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Bach, Johann Sebastian Johann Sebastian Bach
Germany Germany
(1685 - 1750)
6575 sheet music
7213 MP3
1137 MIDI



Arrangers : › Bach, Johann Sebastian Original (2)
› Busoni, Ferruccio (1)
› MACHELLA, MAURIZIO (1)
› Magatagan, Mike (17)
› Tran, Minh Tu (3)
› Not attributed (12)

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Bach, Johann Sebastian: Prelude: "Christe, aller Welt Trost" for Woodwind Trio

Prelude: "Christe, aller Welt Trost" for Woodwind Trio
BWV 670
Johann Sebastian Bach




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ListenDownload MP3 : Prelude: "Christe, aller Welt Trost" (BWV 670) for Woodwind Trio 19x 113x ViewDownload PDF : Prelude: "Christe, aller Welt Trost" (BWV 670) for Woodwind Trio (3 pages - 118.84 Ko)94x
 

 
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Composer :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Flute, Oboe, Bassoon

Style :

Baroque

Arranger :
Publisher :
Johann Sebastian BachMagatagan, Mike (1960 - )
Copyright :Public Domain
The Clavier-Übung III, sometimes referred to as the German Organ Mass, is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739. It is considered Bach's most significant and extensive work for organ, containing some of his musically most complex and technically most demanding compositions for that instrument.

In its use of modal forms, motet-style and canons, it looks back to the religious music of masters of the stile antico, such as Frescobaldi, Palestrina, Lotti and Caldara. At the same time, Bach was forward-looking, incorporating and distilling modern baroque musical forms, such as the French-style chorale.

The work has the form of an Organ Mass: between its opening and closing movements—the prelude and "St Anne" fugue in E-flat, BWV 552—are 21 chorale preludes, BWV 669–689, setting parts of the Lutheran mass and catechisms, followed by four duets, BWV 802–805. The chorale preludes range from compositions for single keyboard to a six-part fugal prelude with two parts in the pedal.

The purpose of the collection was fourfold: an idealized organ programme, taking as its starting point the organ recitals given by Bach himself in Leipzig; a practical translation of Lutheran doctrine into musical terms for devotional use in the church or the home; a compendium of organ music in all possible styles and idioms, both ancient and modern, and properly internationalised; and as a didactic work presenting examples of all possible forms of contrapuntal composition, going far beyond previous treatises on musical theory.

BWV 670 is a chorale motet for two manuals and pedal in 4/2 time. The four lines of the cantus firmus in the phrygian mode of G are played in the tenor part (en taille) on one manual in semibreve beats. As in BWV 669, the single fugal theme of the other three parts, two in the second manual and one in the pedal, is in minim beats and based on the first two lines of the cantus firmus. The writing is again mostly modal, in alla breve strict counterpoint with similar stile antico features and a resulting smoothness. In this case, however, there are fewer inversions, the cantus firmus phrases are longer and freer, and the other parts more widely spaced, with canone sine pausa passages in sixths.

Source: Wikipedia (https://en.wikipedia.org/wiki/Clavier-%C3%9Cbung_III).

Although originally created for Organ, I created this Interpretation of the Fughetta (BWV 670) "Christe, aller Welt Trost" (Christ, Comfort of all the world) for Woodwind Trio (Flute, Oboe & Bassoon).
Source / Web :MuseScore
Sheet central :Chorale Préludes (36 sheet music)
Added by magataganm the 2016-09-29


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This sheet music is part of the collection of magataganm :
Flute
flûte
Flute Arrangements
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› "A Swiss Melody" for Flute Quartet - Flute Quartet
› "Abendlied" for Woodwind Quartet - Wind quartet
› "Ach bleib bei uns, Herr Jesu Christ" for Flute Duet - 2 flutes
› "Ad Te Levavi" for Brass & Strings - Winds & String Orchestra