MUSICOTHÈQUE

Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)
8 218 partitions
8 758 MP3 1987 MIDI
INSTRUMENTATIONS :
PIANO
› Piano seul 24 Original
GUITARE
› 2 Guitares (duo) 42
› Guitare seule (notation standard) 6
› Guitare seule (avec tablature) 1
CLAVECIN
› Clavier (piano, clavecin ou orgue) 14
HARPE

ARRANGEURS :
› Bach, Johann Sebastian Original 24
› Heidtmann, Klaus 5
› Ibarrola, Juan M. 1
› Magatagan, Mike 29
› Minami, Cohey 1

Ses partitions:

Objets cadeaux
Bach, Johann Sebastian



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Partitions Harpe Harpe Johann Sebastian Bach
Bach, Johann Sebastian: Gigue from Partita No.1 in Bb Major for Harp

Gigue from Partita No.1 in Bb Major for Harp
BWV 825 Part 6
Johann Sebastian Bach



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Compositeur :Johann Sebastian BachJohann Sebastian Bach (1685 - 1750)
Instrumentation :

Harpe

5 autres versions
Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
The Partitas, BWV 825?830, are a set of six Harpsichord suites written by Johann Sebastian Bach, published from 1726 to 1730 as Clavier-Übung I, and the first of his works to be published under his direction. They were, however, among the last of his keyboard suites to be composed, the others being the 6 English Suites, BWV 806-811 and the 6 French Suites, BWV 812-817.

The six Partitas (BWV 825-830) are part of Bach's Clavier-Übung, but were published singly, beginning in 1726 with this B flat major effort. A new partita appeared each year thereafter until 1731, when the whole collection was issued. Each of the six is a suite containing allemandes, sarabandes, minuets, and various other dances and numbers. The B flat major Partita consists of seven short movements, the first being a praeludium, a moderately paced piece so typical of Bach's music in its stately confidence, serene joy, and deftly wrought contrapuntal writing. There follow an allemande, corrente (courante), sarabande, and gigue which comprise the standard sequence of dances that make up a partita. Actually, Bach inserted two brief minuets between the sarabande and gigue.

This gigue is a lively baroque dance originating from the British jig. It was imported into France in the mid-17th century and usually appears at the end of a suite. The gigue was probably never a court dance, but it was danced by nobility on social occasions and several court composers wrote gigues. This gigue is rhythmic and fast-paced, breathless in its graceful drive and bouncy manner.

Although this piece was originally written for Harpsichord, I arranged it for Concert (Pedal) Harp.
Source / Web :MuseScore
Ajoutée par magataganm, 05 Aoû 2012
Partition centrale :6 Partitas ou suites « allemandes », 825-830 (129 partitions)
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Cette partition est associée à la collection de magataganm :
arrangements pour harpe
arrangements pour harpe
Collection des arrangements pour harpe
Liste des partitions :
› Élégie pour harpe - Harpe
› Étude "La Source" pour harpe - Harpe
› "3 Salve Regina" for Oboe & Harp - Hautbois, harpe
› "A Carousel's Last Song" for Harp - Harpe
› "Adelita" for Harp - Harpe
› "Aeolian Harp Étude" in Ab Major for Harp
› "Alléluia" Duet Harpe - 2 Harpes (Duo)
› "Allemande" for Harp - Harpe
› "Allemande" from the Suite in E-Minor for Harp - Harpe
› "An Emigrant's Daughter" for Oboes & Harp - Hautbois, harpe