Mit ?Le comte Ory' erscheint der fünfte Band aus der vielbeachteten Reihe ?Works of Gioachino Rossini'. Nach seiner Uraufführung in Paris feierte das Werk große Erfolge an den europäischen Bühnen des 19. Jahrhunderts. Die turbulente Komödie um den Grafen Ory, der sich mit seinen wüsten Kumpanen Zutritt zu einem Nonnenkloster verschafft, ist eines von Rossinis effektvollsten Meisterwerken.Der Herausgeber Damien Colas legt in Zusammenarbeit mit dem ?Center for Italian Opera Studies Chicago' eine kritische Neuausgabe vor, die unter Heranziehung einer Vielzahl von Quellen einen originalen Text des Werkes präsentiert, der in vielen Fällen von der bislang erklungenen Überlieferung abweicht. So konnten originale Besetzungen, formale Verläufe und zahlreiche fragliche Lesarten wieder hergestellt bzw. korrigiert werden. / Opéra

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Lyrique-Dramatique

lyric. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Lyrique

Favourite opera themes in jazzy arrangements Well-known classical themes, arranged with jazz and pop elements, making opera fun and appealing for all ages! • Easy, jazzy arrangements of famous opera themes • Short, lively descriptions of the operas • For all lovers of 'crossover' between classical, jazz and pop music • Written improvisations as well as chord symbols for your own improvisations • Performance tracks of all pieces, played by live musicians • Backing tracks recorded in the studio for you to play along with • Piano accompaniments available as PDF files on the CD / Opéra-opérette / Recueil / Violon et Piano ad lib.

Gioachino Rossini chooses Semiramide as the opera subject of the Carnival season 1822-23, the last of his Italian career. The opera - composed on a libretto by Gaetano Rossi - was performed for the first time in Venice, Teatro La Fenice, on February 3rd 1823. The history of this work is characterized right from the first performances by frequent manipulations, cuts and consecutive adjustments because of its monumental structure. This reduction for voice and piano, based on the critical edition of the full score, offers a new point of view of Semiramide through the reconstruction of the main phases of its rich executive history. In addition to the musical texts there are - both in Italian and in English - an historical Introduction (in the first volume) and a Critical Commentary to the musical text (in the second volume). In the three Appendices of the edition are then published the vocal variants recovered from the original parts (some in Rossini's hand), the original version of the conclusion of the Semiramide's Cavatina and a version of the Finale secondo composed by Rossini for the Parisian version of 1825. / Voix Et Piano

Par . This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of a separate Violin part: Carmen Fantasy from the Opera by Georges Bizet, Op. 25, transcribed by Jenö Hubay. Fantasia on Themes from Gounod's Faust, Op. 20, transcribed by Henri Wieniawski. Fantasie from Mozart's The Magic Flute, Op. 54, transcribed by Pablo Sarasate. Fantasie Brillante on the March and the Romance from Rossini's Otello, Op. 11, by Heinrich Wilhelm Ernst. This collection is ideal for practice, performance, teaching, and independent study bystudents, professional performers, and amateur ensembles. / Date parution : 2023-03-15/ Recueil / Violon et Piano

Opera's greatest moments are brought to life in this fantastic collection of Piano solos, featuring the most memorable, hum-able tunes from the world of opera! Includes the William Tell Overture, The Anvil Chorus, Largo al Factotum, The Ride of the Valkyries , and much more! All songs are arranged for the intermediate pianist. / Piano

Capturez la grandeur et la puissance des thèmes Opera meilleurs dans ce jeu spécialement sélectionnés de solos de piano avec CD d'accompagnement. Depuis les premiers travaux de scène dévots de Haendel et Purcell, à travers les productions exotiques et ludiques de Mozart et de Rossini aux innovations spectaculaires et coeur-arrêt de Wagner, Tchaïkovski et au-delà, cet ensemble de mouvements spécialement sélectionnés ont été soigneusement disposés comme des solos de piano. Présentant des spectacles complets de toutes les pièces sur CD, il s'agit d'une collection absolument indispensable pour tout amateur d'opéra, et une excellente source de répertoire pour piano inhabituelle. / Piano

Par RUTTER JOHN. Opera Chorus est une collection de 35 choeurs d'opéra classique, savamment disposés comme oeuvres de concert séparés, le tout avec une excellente traduction anglaise et le chant des réductions clavier pratique. Le matériel d'accompagnement orchestral pour tous les titres de la collection est disponible à la location. Certains articles de ce volume sont disponibles séparément sous forme de brochures de la série Oxford Choral Classics Octavo. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres./ Recueil / Chant

Ed. Critica. Par ROSSINI GIOACHINO. Italian / Opéra-opérette / Date parution : 1905-06-30/ Répertoire / Opéra

Volume 39 - Sez. Prima - Partitura In 4 Vol.+c.c. Ed. Critica E. Bartlet (Testo Cantato In Francese). Par ROSSINI GIOACHINO. Vol.39 - Sez. Prima - Partitura In 4 Vol.+C.C. Ed. Critica E. Bartlet (Testo Cantato In Francese) / Opéra-opérette / Répertoire / Opéra