The "Messiah" (HWV 56) is an English-language oratorio
composed in 1741 by George Frideric Handel, with a
scriptural text compiled by Charles Jennens from the
King James Bible, and from the Psalms included with the
Book of Common Prayer (which are worded slightly
differently from their King James counterparts). It was
first performed in Dublin on 13 April 1742, and
received its London premiere nearly a year later. After
an initially modest public reception, the oratorio
gained in popularity, eve...(+)
The "Messiah" (HWV 56) is an English-language oratorio
composed in 1741 by George Frideric Handel, with a
scriptural text compiled by Charles Jennens from the
King James Bible, and from the Psalms included with the
Book of Common Prayer (which are worded slightly
differently from their King James counterparts). It was
first performed in Dublin on 13 April 1742, and
received its London premiere nearly a year later. After
an initially modest public reception, the oratorio
gained in popularity, eventually becoming one of the
best-known and most frequently performed choral works
in Western music.
Handel's reputation in England, where he had lived
since 1713, had been established through his
compositions of Italian opera. He turned to English
oratorio in the 1730s, in response to changes in public
taste; Messiah was his sixth work in this genre.
Although its structure resembles that of conventional
opera, it is not in dramatic form; there are no
impersonations of characters and very little direct
speech. Instead, Jennens's text is an extended
reflection on Jesus Christ as Messiah, moving from the
prophetic phrases of Isaiah and others, through the
Incarnation, Passion and Resurrection of Christ to his
ultimate glorification in heaven.
Handel wrote Messiah for modest vocal and instrumental
forces, with optional settings for many of the
individual numbers. In the years after his death, the
work was adapted for performance on a much larger
scale, with giant orchestras and choirs. In other
efforts to update it, its orchestration was revised and
amplified by (among others) Mozart. In the late 20th
and early 21st centuries the trend has been towards
authenticity; most contemporary performances show a
greater fidelity towards Handel's original intentions,
although "big Messiah" productions continue to be
mounted.
"Every Valley Shall Be Exalted" is a tenor aria from
Part 1 (No. 3) with the lyrics: "Comfort ye, comfort ye
my people, saith your God. Speak ye comfortably to
Jerusalem, and cry unto her, that her warfare is
accomplished, that her iniquity is pardoned. The voice
of him that crieth in the wilderness, Prepare ye the
way of the Lord, make straight in the desert a highway
for our God. Every valley shall be exalted, and every
mountain and hill shall be made low; the crooked
straight, and the rough places plain."
Although originally written for Opera, I created this
arrangement for my friend and Pastor Julian J. Champion
of the West Point School of Music located in Chicago
IL. It has a single purpose for making music accessable
to inner-city and disadvantaged youth. They are a
struggling organization with a wonderful purpose. This
arrangement is created for Steel Orchestra (Lead Pan,
Double Lead, Alto Pan, Cello Pan & Bass Pan) Steel
Drums.
PARTITION