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(1685 - 1750)

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18 Chorale Preludes - BWV 651-668

INSTRUMENTATIONS :
ORGAN - ORGAO
› Organ solo 29
GUITAR
› 3 guitars (trio) 10
› 2 Guitars (Duet) 8
RECORDER
› Recorder SATB 3
› Recorder SSB 2
› Recorders ATB and Cello 1
› 2 Recorders and Cello 1
OBOE

+17 instrumentations

ARRANGERS :
› Bach, Johann Sebastian Original 10
› BENOIST, Régis 1
› Cornu, Philippe 1
› LEUTHEREAU, Bernard 1
› Luis, Álvarez 18
› MACHELLA, MAURIZIO 1
› MAGATAGAN, MICHAEL 19

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Harp Sheet music ⮞ Flute and Harp ⮞ Johann Sebastian Bach

"Nun komm' der Heiden Heiland" for Flute & Harpsichord
BWV 659
Johann Sebastian Bach

Flute and Harp

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ViewDownload PDF : "Nun komm' der Heiden Heiland" (BWV 659) for Flute & Harpsichord (3 pages - 102.53 Ko)976x⬇

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ViewDownload PDF : Flute Part (67.06 Ko)

ViewDownload PDF : Harpsichord Part (78.61 Ko)

Download MP3 : Principal audio (4.31 Mo)156x⬇ 845x

Nun komm der Heiden Heiland for Flute & Harpsichord

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(by Magatagan, Michael)101x⬇ 160x

Nun komm der Heiden Heiland for Flute & Harpsichord

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Composer	Johann Sebastian Bach (1685 - 1750)
Instrumentation	Flute and Harp
Style	Baroque
Arranger Publisher	MAGATAGAN, MICHAEL (1960 - ) Follow this artist 95 Contact
Copyright	Public Domain
The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade 1740-1750, from earlier works composed in Weimar, where he was court organist. The works form an encyclopedic collection of large scale chorale preludes, in a variety of styles harking back to the previous century, that Bach gradually perfected during his career. Together with the Orgelbüchlein, the Schübler Chorales and the third book of ...(+) The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade 1740-1750, from earlier works composed in Weimar, where he was court organist. The works form an encyclopedic collection of large scale chorale preludes, in a variety of styles harking back to the previous century, that Bach gradually perfected during his career. Together with the Orgelbüchlein, the Schübler Chorales and the third book of the Clavier-Übung, they represent the summit of Bach's sacred music for solo organ. "Now comes the gentiles' Saviour" (Nun komm' der Heiden Heiland), BWV 659, is written in meantone temperament over the quavers of the continuo-like "walking bass" in the pedal, the two inner parts move forward meditatively in canon, beneath the florid and melismatic cantus firmus. The beautiful melody, endlessly prolonged and never fully perceptible amid the freely spiraling arabesques, evokes the mystery of the incarnation; it is matched by the perfection of the accompaniment. Although this work was written for solo voice and basso continuo, I created this arrangement for Flute and Harpsichord.
Sheet central	18 préludes, chorals pour orgue (74 sheet music)
	Added by magataganm, 13 Dec 2012