With microphone preamp, EQ and compressor- Class-A microphone preamp- 72 dB gain including 6 dB fine-tuning- 48 V phantom power and phase reversal switchable- High-pass filter adjustable in 31 steps from 20 to 250 Hz- 3-Band EQ with 31-step potentiometers- Fast VCA compressor with 20 dB make-up gain and pre-EQ/post-EQ option- Variable Silk-Red and Silk-Blue circuits for amplifying 2nd and 3rd order harmonics- Silk-Red mode enhances the harmonic content of highs and high mids- Silk-Blue mode amplifies the harmonic content of basses and low-mids- Specially designed transformer output stage- Separate -6 dBu XLR output: Newton Channel can be fully modulated to achieve more harmonics without overdriving the next unit in the chain- Main Out and -6 dB Out can be used simultaneously- Stereo link via 6.3 mm jack possible- Dimensions (W x D x H): 483 x 206 x 45 mm

Channel strip- With transformer gain preamp, DI, inductor EQ and diode bridge compressor- Mic gain and mic trim- 48V phantom power and polarity switchable- Tunable low-cut from 20 - 250 Hz- DI-In and -Thru- 3-band EQ with parametric depths (35, 60, 100, 220 Hz), parametric centers (220, 400, 900, 1800, 3500, 7500 Hz) and switchable Q factor, treble (8, 16 kHz)- Diode bridge compressor with adjustable threshold (-25 to +20), ratio (1.5: 1, 2: 1, 3: 1, 4: 1, 8: 1), gain (-6 to +20 dB) and timing (Fast , MF, Medium, MS, Slow, Car)- Blend for parallel compression- HPF (from preamp section) to sidechain- Compressor link option- Pre-EQ option- Silk function (Red, Blue), infinitely variable- VU meter (output level / level reduction)- Internal power supply, automatically switches from 100 to 240V AC, 50-60 Hz if necessary- Format: 19 "/ 1U

Two-Channel Microphone Preamplifier- Up to 72 dB gain in 6 dB steps with +/- 6 dB trim- Phase reversal- 48 V phantom power- Infinitely variable LoCut from 20 Hz to 250 Hz- Silk mode with variable saturation adjustment- Rupert Neve Custom transformer- Eight-Segment LED Level Meter- Inputs: 2x XLR- Outputs: 2x XLR (Line Out), 2x XLR ( -6 dB Out)

Comprised of a rugged, portable chassis with world class Portico pre-amp, compressor and DI circuits as well as two channel operation, variphase, silk and DI/mic blending capabilities, the Portico 5017 is an innovative and powerful tool for recording or live performance. In replacing the Portico 5016 Mic Pre / Variphase DI, the 5017 Mobile DPC adds single knob compression, DI / Mic Pre blending, and a go anywhere design to a well established classic. With Portico Series custom transformers and silk mode, the Mobile DPC s sonic signature is nothing short of legendary. It s the 5017 s revolutionary feature set however that make it an indispensable tool for studio recording, live recording and stage performances. Dual Channel Use Used as a two channel device, a lead singer and guitar player, can take the classic studio quality of the 5017 wherever they go; using the DPC for a Vocal mic pre and compressor, as well as a separate DI preamplifier. To achieve this, the blend control should be selected as fully DI (blend off), and an internal jumper can be selected to apply the compressor to the mic pre signal. When engaged, Silk mode would effect both vocal and guitar tracks, and the HPF control would effect only the mic path. Blended Use Used as a single channel device for instruments, the 5017 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals. The Compressor Based around a new LDR (light dependent resister) design, the 5017 s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with an internal jumper to change between standard and fast time constants. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active. Vari-Phase In addition to the standard polarity reverse, the 5017 also incorporates a vari-phase control to adjust the phase incrementally. This control is useful any time two signals derived from the same source are combined. For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned. This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 5017, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal. With the 5017, the Portico sound is always within reach.

Le Shelford Channel, le best-seller de chez Rupert Neve Design, est l'évolution définitive des technologies originales des modules classiques de Rupert, comme les 1073, 1064 et 2254.À la demande générale, nous proposons désormais le Dual Shelford Mic Pre : une version à deux canaux en édition limitée de notre préamplificateur phare.Le Dual Shelford offre l'excellence sonore de deux préamplis micro Shelford de Rupert Neve Designs dans un seul espace rack avec une alimentation interne.Il s'agit de deux canaux de la meilleure préamplification micro au monde.SPECIFICATIONSZSOURCE = 150 Ω Balanced, 30 ft. XLR cable on specified outputINPUT IMPEDANCE2.2 kΩMAXIMUM INPUT LEVEL@ 1 kHz: 24.9 dBu@ 1 kHz (Main Out): 26.7 dBu@ 1 kHz (-6dB Out): 20.7 dBuFREQUENCY RESPONSE20 Hz to 20 kHz: /-0.25 dB10 Hz to 62 kHz: /- 0.5 dB5 Hz:

Simple and elegant, the 5211 is the natural evolution of what is arguably the most famous gear in audio recording history: Rupert Neve s microphone preamps. With two channels of the classic tone you know and love, 72dB of gain, sweepable high-pass filters for precise control, and the power of Mr. Rupert Neve s dual-tap transformers with variable Silk saturation, the 5211 delivers a versatile, flattering, and uncompromising front end for any signal path. In short, it s everything a mic preamp should be. MIC GAIN: A 12-way precision rotary switch controls gain from 0 to 66 dB in 6 dB steps. TRIM: Continuously variable /-6 dB level control. SILK / TEXTURE: Pushing the Silk button engages the red Silk circuit, which reduces the negative feedback on the output transformer, adding harmonic content as the texture is increased. Red Silk accentuates the saturation in the mid and high frequencies, similar to that of the red silk mode on the Shelford Channel. By manipulating the Texture control, the amount of Silk can be changed from essentially absent, to roughly 10 times the amount of coloration / distortion found in Silk from the original Portico Series. With Silk / Texture engaged, the distortion characteristic and harmonic content of the unit are very reminiscent of many of Rupert s vintage class-A designs. LEVEL METER: An eight-segment LED bar-graph meter displays output level (pre-Silk). from -30 dBu to 22 dBu. POLARITY: Reverses the polarity of the input signal. HIGH PASS FILTER: Continuously variable from 20Hz to 250 Hz, and engaged with the HPF button. PHANTOM POWER: Provides 48V phantom power to microphones. -6dB OUTPUT: A secondary split off the output transformer with a lower headroom, designed to allow engineers to fully drive the output of the 5211 without clipping converters and other devices.

For the last decade, the world s leading live sound engineers have chosen Rupert Neve Designs as some of the only analog equipment to accompany their digital touring rigs. With mastering-grade 24-bit 192kHz converters and full Dante integration, the RMP-D8 finally offers the live sound world something that studios have always coveted: the sound of Rupert Neve Designs. The heart of the RMP-D8 lies in the modular mic preamp cards featuring Mr. Rupert Neve s custom transformer designs. Unlike other integrated Dante mic preamp designs that rely primarily on a single IC for gain and tone, each channel on the RMP-D8 has a fully-realized class-A microphone preamplifier feeding a custom transformer, maintaining the high standards of Rupert Neve Designs standalone preamplifiers. The RMP-D8 s audio signal will work with any Dante device across settings ranging from concert halls to arenas, clubs, studios, houses of worship, and educational facilities. All in all, the RMP-D8 brings the classic sound of Rupert Neve Designs into the Dante-connected world. Features 8 mic / line inputs with 48V phantom power, polarity reverse, input pad and high-pass filter controls 1dB-stepped class-A mic preamplifiers with 60dB gain and remote control capability Custom Rupert Neve Designs transformers for the larger-than-life tone of Rupert s classic modules 24-bit / 192kHz Mastering-Grade Converters with precision-controlled internal clocking and enhanced jitter reduction Ultra-reliable, redundant power supplies capable of operating anywhere in the world Dante integration with redundant network ports for reliability Gain-compensated secondary output 4 dual-channel AES outputs on XLR connectors Large OLED display with full local control,· accurate and easy-to-read meters Compatible with Dante Virtual Soundcard and Dante Via for direct computer integration Reinforced steel chassis for enhanced RF shielding and rugged touring use in challenging environments