Soprano lirico/drammatico - Lyric to Full Soprano-A selection of 36 arias for vo...(+)
Soprano lirico/drammatico - Lyric to Full Soprano-A selection of 36 arias for voice and piano with plot synopses and translations in Italian and English.A selection of 36 arias for voice and piano with plot synopses and translations in Italian and English.
Tenore - Tenor - A cura di - Edited by Ilaria Narici-A selection of 40 arias for...(+)
Tenore - Tenor - A cura di - Edited by Ilaria Narici-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.
Basso - Bass - A cura di - Edited by Ilaria Narici-A selection of 38 arias for v...(+)
Basso - Bass - A cura di - Edited by Ilaria Narici-A selection of 38 arias for voice and piano with plot synopses and translations in Italian and English.
Baritono - Baritone - a cura di - edited by Ilaria Narici-A selection of 40 aria...(+)
Baritono - Baritone - a cura di - edited by Ilaria Narici-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.
Duets for Classical Guitar 2. Solo guitar arrangements of classical works are of...(+)
Duets for Classical Guitar 2. Solo guitar arrangements of classical works are often so complex that they exceed the capabilities of most guitarists. Fabian Payr?s Duets for Classical Guitar avoids this pitfall by sharing the original work between two guitars. In so doing, famous compositions?from stylistically varied periods and for a range of original instrumentations?are in some cases accessible to guitarists for the first time. The collection also includes well-known pieces from the demanding solo guitar repertoire that can be worked on by less advanced players thanks to this sharing approach.
Piano seul[Partition] - Intermédiaire/avancé Ricordi
La musique correspondant au célèbre album de ce compositeur contemporain milan...(+)
La musique correspondant au célèbre album de ce compositeur contemporain milanais. Ce dernier écrit : 'Eden Roc est le nom d'un endroit situé sur la côte dans le sud de la France, où Francis Scott Fitzgerald a vécu et où il a commencé son roman 'Tender is the night'. C'est à partir de ce livre que j'ai puisé une partie de mon inspiration pour Eden Roc. Le nom lui-même m'a rappelé cette idée de l'endroit idéal dans le monde, où vous pouvez retrouver votre équilibre intérieur.' / Piano Solo / 56 pages / niveau : Intermédiaire / Partition
Duets for Classical Guitar 1. Solo guitar arrangements of classical works are of...(+)
Duets for Classical Guitar 1. Solo guitar arrangements of classical works are often so complex that they exceed the capabilities of most guitarists. Fabian Payr's Duets for Classical Guitar avoids this pitfall by sharing the original work between two guitars. In so doing, famous compositions'from stylistically varied periods and for a range of original instrumentations'are in some cases accessible to guitarists for the first time. The collection also includes well-known pieces from the demanding solo guitar repertoire that can be worked on by less advanced players thanks to this sharing approach.
Bizet Massenet Debussy Ravel. This series presents some of the most significa...(+)
Bizet Massenet Debussy Ravel. This series presents some of the most significant works of European and Latin American music from the last three centuries transcribed for chamber guitar ensemble (in formations ranging from duo to quartet). The works contained in each volume have been selected both for their intrinsic artistic value and their potential to enhance sound production and playing technique. All of the transcriptions are strictly faithful to the original texts and have been reworked in order to make them suitable for players at all levels, from novice to professional. 'Guitar Ensemble' is therefore an effective aid for the study of ensemble music from middle and high school up to a conservatory level.
French Portrait is a selection of works of the French composers Georges Bizet (1838-1875), Jules Massenet (1842-1912), Claude Debussy (1862-1918) and Maurice Ravel (1875-1937).
Boccherini Respighi Mascagni Spazzoli. This series presents some of the most ...(+)
Boccherini Respighi Mascagni Spazzoli. This series presents some of the most significant works of European and Latin American music from the last three centuries transcribed for chamber guitar ensemble (in formations ranging from duo to quartet). The works contained in each volume have been selected both for their intrinsic artistic value and their potential to enhance sound production and playing technique. All of the transcriptions are strictly faithful to the original texts and have been reworked in order to make them suitable for players at all levels, from novice to professional. 'Guitar Ensemble' is therefore an effective aid for the study of ensemble music from middle and high school up to a conservatory level. Italian Portrait is a selection of works of the Italian composers Luigi Boccherini (1743-1805), Ottorino Respighi (1879-1936), Pietro Mascagni (1863-1945) and Alessandro Spazzoli (1964).
Riduzione per canto e pianoforte. Par . On 17 November 1868, Verdi made a propos...(+)
Riduzione per canto e pianoforte. Par . On 17 November 1868, Verdi made a proposal to Tito Ricordi to form a commission to select thirteen of the most representative composers of the era, asking each of them to compose a movement of the mass to be performed on the first anniversary of the death of the composer from Pesaro. The first performance, scheduled for the following November in Bologna, had to be cancelled because of disputes and organizational differences. The manuscript of the Rossini Mass lay largely forgotten in the archives of Casa Ricordi until 1970, when it caught the attention of the musicologist David Rosen. This was followed by various studies aimed at reconstructing the performance materials, carried out by musicologists, musicians and institutions, including the Istituto Nazionale di Studi Verdiani and Casa Ricordi itself. / Date parution : 2021-12-09/ Répertoire / Chant et Piano
Here, appearing for the first time, is the piano vocal score of Le Willis, Giaco...(+)
Here, appearing for the first time, is the piano vocal score of Le Willis, Giacomo Puccini’s first stage work, whose full score remained unpublished until 2020, when it was issued by Casa Ricordi (NR 139546).The critical edition by Martin Deasy is based, as far as the first six Numbers are concerned, on the autograph score that Puccini reutilized for composing Le Villi. The autograph pages incorporating the final Number – pages that were later removed, in order to make space for the new material produced for Le Villi– are also proposed as the principal text.Pursuing an innovative philological approach, the editor has, furthermore, taken into due consideration the contemporaneous printed editions of the piano vocal score, on the assumption that they constitute the principal collateral sources, if one considers the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor proves that the vocal material produced for the first performance of Willis was not copied from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi’s printed edition of the piano vocal score. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI
What is being presented here is the piano vocal score of Le Villi, Giacomo Pucci...(+)
What is being presented here is the piano vocal score of Le Villi, Giacomo Puccini’s first stage work, the full score of which was published by Casa Ricordi (NR 141755) in 2020.The premiere of Le Villi took place at the Teatro Regio in Turin on 27 December 1884, and was followed by a Milanese performance at Teatro alla Scala on 24 January 1885: both productions were quite well received by critics and public alike.The critical edition by Martin Deasy is based on the autograph score that Puccini initially prepared for the one-act version (Willis), and later modified for the two-act, revised version (Villi). Pursuing a groundbreaking philological approach, the editor has, furthermore, taken into proper consideration the contemporaneous printed editions of the piano vocal score, which constitute, in his view, the principal collateral sources, if one is to consider the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor demonstrates that the vocal material realized for the first performance of Willis was not derived from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi’s printed edition of the piano vocal score. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI
Dedicated to his ever-remembered maestro and great composer, Luciano Berio, Ludo...(+)
Dedicated to his ever-remembered maestro and great composer, Luciano Berio, Ludovico Einaudi's five Duetti (duets) for violin and viola are proof of the freedom and variety of musical languages found in the works of one of the most famous and appreciated composers on the contemporary scene. / Violon / Ricordi
Compositeur : Francesco Paolo Tosti Groupe d\'Instruments : Chant Inst...(+)
Compositeur : Francesco Paolo Tosti Groupe d\'Instruments : Chant Instrumentation : Voice and Piano Type de produit : Recueil Difficulté : ADV-VERY DIFFICULT Language : IT-ENG Année d\'édition : 2022 Édition musicale : Ricordi / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI
Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIAC...(+)
Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIACOMO. Here, appearing for the first time, is the piano vocal score of Le Willis, Giacomo Puccini’s first stage work, whose full score remained unpublished until 2020, when it was issued by Casa Ricordi (NR 139546).The critical edition by Martin Deasy is based, as far as the first six Numbers are concerned, on the autograph score that Puccini reutilized for composing Le Villi. The autograph pages incorporating the final Number – pages that were later removed, in order to make space for the new material produced for Le Villi– are also proposed as the principal text.Pursuing an innovative philological approach, the editor has, furthermore, taken into due consideration the contemporaneous printed editions of the piano vocal score, on the assumption that they constitute the principal collateral sources, if one considers the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor proves that the vocal material produced for the first performance of Willis was not copied from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi’s printed edition of the piano vocal score./ Répertoire / Chant et Piano
Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIAC...(+)
Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIACOMO. What is being presented here is the piano vocal score of Le Villi, Giacomo Puccini’s first stage work, the full score of which was published by Casa Ricordi (NR 141755) in 2020.The premiere of Le Villi took place at the Teatro Regio in Turin on 27 December 1884, and was followed by a Milanese performance at Teatro alla Scala on 24 January 1885: both productions were quite well received by critics and public alike.The critical edition by Martin Deasy is based on the autograph score that Puccini initially prepared for the one-act version (Willis), and later modified for the two-act, revised version (Villi). Pursuing a groundbreaking philological approach, the editor has, furthermore, taken into proper consideration the contemporaneous printed editions of the piano vocal score, which constitute, in his view, the principal collateral sources, if one is to consider the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor demonstrates that the vocal material realized for the first performance of Willis was not derived from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi’s printed edition of the piano vocal score./ Répertoire / Chant et Piano
Ed. critica di Paolo Fabbri - Riduzione per canto e pianoforte-Vocal score based...(+)
Ed. critica di Paolo Fabbri - Riduzione per canto e pianoforte-Vocal score based on the critical edition of the orchestral score edited by Paolo Fabbri 2 volumes. Donizetti?s Anna Bolena premiered at Milano?s Teatro Carcano during Carnival season 1830-31 is considered the composer?s first major success inserious opera which brought him to the attention of all Europe. In terms of production in Italy he was an anomaly in that he remained actively involved in the evolution of his works and the performances of them and went on making modifications tothose works. Written expressly for the interpretative and vocal talents of great singers like Giuditta Pasta and Giovan Battista Rubini the historically-based ?lyrical tragedy? by librettist Felice Romani is a classic of Lombard Romanticism. Thepresent reduction for voice and piano derives from the critical edition of the score recently published in this catalog: is based on the autograph score (housed in the Ricordi Archives in Milan) on the libretto for the premiere on the first vocalscores printed editions (Lucca and Ricordi in Milan and Marquerie Frères in Paris) and additional manuscript scores with autograph additional notes (housed in Naples and Rome). This edition presents for the first time all the music composed byDonizetti in particular the sections crossed out or replaced either immediately before or after the first performances. There is also a synthetic reconstruction of the birth of Anna Bolena with a description of sources and a selection of theCritical Notes from the full score edition.
Edizione critica F. Della Seta - Riduzione per canto e pianoforte-Composed in 18...(+)
Edizione critica F. Della Seta - Riduzione per canto e pianoforte-Composed in 1818 on commission from an unknown individual in Lisbon Adina was left to languish some years until its premiere in 1826 with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers andrepurposed another three from Sigismondo Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources including a complete manuscript copy (housed at the British Library in London) various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels) and the first edition of the vocal score published by Ricordi between 1855 and 1859 additionally reveals how the libretto printed in Lisbon for that single historic performance in 1826 differed substantially from the narrative disposition of the autograph score with ample cuts and modifications (among those the suppression of the Aria Alì and the addition of a Coro). While neither attributable to Rossini himself nor pertaining to his original conceptual design of the opera this Coro the music of which survives in the first vocal score is included as an Appendix to the edition.