Johann Sebastian Bach (21 March 1685 ? 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.[1] Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse instrumentation, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg concertos, the Goldberg Variations, the Partitas, the Well-Tempered Clavier, the Mass in B Minor, the St. Matthew Passion, the St. John Passion, the Magnificat, The Musical Offering, The Art of Fugue, the English Suites, the French Suites, the Sonatas and Partitas for violin solo, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's abilities as an organist were recognized and highly respected throughout Europe during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition. (Collapse)...(Read more)
Der Geist hilft unser Schwachheit auf (The Spirit gives aid to our weakness), BWV 226, is a motet by Johann Sebastian Bach, composed in Leipzig in 172...
Der Geist hilft unser Schwachheit auf (The Spirit gives aid to our weakness), BWV 226, is a motet by Johann Sebastian Bach, composed in Leipzig in 1729 for the funeral of Johann Heinrich Ernesti.
Bach himself noted on the score: "J. J. Motetta à doi Cori bey Beerdigung des seel. Hrn. Prof. und Rectoris Ernesti di J. S. Bach." (Jesu Juva -- Motet for two choirs for the funeral for the blessed Rector, Professor Ernesti, by J. S. Bach). Ernesti was professor of poetry at Leipzig University and director of the Thomasschule. The text is taken from the Epistle to the Romans (Romans 8:26--27) and Martin Luther's third stanza to the hymn "Komm, Heiliger Geist, Herre Gott" (1524). Ernesti himself had chosen the text from the epistle for the funeral sermon. Scholars debate if the date of the first performance (which took place in the Paulinerkirche, the university church), was 24 October, or rather 21 October, as indicated by the title page of the sermon.
"Der aber die Herzen forschet" (He, however, who examines hearts, He knows what the Spirit's intention is) is the 2nd motet from the "Der Geist hilft unser Schwachheit auf " (BWV 226) and although originally written for two (2) four (4) part choirs (SSAATTBB), I created this arrangement for Double String Quartet (Violins, Violas & Cellos).
GUITAR
KEYBOARD
STUDIO
PA
LIGHT
DEEJAY
MIC
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