adblocktest


BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6669 Partitions
7304 MP3
1181 MIDI


Instrumentations :
PIANO
› Piano seul (65)
› Orgue seul (12)
› 1 Piano, 4 mains (duo) (1)
› Piano et Cordes (1)
GUITARE
› 2 Guitares (duo) (50)
› Guitare seule (solfčge) (7)
› 2 guitares et basse acoustique (1)

Arrangeurs :
› Bach, Johann Sebastian Original (20)
› BENOIST, Regis (2)
› Durand, Patrice (1)
› Gawol, Peter (1)
› Gioia, Gianfranco (1)
› Heidtmann, Klaus (1)
› Kogan, Ilya (1)

Ses partitions:





Meilleures Ventes pour Flute Solo
Toutes les meilleures ventes pour flute solo.



"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez Free-scores.com, merci d'envisager un don de soutien."

A propos / Témoignages de membres

› ›
Bach, Johann Sebastian: Prelude & Fugue in B Minor for Flute, Oboe & Guitar

Prelude & Fugue in B Minor for Flute, Oboe & Guitar
BWV 869
Johann Sebastian Bach




Annoter cette partition
Notez le niveau :
Notez l'intérźt :

EcouterTélécharger MP3 : Prelude & Fugue in B Minor (BWV 869) for Flute, Oboe & Guitar 28x 353x VoirTélécharger PDF : Prelude & Fugue in B Minor (BWV 869) for Flute, Oboe & Guitar (7 pages - 214.54 Ko)83x
 

 
Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :





laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté Free-scores.com





Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Flūte, Hautbois, Guitare

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
The Well-Tempered Clavier is two sets of preludes and fugues for keyboard. Each set consists of twenty four preludes and fugues in all of the major and minor keys in ascending order. They were published in two separate "books," Book I, which was composed in 1722, and Book II, composed in 1744. The title of the work refers to a then new system of tuning, called equal temperament, in which an octave was divided into twelve equal intervals. This method of tuning replaced an earlier one called meantone tuning, in which the key of C major and those near it were purely intonated, while keys with many sharps or flats would be out of tune. In the meantone system, each tone and semitone is subtly different, while the equal tempered system eschewed perfect intonation for an equal division of the octave, such that each tone and semitone was equal. Bach certainly recognized the value of such a system--it allowed for greater freedom of modulation and use of chromaticism--and his Well-Tempered Clavier served as an effective promotion of this new tuning method. It is a vivid demonstration of the flexibility and practicality of the equal or "well" tempered keyboard. It is also an example of Bach's compositional genius and good taste: as his first biographer Johann Forkel noted, despite its perfectly idiomatic music and attention to specific technical issues, Bach likely composed this work away from the keyboard while on a trip with his patron, Prince Leopold.

Like many of Bach's great pedagogical works, the Well-Tempered Clavier is a collection of pieces whose musical value is as great as their instructional value. Each piece tests different techniques and addresses different technical challenges; however, Bach is careful not to sacrifice musicality for pedagogy, so that fugal subjects are simple yet interesting, motives are tastefully developed, and melodic lines are supple and shapely. There is no paucity of purely musical ideas in this work. Book II, composed some twenty-two years after the first, is noticeably less pedagogical in its emphasis, and is obviously addressed to the accomplished player rather than the "Musical youth" described on the title page of Book I. Book II also does not, in the printed score, make a point of equal temperament: by 1744, this new system was no longer new, and no longer required Bach's advocacy.

This first Book of the WTC closes with some of the most ambitious music in the collection. First, the prelude may sound thin-textured, but it actually employs fugal counterpoint over a steadily jogging bass line -- a far more complex piece than it may seem to the casual ear. Then comes the fugue, the longest and grandest in the set. The Largo tempo marking has something to do with the length, naturally, but the work inherently requires room to stretch out. The extended subject uses all the notes of the chromatic scale. Thus, it's a twelve-tone composition written nearly two centuries before Schoenberg championed dodecaphony, although Bach does not employ any of the techniques of manipulation Schoenberg would rely on; his goal is to write a well-ordered Baroque fugue. It's a four-voice fugue, with the voices entering in the alto, tenor, bass, and finally soprano, but as in the prelude, Bach avoids dense textures at all times.

Source: Allmusic (http://www.allmusic.com/composition/prelude-and-fugue- for-keyboard-no-24-in-b-minor-wtc-i-24-bwv-869-bc-l103- mc0002391215).

Although originally written for Harpsichord. I created this Arrangement of the Prelude & Fugue in B Minor (BWV 869) for Flute, Oboe and Classical Guitar.
Source / Web :MuseScore
Ajoutée par magataganm le 2017-04-17
Partition centrale :Le Clavier bien tempéré I, 846-869 (208 partitions)



0 commentaire



Signaler

Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent
› "Ach bleib bei uns, Herr Jesu Christ" for Flute Duet - 2 flutes
› "Ad Te Levavi" for Brass & Strings - Vents & Orchestre Cordes






Boutiques pour FLUTE TRAVERSIERE

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux

Les cookies nous permettent de personnaliser le contenu et les annonces, d'offrir des fonctionnalités relatives aux médias sociaux et d'analyser notre trafic. Nous partageons également des informations sur l'utilisation de notre site avec nos partenaires de médias sociaux, de publicité et d'analyse, qui peuvent combiner celles-ci avec d'autres informations que vous leur avez fournies ou qu'ils ont collectées lors de votre utilisation de leurs services.
Pour en savoir plus et paramétrer les cookiesFermer