Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)
8 218 partitions
8 758 MP3 1987 MIDI

› Bach, Johann Sebastian Original 1
› Magatagan, Mike 1
› Non attribuées 1

Ses partitions:

Objets cadeaux
Bach, Johann Sebastian

"Depuis 20 ans nous fournissons un service libre et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez, merci d'envisager un don de soutien."

A propos / Témoignages de membres

Partitions Harpe Harpe Johann Sebastian Bach
Bach, Johann Sebastian: Prelude in A Minor for Harp

Prelude in A Minor for Harp
BWV 922
Johann Sebastian Bach

Prévisualisation :

Niveau :
Applaudir :
Télécharger PDF : Prelude in A Minor (BWV 922) for Harp (8 pages - 424.53 Ko)
Connectez-vous gratuitement
et participez à la communauté :

attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
laisser votre commentaire
noter le niveau et l'intérêt de la partition
ajouter cette partition dans votre musicothèque
ajouter votre interprétation audio ou video

Télécharger MP3 : Prelude in A Minor (BWV 922) for Harp 77x 348x

Compositeur :Johann Sebastian BachJohann Sebastian Bach (1685 - 1750)
Instrumentation :


Genre :


Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Tonalité :La mineur
Droit d'auteur :Public Domain
Johann Sebastian Bach was better known as a virtuoso organist than as a composer in his day. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today. Many consider him the greatest composer of all time judging by the character of Bach's early keyboard works, both the improvisatory and virtuoso aspects of his playing acted as spurs to his creativity. Improvisation was essential to the keyboard player's training in Bach's day, and numerous passages in the early keyboard works no doubt had an extempore basis, notably hisfree fantasy interludes, the toccatas and the ruminative elaborated chord sequences in his preludes (BWV 921-923). In addition, many pieces may have originated, at least in part, as material for the exercise of Bach's own virtuosity. However, these virtuoso and improvisatory elements, the urge 'to run or leap up and down the instrument, to take both hands as full as all the five fingers will allow and to proceed in this wild manner till he by chance finds a resting place? represent only one side of the musical make-up of the young Bach. Just as strong, and eventually predominant, was the impulse to create order in sound, to excel in the art of musical construc-tion. Here Bach appears to have been very largely self-taught. His search for compositional models is illustrated in the story of his illicit copying during the Ohrdruf years (1695-1700) of a book of keyboard pieces belonging to his elder brother Johann Christoph. This book, which is no longer extant, contained music by three seventeenth-century South German composers (J. J. Froberger, J. C. Kerl and J. Pachelbel) two of whom (Kerl and Pachelbel) were linked with Johann Christoph in a direct teacher—pupil line.

The Prelude (Fantasia) in A Minor (BWV 922), is an extraordinary example of minimalism. Bach's seemingly endless variations on so simple a figure is a textbook case of harmonic development. Organists don't find this piece in their volumes of "Bach organ music" because of the artificial division that happened more than 100 years ago between Bach "organ" and "keyboard" pieces. The pedal part scored is at the player's initiative and discretion. In most of the ways that harpsichordists tune, the triads of B, F#, and C# majors sound rough ... and this piece uses enough of them to make it challenging.

Bach likely wrote this music in his late 20s. Some sections of the piece are long and repetitive, with little happening beyond some adventurous modulations (akin to those of the f# minor toccata, BWV 910). In the equal temperament of pianos and most organs, it is difficult to make much of this without being unimaginative. The piece is arguably too big and boisterous for the clavichord. Although mostly unplayed, it deserves better!

Source: Wikipedia ( e_compositions_by_Johann_Sebastian_Bach).

Although originally written for Harpsichord. I created this Arrangement of the Prelude (Fantasia) in A Minor (BWV 922) for Concert (Pedal) Harp.
Source / Web :MuseScore
Ajoutée par magataganm, 11 Sep 2017
Partition centrale :Prélude en La mineur, 922 (3 partitions)
0 commentaire

Meilleures ventes pour Harpe
Toutes les partitions best sellers pour Harpe.


Cette partition est associée à la collection de magataganm :
arrangements pour harpe
arrangements pour harpe
Collection des arrangements pour harpe
Liste des partitions :
› Élégie pour harpe - Harpe
› Étude "La Source" pour harpe - Harpe
› "3 Salve Regina" for Oboe & Harp - Hautbois, harpe
› "A Carousel's Last Song" for Harp - Harpe
› "Adelita" for Harp - Harpe
› "Aeolian Harp Étude" in Ab Major for Harp
› "Alléluia" Duet Harpe - 2 Harpes (Duo)
› "Allemande" for Harp - Harpe
› "Allemande" from the Suite in E-Minor for Harp - Harpe
› "An Emigrant's Daughter" for Oboes & Harp - Hautbois, harpe

Partitions numériques (accès après achat) Recherche sur "Prelude in A Minor for Harp" en Harpe