Par . Cette collection pour les élèves en progression comprend des chansons d’art, ainsi que des arrangements de chansons folkloriques et de spirituals. ART SONGS Anonymous : Passe-temps en bonne compagnie · Campian : Jack et Joan · Dowland : Reviens encore, doux amour · Dowland : Et si je ne vais jamais trop vite · Gibbons : Le Cygne d’Argent · Irlande : Printemps de la tristesse · Lawes : Comme es-tu heureux · Morley : C’était un amant et sa jeune fille · Morley : Nous sommes maintenant au mois de mai · Purcell : J’essaie de la maladie de l’amour · Purcell : Nymphes et bergers · Quilter : Je ne pleurerai plus · Vaughan Williams : L’Appel · Vaughan Williams : Bright est l’anneau des mots · CHANSONS FOLKLORIQUES/SPIRITUELS Toute la Nuit (arr. Nicholl) · Le Train de l’Évangile (Walters) · Greensleeves (arr. Stanley) · Il a le monde entier entre ses mains (arr. Boyd) · Comment puis-je ne pas chanter (arr. Ruck) · J’ai offert une cerise à mon amour (arr. Dean) · L’Échelle de Jacob (arr. Walters) · Mon Seigneur, quel matin (arr. Burleigh) · Shenandoah (arr. Walters) · Parfois, je me sens comme un enfant sans mère (arr. Walters) · Cette Petite Lumière à moi (arr. Ruck)./ Recueil / Voix Haute

Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. Titles: 'A Little Fairytale' (Rönnberg), 'Allegretto' (Czerny), 'Amaryllis' (Ghys), 'Chant Arabe' (Anonymous), 'Cuckoo' (German Folk Song), 'Go Tell Aunt Rhody' (Folk Song), 'Gossip Tune' (German Folk Song), 'Herdsman's Song' (Danish Folk Song), 'Hippopotamus' (Rönnberg), 'Hot Dog' (English Folk Song), 'Lightly Row' (German Folk Song), 'Little Playmates' (Chwatal), 'Little Snail' (Traditional), 'London Bridge' (English Folk Song), 'Lullaby' (German Folk Song), 'Mary Had a Little Lamb' (Folk Song), 'My School Day' (Folk Song), 'Paris' (French Folk Song), 'Piglet' (G. Rönnberg, 'Song of the Wind' (Folk Song), 'Spain' (Traditional), 'The Fly' (Traditional), 'The Musical Box' (Rönnberg), 'Twinkle, Twinkle, Little Star Theme and Variations' (Suzuki). 'Allegretto,' 'Go Tell Aunt Rhody,' and 'Lullaby' are National Federation of Music Clubs Festivals Bulletin 2016--2020 selections. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. / Méthode / Méthode / Orgue

Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund and the Barbara Abramoff Levy Fund. Composer's note: Mass Observation is a meditation on the histories of our varied ambivalent relationships with surveillance in its myriad guises. The use of technologies that sate our desires to be watched and heard (safety, tracking, empowerment, and pride) has, in some sense, always been able to be weighed against our anxieties around invasions of privacy (physical and psychological harm, hacking, subjugation, and embarrassment). The work takes its title from the British social research organisation, Mass-Observation, which aimed to record everyday life in the United Kingdom. Founded in 1937, Mass-Observation controversially paid investigators to anonymously record people's conversation and behaviour at work, on the street and at various public occasions including public meetings, sporting, and religious events. Scored for chorus and percussion sextet, Mass Observation ebbs and flows between various polarities (human voices and percussion instruments, pitched and unpitched sounds, clear and opaque tonalities) over the course of its thirteen movements. There is a ritualistic nature to the overall pacing of the work, reminiscent of a liturgical mass setting. The two groups of musicians are rarely aligned: for much of the piece they watch and listen to one another in silence. Duration approximately: 40 Minutes / SATB div. Et Percussion

Dowani 3 Tempi Play est long une méthode efficace et éprouvée par le temps de pratiquer qui offre plus que conventionnels jouent au long éditions. Dowani 3 Tempi Play permet Outre-vous pour apprendre un travail systématique et avec un accompagnement à différents tempi.La première chose que vous entendez sur le CD est la version de concert dans un enregistrement de première classe avec instrument soliste et orchestre, continuo, ou l'accompagnement au piano. Puis le piano ou le clavecin d'accompagnement s'inscrit dans le tempo lent et moyen à des fins pratiques, avec l'instrument soliste entendre en sourdine au tempo lent. Enfin, vous pouvez jouer au tempo d'origine pour l'accompagnement d'un orchestre, le piano, ou basso continuo.Toutes les versions figurant sur le CD ont été enregistrés en direct par des solistes de renom, accompagnateurs, et des orchestres. Il n'y a aucun sons synthétisés dans une édition Dowani! / Trombone Et Piano / niveau : Facile / Partition + Cd

Tours ont toujours été très populaires surtout en Angleterre et tout le monde doit savoir Frère Jaques, Three Blind Mice et l'incendie de Londres. Cependant, il existe des centaines de plus et peut-être la forme était à son plus populaire sur le XVIIe siècle quand Purcell a ses plus célèbre exposant. Dans les siècles suivants, certains des plus grands compositeurs de l'époque, Mozart, Haydn, Beethoven et Schubert utilisé également le milieu et certains de leurs tours sont inclus dans ce livre. / 2 Clarinettes Et Plus / 22 pages / niveau : Elémentaire / Partition

Par OHLSEN E. / SPENCER. Drury's Accords (Anonymous); Duncomb's Galliard (Anonymous); Merry Mood (Anonymous); Fancy (John Daniel); My Lord Willoughby his welcome home (John Dowland); La vecchia pavan (John Johnson); Echo (Francis Pilkington); Plainsong (Thomas Robinson); Toy (Thomas Robinson). These duets, of varying difficulty, have been transcribed from their lute origins by Oscar Ohlsen and edited by Robert Spencer. Recently revised./ Recueil / 2 Guitares

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Allegro (Handel) * Andante (Telemann) * Andantino (Diabelli) * Appalachian Folk Song (American Traditional) * Aria (Speer) * Ballad (Tennessee Folk Tune) (Traditional) * Chorale (Speer) * Concert Duet in Four Movements (Snell) * Elizabethan Dance (Farnaby) * Etude (Snell) * Gavotte (Handel) * March (Anonymous) * March from Judas Maccabeus (Handel) * Minuet (Handel) * Mourish Dance (Susato) * Musette from English Suite No. 2 (Bach) * New England Chanty (American Traditional) * Old Tin Cans (American Folk Song) * Processional (Snell) * Renaissance Dance (Anonymous) * Ronde (Susato) * Toccata (Snell) * Waltz (Snell) * Wildwood Flower (American Folk Song).

Cette sélection de duos traditionnels et classiques fait un livre idéal pour jouer en duo au début. Comprend: Amazing Grace, Matin, Lettre à Elise, Country Garden et plus / Flûte Et Clarinette / 32 pages / niveau : Elémentaire / Partition

Par BROWN ALAN. Edited by Alan Brown. 21 pieces by Byrd, Dowland and others, transcribed and edited from the so-called 'John Bull' ms. in the Fitzwilliam Museum, Cambridge, probably in the hand of William Tisdale c. 1600. CONTENTS ANONYMOUS John Holmes' Pavan; My Desire; Passamezzo Galliard; Passamezzo Pavan; Paul's Wharf; Pavan BYRD, William Hunt's Up; Pavan DOWLAND, John Galliard: Can she Excuse; Lachrymae Pavan (2); Lachrymae Pavan (9) (set by William Randall) JOHNSON, Edward Medley (set by William Randall) JOHNSON, Robert/ Recueil / Piano

Arrgt: Michel Trux. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) Piano (optionnel) (1 partition) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 25 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : ANONYMOUS - Arrangeur : Michel TRUX / Niveau : Intermédiaire / Classique / Recueil / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

For more ambitious choirs who would like to emulate the sound of Anonymous 4, this piece uses chant-like singing and beautiful polyphonic Vocal writing that emphasizes the purity of the voice through the evocative Latin text by Hildegard von Bingen. / Choeur Mixte (SATB)