adblocktest


BIBLIOTHÈQUE
Haendel, Georg Friedrich Georg Friedrich Haendel
Allemagne Allemagne
(1685 - 1759)

1954 Partitions
2615 MP3
476 MIDI





Le Seigneur des Anneaux pour Orchestre / Band
Toutes les partitions de ces 3 films pour orchestre.



"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez Free-scores.com, merci d'envisager un don de soutien."

A propos / Témoignages de membres

› ›
Haendel, Georg Friedrich: Chorus from "Nisi Dominus" for Winds & Strings

Chorus from "Nisi Dominus" for Winds & Strings
HWV 238 Mvt. 1
Georg Friedrich Haendel




Annoter cette partition
Notez le niveau :
Notez l'intérźt :

EcouterTélécharger MP3 : Chorus from "Nisi Dominus" (HWV 238 Mvt. 1) for Winds & Strings 7x 216x VoirTélécharger PDF : Chorus from "Nisi Dominus" (HWV 238 Mvt. 1) for Winds & Strings (8 pages - 249.39 Ko)150x
 

 
Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :





laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté Free-scores.com





Compositeur :Georg Friedrich HaendelHaendel, Georg Friedrich (1685 - 1759)
Instrumentation :

Vents & Orchestre Cordes

Genre :

Baroque

Arrangeur :
Editeur :
Georg Friedrich HaendelMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
According to the autograph manuscript, George Frideric Handel put the finishing touches on his Nisi Dominus, HWV 238 for vocal soloists, chorus, and string orchestra on July 13, 1707, making it probably the last of the composer's sacred Latin choral works to be written during the first of his two or three extended visits to Rome.

When Handel moved from Northern Germany, his lifelong home up to that point, to Italy in 1706 it was for the express purpose of gathering up a real first-hand knowledge of Italian opera, a genre in which he had already begun to dabble while still living in Hamburg. However, Handel's choice to travel to Rome near the end of that first Italian year, or perhaps at the beginning of the next, was a little counterproductive if the opera-houses were really his goal, since Papal edict had put an end to all dramatic, theatrical entertainment in the city all the way back in 1677. Handel had no trouble finding employment as a composer of pure sacred music, however, and it was in this fashion that he filled the time until he found it possible to move on to Venice at the end of 1707 (he had meanwhile found a sponsor in the person of the Marquis Francesco Ruspoli, however, so he did return to Rome several times over the next couple years to write secular music for the Marquis).

Nisi Dominus is not nearly as sizeable a work as its better-known companion piece Dixit Dominus, HWV 232, but it too is a setting in several small, oratorio-like sections of a Psalm (Psalm 127, or 126 in the alternate numbering scheme), to which is added a setting of the Lesser Doxology traditionally read after the Psalm-reading; the total number of musical sections, including the gloria Patri Doxology, is six.

The violins usher in the opening chorus (not a pure chorus, but one to which the three soloists--an alto, or more properly countertenor, a tenor, and a bass--add their more individual thoughts) with some energetically spinning arpeggio figures--the same kind of figuration that begins Dixit Dominus. The tenor aria that follows is really something of a duet for the singer and the cello/bass, which plods steadily forth with a dotted-rhythm idea. Cum dederit, for alto solo, floats along on a gentle repeated-note string background, while the following bass aria, Sicut sagittae, plunges forth with hair-raising string viruosity (as the text refers to "arrows in the hand of a mighty man"), only to immediately calm down as the singer moves on to consider the "young children."

The tenor gets a second aria, Beatus vir, before Handel divides both the chorus and the orchestra into two ensembles each (i.e. double chorus and double string orchestra) for the final, splendiferous Doxology, Gloria Patri; the result is some of the most acoustically stunning music Handel ever wrote. As the Doxology moves forward, the opening tones of the first movement--violin arpeggios, chorus in unison--are reprised just enough to set the stage for a rich choral imitation that moves with great joy towards the final AmenNisi Dominus (HWV 238). Note that Friedrich Chrysander had prepared the 'Gloria Patri' (which was seen as an independent work, at the time) for volume 49 of his edition of Händel's works, but that volume was never published and is not included here.

Source: AllMusic (https://www.allmusic.com/composition/nisi-dominus-psal m-for-soloists-chorus-amp-orchestra-in-g-hwv-238-mc0002 362052).

Although originally written for Mixed Chorus & Baroque Orchestra, I created this Interpretation of the Chorus from "Nisi Dominus" (HWV 238 Mvt 1) for Winds (Flute, Oboe, Bb Clarinet, French Horn & Bassoon) & Strings (2 Violins, 2 Violas & Cello).
Source / Web :MuseScore
Ajoutée par magataganm le 2018-03-09
Partition centrale :Nisi Dominus, 238 (5 partitions)



0 commentaire



Signaler

Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent
› "Ach bleib bei uns, Herr Jesu Christ" for Flute Duet - 2 flutes
› "Ad Te Levavi" for Brass & Strings - Vents & Orchestre Cordes






Boutiques pour ORCHESTRE

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux

Les cookies nous permettent de personnaliser le contenu et les annonces, d'offrir des fonctionnalités relatives aux médias sociaux et d'analyser notre trafic. Nous partageons également des informations sur l'utilisation de notre site avec nos partenaires de médias sociaux, de publicité et d'analyse, qui peuvent combiner celles-ci avec d'autres informations que vous leur avez fournies ou qu'ils ont collectées lors de votre utilisation de leurs services.
Pour en savoir plus et paramétrer les cookiesFermer