Johann Sebastian Bach (21 mars 1685 - 28 juillet 1750), en français Jean-Sébastien Bach, est un compositeur, claveciniste, violoniste et organiste allemand.
Compositeur de l'époque baroque dont il symbolise et personnifie l'apogée, il eut une influence majeure et durable dans le développement de la musique occidentale ; de grands compositeurs, tels que Mozart et Beethoven, reconnurent en lui un maître du contrepoint insurpassable.
Il fut un musicien complet qui maîtrisait la facture des instruments tout autant que la technique instrumentale, la composition comme l'improvisation, la pédagogie comme la gestion d'une institution musicale.
Localement connu de son vivant comme organiste et improvisateur, sa musique fut toutefois vite oubliée après son décès, car passée de mode ; son ?uvre, à de rares exceptions près, manuscrite et jamais publiée, dispersée et en partie perdue, fut redécouverte et étudiée par les romantiques. (Rétracter)...(Lire la suite)
The harpsichord concertos, BWV 1052-1065, are concertos for harpsichord, strings and continuo by Johann Sebastian Bach. Of these, there are seven comp...
The harpsichord concertos, BWV 1052-1065, are concertos for harpsichord, strings and continuo by Johann Sebastian Bach. Of these, there are seven complete concertos for a single harpsichord, (BWV 1052-1058), three concertos for 2 harpsichords (BWV 1060-1062), two concertos for 3 harpsichords (BWV 1063-1064), and one concerto for 4 harpsichords, (BWV 1065).
All of Bach's harpsichord concertos, with the exception of the Brandenburg concerto and BWV 1061 which was composed for harpsichords from the very beginning (though, without accompaniment) are thought to be arrangements made from earlier concertos for melodic instruments probably written in Köthen. In many cases, only the harpsichord version has survived.
Bach made a number of transcriptions from Antonio Vivaldi's concertos, especially from his op.3 set, entitled L'estro Armonico; he adapted them for solo harpsichord and solo organ, and for the concerto for 4 violins in B minor, op.3 no.10, RV 580, he decided upon the unique solution of using four harpsichords and orchestra. This is thus the only harpsichord concerto by Bach which was not an adaptation of his own material. The middle movement has the four harpsichords playing differently-articulated arpeggios in a very unusual tonal blend, while Bach provided some additional virtuosity and tension in the other movements.
Although this Concerto in C Minor was originally written for 4 Harpsichords and Orchestra, I created this arrangement for four (4) Concert (Pedal) Harps