adblocktest


BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6590 Partitions
7220 MP3
1143 MIDI





Cadeaux pour flutistes
Objets fantaisies pour les amoureux de la flūte.



"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez Free-scores.com, merci d'envisager un don de soutien."

A propos / Témoignages de membres

› ›
Bach, Johann Sebastian: Chorale: "Herr Christ, der einge Gottessohn" for Piccolo & Strings

Chorale: "Herr Christ, der einge Gottessohn" for Piccolo & Strings
BWV 96 No 1
Johann Sebastian Bach




Annoter cette partition
Notez le niveau :
Notez l'intérźt :

EcouterTélécharger MP3 : Chorale: "Herr Christ, der einge Gottessohn" (BWV 96 No 1) for Piccolo & Strings 115x 375x VoirTélécharger PDF : Chorale: "Herr Christ, der einge Gottessohn" (BWV 96 No 1) for Piccolo & Strings (11 pages - 241.64 Ko)424x
 

 
Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :





laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté Free-scores.com





Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Flūte, hautbois, violon, violoncelle, piano

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Herr Christ, der einge Gottessohn (Lord Christ, the only Son of God), BWV 96, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the 18th Sunday after Trinity and first performed it on 8 October 1724. It is based on the hymn "Herr Christ, der einig Gotts Sohn" by Elisabeth Cruciger (1524).

Bach wrote the cantata in 1724 for the 18th Sunday after Trinity as part of his second annual cycle of mostly chorale cantatas. The prescribed readings for the Sunday were from the First Epistle to the Corinthians, Paul's thanks for grace of God in Ephesus (1 Corinthians 1:4–8), and from the Gospel of Matthew, the Great Commandment (Matthew 22:34–46). The cantata text of an unknown author is based exclusively on the chorale "Herr Christ, der einig Gotts Sohn" in five stanzas of Elisabeth Cruciger (1524). The first and last stanza in their original wording are movements 1 and 6 of the cantata, stanzas 2 and 3 were paraphrased to movements 2 and 3 of the cantata, and stanza 4 was reworded for movements 4 and 5. The chorale was originally associated with Epiphany, but also with the 18th Sunday after Trinity. The Gospel asks how Jesus, of David's descent as said in 2 Samuel 7, can also be David's Lord, as claimed in Psalms 110:1. The chorale tries to answer this question, comparing Jesus to the Morning star, an image also used in the hymn "Wie schön leuchtet der Morgenstern", the base for Bach's cantata Wie schön leuchtet der Morgenstern, BWV 1.

Bach performed the cantata at least three times, first on 8 October 1724, a second time probably on 24 October 1734, and a third time probably on 1 October 1740. Musicologists have suggested different dates for the later performances.

In the opening chorus, a chorale fantasia, Bach has the alto sing the cantus firmus and a horn play along (in later performance replaced by trombone). An unusual flauto piccolo or sopranino recorder is used to illustrate the sparkling of the morning star. In a later performance (probably 1734) it was replaced by a violino piccolo. The choral setting is polyphonic in the three other voices and embedded in instrumental music base on similar motifs.

The tenor aria is accompanied by the transverse flute, probably played by the flauto piccolo player of the first movement. As for Was frag ich nach der Welt, BWV 94, written some weeks before, Bach seems to have had an excellent flute player.

The bass aria illustrates the words "Bald zur Rechten, bald zur Linken lenkte sich mein verirrter Schritt" (Soon to the right, soon to the left my erring steps lean) in jagged motifs and a frequent switch between winds and strings. In the middle section steady steps picture "Gehe doch, mein Heiland, mit" (Yet go with me, my Savior). The final part combines both elements.

The closing chorale is a four-part setting for the choir, horn, oboes and strings.

Although originally scored for soprano, alto, tenor and bass soloists, a four-part choir, flauto traverso, flauto piccolo or (later) violino piccolo, two oboes, horn or (later) trombone, two violins, viola, and basso continuo, I created this arrangement for Piccolo and Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Ajoutée par magataganm le 2015-03-09
Partition centrale :Herr Christ, der einge Gottessohn, 96 (4 partitions)



0 commentaire



Signaler

Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent
› "Ach bleib bei uns, Herr Jesu Christ" for Flute Duet - 2 flutes
› "Ad Te Levavi" for Brass & Strings - Vents & Orchestre Cordes






Boutiques pour FLUTE TRAVERSIERE

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux