adblocktest


BIBLIOTHÈQUE
Haendel, Georg Friedrich Georg Friedrich Haendel
Allemagne Allemagne
(1685 - 1759)

1887 Partitions
2492 MP3
468 MIDI


Instrumentations :
CHANT - CHORALE
› Voix et Orchestre (1) Original
› Piano et Voix (1)
ORCHESTRE
› Orchestre (1) Original
› Vents & Orchestre Cordes (5)
EUPHONIUM
› Trio de cuivres (13)
HAUTBOIS
› Hautbois, Quatuor ą cordes (5)
› Hautbois et basson (1)

Arrangeurs :
› Haendel, Georg Friedrich Original (2)
› Lendic, Niksa (1)
› Lichtmann, Jay (4)
› MACHELLA, MAURIZIO (1)
› Magatagan, Mike (48)
› Messerschmidt, Hans Jorgen (13)

Ses partitions:





Partitions de Film pour Orchestre
Toutes les partitions de films pour orchestre.



"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez Free-scores.com, merci d'envisager un don de soutien."

A propos / Témoignages de membres

› ›
Haendel, Georg Friedrich: Sinfonia from "Giulio Cesare" for Winds & Strings

Sinfonia from "Giulio Cesare" for Winds & Strings
HWV 17 A2S1
Georg Friedrich Haendel




Annoter cette partition
Notez le niveau :
Notez l'intérźt :

EcouterTélécharger MP3 (1.53 Mo)8x 114x VoirTélécharger PDF : Partition complčte (4 pages - 227.45 Ko)35x
 

 
Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :





laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté Free-scores.com





Compositeur :Georg Friedrich HaendelHaendel, Georg Friedrich (1685 - 1759)
Instrumentation :

Vents & Orchestre Cordes

  4 autres versions
Genre :

Baroque

Arrangeur :
Editeur :
Georg Friedrich HaendelMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
One of Georg Friedrich Händel's (1685 – 1759) greatest and most successful operas, Giulio Cesare was first performed at the King's Theatre in London on February 20, 1724, when it ran for 13 performances. Handel subsequently revived the work on three occasions, the last in 1732. It was composed for the Italian opera season of the Royal Academy, the organization formed by a group of noblemen under Handel's musical direction in 1719. From its inception, the Academy had sought to present some of the greatest singers of the day to London audiences; the original cast of Giulio Cesare was no exception: the great castrato Senesino (Caesar), and Francesca Cuzzoni (Cleopatra), one of the leading prima donnas of the day, took the stage to premiere Handel's work.

By the conventions of the day, Giulio Cesare is unusual in a number of respects, not least of which is its subject matter. Based as it is on the famous historical love affair between Julius Caesar and Cleopatra, it departs from the more traditional realm (at least for opera seria of the time) of mythology. Around this central argument an excellent libretto, cast in the usual three acts by Nicola Haym, weaves a story of political intrigue and treachery involving Cleopatra's brother and co-ruler of Egypt, Tolomeo (Ptolemy).

Giulio Cesare was the only opera Handel composed for the Royal Academy during 1724, and he lavished extra time and care on a score that frequently breaches the conventions of its genre. To a greater degree than in any other of Handel's operas, there is a flexibility of design that departs from the rigid alternation of recitative and da capo aria. Handel's orchestration is also richer than in any other of his operas. Nowhere is this richness and flexibility better demonstrated than in the extraordinary scene in Act Two in which Cleopatra attempts to seduce Caesar by revealing to him a pageant set on the slopes of Mount Parnassus. Here Handel employs a double orchestra, one on stage including harp, theorbo, and viola da gamba, combined with the main body in a ravishing symphony of sensuality.

Above all, perhaps, the greatness of Giulio Cesare resides in the person of Cleopatra, for whom the composer created one of the most acute and vividly drawn characterizations in operatic history. In the course of her eight arias, Cleopatra's progress from a self-confident ruler and vivacious flirt to mature young woman is charted with unparalleled sympathy and insight. Nowhere is she more affecting than in adversity, particularly after her imprisonment by Tolomeo, when she is given three magnificent arias, culminating in her famous "Piangerņ." While it is Cleopatra who dominates the opera, the other major characters are also unusually well-drawn -- Caesar truly heroic yet vulnerably susceptible, and Tolomeo a more rounded and convincing villain than is frequently the case. While Handel may have later equaled the achievement of Giulio Cesare in Orlando and Alcina, it attains an overall level he never surpassed.

Source: AllMusic (https://www.allmusic.com/composition/giulio-cesare-in- egitto-opera-hwv-17-mc0002359520).

Although originally written for Opera, I created this Arrangement of the Sinfonia from "Giulio Cesare in Egitto" (HWV 17 Act II Scene I) for Winds (Flute, Oboe, Bb Clarinet, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Ajoutée par magataganm le 2018-06-10
Partition centrale :Giulio Cesare in Egitto, 17 (69 partitions)


0 commentaire



Signaler

Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent
› "Ach bleib bei uns, Herr Jesu Christ" for Flute Duet - 2 flutes
› "Ad Te Levavi" for Brass & Strings - Vents & Orchestre Cordes






Boutiques pour ORCHESTRE

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux

Les cookies nous permettent de personnaliser le contenu et les annonces, d'offrir des fonctionnalités relatives aux médias sociaux et d'analyser notre trafic. Nous partageons également des informations sur l'utilisation de notre site avec nos partenaires de médias sociaux, de publicité et d'analyse, qui peuvent combiner celles-ci avec d'autres informations que vous leur avez fournies ou qu'ils ont collectées lors de votre utilisation de leurs services.
Pour en savoir plus et paramétrer les cookiesFermer