Mel Bay Publications, Inc. est fière de vous présenter cette nouvelle série de leçons dans le cadre de guitare atelier Audio série Stefan Grossman. Ce livre offre une vaste compilation des leçons de guitare finger-picking. Adresse de leçons : doigt renforcement exercices, le marteau sur et pull - off, single-chaîne s'exécute et contrepoint lignes, vibrato blues et syncopés basse et rythmiques licks - plus des lignes de basse marche, chromatique s'exécute, licks à chaud et les balises de fin. Ecrit en notation standard et tablature avec une explication complète du système de l'onglet. Comprend 3 CD / Guitare (Fingerpick) / 32 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Par BUSH ALAN. (GCSE/AL) This is one of the very few tried and tested manuals, by a much admired teacher, for those seeking instruction in the complex yet rewarding art of two-part species counterpoint. There are 55 exercises as well as many worked examples./ Livre / Livre

Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Publication Date: 1999 Series: Teoria e Didattica della Musica (Theoretical and Educational Texts) Pages: pp. 208 CONTENTS * Preface * Introduction * CHAPTER 1. TUNING AND TABLATURE Tuning - Tablature (French tablature - Italian tablature - Rhythm symbols - Fingering and other symbols) - Stringing and doubling - Tuning practice (Practical advice on tuning - Tuning problems) - Strings * CHAPTER 2. BASIC TECHNIQUES Posture and position of the lute - Right-hand position - Right-hand functions - Sound production (Positioning p - Forearm movement - Attack - Positioning i) - Alternating p and i - Finger articulation for polyphonic passages (Positioning p - Positioning i) - Preparatory exercises - Differences from guitar technique - Body control * CHAPTER 3. THE RIGHT HAND Forearm and accentuation - Fingering * CHAPTER 4. THE LEFT HAND General principals - Preparatory exercises - Avoiding stiffness - Differences from guitar technique - Hand coordination * CHAPTER 5. SCALES Right-hand scale technique (Forearm movement - Finger articulation - Integrating the two techniques) * CHAPTER 6. EXERCISES FOR TWO LUTES Exercises on a ground bass - Contrapuntal exercises - Articulation - Dances and ground basses * CHAPTER 7. SHIFTING LEFT-HAND POSITIONS Fundamental principals - Position changes using the same finger - Position changes by substitution - Position changes by jump * CHAPTER 8. EXERCISES FOR TWO LUTES WITH POSITION CHANGES * CHAPTER 9. RIGHT-HAND TECHNIQUE IN POLYPHONIC MUSIC p-i articulation - Positioning m - Rest stroke with p - Left-hand positions and movement - m-i articulation - Combining p, i and m - Easy pieces in two voices - Two-voice scales * CHAPTER 10. COUNTERPOINT Voice progression and intervals - The species - Florid counterpoint - Imitation - Syncopation - Suspension * CHAPTER 11. CONTRAPUNTAL PIECES IN TWO VOICES * CHAPTER 12. THREE VOICES The right hand - Combining chords and single notes - Repeated chords and monophonic passages - Arpeggios - Chords and counterpoint * CHAPTER 13. CONTRAPUNTAL PIECES IN THREE VOICES Technical aspects: three-voice scales, the barre - Contrapuntal pieces in three voices * CHAPTER 14. CHORDS OF FOUR OR MORE NOTES The ring finger (a) - Five- and six-note chords - Chords played with p * CHAPTER 15. IDIOMATIC LUTE COMPOSITIONS Chords and divisions - Characteristics of lute composition * CHAPTER 16. TRANSFORMATION OF LUTE TECHNIQUE DURING THE 16th CENTURY Evolution of right-hand position - Exercises for m-i alternation * CHAPTER 17. TECHNIQUE Scales (Full-length scales in all keys - Scales with divisions) - Speed - Left-hand legato and ornamentation - The barre (Preparatory exercises - Barre exercises) - Scales in two and more voices (Two-voice scales - Three-voice scales) - Polyphonic patterns - Right-hand exercises * CHAPTER 18. RENAISSANCE PERFORMANCE PRACTICE Interpretation (Rhetoric - Sound quality - Rhythmic inequality) - Ornamentation (16th-century sources - The first half of the 16th century - The second half of the 16th century - The first half of the 17th century - The Elizabethans) * CHAPTER 19. TEMPERAMENT Meantone temperament - Equal temperament

An Intermediate-Level Guide with Step-by-Step Instructions. Par HENRY PAUL. The Hal Leonard Classical Guitar Method is designed for anyone just learning to play classical guitar. This comprehensive and easy-to-use guide by renowned classical guitarist and teacher Paul Henry uses the music of the master composers to further develop your understanding of the classical style and technique. Book 2 includes: tone-coloring techniques; dynamics; dampening; sixth string tuned to D; notes above open position; left-hand shifting; grace notes, slides, and articulations; natural and artificial harmonics; natural and artificial harmonics; full and partial barres; trills and mordents; two-octave scales; vibrato; counterpoint; left- and right-hand technique review; slur exercises; and more! This book also includes access to more than 50 audio tracks for demonstration and play-along. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-07-23/ Méthode / Guitare

Par PENNANEN KEIJO. Among fretted-instrument players there is an expression that states, 'The fret hand marks a player, but the pick hand distinguishes an artist.' The 23 original compositions in this book offer a fresh basis to explore and develop plectrum or pick-style playing technique to a professional level. These pieces require various playing techniques and include: linear studies, double-stops, counterpoint, and chord playing. By studying and learning these pieces, guitarists can not only refine their technical mastery, but also enhance their skill level and artistry in solo guitar performance. This collection also includes eight duet arrangements to be played by two guitarists. The duets are fun to play as student/teacher sight-reading exercises, and can be used as guitar duo performance repertoire as well. The music is written in standard notation only. Access to online audio is included for all 31 pieces./ Etude / Guitare

Par MACPHERSON STEWART. The three books are published separately, although the author firmly believed that melodic movement and harmonic progression should always be studied side by side. Book 3 describes more advanced harmony. The books employ exercises in counterpoint, in figured-bass harmony and in the roman-numeral inversion analysis./ Livre / Livre

Par HORNE GREG. Le dernier volume de cette superbe série consacrée à la guitare acoustique commence par des exercises vous permettant de développer vitesse et précision. Des techniques telles que ' l'effet mitraillette ', l'étouffement main droite, le slap, le tapping, les harmoniques slappées st le trémolo sont étudiées. Vous approfondirez la musique celtique, le blues, l'improvisation modale, les accordages alternatifs, et vous apprendrez à jouer les styles dits de Musique du Monde tels que le reggae, la musique africaine, brézilienne, le norteno ou encore le conjunto. Cette méthode très pointue pour guitaristes intermediares et avancés inclut également une étude de plus de 10 accordages alternatifs et enseigne l'analyse, le contrepoint et le mouvement de voies. Tout guitariste, du musicien moyen au professionnel trouvera dans ce livre matière à améliorer son jeu de guitare acoustique. / Niveau : Avancé / Méthode / Guitare