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BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6610 Partitions
7237 MP3
1157 MIDI



Arrangeurs :
› Bach, Johann Sebastian Original (1)
› Dalle Luche, Serge (1)
› MACHELLA, MAURIZIO (3)
› Magatagan, Mike (10)
› ZEHAR, Farid (1)
› Non attribuées (3)

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Bach, Johann Sebastian: 3 Choruses from Johannes-Passion for Winds & Strings

3 Choruses from Johannes-Passion for Winds & Strings
BWV 245 No 23
Johann Sebastian Bach




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Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Vents & Orchestre Cordes

  1 autre version
Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
The Passio secundum Johannem or St John Passion (German: Johannes-Passion), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of two surviving Passions by Bach. It was written during Bach's first year as director of church music in Leipzig and was first performed on April 7, 1724, at Good Friday Vespers at the St. Nicholas Church.

The structure of the work falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably Brockes') and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the St Matthew Passion, the St John Passion has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished".

The work is most often heard today in the 1724 version although Bach revised it in 1725, 1732, and 1749, adding several numbers. "O Mensch, bewein dein Sünde groß", a 1725 replacement for the opening chorus, found a new home in the 1736 St Matthew Passion but several arias from the revisions are found only in the appendices to modern editions.

The St John Passion is written for an intimate ensemble of soloists, four-part choir, strings and basso continuo and pairs of flauti traversi and oboes, the latter both doubling on oboe da caccia. For special colours Bach also used lute, viola d'amore and viola da gamba, instruments that were already old-fashioned at the time. In present day performances the part of Jesus is given to one bass soloist, Pilate and the bass arias to another. Some tenors sing the Evangelist – a very demanding part – and the arias. The smaller parts (Peter, Maid, Servant) are sometimes performed by choir members.

Source: Wikipedia (https://en.wikipedia.org/wiki/St_John_Passion).

I created this arrangement of 3 Choruses: "Lässest du diesen los, so bist du des Kaisers Freund nicht" (f you let this man go, you are not a friend of Caesar), "Weg, weg mit dem, kreuzige ihn!" (Away, away with Him, crucify Him!) & "Wir haben keinen König denn den Kaiser." (We have no King but Caesar) for Winds (Flute, Oboe, A Clarinet & Bassoon) & Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Ajoutée par magataganm le 2016-09-28
Partition centrale :Passion selon Saint-Jean, 245 (19 partitions)

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Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent
› "Ach bleib bei uns, Herr Jesu Christ" for Flute Duet - 2 flutes
› "Ad Te Levavi" for Brass & Strings - Vents & Orchestre Cordes






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