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Carcassi, Matteo
Italia
(1792 - 1853)
329 sheet music
204 MP3 - 189 MIDI
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CARCASSI, MATTEO COMPOSITIONS
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A
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C
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"
• "Tra la la", air with variations (Op. 15)
(2 versions)
• "Under the moonlight", with variations (Op. 7)
(1 version)
1
• 12 small pieces (Op. 3)
(24 versions)
• 12 Waltzes (Op. 23)
(13 versions)
2
• 2 ballet airs from the opera Moses by Rossini (Op. 28)
(1 version)
• 2 square dances of contradances, 2 waltzes, and 2 galops (Op. 53)
(3 versions)
• 25 melodic and progressive studies. 1st suite of the method (Op. 60)
(38 versions)
• 2nd collection of 8 divertimentos (Op. 25)
(1 version)
3
• 3 Italian airs with variations (Op. 9)
(1 version)
• 3 rondos (Op. 2)
(5 versions)
• 3 sonatas (Op. 1)
(3 versions)
• 3 Swiss airs with variations (Op. 44)
(1 version)
• 3 themes with variations (Op. 12)
(1 version)
4
• 4 favorite airs with variations (Op. WoO)
(1 version)
• 4 medleys of very pretty airs from operas by Rossini (Op. 13)
(1 version)
6
• 6 airs with variations with a brilliant and easy execution (Op. 18)
(1 version)
• 6 capriccios (Op. 26)
(10 versions)
• 6 waltzes (Op. 4)
(14 versions)
8
• 8 divertimentos (Op. 16)
(1 version)
A
• Air from Mysteries of Isis with variations (Op. 24)
(2 versions)
• Amusement, or choice of 12 easy and carefully fingered pieces (Op. 10)
(25 versions)
C
• Collection of 10 small pieces (Op. 11)
(15 versions)
• Complete method. Divided in three parts (Op. 59)
(14 versions)
F
• Fantasy from the motives from the opera The Clerks' Meadow (Op. 48)
(1 version)
• Fantasy No.1 on opera: The Mute Girl of Portici (Op. 33)
(1 version)
• Fantasy No.2 on opera: Le Comte Ory (Op. 34)
(2 versions)
• Fantasy No.3 on opera: La Fiancée (Op. 35)
(1 version)
• Fantasy No.4 on opera: William Tell (Op. 36)
(1 version)
• Fantasy No.5 on opera: Fra Diavolo (Op. 37)
(1 version)
• Fantasy No.6 on opera: The God and the Bayadere (Op. 38)
(1 version)
• Fantasy on the motives from the opera Gustav (Op. 49)
(1 version)
• Fantasy on the motives from the opera The Bronze Horse (Op. 57)
(1 version)
• Fantasy on the motives from the opera The Diamonds of the Crown (Op. 71)
(1 version)
• Fantasy on the motives from the opera The Oath (Op. 45)
(1 version)
• Fantasy on the motives from the opera The Part of the Devil (Op. 73)
(1 version)
• Fantasy on the motives from the opera Zampa (Op. 40)
(2 versions)
• Fantasy on the very pretty airs of the opera Robin of the Forest (Der Freischütz) (Op. 19)
(1 version)
• Favorite waltz "Duke of Reichstadt" with variations (Op. 52)
(1 version)
G
• Gifts for enthusiasts, or new collection of 6 French contradances, 6 waltzes, and 3 airs with variations (Op. 8)
(1 version)
I
• Introduction, variations, and finale on a favorite duo (Op. 6)
(2 versions)
M
• Mix of 22 easy and carefully fingered pieces (Op. 14)
(18 versions)
• Mix on the favorite airs from The Fairy Lake (Op. 69)
(1 version)
• Mix on the favorite themes from The Siren (Op. 74)
(1 version)
• Mix on the motives from the opera Sarah (Op. 62)
(1 version)
• Mix on the motives from the opera Zanetta (Op. 70)
(1 version)
• Mosaic on the favorite motives from the opera The Black Domino (Op. 67)
(1 version)
R
• Récréations Musicales (Suite 1-4) (Op. 50)
(1 version)
• Rondoletto on the favorite air "Clic clac" (Op. 41)
(1 version)
S
• Six Vals (Op. 39)
(1 version)
• Swiss air with variations (Op. 20)
(1 version)
T
• The new butterfly, or choice of easy and carefully fingered airs (Op. 5)
(21 versions)
• The recreation for the beginners, or choice of 24 small pieces (Op. 21)
(27 versions)
V
• Variations brillantes pour la guitare, sur un thême [Non più mesta] de la Cenerentola [by G. A. Rossini] (Op. 31)
(1 version)