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Bach, Johann Sebastian Johann Sebastian Bach
Germany Germany
(1685 - 1750)
6592 sheet music
7221 MP3
1144 MIDI



Arrangers : › Bach, Johann Sebastian Original (5)
› BENOIST, Regis (1)
› Bizjak, Milko (1)
› LEUTHEREAU, Bernard (1)
› MACHELLA, MAURIZIO (1)
› Magatagan, Mike (15)
› Williams, Donald (7)
› Not attributed (17)

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Bach, Johann Sebastian: "Nun komm' der Heiden Heiland" for Flute & Harpsichord

"Nun komm' der Heiden Heiland" for Flute & Harpsichord
BWV 659
Johann Sebastian Bach




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ListenDownload MP3 : Principal audio (4.31 Mo)133x 550x ViewDownload PDF : "Nun komm' der Heiden Heiland" (BWV 659) for Flute & Harpsichord (3 pages - 102.53 Ko)559x
 

 
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ViewDownload PDF : Flute Part (67.06 Ko)
ViewDownload PDF : Harpsichord Part (78.61 Ko)
Nun komm der Heiden Heiland for Flute & Harpsichord
Download MP3 (3.32 Mo) : (by Magatagan, Michael)83x 96x
Nun komm der Heiden Heiland for Flute & Harpsichord
Download MP3 (3.31 Mo) : (by Magatagan, Michael)64x 79x



Composer :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Flute and Harp

Style :

Baroque

Arranger :
Publisher :
Johann Sebastian BachMagatagan, Mike (1960 - )
Copyright :Public Domain
The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade 1740-1750, from earlier works composed in Weimar, where he was court organist. The works form an encyclopedic collection of large scale chorale preludes, in a variety of styles harking back to the previous century, that Bach gradually perfected during his career. Together with the Orgelbüchlein, the Schübler Chorales and the third book of the Clavier-Übung, they represent the summit of Bach's sacred music for solo organ.

"Now comes the gentiles' Saviour" (Nun komm' der Heiden Heiland), BWV 659, is written in meantone temperament over the quavers of the continuo-like "walking bass" in the pedal, the two inner parts move forward meditatively in canon, beneath the florid and melismatic cantus firmus. The beautiful melody, endlessly prolonged and never fully perceptible amid the freely spiraling arabesques, evokes the mystery of the incarnation; it is matched by the perfection of the accompaniment.

Although this work was written for solo voice and basso continuo, I created this arrangement for Flute and Harpsichord.
Source / Web :Musescore
Sheet central :18 préludes, chorals pour orgue (48 sheet music)
Added by magataganm the 2012-12-13


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This sheet music is part of the collection of magataganm :
Flute
flûte
Flute Arrangements
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