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BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6589 Partitions
7219 MP3
1143 MIDI


Instrumentations :
GUITARE
› 2 Guitares (duo) (48)
› Guitare seule (solfčge) (3)
› 3 guitares (trio) (1)
PIANO
› Piano seul (20)
› Clavier (piano, clavecin ou orgue) (1)
› Orgue seul (13)
TROMPETTE
› Quatuor de Cuivres (8)
FLUTE A BEC

Arrangeurs :
› Bach, Johann Sebastian Original (12)
› Gawol, Peter (1)
› Lichtmann, Jay (7)
› MACHELLA, MAURIZIO (11)
› Magatagan, Mike (31)
› Montreuille, Pierre (1)
› Palmer, Paul R (3)

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Bach, Johann Sebastian: Prelude in Eb Minor for Flute & Cello

Prelude in Eb Minor for Flute & Cello
BWV 877 No. 1
Johann Sebastian Bach




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Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Flūte, violoncelle

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Tonalité :Mi♭ mineur
Droit d'auteur :Public Domain
The first book of J. S. Bach's Das Wohltemperierte Klavier (The Well-Tempered Clavier) was complete by 1722. Bach gave the present title to the work, which was composed "for the use and practice of musical youth eager to learn and for the amusement of those already skilled in this study." Bach composed a paired Prelude and Fugue in each of the 24 keys to demonstrate the viability of the new "equal-temperament" system, which allows one to play in all keys without producing out-of-tune intervals, as happened with Pythagorean and "mean tone" tunings. Furthermore, the pieces are as much compositional studies as keyboard works.

Twenty years later, Bach assembled another set of preludes and fugues. The title page is missing from the manuscript, but its similarity to the "first" book of The Well-Tempered Clavier led editors to entitle it "Book II." Bach worked on the second book over a long period of time, even reworking pieces he had written for other purposes, as he had in the first book. Some of the preludes and fugues date from the 1720s. Possibly the most substantial revision for the second book was to No. 3, in C sharp major, which was originally in C major. Fugues Nos. 15 and 17 survive in earlier versions in which they are connected with different preludes than we find in The Well-Tempered Clavier.

There are many musical differences between the works of Book II and those of Book I. The preludes in the second group explore a greater range of forms and styles than do the earlier examples. Most striking are the experiments in the style of the Italian bipartite keyboard sonata, codified by Domenico Scarlatti. Like earlier dance movements, these consist of two repeated sections. Some of the "sonata" preludes in Book II, such as Nos. 5, 12, and 21, feature a recapitulation of the opening material, while others (Nos. 10 and 15) have parallel closing sections. Prelude No. 17 is an Italian concert-ritornello movement; Nos. 13 and 23 also display concerto traits. The tenth is a two-part invention and Nos. 4 and 14 are ariosos. Those that are clearly derived form dance forms -- No. 5 from the gigue and No. 8 from the allemande -- lack the traditional binary form.

This pair of E flat minor pieces is technically in the enharmonic D sharp minor, its six sharps presumably sounding a little more sharp than if they fell under the label E flat minor. At any rate, the prelude is a substantial two-voice Allemande, a more sophisticated counterpart to Bach's earlier two-part inventions. The processional fugue is fairly hefty by Well-Tempered Clavier standards, though not as complex as some of Bach's independent organ fugues. It's a four-voice motet-style piece, with the voices entering in the order alto, tenor, bass, and soprano. A countersubject arrives along with the tenor entry and initially seems to assume some importance, although Bach allows it to drift away as the fugue progresses.

Source: Allmusic (http://www.allmusic.com/composition/prelude-and-fugue- for-keyboard-no-8-in-e-flat-minor-wtc-ii-8-bwv-877-bc-l 111-mc0002392364).

Although originally written for Harpsichord. I created this Arrangement of the Prelude in Eb Minor (BWV 877 No. 1) Transposed to E Minor for Flute & Cello.
Source / Web :MuseScore
Ajoutée par magataganm le 2017-07-06
Partition centrale :Le Clavier bien tempéré II, 870-893 (127 partitions)


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Cette partition est associée ą la collection de magataganm :
flûte
flûte
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Partitions ventes des USA
2 partitions trouvées pour "Prelude in Eb Minor for Flute & Cello"
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Solos for Flute

Flūte traversičre et Piano [Partition]
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Edited by Donald Peck. Collection and set of performance parts for flute and piano accompaniment. 153 pages. Published by Carl Fischer.
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