Even for Ralph Vaughan Williams the prospect of two world premieres within 24 ho...(+)
Even for Ralph Vaughan Williams the prospect of two world premieres within 24 hours must have been something of a rarity. Such was the case however on the first two days of June 1953, when his now classic arrangement of The Old Hundredth Psalm was sung at the Coronation of Elizabeth II in Westminster Abbey, being preceded the evening before by the premiere of 'Silence and Music', fourth of ten partsongs of A Garland for the Queen, commissioned from leading British composers by the Arts Council of Great Britain to honour the new monarch. Long unavailable except as separate items from individual publishers, this historic collectionis now reissued complete by Stainer & Bell in its original single-volume format, allowing conductors and singers to choose from a rich collection of choral music with which to mark the Queen's Diamond Jubilee and, in 2013, the 60th anniversary of the Coronation itself. In addition to VW's contribution, A Garland for the Queen includes important settings by Bax, Berkeley, Bliss, Finzi, Howells, Ireland, Rawsthorne, Rubbra and Tippett. The collection moreover draws on the work of poets whose names likewise feature prominently in the annals of mid-century British literary talent: Clifford Bax, Edmund Blunden, Paul Dehn, Christopher Fry, Christopher Hassall, James Kirkup, Louis MacNeice, Walter de la Mare, Henry Reed and Ursula Wood. Intended as a counterpart to The Triumphs of Oriana of 1601, the celebrated madrigal volume published in praise of Elizabeth I by Thomas Morley, A Garland for the Queen emulates its distinguished predecessor in its variety of moods and vocal combinations. There is material here to fit every aspect of celebration, from the airy five-part ensemble of Bax's 'What is it like to be young and fair?', and the soprano solo with SATB of Rawsthorne's Canzonet, to the lustrous contrasting of male and female timbres in Bliss's Aubade, and the rapturous eight-part setting of/ Recueil / Voix Mixtes
Par FLIGHT JAMES. A Short Sonata is a work written at around Grade 8 standard fo...(+)
Par FLIGHT JAMES. A Short Sonata is a work written at around Grade 8 standard for Euphonium and Piano. In each of the work's three movements, different qualities of the instrument are utilised and explored. In the first movement, an Allegro in 6/8 time, these qualities are the instrument's general agility, and its ability to play fast-moveing melodies in a way that drives the music forward. Throughout, different ways of phrasing similar material are used to create interest and a varied sound. In the second, slow movement, the resonant and majestic way in which the euphonium can deliver lyrical melodic lines is explored. The movement usmade up of four long phrases which peak dynamically at the third, giving room for interpretation and feeling. The third movement exploits the instrument's ability to play loudly and aggressively, using lots of accented notes, hairpin crescendos and quick double-tounging. A Short Sonata was the winner of the first Stainer & Bell Award for Brass Composition, held at the Royal Welsh College of Music & Drama in Cardiff, May 2010./ Recueil / Tuba et Piano
Par BROWN CHRISTINE. Score and Parts Standard: Elementary Christine Brown is a h...(+)
Par BROWN CHRISTINE. Score and Parts Standard: Elementary Christine Brown is a highly respected teacher and composer for young people, and in her Chandos Suite for violin, cello and piano she marries her wealth of practical experience in coaching elementary players in the art of chamber music with her distinctively tuneful way of writing for the three instruments. A wistful Prelude precedes a mysterious scherzo of plucked and bowed whole-tone scales. A Serenade gives all the players a chance to shine in cantabile melody before the pulsating rhythms of the final Dance bring the suite to a brilliant conclusion. The Chandos Suite is a worthy addition to Stainer &Bell's collection of classic piano trios for young musicians, including popular works by Frank Bridge, Adam Carse, Cornelius Gurlitt and Peter Martin./ Répertoire / Trio avec Piano
Par OGDEN NIGEL. Easy liturgical organ music in an accessible modern style is al...(+)
Par OGDEN NIGEL. Easy liturgical organ music in an accessible modern style is always welcome, and Nigel Ogden, well-known contributor to Stainer & Bell’s ‘Light Organ’ series and host of ‘the Organist Entertains’ on BBC Radio 2, has composed fifteen new pieces for use within the communion service or other acts of worship. They are suitable both for traditional and electronic keyboard instruments, and may be performed on single or multi-manuals, with the bass played optionally on pedals as desired. There are fanfares and festal voluntaries to accompany the dramatic high-points of the liturgy, as well as tranquil melodies for reposeful moments of meditation and private devotion, pluspreludes on familiar hymns to collect the thoughts of the whole congregation. Flexibility is the watchword of At Your Service, which offers a really practical contribution to the repertoire of useful music for church organists./ Recueil / Orgue
Par COCKER NORMAN. Angelus; Trio; Interlude and Paean The reissue of four pieces...(+)
Par COCKER NORMAN. Angelus; Trio; Interlude and Paean The reissue of four pieces by Norman Cocker, celebrated organist of Manchester Cathedral in the inter-war period, further extends Stainer & Bell's library of English Cathedral music that also includes the complete solo works of Basil Harwood and pieces by Darke, Hollins and Bairstow. Detailed registrations by Henry Ley, himself a noted performer and Music Director of Eton College from 1926 to 1945, are of historical interest. Angelus, Trio and Interlude offer episodes of quiet reflection. Paean breaks the mood with flowing, euphonious counterpoint in ceremonial style./ Recueil / Orgue
Par BLOW JOHN. Selected from Musica Britannica Volume 73. Edited by Robert Klako...(+)
Par BLOW JOHN. Selected from Musica Britannica Volume 73. Edited by Robert Klakowich. Amateur and professional players with an interest in Baroque repertoire will welcome this generous selection of 25 harpsichord pieces by John Blow (1649-1708). Blow stands as the dominant figure of English harpsichord composition in the late seventeenth century, the master of an individual school that merged continental influences into a vigorous native tradition of keyboard writing. There are preludes, dances and grounds in this anthology, which is selected from Volume 73 of Musica Britannica, and also includes advice on ornamentation and a comprehensive editorial note. Along with its companionvolume of 16 organ pieces, K43, this collection is an important addition to Stainer & Bell's landmark Early English Keyboard series./ Répertoire / Clavecin
Par VAUGHAN WILLIAMS RALPH. In the 50th anniversary year of the death of Ralph V...(+)
Par VAUGHAN WILLIAMS RALPH. In the 50th anniversary year of the death of Ralph Vaughan Williams, this highly attractive arrangement for piano of one of his most popular works will surely find its way into the repertoire of many pianists. Treasured by organists, but no less admired in its orchestral arrangement often heard on Classic FM, this delightful prelude on the Welsh hymn tune known as Rhosymedre is a perfect union of the style of Bach and RVW. No less aptly known by the name of ‘Lovely’, the tune appears in the manner of a choral prelude, which Bryan Kelly has skilfully re-crafted for piano solo. Of intermediate difficulty, and well within the range of players of Grade 5 standard orabove, this new version of the piece also complements the arrangement for piano duet by Reginald Hadfield, already available in Stainer & Bell’s Easy Festival Duet series./ Répertoire / Piano
Par BAIGENT BERTIE. The composer was drawn to the beautiful stillness and sadnes...(+)
Par BAIGENT BERTIE. The composer was drawn to the beautiful stillness and sadness of the poem by Christina Rossetti, which transcends its rigid sonnet structure, and allude via the epigraph to the mysterious Willow-Wood cycle by Christina's brother Dante Gabriel Rossetti. The music suggests a division of the poem into three stanzas, alternating with tranquil interludes (using the opening melody) representing the 'willow-wood' of the title, so that the listener is constantly reminded of the gentle surroundings. As the intensity of the text increases, so does the astringency of dissonance in the verses, reaching its apogee just before consonance breaks through at the crucial phrase 'onemoment joined'. The simplicity of the Vocal writing conveys the serenity of the setting, while simultaneously suggesting the austere melancholy of the lovers. An Echo From Willow-Wood was the winner of the Stainer & Bell Award for Choral Composition 2015. / Date parution : 1905-07-07/ Feuillet / SATB
Publication of the complete English sacred music of George Jeffreys (c.1610–16...(+)
Publication of the complete English sacred music of George Jeffreys (c.1610–1685) opens a window on the achievement of one of the few pre-Commonwealth composers wholeheartedly committed to the contemporary Italianate stile nuovo. Besides a quantity of sacred works in Latin, there are 26 surviving English anthems and devotional pieces, plus three settings from the Communion Service, an impressive output for someone employed for most of his life primarily as a steward to the Hatton family. Though only one of his works was published in his lifetime, Jeffreys’s compositions are preserved in several autograph manuscripts that are the basis of this edition. / Historique / Stainer And Bell
Edited by John HarleyCONTENTSAire, T45C; An Aire, T451; An Ayre T452; Almand; Th...(+)
Edited by John HarleyCONTENTSAire, T45C; An Aire, T451; An Ayre T452; Almand; The Bonny Gray Ey'd Morn, T363; Chacone, T420; Cibelle, T453; A New Cebell, T462; Come Sweet Lass, T336; A Farewell, T454; King James'sFarewell, T457; Gavott, T455; Hornpipe, T456; The Country Mans Jigg, T342; Mdm. Subligny's Jigg, T458; A March, T433; The Prince of Denmark's March, T435; Prince Eugene's March, T436; The Emperour of Germany's March, T431; TheDuke of Glocester's March, T430; The Kings March, T432; Minuet, T459; Minuett, T460; Round O Minuett, T 492; Round O Minuett, T464; Round O; Scotch Aire, T465; A New Scotch Tune, T463; The Serenade, T437; A Trip to Berry, T466;ATrip to Case-horten, T467; A Trumpet Minnuett, T439; Trumpet Tune, T438; Scotch Trumpet Tune, T434; Untitled, T408.5 / Clavecin / Stainer And Bell
Three movements for solo cornet in B flat. Ar y Mynydd Prydferth Cymreig (On The...(+)
Three movements for solo cornet in B flat. Ar y Mynydd Prydferth Cymreig (On The Beautiful Welsh Mountain) is a colourful, programmatic piece in three short movements, depicting scenes of Welsh mountains, valleys, caves and a hero, armed only with his trusty cornet, encounters a legendary red dragon. Ar y Mynydd Prydferth Cymreig was highly commended by the judges in the first Stainer & Bell Award for Brass Composition, held at the Royal Welsh College of Music & Drama in Cardiff in May 2010./ Recueil / Cornet
Compositeur : Storace StephenInstrumentation : Voix haute, ClavNo more his fears...(+)
Compositeur : Storace StephenInstrumentation : Voix haute, ClavNo more his fears alarming ; How mistaken is the lover ; Be mine tender passion ; etc. Edition Michael Pilkington / Voix solo - piano / Stainer And Bell
Par VAUGHAN WILLIAMS RALPH. In his Prelude ? The Truth from Above, outstanding a...(+)
Par VAUGHAN WILLIAMS RALPH. In his Prelude ? The Truth from Above, outstanding arranger and curator Paul Hindmarsh has distilled the essence of a timeless Christmas classic by Ralph Vaughan Williams into five minutes of ravishingly unforgettable music for brass band. The variants of the Herefordshire tune popular from the Fantasia on Christmas Carols and The Oxford Book of Carols are skilfully and stylishly woven together, from an evocative opening to an ecstatic, multi-layered coda. Unerringly true to the timeless spirit of the original, with the added beauty of the brass-band sound at its most sonorously grave and haunting, Prelude ? The Truth from Above may be performed separately, or as the first of two preludes, preceding Paul?s arrangement of Rhosymedre from the Three Preludes Founded on Welsh Hymn Tunes, also available from Stainer and Bell. / Date parution : 2021-11-03/ Répertoire / Brass Band
Selected from Musica Britannica Volume 73. Edited by Robert Klakowich. Amateur a...(+)
Selected from Musica Britannica Volume 73. Edited by Robert Klakowich. Amateur and professional players with an interest in Baroque repertoire will welcome this generous selection of 25 harpsichord pieces by John Blow (1649-1708). Blow stands as the dominant figure of English harpsichord composition in the late seventeenth century, the master of an individual school that merged continental influences into a vigorous native tradition of keyboard writing. There are preludes, dances and grounds in this anthology, which is selected from Volume 73 of Musica Britannica, and also includes advice on ornamentation and a comprehensive editorial note. Along with its companion volume of 16 organ pieces, K43, this collection is an important addition to Stainer and Bell's landmark Early English Keyboard series.
Par SIMPER CALEB. SATB and organ Caleb Simper (1857-1942) was for many years amo...(+)
Par SIMPER CALEB. SATB and organ Caleb Simper (1857-1942) was for many years amongst the most performed of living composers by virtue of his anthems and services, which were 'sung throughout the civilised world'. To complement his ever popular voluntaries for the church year (still available from Stainer and Bell), five of his anthems are here reissued in a new edition by Simper's biographer, Christopher Turner. Material for the Advent, Christmas, Easter, Whitsun and Harvest festivals, dedications and general use is included. Easy and enjoyable to sing, the music should win new admirers for the work of this eminent musical Victorian. The anthems included are: He shall reign forever ; I will feed my flock ; If we believe that Jesus died ; O how amiable ; The Lord is in his holy temple./ Recueil / SATB et Orgue
Par ARCHER MALCOLM. With Sleigh Bells across the Snow, renowned recitalist and c...(+)
Par ARCHER MALCOLM. With Sleigh Bells across the Snow, renowned recitalist and composer of popular church music Malcolm Archer reveals another facet of his talented musicianship ? namely, his love of light music and his mastery of the theatre organ. With this addition to Stainer and Bell?s stylish Light Organ Series, Sleigh Bells across the Snow was conceived in the spirit of Leroy Anderson, and joyfully follows the tradition of his and other notable sleigh rides. Bells and chimes feature prominently, ad libitum. But as the composer himself remarks, in true theatre-organ spirit, players should also feel free to add their own embellishments, glissandi, or whatever else takes their fancy!/ Répertoire / Orgue
The Gloria in Excelsis was written by Sir Charles Villiers Stanford for the coro...(+)
The Gloria in Excelsis was written by Sir Charles Villiers Stanford for the coronation of HM King George V on 22 June 1911. It was an occasion of some note in the annals of British music, for Elgar's Coronation March and Parry's grand festival Te Deum were also heard for the first time that day. In addition, there was music by Thomas Tallis, Orlando Gibbons and Sir John Stainer, as well as by the Master of the King's Music and organist of St George's Chapel, Windsor, Sir Walter Parratt. It was published the following year as part of Stanford's Opus 128, the Festal Communion Service for voices and orchestra, which was also made available withthe accompaniment arranged by the composer for organ. However, such was the popularity of the Gloria, a magnificent and wholly representative example of Stanford's genius for church music, that it soon became popular as a separate piece, either with organ or orchestral accompaniment, and it was included in the orders of service for the coronations of HM King George VI on 12 May 1937 and HM Queen Elizabeth II on 2 June 1953./ Recueil / Choeur Mixte (SATB) et Orgue
Par CARTER SYDNEY. 17 songs with piano or guitar accompaniment. CONTENTS All alo...(+)
Par CARTER SYDNEY. 17 songs with piano or guitar accompaniment. CONTENTS All alone and all together (D - B); Bell of creation (A - C); Better take a book to bed (C - C) Bitter was the night (C - E flat); Down below (B flat - E flat); Feeling sad and lonely (C - B) Friday morning (C sharp - E); Good literature (B - B); I want to have a little bomb like you (C - C) Lord of the Dance (D - D); Middle-aged, middle-class, mediocre (G - C) Mixed up old man (D - D); My last cigarette (C - E); Never can tell (A - D); Present tense (B - B); The Rat race (B - B); Silver in the stubble (B - D)/ Recueil / Voix et Piano ou Guitare