Schütz, Heinrich Heinrich Schütz
Allemagne Allemagne
(1585 - 1672)
39 partitions
164 MP3 3 MIDI

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Partitions Harpe Harpe et Orchestre Heinrich Schütz
Schütz, Heinrich: Psalm 34:

Psalm 34: "Ich will den Herren Loben Allezeit" for Harp & Strings
Opus 9 SWV 306
Heinrich Schütz

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Télécharger PDF : "Ich will den Herren Loben Allezeit" (Opus 9 SWV 306) for Harp & Strings (7 pages - 143.1 Ko)
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Télécharger MP3 : Audio principal (2.67 Mo)168x 507x
Psalm 34: Ich will den Herren Loben Allezeit for Harp & Strings
Télécharger MP3 (2.54 Mo) : (par Magatagan, Michael)149x 124x
Psalm 34: Ich will den Herren Loben Allezeit for Harp & Strings
Télécharger MP3 (2.54 Mo) : (par Magatagan, Michael)148x 124x

Compositeur :Heinrich SchützHeinrich Schütz (1585 - 1672)
Instrumentation :

Harpe et Orchestre

Genre :


Arrangeur :
Editeur :
Heinrich SchützMagatagan, Mike (1960 - )
Date :1639
Droit d'auteur :Public Domain
Heinrich Schütz (1585 – 1672) was a German composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and often considered to be one of the most important composers of the 17th century along with Claudio Monteverdi. He wrote what is traditionally considered to be the first German opera, Dafne (Opitz-Schütz), performed at Torgau in 1627, the music of which has since been lost. He is commemorated as a musician in the Calendar of Saints of the Lutheran Church on 28 July with Johann Sebastian Bach and George Frideric Handel. He was buried in the Dresden Frauenkirche but his tomb has been destroyed.

Schütz's compositions show the influence of his teacher Gabrieli (displayed most notably with Schütz's use of resplendent polychoral and concertato styles) and of Monteverdi. Additionally, the influence of the Netherlandish composers of the 16th century is prominent in his work. His best known works are in the field of sacred music, ranging from solo voice with instrumental accompaniment to a cappella choral music. Representative works include his three books of Symphoniae sacrae, the Psalms of David (Psalmen Davids), the Sieben Worte Jesu Christi am Kreuz (the Seven Last Words on the Cross) and his three Passion settings. Schütz's music, while starting off in the most progressive styles early in his career, eventually grew into a style that is simple and almost austere, culminating with his late Passion settings. Practical considerations were certainly responsible for part of this change: the Thirty Years' War had devastated the musical infrastructure of Germany, and it was no longer practical or even possible to put on the gigantic works in the Venetian style which marked his earlier period.

Schütz had a way of entering into sacred texts musically, producing not personal responses but emotional fervor that seems universal, that was matched in the history of German music only by Johann Sebastian Bach. Several of the psalms among the Psalmen David heard here are familiar from Bach's settings, but the Schütz versions have their own profundity.

Although originally written for Chorus & Continuo, I created this arrangement for Harp & Strings (Violin, Viola, Cello & Double Bass).
Source / Web :MuseScore
Ajoutée par magataganm, 13 Avr 2013
0 commentaire


Cette partition est associée à la collection de magataganm :
arrangements pour harpe
arrangements pour harpe
Collection des arrangements pour harpe
Liste des partitions :
› Élégie pour harpe - Harpe
› Étude "La Source" pour harpe - Harpe
› "3 Salve Regina" for Oboe & Harp - Hautbois, harpe
› "A Carousel's Last Song" for Harp - Harpe
› "Adelita" for Harp - Harpe
› "Aeolian Harp Étude" in Ab Major for Harp
› "Alléluia" Duet Harpe - 2 Harpes (Duo)
› "Allemande" for Harp - Harpe
› "Allemande" from the Suite in E-Minor for Harp - Harpe
› "An Emigrant's Daughter" for Oboes & Harp - Hautbois, harpe