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BIBLIOTHÈQUE
Telemann, Georg Philipp Georg Philipp Telemann
Allemagne Allemagne
(1681 - 1767)

343 Partitions
331 MP3
155 MIDI





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Telemann, Georg Philipp: "Gott der Hoffnung Erfülle Euch" for Flutes & Piano

"Gott der Hoffnung Erfülle Euch" for Flutes & Piano
TWV 1:634
Georg Philipp Telemann




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EcouterTélécharger MP3 : Audio principal (2.15 Mo)233x 1946x VoirTélécharger PDF : "Gott der Hoffnung Erfülle Euch" (TWV 1:634) for Flutes & Piano (6 pages - 171.36 Ko)1205x
VoirTélécharger PDF : Flutes Part (126.38 Ko)
VoirTélécharger PDF : Piano Part (120.39 Ko)
 

 
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Gott der Hoffnung Erfülle Euch for Flutes & Piano
Télécharger MP3 (2.26 Mo) : (par Magatagan, Michael)94x 243x
Gott der Hoffnung Erfülle Euch for Flutes & Piano
Télécharger MP3 (2.24 Mo) : (par Magatagan, Michael)111x 115x



Compositeur :Georg Philipp TelemannTelemann, Georg Philipp (1681 - 1767)
Instrumentation :

2 flūtes, piano

Genre :

Baroque

Arrangeur :
Editeur :
Georg Philipp TelemannMagatagan, Mike (1960 - )
Date :1717
Droit d'auteur :Public Domain
Georg Philipp Telemann (1681 – 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.

While Telemann's Pentecost Cantata, "Gott der Hoffnung erfulle euch" (May the God of Hope fill you) has no proven direct connection to Bach, this festive, concise (10-minute long) gallant work composed in 1717 is emblematic of both composers' creative pursuit of the cantata form as well as their mutual interests and serendipitous connections.

The Bach-Telemann creative confluence is both broad and deep, speaking clearly of their mutual interests and practices. In less than two years, 1721-1723, they achieved their final callings as music directors and cantors at the two Lutheran cities of Leipzig and Hamburg, producing annual cycles of church service cantatas as well as Passion performances, creating most of their church works before 1730. A close examination of Telemann's Pentecost Cantata, listed as Telemann work TVWV 1:634 and Bach work BWV 218, shows similar techniques and common pursuits

Although there are no direct connections between Bach and the Telemann Pentecost Cantata, it is an attractive, influential work that could have fit effectively into Bach's well-ordered church music. A product of the Erdmann Neumeister (1671-1756) 1717 Sacred Poetry annual cycle, it reveals Telemann's formative production of mature cantatas in the Italian operatic style of biblical dictum opening, tutti non-da capo arias surrounding a plain recitative, and closing with a well-known Lutheran chorale. This cycle of concertante music fuses texts and music in an elaborate, appealing setting for orchestra and chorus.

Although originally created for 4-part Chorus (SATB) and Orchestra (2 horns, 2 violins, viola, continuo), I created this arrangement for Flutes (2) and Piano.
Source / Web :MuseScore
Ajoutée par magataganm le 2013-02-03


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Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent
› "Ach bleib bei uns, Herr Jesu Christ" for Flute Duet - 2 flutes
› "Ad Te Levavi" for Brass & Strings - Vents & Orchestre Cordes






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