Carlo Cecere (1706 – 1761) was an Italian composer of operas, concertos and instrumental duets including, for example, some mandolin duets and a concerto for mandolin. Cecere worked in the transitional period between the Baroque and Classical eras. Surprisingly little is known about his life, given that he lived in the 18th century. It is known that Cecere was born in Grottole (Basilicata) and died in Naples; he is buried in the chapel of the Congregazione dei Musici di S. Maria la Nuova. But it is not even known which instrument(s) he played by preference. According to some sources, he was mainly a violinist—he was certainly a violinist in the monastery of the Carmine in Naples—whereas other sources believe he was primarily a flautist.

Cecere set to music at least two librettos by Pietro Trinchera, including La tavernola abentorosa. Trinchera, not Cecere, was punished because La tavernola abentorosa's satirical portrayal of monastic life was considered a buffoonish mockery. It was the first comic opera written specifically for a monastic audience.

Source: Wikipedia (https://en.wikipedia.org/wiki/Carlo_Cecere).

Although originally composed for Mandolin, 2 Violins, & Basso Continuo, I created this Interpretation of the "Concerto di Mandolino con Violini, e Basso" in A Major (Gima 60) for String Quartet (2 Violins, Viola & Cello).