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BIBLIOTHÈQUE
Palestrina, Giovanni Pierluigi da Giovanni Pierluigi da Palestrina
Italie Italie
(1526 - 1594)

41 Partitions
9 MP3
27 MIDI





Etudes pour flūte traversičre
Pičces d'études Pédagogiques et récréatives.



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Palestrina, Giovanni Pierluigi da: "Ricercare (Quinto Tono)" for Woodwind Quartet

"Ricercare (Quinto Tono)" for Woodwind Quartet
Giovanni Pierluigi da Palestrina




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Compositeur :Giovanni Pierluigi da PalestrinaPalestrina, Giovanni Pierluigi da (1526 - 1594)
Instrumentation :

Quatuor ą vent

Genre :

Renaissance

Arrangeur :
Editeur :
Giovanni Pierluigi da PalestrinaMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Giovanni Pierluigi da Palestrina (c. 1525 – 1594) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition. He has had a lasting influence on the development of church music, and his work has often been seen as the culmination of Renaissance polyphony.

From 1544 to 1551, Palestrina was organist of the principal church (St. Agapito) of his native city, and in 1551 he became maestro di cappella at the Cappella Giulia, the papal choir at St Peter's. His first published compositions, a book of Masses, had made so favorable an impression with Pope Julius III (previously the Bishop of Palestrina) that he appointed Palestrina musical director of the Julian Chapel. This was the first book of Masses by a native composer: in the Italian states of his day, most composers of sacred music were from the Low Countries, France, Portugal, or Spain. In fact the book was modeled on one by Cristóbal de Morales: the woodcut in the front is almost an exact copy of the one from the book by the Spanish composer.

A ricercar (also spelled ricercare, recercar, recercare) is a type of late Renaissance and mostly early Baroque instrumental composition. The term means to search out, and many ricercars serve a preludial function to "search out" the key or mode of a following piece. A ricercar may explore the permutations of a given motif, and in that regard may follow the piece used as illustration. For example, "Ricercar sopra Benedictus" would develop motives from a motet titled "Benedictus." The term is also used to designate an etude or study that explores a technical device in playing an instrument, or singing.

In its most common contemporary usage, it refers to an early kind of fugue, particularly one of a serious character in which the subject uses long note values. However the term has a considerably more varied historical usage.

Although this piece was originally written for voices, I arranged it for Woodwind Quartet (Flute, Oboe, Bb Clarinet & Bassoon).
Source / Web :MuseScore
Ajoutée par magataganm le 2013-07-29

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Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent
› "Ach bleib bei uns, Herr Jesu Christ" for Flute Duet - 2 flutes
› "Ad Te Levavi" for Brass & Strings - Vents & Orchestre Cordes






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