Gounod, Charles

France
(1818 - 1893)

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323 MP3 - 33 MIDI

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Flute Sheet music ⮞ Flute and Harp ⮞ Charles Gounod

"L'absent" for Flute & Harp
Charles Gounod

Flute and Harp

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ViewDownload PDF : "L'absent" for Flute & Harp (9 pages - 222.68 Ko)36x⬇

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ViewDownload PDF : Flute (60.73 Ko)

ViewDownload PDF : Harp (117.02 Ko)

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Download MP3 : "L'absent" for Flute & Harp 7x⬇ 116x

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Composer	Charles Gounod (1818 - 1893)
Instrumentation	Flute and Harp
Style	Romantic
Arranger Publisher	MAGATAGAN, MICHAEL (1960 - ) Follow this artist 95 Contact
Copyright	Public Domain
Charles-François Gounod (1818 – 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been Faust (1859); his Roméo et Juliette (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (an elaboration of a Bach piece), and Funeral March of a Marionette. Born in Paris into an artistic and musical family Gounod was a s...(+) Charles-François Gounod (1818 – 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been Faust (1859); his Roméo et Juliette (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (an elaboration of a Bach piece), and Funeral March of a Marionette. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs, orchestral music and operas. Gounod's career was disrupted by the Franco-Prussian War. He moved to England with his family for refuge from the Prussian advance on Paris in 1870. After peace was restored in 1871 his family returned to Paris but he remained in London, living in the house of an amateur singer, Georgina Weldon, who became the controlling figure in his life. After nearly three years he broke away from her and returned to his family in France. His absence, and the appearance of younger French composers, meant that he was no longer at the forefront of French musical life; although he remained a respected figure he was regarded as old-fashioned during his later years, and operatic success eluded him. He died at his house in Saint-Cloud, near Paris at the age of 75. Few of Gounod's works remain in the regular international repertoire, but his influence on later French composers was considerable. In his music there is a strand of romantic sentiment that is continued in the operas of Jules Massenet and others; there is also a strand of classical restraint and elegance that influenced Gabriel Fauré. Claude Debussy wrote that Gounod represented the essential French sensibility of his time. In Goethe’s novel Wilhelm Meister’s Apprenticeship, the girl Mignon embodies the longing for Italy. In the novel, she sings the song "Kennst du das Land, wo die Zitronen blühn" (Do you know the country where the lemon trees flower). Charles Gounod set a free translation of the text by Louis Gallet in 1871. At the "appassionato", melodies heavy with longing over a piano part with flowing triplet figurations express the wanderlust for the country where "die Orangen wie Gold glänzen"! L’absent (1876) is said to have been written for the composer’s wife as a rather belated apology in song (the words are Gounod’s own) for his English escapade with Mrs Weldon. The story about this was so well known and discussed in the drawing rooms of both Paris and London at the time that an open recantation of this sort must have seemed appropriate. It might not have been lost on Gounod that such a public statement of mea culpa was also a strong selling point for the music. The piece is probably one of the composer’s most famous mélodies, and with justification. The rippling accompaniment flows seraphically beneath an exceptionally beautiful (and extremely difficult) long-breathed vocal line. César Franck might easily have written this perfumed and beatific music. It is to Gounod’s credit that he somehow avoids the sugary sentimentality which would make the listener question the composer’s sincerity. In a good performance the music radiates a noble sense of regret and loss, with just the slightest whiff of attitudinizing. It helps to have the words sung by a soprano; men and women have a different way of spinning a line. Source: Wikipedia (https://imslp.org/wiki/Category:Gounod,_Charles) Although originally composed for Voice (Soprano) and Piano, I created this arrangement of "L'absent" (The Absent One) for Flute & Piano.
	Added by magataganm, 13 Dec 2022