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BIBLIOTHÈQUE
Saint-Saens, Camille Camille Saint-Saens
France France
(1835 - 1921)

406 Partitions
218 MP3
25 MIDI





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Saint-Saens, Camille: "Tollite Hostias" for Small Orchestra

"Tollite Hostias" for Small Orchestra
Opus 12 No. 10
Camille Saint-Saens




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EcouterTélécharger MP3 (2.77 Mo)228x 1020x VoirTélécharger PDF : "Tollite Hostias" (Opus 12 No. 10) for Small Orchestra (5 pages - 120.61 Ko)1716x
VoirTélécharger PDF : All Parts (228.9 Ko)
 

 
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Compositeur :Camille Saint-SaensSaint-Saens, Camille (1835 - 1921)
Instrumentation :

Orchestre de chambre

Genre :

Classique

Arrangeur :
Editeur :
Camille Saint-SaensMagatagan, Mike (1960 - )
Date :1858
Droit d'auteur :Public Domain
Charles-Camille Saint-Saėns (1835 – 1921) was a French composer, organist, conductor, and pianist of the Romantic era. He is known especially for The Carnival of the Animals, Danse macabre, Samson and Delilah (Opera), Piano Concerto No. 2, Cello Concerto No. 1, Havanaise, Introduction and Rondo Capriccioso, and his Symphony No. 3 (Organ Symphony).

Saint-Saėns' Oratorio de Noėl is a solid presentation of an extremely appealing work. Scored for five soloists, chorus, strings, harp, and organ, the oratorio lies within the capabilities of good church and community choirs, and could easily find a place in the repertoires of groups looking for an alternative to Messiah to celebrate the Christmas season. It's warmly, but not gushily Romantic, with gratifying vocal and choral writing, and both harmonic and contrapuntal richness and variety. Much of it resembles what Mendelssohn might have sounded like had he lived long enough to adopt a late-Romantic idiom. Several of the movements are strongly memorable, particularly the Prelude and Consurge, Filia Sion (with their nods to Bach's Weinachtsoratorium), the duet, Benedictus, and the trio Tecum principium. One of the standouts of this performance is the organ of Hans-Joachim Bartsch, whose sensitive playing and colorful choice of registration is especially striking. The choral singing and orchestral playing of Bachchor and Bachorchester Mainz, conducted by Diethard Hellmann is top notch -- full and warmly nuanced. Sopranos Verena Schweizer, Edith Wiens, alto Helena Jungwirth, and tenor Friedrich Melzer sing beautifully, but bass Kurt Widmer is a little hooty. The sound is adequate, but is sometimes slightly distant. With a running time of less than 40 minutes, the CD could have used some filling out, perhaps with a few of the composer's many excellent liturgical choral works.

Although originally created for accompanied chorus, I created this arrangement for Small Orchestra: String Ensemble (Violins (2), Viola, Cello & Bass), French Horn & Woodwinds (Flute, Oboe, Clarinet, & Bassoon)
Source / Web :MuseScore
Ajoutée par magataganm le 2013-08-16
Partition centrale :Oratorio de Noėl, 12 (7 partitions)
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Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent
› "Ach bleib bei uns, Herr Jesu Christ" for Flute Duet - 2 flutes
› "Ad Te Levavi" for Brass & Strings - Vents & Orchestre Cordes






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