| Audix : D6
(484 comments)- Professional dynamic large diaphragm microphone- Also suitable for electric basses, etc- Cardioid polar patten- Frequency range: 30 - 15,000 Hz- Impedance: 200 Ohm- Max SPL: 144 dB- Sensitivity: 0.8 mV/Pa @ 1 kHz- Weight: 254 g |
|
| Audix : DP7 Drum Microphone Set
(41 comments)- 1x D6 (bass drum)- 1x D4 (bass drum/floor tom)- 2x D2 (toms)- 1x i-5 (snare)- 2x ADX51 (overheads/hi-hat)- 4x D-Vice (gooseneck rim clamp) |
|
| Audix : TM-1 Plus
(11 comments)
- Pre-polarised 6mm condenser capsule- Omnidirectional- Transmission 20 Hz - 25 kHz (+/- 2 dB)- Max SPL 140 dB- For 18-52 V phantom power- Output impedance 200 Ohm- Dynamic range 112 dB- Suitable for real time analyser, measurements, tests, room analysis software programs, ambient/room recording- Ho...(+) - Pre-polarised 6mm condenser capsule- Omnidirectional- Transmission 20 Hz - 25 kHz (+/- 2 dB)- Max SPL 140 dB- For 18-52 V phantom power- Output impedance 200 Ohm- Dynamic range 112 dB- Suitable for real time analyser, measurements, tests, room analysis software programs, ambient/room recording- Housing made of precision machined nickel-plated brass housing- Gold-plated XLR plug connector- Length approx. 150 mm- Elastic suspension (SMT-19)- 1/2" Adapter for calibrator (TM1-CA) and individual sensitivity/calibration data file on USB stick- Optional screw-on windshield (WS-TM1) |
|
| Audix : TM-1
(12 comments)- |
|
| Audix : ADX 10 FLP
(35 comments)
- Cardioid polar pattern- Frequency range: 50 - 18.000 Hz- With on/off- and low-cut switch- With transport bag P1 and 8" / 2.43 m cable for a mini XLR 3-Pin TA3F and battery phantom-powered adapter belt pack APS-911 with XLR-male output- 1x Mignon/AA battery or 9 - 52 V phantom power- For use with s...(+) - Cardioid polar pattern- Frequency range: 50 - 18.000 Hz- With on/off- and low-cut switch- With transport bag P1 and 8" / 2.43 m cable for a mini XLR 3-Pin TA3F and battery phantom-powered adapter belt pack APS-911 with XLR-male output- 1x Mignon/AA battery or 9 - 52 V phantom power- For use with standard XLR micro cables, or alternatively without APS-911: For example, with the Audix wireless system (required phantom power: 1x Mignon battery/AA or 9-52 V)- Incl. Clip for transverse flutes with structure-borne sound insulation and foam windshield |
|
| Audix : APS-910
(91 comments)- For electret microphones- Mini-XLR 3-pin on XLR-male- Suitable for ADX40, ADX60, MicroD, HT5 |
|
| Audix : Fireball-V
(56 comments)- Special small and round shape for harmonica or hip hop- Including volume control switch on the handle- Cardioid polar pattern- Max SPL 140 dB- Frequency response: 50 Hz - 16 kHz- Impedance: 150 Ohm- Sensitivity: 1.9mV / Pascal- Colour: Black |
|
| Audix : T-50 K
(56 comments)- Allows low impedance microphones to be connected to high-impedance inputs- Input: XLR female- Output: Jack plug 6.3 mm- Cable approx. 10 cm |
|
| Audix : Fireball
(7 comments)- With a special small and round shape- For harmonica or hip hop- Cardioid polar pattern- Max. SPL 140 dB- Frequency response: 50 Hz - 16 kHz- Impedance: 150 Ohm- Sensitivity: 1.9mV / Pascal |
|
| Audix : D4
(153 comments)- For floor toms and bass drums- Professional dynamic microphone- Hypercardioid polar pattern- Frequency range: 38 - 19,000 Hz- Impedance: 200 Ohm- Maximum SPL: 144 dB- Also suitable for electric bass guitars |
|
| Audix : DP5-A Drum Microphone Set
(57 comments)- In high-quality transport case- Consists of:- 1x i-5 (Snare)- 2x D2 (Toms)- 1x D4 (Floor tom)- 1x D6 (Bass drum)- 4x D-Vice microphone clamp with flexible gooseneck- In aluminium road case |
|
My account (login)
GUITAR & BASS
DRUM & PERCUSSION
PIANO & KEYBOARD
BRASS & WIND
VIOLIN & TRAD.
STUDIO
SOFTWARES
PA
LIGHTING
DJ
VIDEO
EFFECTS
FLIGHTCASES
CABLES
ACCESSORIES
KIDS
GIFT
