Danelectro Fifty Niner Gold Top; Double cut fity Niner shape, semi-hollow body, frame and center block: maple, to: spruce with f-hole, back: masonite, top binding, neck: bolt-on maple, fingerboard: rosewood, scale: 25.00" (635mm), fingerboard radius: 14" (355,6mm), neck shape: C, fingerboard inlay: dots, frets: 21, wraparound bridge, pickups: 2 x 59 Dano 50`s Lipstick single coils, Controls: master volume, master tone, silver die-cast potentiometer knobs, 3-way pickup switch, color: top: gold, sides and back: chocolate black

Trigger Bracket- For tubes from 38 - 51 mm- TÜV tested- Traverse-protecting due to extruded triggers- Both M10 and M12 screws can be used to fix the devices (M10 x 25 included)- WLL: 50 kg vertical load- Safety factor: 5:1- Clamp material: LM24 aluminium- Trigger material: AW 6082 T6 aluminum- Spring pin material: Stainless steel- Width: 30 mm- Height: 109 mm- Weight: 0.35 kg- Colour: Black- Made in England

Effect Pedal for Electric Guitar- Preamp- Legendary Brown sound in a modern guise- Authentic sound of a tube amp- 3-Band EQ- True bypass- Controls for volume, gain, bass, mid and treble- Status LED- CH/CAB switch for selecting between channels and activating speaker simulation- Metal housing- Bypass footswitch- 6.3 mm Mono jack input/output- Power supply via 9 V DC mains adapter 2.1 x 5.5 mm barrel plug, centre negative (suitable power supply unit: Art.319559 - not included in delivery)- Power consumption: 220 mA- Dimensions (L x W x H): 94 x 42 x 52 mm- Weight: 160 g

The OCTAPAD Legend ContinuesRoland s original Octapad profoundly changed the landscape of electronic percussion. The size of a briefcase, the Octapad offered drummers and percussionists the equivalent of an entire electronic rig in one self-contained unit a new level of convenience and expression. Today, decades later, an exciting new chapter in Octapad history begins. The Octapad SPD-30 blends the world s most essential electronic percussion sounds with the latest triggering technology in a road-tough package that s ready for the most demanding performers. * Packed with new percussion sounds from around the world, plus 30 types of multi-effects * The latest pad-sensing technology developed for V-Drums provides even and accurate pad triggering with excellent isolation between pads * Four dual-trigger inputs plus hi-hat controller for adding pads to create a mini kit, or for accepting triggers from acoustic drums * Phrase Loop function inspires your creativity; record your playing in real time and overdub up to three layers * USB connectivity for MIDI and memory storage * Large backlit LCD and pad indicator lights for easy operation onstage or in any environment * Rugged, road-worthy designSound BankUnlike the original Octapad PAD-8, which was strictly a MIDI controller, the Octapad SPD-30 is a controller that s packed with its own internal bank of sounds. Fifty kits are built into the SPD-30 essential sounds that span a musical universe of styles. You can customise the sounds with the onboard controls for tuning, muffling, attack, pitch sweep, and more. It s like having a truckload of customisable drum and percussion instruments in one portable package.Multi-EffectsBased on Roland s world-leading effects technology, the SPD-30 s multi-effects engine will take your performances to another level. There are 30 types of internal multi-effects onboard, plus EQ, limiter, and seven Ambience types.Phrase Loop FunctionThe onboard Phrase Loop function lets you instantly create layered loops and phrases. You can record and store 50 phrases internally, with each containing up to three layers. You can also save your phrase data on your USB Memory.Advanced Triggering TechnologyThe Octapad SPD-30 benefits from Roland s most advanced V-Drum triggering technology. Each pad is a separate, isolated unit, providing the ultimate in sensitivity with complete crosstalk rejection. In addition, you can connect four dual-trigger inputs plus a hi-hat controller (compatible with Roland FD-8, VH-11) to create a mini drum set with external pads (Roland KD / PD / PDX / CY series), as well as to accept triggers from acoustic drums through Roland s RT series.8 Built-in Pads (Four external trigger inputs are provided, allowing you to connect Pads)Instruments: 670Kits: 50Kit Chain: 8 chains (20 steps per chain)Instrument Parameters: Tuning, Muffling, Soft Attack, Tone Color, Pitch Sweep, Volume, Pan, ReverseEffect Types: Ambience (7 Types), Equalizer, Limiter, Multi Effect (30 Types)Phrase Loop: Phrases: 50, Parts: 3, Tempo: 40 to 260, Resolution: 480 ticks per quarter note, Recording Method: Real-time, Maximum Note Storage: approx. 10,000 NotesDisplay: 160 x 160 dots Graphic Type LCD (Backlit LCD) Pad Status Illumination x 8 (LED)Connectors: PHONES Jack (Stereo 1/4 inch phone type), OUTPUT Jacks (L (MONO), R) (1/4 inch phone type), MIX IN Jack (Stereo 1/4 inch phone type), EXTERNAL TRIGGER INPUT Jacks x 4, HH CTRL Jack, FOOT SW Jack (1/4 inch TRS phone type), MIDI Connectors (IN, OUT), USB MEMORY Connector (for USB Memory), USB MIDI Connector (for USB MIDI)Output Impedance: 1.0 k ohmsPower Supply: AC Adaptor (DC 9 V)Current Draw: 600 mAAccessories: Owner's Manual, AC Adaptor (PSB-1U), Screws (M5 x 12 mm) x 4Options: Pads (PD series, PDX series), Cymbals (CY series), Kick Triggers (KD series), Hi-Hats (VH-11), Hi-Hat Control Pedal (FD series), Pad Stand (PDS-10), All-Purpose Clamp (APC-33), Acoustic Drum Trigger (RT-10K, RT-10S, RT-10T), Pedal Switch (DP-2), Foot Switch (FS-5U, FS-6), Personal Drum Monitor: PM-10, PM-30, V-Drums Accessory Package: DAP-3, V-Drums Mat: TDM-10, USB memory (Use USB memory sold by Roland. We cannot guarantee operation if other products are used)Width: 541 mm21-5/16 inchesDepth: 272 mm10-3/4 inchesHeight: 88 mm3-1/2 inchesWeight: 3.8 kg8 lbs. 7 oz.

PHYSICAL FEEDBACK FROM THE INSTRUMENT STIMULATES YOUR SENSES Blowing into the mouthpiece resonates through the entire instrument a vibration you can feel in your lips, fingertips, and even your heart. Integrated Bell Acoustic System, created by the fusion of acoustic and digital technologies, delivers an incredibly authentic, gorgeous sound that even feels and responds as if you were playing an acoustic instrument. Dimensions : - Width 110mm - Height 699mm - Depth 103mm Weight : - 1.0kg not including batteries Material : - Bell Yellow Brass/Gold lacquer finish Control Interface : - Key systems : Fingering same as Saxophone, High-F#, Front-F, LowA Tone Generating Technology : - AWM Sampling - Number of Voices 73 (incl. 56 sax voices) Key : - Eb, Bb, C Sync with voice Functions : - Tuning 427.0Hz 440.0Hz 453.0Hz, approx. 0.5Hz increments - Bluetooth Audio Effects : - Effect s : 5 types for Headphones Storage and Connectivity : - Headphones Stereo-mini - AUX IN Stereo-mni - USB TO HOST micro USB Type-B Power Supply 1/ GREATER JOY IN PERFORMING SEAMLESS UNITY IN PLAYING This digital saxophone is a fusion of two technologies acoustic and digital and modeling. It is an amazing new saxophone that has the technological advances of digital, yet gives you the seamless sense of expressive unity as with an acoustic instrument. 2/ LUXURIOUS TEXTURE, RELIABLE RESPONSE IN YOUR MOUTH AND ON YOUR FINGERTIPS The mouthpiece has a design just like that of an acoustic saxophone for optimum blowing comfort, and the key layout ensures natural playability and smooth operation. 3/ LUXURIOUS TONE AND RESONANCE YOU CAN FEEL THROUGHOUT YOUR BODY The whole instrument resonates along with your blowing, for naturally creating the delicate, breathy wind feel unique to the saxophone. --------------------------- Volume control over a range of fifteen levels lets you play freely, without worrying about the place or time. The instrument can be played quietly at night, and with a set of headphones on, you can apply an ambient reverb and thoroughly immerse yourself in your performance. Transform your breath into a variety of instrument sounds. In addition to the basic saxophone types of soprano, alto, tenor, and baritone and the wide variety of fifty-six related sounds, you can also select from and play nine other wind instruments. Change the settings, sound adjustments, fingering, and other controls of the instrument to your liking with the dedicated smartphone app and make your joy of playing even deeper.

The 19-inch A Custom crash is the ultimate choice of famous rock, metal and fusion drummers! This is to say its versatility ... Like Avedis. Marketed well after the Avedis - which were adopted by drummers in the fifties and updated since then - the A Custom combines high frequencies and melodious. Soft to heart, they have been designed for drummers looking for a current sound and optimum quality. Identifiable at first glance, impossible to confuse with entry-level, they are now one of the spearheads of Zildjian. For the drummer looking for a clear and clean sound. In contrast to some K cymbals whose sonic character flirts with the complexity and dark colors, the A Custom cymbals deploy explosiveness, both crystalline and crisp, tandem ideal for fusion music, rock and even metal. They will be perfect to unify a game chosen from the almost fifty references in this series A Custom has become a new standard in the world of drums, but also when combined with cymbals Series K and K Custom. A rare constancy. The quality of the high-end is found in every stage of manufacturing made in USA . Whether the hammering, constantly improved on this series (so as to achieve always more precision), or the repoussage of the metal (here treated with an astonishing finesse), the A shine in particular by their constancy. Indeed, without being formatted so far, when listening to an A played by a great drummer in concert or on a video, we know that we can get the same model to very little. A rare quality! FINESSE AND MODERNITY. It is hard to replace the identifiable Zildjian A characteristic sound in any game situation, but the famous A 'Custom is an undeniable alternative. Developed with the help of iconic drummer Vinnie Colaiuta, A 'Custom uses turned hammering techniques, from Thin to Medium and a striking brilliance for a soft, sophisticated and crisp A' Zildjian sound. Not too dark or too bright, these cymbals are perfect for all current music. This is the sophisticated expression of the original Avedis sound. Category: crash Material: bronze Cymbal diameter: 19.00 Thickness: Thin Hammering: no Sound: brilliant Finish: brilliant

The sublime A Custom crash of 17 inches has a natural and brilliant sound. Neither too sharp nor too serious, it will fit perfectly into your cymbal set. Like Avedis. Marketed well after the Avedis - which were adopted by drummers in the fifties and updated since then - the A Custom combines high frequencies and melodious. Soft to heart, they have been designed for drummers looking for a current sound and optimum quality. Identifiable at first glance, impossible to confuse with entry-level, they are now one of the spearheads of Zildjian. For the drummer looking for a clear and clean sound. In contrast to some K cymbals whose sonic character flirts with the complexity and dark colors, the A Custom cymbals deploy explosiveness, both crystalline and crisp, tandem ideal for fusion music, rock and even metal. They will be perfect to unify a game chosen from the almost fifty references in this series A Custom has become a new standard in the world of drums, but also when combined with cymbals Series K and K Custom. A rare constancy. The quality of the high-end is found in every stage of manufacturing made in USA. Whether the hammering, constantly improved on this series (so as to achieve always more precision), or the repoussage of the metal (here treated with an astonishing finesse), the A shine in particular by their constancy. Indeed, without being formatted so far, when listening to an A played by a great drummer in concert or on a video, we know that we can get the same model to very little. A rare quality! FINESSE AND MODERNITY. It is hard to replace the identifiable Zildjian A characteristic sound in any game situation, but the famous A 'Custom is an undeniable alternative. Developed with the help of iconic drummer Vinnie Colaiuta, A 'Custom uses turned hammering techniques, from Thin to Medium and a striking brilliance for a soft, sophisticated and crisp A' Zildjian sound. Not too dark or too bright, these cymbals are perfect for all current music. This is the sophisticated expression of the original Avedis sound. Category: crash Material: bronze Cymbal diameter: 17.00 Thickness: Thin Hammering: no Sound: medium Finish: brilliant

C Tuba- 5/4 size- 5 Valves: 1st-4th Perinet, 5th cylinder valve- Bore: 1st- 3rd Valve Ø 19.00 mm, 4th Valve Ø 20 mm, 5th Valve Ø 20.50 mm- Bell Ø: 48,00 cm- Brass bell and body- Adjustable thumb ring- Nickel silver interior and exterior- High-gloss silver- Height: 98.50 cm- Weight: 10.4 kg- Includes gig bag and mouthpiece

12-String Electric Guitar- Type: Semi-Hollow Body with Double Cutaway- Poplar body frame and centre block- Top with F-hole: Spruce- Back: Masonite- Bolt-on neck: Maple- Fingerboard: Rosewood- Dot finegrboard inlays- Neck profile: C- Top binding- Fingerboard radius: 14"- Scale: 25"- 21 Frets- Pickups: Danelectro Angled P90 Vintage-style Single-coil (neck) and Danelectro Dual-Coil Lipstick Humbucker (bridge)- Volume control- Tone control with push/pull function for coil-tap- 3-Way switch- Silver die-cast potentiometer knobs- Fully adjustable bridge- 6+6 Machine heads with 16:1 gear ratio- Strings: DAddario EXL150 Regular Light 12-string, .010 - .046- Colour: Black

Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you\'re elevated into a glow of lush, glorious, radiant reverbs. To create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future. Feel the mechanical tension of the Spring reverbs. Hear the floating particles of the Cloud machine. Defy the laws of physics with the Nonlinear reverbs. Unleash the multi-head reverberations of the Magneto machine. BigSky gives you twelve studio-class reverb machines, each with simple yet powerful controls. We knew we must take reverb to a whole new level. With careful attention to detail, innovative analog circuitry design, an insanely powerful SHARC processor, and the utilization of top-shelf components, we\'ve developed a reverb pedal that fits on your pedal board yet has better audio quality than many rack reverb units. This fusion of science with art has just one goal. To provide you with the most musically inspirational reverb experiences possible. Hand crafted, studio-class reverb algorithms deliver lush, gorgeous, and musically inspiring reverb experiences Twelve reverb machines to choose from: Room, Hall, Plate, Spring, Swell, Bloom, Cloud, Chorale, Shimmer, Magneto, Nonlinear, Reflections Seven front-panel tone shaping knobs: Decay, Pre-Delay, Mix, Tone, Mod, Param 1, Param 2 (Param knobs assignable per preset) Additional menu parameters allow for easy customization of reverb sounds 300 easily accessible and namable presets Press-and-hold Infinite Sustain and Freeze functions, saveable per preset Spillover and Reverb Persist modes, saveable per preset Selectable Speaker Cabinet emulation for direct-to-PA gigs or recording applications

If you're looking for an A Custom cymbal that has more aggression, then go for the 18-inch A Custom Projection Crash! Like Avedis. Marketed well after the Avedis - which were adopted by drummers in the fifties and updated since then - the A Custom combines high frequencies and melodious. Soft to heart, they have been designed for drummers looking for a current sound and optimum quality. Identifiable at first glance, impossible to confuse with entry-level, they are now one of the spearheads of Zildjian. More powerful, more powerful. When you opt for a cymbal with the Projection finish, you are looking for a more powerful sound with more body. In addition, this finish Projection provides a sustain longer than other finishes. For the drummer looking for a clear and clean sound. In contrast to some K cymbals whose sonic character flirts with the complexity and dark colors, the A Custom cymbals deploy explosiveness, both crystalline and crisp, tandem ideal for fusion music, rock and even metal. They will be perfect to unify a game chosen from the almost fifty references in this series A Custom has become a new standard in the world of drums, but also when combined with cymbals Series K and K Custom. A rare constancy. The quality of the high-end is found in every stage of manufacturing made in USA . Whether the hammering, constantly improved on this series (so as to achieve always more precision), or the repoussage of the metal (here treated with an astonishing finesse), the A shine in particular by their constancy. Indeed, without being formatted so far, when listening to an A played by a great drummer in concert or on a video, we know that we can get the same model to very little. A rare quality! FINESSE AND MODERNITY. It is hard to replace the identifiable Zildjian A characteristic sound in any game situation, but the famous A 'Custom is an undeniable alternative. Developed with the help of iconic drummer Vinnie Colaiuta, A 'Custom uses turned hammering techniques, from Thin to Medium and a striking brilliance for a soft, sophisticated and crisp A' Zildjian sound. Not too dark or too bright, these cymbals are perfect for all current music. This is the sophisticated expression of the original Avedis sound. Category: crash Type: projection Material: bronze Cymbal diameter: 18.00 Thickness: thin medium Hammering: no Sound: brilliant / medium Finish: brilliant

In April of 1965, a new device changed rock \'n\' roll forever. From the back workbench of Macari\'s Musical Exchange on Denmark Street in London, Gary Hurst invented the Sola Sound* Tonebender* fuzz. Building on the foundation of the American-made 1962 Maestro Fuzz Tone*, Gary expanded what fuzz could do and gave a new sound to the thriving London music scene. Starting with his very first prototype made in a simple wooden box (April 1965) to the many other official Sola Sound* versions like the MKI (Sept 1965), MK2 (Mid 1966), MK3/MK4 (Feb 1970), etc., the Tonebender* has evolved just like the music that it helped create. The JHS Bender is our attempt to recreate the most prized Tonebender* in my collection: my 1973 MK3 Silver/Orange Onomatopoeia version. This version has three very special germanium transistors, tons of mojo, and fifty plus years of experience, but it is finicky and it doesn\'t always do what you want it to do. I had to ask: could we replicate this pedal sonically Could we capture what it\'s all about, but in a way that is more consistent, dependable, and easy to manufacture Yes. The end result is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect, turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Bender works well with a range of different amplifiers and guitars. Attack is the distortion control, the more you turn it clockwise, the more fuzz you create. On the side you will see a Mode button that lets you access a never-before-heard JHS Mode. Push that button for more gain and a mid frequency boost to send you leads soaring through the mix. With higher Attack settings in this mode, you will feel the fuzz slightly gate depending on your picking dynamics. If you want a fuzz that can go from middle of the road crunch distortion to full out aggression, the Bender is for you. The tone control is extremely flexible and allows for dozens of sonic variations that most fuzz users only dream about. If you love the fuzz sounds of Led Zeppelin, Jeff Beck, The Beatles, Mick Ronson (David Bowie), and My Bloody Valentine, then the Bender is for you.

By taking advantage of a rather short sustain and beautiful warm overtones, you will love your new 18-inch crash. Like Avedis. Marketed well after the Avedis - which were adopted by drummers in the fifties and updated since then - the A Custom combines high frequencies and melodious. Soft to heart, they have been designed for drummers looking for a current sound and optimum quality. Identifiable at first glance, impossible to confuse with entry-level, they are now one of the spearheads of Zildjian. For the drummer looking for a clear and clean sound. In contrast to some K cymbals whose sonic character flirts with the complexity and dark colors, the A Custom cymbals deploy explosiveness, both crystalline and crisp, tandem ideal for fusion music, rock and even metal. They will be perfect to unify a game chosen from the almost fifty references in this series A Custom has become a new standard in the world of drums, but also when combined with cymbals Series K and K Custom. A rare constancy. The quality of the high-end is found in every stage of manufacturing made in USA . Whether the hammering, constantly improved on this series (so as to achieve always more precision), or the repoussage of the metal (here treated with an astonishing finesse), the A shine in particular by their constancy. Indeed, without being formatted so far, when listening to an A played by a great drummer in concert or on a video, we know that we can get the same model to very little. A rare quality! FINESSE AND MODERNITY. It is hard to replace the identifiable Zildjian A characteristic sound in any game situation, but the famous A 'Custom is an undeniable alternative. Developed with the help of iconic drummer Vinnie Colaiuta, A 'Custom uses turned hammering techniques, from Thin to Medium and a striking brilliance for a soft, sophisticated and crisp A' Zildjian sound. Not too dark or too bright, these cymbals are perfect for all current music. This is the sophisticated expression of the original Avedis sound. Category: crash Material: bronze Cymbal diameter: 18.00 Thickness: Thin Hammering: no Sound: brilliant Finish: brilliant

Over fifty years in the making, the Shelford Channel is the definitive evolution of the original technologies in Rupert s classic console modules like the 1073, 1064, 1081 and 2254, thoughtfully advanced and refined for the 21st century studio. The Shelford Channel is built around Rupert Neve s first new transformer-gain, class-A microphone preamplifier in over 40 years, the best-of-the-classics inductor EQ section from the Shelford 5052, a tone-packed Diode bridge compressor, the analog power of variable Silk saturation, a new dual-tap transformer output stage for maintaining headroom or allowing the full driving of the Channel without clipping standard converters, and twice the operating voltage of vintage designs.

C Tuba- Size: 5/4- Brass body and bell- Nickel silver inner and outer slides- Bore: 1st - 3rd valve: 19.00 mm / 4th valve: 20.00 mm / 5th valve: 20.50 mm- Bell Ø: 480 mm- Height: 985 mm- Weight: 10.40 kg- 5 Valves: 1-4 perinet valve, 5 rotary valve- Adjustable thumb ring- Clear lacquer finish- Incl. gig bag and mouthpiece