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INSTRUMENTATIONS :
CHANT - CHORALE
› Choeur SATB, Orchestre 3 Original
› Choeur SATB, Piano 5
› Choeur SATB 4
› Choeur SATB a cappella 3
› Soli, Choeur et Orchestre 1

+ 86 instrumentations

ARRANGEURS :
› Haendel, Georg Friedrich Original 1
› Adrian A, Cuello Piraquibis 1
› Bergeron, Guy 1
› Bert, Jacques 2
› Best, William Thomas 1

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Partitions Harpe › Ensemble à vent et Harpe › Georg Friedrich Haendel

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"And He Shall Purify" for Harp and Woodwind Quartet
HWV 56
Georg Friedrich Haendel

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And He Shall Purify for Harp and Woodwind Quartet

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And He Shall Purify for Harp and Woodwind Quartet

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Compositeur :	Georg Friedrich Haendel (1685 - 1759)
Instrumentation :	Ensemble à vent et Harpe ➔ 1 autre version
Genre :	Baroque
Arrangeur : Editeur :	Magatagan, Mike (1960 - ) S'ABONNER 84 Contacte Faire un don
Date :	1741
Droit d'auteur :	Public Domain
The "Messiah" (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the Psalms included with the Book of Common Prayer (which are worded slightly differently from their King James counterparts). It was first performed in Dublin on 13 April 1742, and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1713, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s, in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of conventional opera, it is not in dramatic form; there are no impersonations of characters and very little direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah, moving from the prophetic phrases of Isaiah and others, through the Incarnation, Passion and Resurrection of Christ to his ultimate glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards authenticity; most contemporary performances show a greater fidelity towards Handel's original intentions, although "big Messiah" productions continue to be mounted. "And he shall purify the sons of Levi" is a chorus from Part 1 Scene 2 (No. 7) drawn from Quel fior che alla'ride (July 1741), meaning that Jesus Christ shall purify o the sons of Levi - These had been first the leaders in degeneracy, the corrupters of the people by their example and connivance. Actually Acts 6:7, "a great company of the priests were obedient to the faith." Barnabas also was a Levite. Acts 4:36. But more largely, as Zion and Jerusalem are the titles for the Christian Church, and Israel who believed was the true Israel, so "the sons of" Levi are the true Levites, the Apostles and their successors in the Christian priesthood. Although originally written for Opera, I created this arrangement for Concert (Pedal) Harp and Woodwind Quartet (Flute, Oboe, Bb Clarinet and Bassoon).
Source / Web :	MuseScore
	Ajoutée par magataganm, 09 Janv 2013
Partition centrale :	Messiah, 56 (152 partitions)