/ Flûte A Bec Soprano Et Piano

Music from the Motion Picture Soundtrack. Par PASEK BENJ / PAUL JUSTIN. 11 chansons de la bande originale du film à succès, dont 'The Anonymous Ones' et 'A Little Closer', écrites exclusivement pour le film. Toutes les chansons sont arrangées pour le piano, la voix et la guitare avec les grilles d'accords et les paroles complètes. La mélodie est incluse dans la partie de piano. Sommaire : The Anonymous Ones - For Forever - If I Could Tell Her - A Little Closer - Only Us - Requiem - Sincerely, Me - So Big/So Small - Waving Through a Window - Words Fail - You Will Be Found. / Date parution : 2021-12-09/ Recueil / Piano/Vocal/Guitare (PVG)

Par . Cette collection pour les élèves en progression comprend des chansons d’art, ainsi que des arrangements de chansons folkloriques et de spirituals. ART SONGS Anonymous : Passe-temps en bonne compagnie · Campian : Jack et Joan · Dowland : Reviens encore, doux amour · Dowland : Et si je ne vais jamais trop vite · Gibbons : Le Cygne d’Argent · Irlande : Printemps de la tristesse · Lawes : Comme es-tu heureux · Morley : C’était un amant et sa jeune fille · Morley : Nous sommes maintenant au mois de mai · Purcell : J’essaie de la maladie de l’amour · Purcell : Nymphes et bergers · Quilter : Je ne pleurerai plus · Vaughan Williams : L’Appel · Vaughan Williams : Bright est l’anneau des mots · CHANSONS FOLKLORIQUES/SPIRITUELS Toute la Nuit (arr. Nicholl) · Le Train de l’Évangile (Walters) · Greensleeves (arr. Stanley) · Il a le monde entier entre ses mains (arr. Boyd) · Comment puis-je ne pas chanter (arr. Ruck) · J’ai offert une cerise à mon amour (arr. Dean) · L’Échelle de Jacob (arr. Walters) · Mon Seigneur, quel matin (arr. Burleigh) · Shenandoah (arr. Walters) · Parfois, je me sens comme un enfant sans mère (arr. Walters) · Cette Petite Lumière à moi (arr. Ruck)./ Recueil / Voix Haute

Keyboard fireworksAs early as 1743, while Handel was still alive, Francesco Geminiani produced an arrangement of the 'Water Music? for keyboard instruments, thereby making it possible to perform this popular work in domestic surroundings. Then, presumably in 1749, an unknown musician arranged the 'Music for the Royal Fireworks? for transverse flute or violin and harpsichord.In addition to these two contemporary versions, this edition also contains an arrangement by the editor for harpsichord or organ, based on the first edition. Though both early sources explicitly mention a harpsichord, the arrangements can also be performed effectively note-for-note on the organ.As the surviving anonymous version merely places a solo part and a figured bass on a two-stave system, our edition is accompanied by performance material with one part each for transverse flute/oboe/violin and violoncello/double bass,plus a figured bass realisation.- Musical text with arrangements by two Handel contemporaries as well as the editor's own arrangement for harpsichord or organ- All editorial additions are clearly marked- Equally effective when performed note-for-note on the organ / Ensemble Mixte

Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. Titles: 'A Little Fairytale' (Rönnberg), 'Allegretto' (Czerny), 'Amaryllis' (Ghys), 'Chant Arabe' (Anonymous), 'Cuckoo' (German Folk Song), 'Go Tell Aunt Rhody' (Folk Song), 'Gossip Tune' (German Folk Song), 'Herdsman's Song' (Danish Folk Song), 'Hippopotamus' (Rönnberg), 'Hot Dog' (English Folk Song), 'Lightly Row' (German Folk Song), 'Little Playmates' (Chwatal), 'Little Snail' (Traditional), 'London Bridge' (English Folk Song), 'Lullaby' (German Folk Song), 'Mary Had a Little Lamb' (Folk Song), 'My School Day' (Folk Song), 'Paris' (French Folk Song), 'Piglet' (G. Rönnberg, 'Song of the Wind' (Folk Song), 'Spain' (Traditional), 'The Fly' (Traditional), 'The Musical Box' (Rönnberg), 'Twinkle, Twinkle, Little Star Theme and Variations' (Suzuki). 'Allegretto,' 'Go Tell Aunt Rhody,' and 'Lullaby' are National Federation of Music Clubs Festivals Bulletin 2016--2020 selections. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. / Méthode / Méthode / Orgue

For Tenor, Alto, Three Female Voices et Piano. Par JANACEK LEOS. Janacek's intimate chamber-music drama about the passionate love of a simple farm boy for a beautiful gypsy girl is one of his great vocal masterpieces. This cycle of 22 songs for tenor (an alto and three female voices/female choir SSA are added in three numbers) was composed on a setting of poems that were published anonymously. It was not until 80 years later that their author was identified as the regional poet and writer Ozef Kalda. The cycle also contains theatrical elements, such as the alto entrance and exit cues and lighting effects. Composed in 1917-19, the Diary was premiered in Brno in 1921 from a manuscript prepared by Gustav Homola. The same manuscript served as abasis for the first edition which was issued by the Brno publisher Oldrich Pazdirek in 1921 as well as for this current first Urtext edition. Janácek ’s intimate chamber-music drama about the passionate love of a simple farm boy for a beautiful gypsy girl is one of his great vocal masterpieces. This cycle of 22 songs for tenor (an alto and three female voices are added in three numbers) was composed on a setting of poems that were published anonymously. It was not until 80 years later that their author was identified as the regional poet and writer Ozef Kalda. The cycle also contains theatrical elements, such as the alto entrance and exit cues and lighting effects. Composed in 1917-19, the “Diary” was premièred in Brno in 1921 from a manuscript prepared by Gustav Homola. The same manuscriptserved as a basis for the first edition which was issued by the Brno publisher Oldrich Pazdírek in 1921 as well as for this current first Urtext edition. First Urtext edition with a detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor Singing translations in German (by Max Brod) and English (by Bernard Keefe) Numbers IX to XI which include the alto and three female voices also available online / Niveau : 4 / Répertoire / Ténor, Alto, 3 Voix de Femme et Piano

/ Flûte Et Piano / 32 pages / niveau : Facile / Partition

Ravel's 'Valses nobles et sentimentales? created a stir when they were anonymously premiered in Paris's Société nationale indépendante in 1911: many listeners thought they were by Satie, or even Kodály!For our new Urtext edition of this work, the famed musicologist Nicolas Southon, a co-editor of the 'oeuvres Complètes de Gabriel Fauré?, has examined a large body of sources to present a musical text with many new readings.The edition contains fingering and performance notes by the French pianist Alexandre Tharaud, one of today's leading interpreters of Ravel's music. Commentaries by pianists closely associated with Ravel, such as Lucian Garban, Vlado Perlemuter, Robert Casadesus and Jacques Février are also included.- Detailed trilingual preface (Fr/Eng/Ger) and Critical Commentary (Eng)- Optimum page turns- Includes a glossary (Fr/Ger/Eng) / Piano

Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund and the Barbara Abramoff Levy Fund. Composer's note: Mass Observation is a meditation on the histories of our varied ambivalent relationships with surveillance in its myriad guises. The use of technologies that sate our desires to be watched and heard (safety, tracking, empowerment, and pride) has, in some sense, always been able to be weighed against our anxieties around invasions of privacy (physical and psychological harm, hacking, subjugation, and embarrassment). The work takes its title from the British social research organisation, Mass-Observation, which aimed to record everyday life in the United Kingdom. Founded in 1937, Mass-Observation controversially paid investigators to anonymously record people's conversation and behaviour at work, on the street and at various public occasions including public meetings, sporting, and religious events. Scored for chorus and percussion sextet, Mass Observation ebbs and flows between various polarities (human voices and percussion instruments, pitched and unpitched sounds, clear and opaque tonalities) over the course of its thirteen movements. There is a ritualistic nature to the overall pacing of the work, reminiscent of a liturgical mass setting. The two groups of musicians are rarely aligned: for much of the piece they watch and listen to one another in silence. Duration approximately: 40 Minutes / SATB div. Et Percussion

Wacht! Euch Zum Streit Gefasset Macht. Par BUXTEHUDE DIETRICH. There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jüngste Gericht, for St. Mary’s Church in Lübeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. / Oratorio / Répertoire / Solistes SSSATB, Choeur SSATB, 2 Violons, 2 AltoS

Dowani 3 Tempi Play est long une méthode efficace et éprouvée par le temps de pratiquer qui offre plus que conventionnels jouent au long éditions. Dowani 3 Tempi Play permet Outre-vous pour apprendre un travail systématique et avec un accompagnement à différents tempi.La première chose que vous entendez sur le CD est la version de concert dans un enregistrement de première classe avec instrument soliste et orchestre, continuo, ou l'accompagnement au piano. Puis le piano ou le clavecin d'accompagnement s'inscrit dans le tempo lent et moyen à des fins pratiques, avec l'instrument soliste entendre en sourdine au tempo lent. Enfin, vous pouvez jouer au tempo d'origine pour l'accompagnement d'un orchestre, le piano, ou basso continuo.Toutes les versions figurant sur le CD ont été enregistrés en direct par des solistes de renom, accompagnateurs, et des orchestres. Il n'y a aucun sons synthétisés dans une édition Dowani! / Trombone Et Piano / niveau : Facile / Partition + Cd

Rounds ont toujours été populaires surtout en Angleterre et chacun doit savoir Jaques Frère, Three Blind Mice et gravure de Londres. Cependant, il ya des centaines d'autres et peut-être sous la forme était à son plus populaire sur le XVIIe siècle, quand Purcell a été son plus célèbre représentant. Dans les siècles suivants quelques-uns des plus grands compositeurs de l'époque, Mozart, Haydn, Beethoven et Schubert a également utilisé les moyennes et certains de leurs tours sont inclus dans ce livre. / 2 Flûtes Ou Plus / 18 pages / niveau : Facile - Elémentaire / Partition

Tours ont toujours été très populaires surtout en Angleterre et tout le monde doit savoir Frère Jaques, Three Blind Mice et l'incendie de Londres. Cependant, il existe des centaines de plus et peut-être la forme était à son plus populaire sur le XVIIe siècle quand Purcell a ses plus célèbre exposant. Dans les siècles suivants, certains des plus grands compositeurs de l'époque, Mozart, Haydn, Beethoven et Schubert utilisé également le milieu et certains de leurs tours sont inclus dans ce livre. / 2 Clarinettes Et Plus / 22 pages / niveau : Elémentaire / Partition

Par . Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 6 includes: Stella coeli extirpavit (Anonymous), Si el Amor se quedare dormido (Juan de Araujo), Tota pulchra (Anonymous), Pastoreta Ychepe Flauta (Anonymous), Sonata Chiquitana XVIII (Anonymous), Aqui ta naqui: Ut reque and Chapie, Iyai Jesu Christo: Venu, sponsa, dulcis amor (Anonymous), and Sonata IX (Ignazio Balbi). / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par OHLSEN E. / SPENCER. Drury's Accords (Anonymous); Duncomb's Galliard (Anonymous); Merry Mood (Anonymous); Fancy (John Daniel); My Lord Willoughby his welcome home (John Dowland); La vecchia pavan (John Johnson); Echo (Francis Pilkington); Plainsong (Thomas Robinson); Toy (Thomas Robinson). These duets, of varying difficulty, have been transcribed from their lute origins by Oscar Ohlsen and edited by Robert Spencer. Recently revised./ Recueil / 2 Guitares

Anonymous Folk Poem-Soprano, Recorder (Soprano, Treble and Tenor Recorders) 1 player-2 playing score. Par FRANCES-HOAD CHERYL. Commissioned by John Turner for Gordon Crosse's 80th Birthday concert at The Martin Harris Centre, Manchester University, 22nd October 2017. Premiered by Lesley-Jane Rogers (soprano) and John Turner (Soprano, Treble and Tenor recorders). I'll have the Whetstone for soprano and recorder was written especially for Gordon on his 80th Birthday. When trying to find a text to set for the work, John Turner suggested I turn to The Guizer by one of Gordon's longtime friends, Alan Garner. In fact this book, which is a collection of stories about fools (!) was dedicated to Gordon! The anonymous folk poem that I chose immediately appealed to me and I had great fun setting the whimsical lines! / Date parution : 2022-02-03/ Répertoire / Flûte à Bec

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Allegro (Handel) * Andante (Telemann) * Andantino (Diabelli) * Appalachian Folk Song (American Traditional) * Aria (Speer) * Ballad (Tennessee Folk Tune) (Traditional) * Chorale (Speer) * Concert Duet in Four Movements (Snell) * Elizabethan Dance (Farnaby) * Etude (Snell) * Gavotte (Handel) * March (Anonymous) * March from Judas Maccabeus (Handel) * Minuet (Handel) * Mourish Dance (Susato) * Musette from English Suite No. 2 (Bach) * New England Chanty (American Traditional) * Old Tin Cans (American Folk Song) * Processional (Snell) * Renaissance Dance (Anonymous) * Ronde (Susato) * Toccata (Snell) * Waltz (Snell) * Wildwood Flower (American Folk Song).

/ Clavecin

Cette sélection de duos traditionnels et classiques fait un livre idéal pour jouer en duo au début. Comprend: Amazing Grace, Matin, Lettre à Elise, Country Garden et plus / Flûte Et Clarinette / 32 pages / niveau : Elémentaire / Partition

Beautiful Airs and Ballads of the British Isles. Par DIEHL MARCIA. This exceptional collection of 41 truly beautiful airs and ballads from the British Isles offers both well-known tunes by the prolific blind Irish harpist, Turlough O?Carolan and rarely heard melodies by anonymous composers; all have stood the test of time. Arranged for soprano or tenor recorder, these include O?Carolan?s classically influenced ?Lord Inchiquin? and ?Eleanor Plunkett? as well as ?O Gentle Dove? and ?Cuckoo Dear?? both examples of the strong tradition of song in Wales. Among other tunes, the haunting modal melodies of ?The Dark Slender Boy? and ?Enchanted Valley? express the melancholic heart and soul of the British Isles. A few of these songs have taken on a life of their own in modern times. ?Bonny at Morn?, a popular traditional tune of northern England and Scotland, was arranged for soprano voice and harp by the 20th century British composer, Benjamin Britten. ?The Skye Boat Song? originally recounted Bonnie Prince Charles Edward Stuart?s journey to the Isle of Skye after his defeat at the historic Battle of Culloden. Later, the song evolved into a lilting lullaby and was more recently used as the theme song for the popular Outlander television series. Departing slightly from recorder notation practice, author Marcia Diehl has judiciously arranged these melodies complete with spare slur markings to aid the amateur player in authentically and musically rendering these tunes. / Date parution : 2022-02-17/ Recueil / Flûte à Bec

Par BROWN ALAN. Edited by Alan Brown. 21 pieces by Byrd, Dowland and others, transcribed and edited from the so-called 'John Bull' ms. in the Fitzwilliam Museum, Cambridge, probably in the hand of William Tisdale c. 1600. CONTENTS ANONYMOUS John Holmes' Pavan; My Desire; Passamezzo Galliard; Passamezzo Pavan; Paul's Wharf; Pavan BYRD, William Hunt's Up; Pavan DOWLAND, John Galliard: Can she Excuse; Lachrymae Pavan (2); Lachrymae Pavan (9) (set by William Randall) JOHNSON, Edward Medley (set by William Randall) JOHNSON, Robert/ Recueil / Piano

Tonalité : Es-Dur - Horn, Paul (Arr.) -. Par BIBER HEINRICH IGNAZ FRANZ. Stylistically, this anonymous sonata for scordatura violin, which has been preserved in the holdings of the Dresden Court Orchestra, points to the southern German-Austrian school of violin, and it shows the high level of the art of violin playing in Germany in the late 17th and early 18th centuries. A contemporary, handwritten note on the cover of the music refers to Heinrich Ignaz Franz Biber and there are actually amazing similarities to works by this composer which would suggest that he indeed composed the work. However, a definitive clarification of this question must remain open./ Répertoire / Violon et Basse Continue

Arrgt: Michel Trux. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) Piano (optionnel) (1 partition) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 25 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : ANONYMOUS - Arrangeur : Michel TRUX / Niveau : Intermédiaire / Classique / Recueil / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Arrgt: Michel Trux. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) Piano (optionnel) (1 partition) Glockenspiel (optionnel) (1 partition) - Niveau de Difficulté : 2/6 - Facile - Durée : 1 mn 20 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : ANONYMOUS - Arrangeur : Michel TRUX / Niveau : Facile / Classique / Recueil / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

For more ambitious choirs who would like to emulate the sound of Anonymous 4, this piece uses chant-like singing and beautiful polyphonic Vocal writing that emphasizes the purity of the voice through the evocative Latin text by Hildegard von Bingen. / Choeur Mixte (SATB)