623x
Variation III from Gavotte with Six Doubles for Harp
Télécharger MP3 (2.22 Mo) : Interprétation (par Leonard Anderson)116x 254x

Compositeur :Jean-Philippe RameauJean-Philippe Rameau (1683 - 1764)
Instrumentation :

Harpe

1 autre version
Genre :

Baroque

Arrangeur :
Editeur :
Jean-Philippe RameauMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Jean-Philippe Rameau (1683 - 1764) was one of the most important French composers and music theorists of the Baroque era. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside François Couperin.

Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722). He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests. His debut, Hippolyte et Aricie (1733), caused a great stir and was fiercely attacked for its revolutionary use of harmony by the supporters of Lully's style of music. Nevertheless, Rameau's pre-eminence in the field of French opera was soon acknowledged, and he was later attacked as an "establishment" composer by those who favoured Italian opera during the controversy known as the Querelle des Bouffons in the 1750s. Rameau's music had gone out of fashion by the end of the 18th century, and it was not until the 20th that serious efforts were made to revive it. Today, he enjoys renewed appreciation with performances and recordings of his music ever more frequent.

Dance music: the danced interludes, which were obligatory even in tragédie en musique, allowed Rameau to give free rein to his inimitable sense of rhythm, melody, and choreography, acknowledged by all his contemporaries, including the dancers themselves. This "learned" composer, forever preoccupied by his next theoretical work, also was one who strung together gavottes, minuets, loures, rigaudons, passepieds, tambourins, and musettes by the dozen.

Although originally composed for period instruments (possibly Harpsichord and Lute), I created this arrangement for Concert (Pedal) Harp.
Source / Web :MuseScore
Ajoutée par magataganm, 24 Oct 2012
Partition centrale :Nouvelles suites de pièces de clavecin, 5-6 (15 partitions)
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Cette partition est associée à la collection de magataganm :
arrangements pour harpe
arrangements pour harpe
Collection des arrangements pour harpe
Liste des partitions :
› Élégie pour harpe - Harpe
› Étude "La Source" pour harpe - Harpe
› "3 Salve Regina" for Oboe & Harp - Hautbois, harpe
› "A Carousel's Last Song" for Harp - Harpe
› "Adelita" for Harp - Harpe
› "Aeolian Harp Étude" in Ab Major for Harp
› "Alléluia" Duet Harpe - 2 Harpes (Duo)
› "Allemande" for Harp - Harpe
› "Allemande" from the Suite in E-Minor for Harp - Harpe
› "An Emigrant's Daughter" for Oboes & Harp - Hautbois, harpe