adblocktest


BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6590 Partitions
7220 MP3
1143 MIDI





Logiciels d'Edition de Partitions
Tous les logiciels pour éditer vous-mźme vos partitions.



"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez Free-scores.com, merci d'envisager un don de soutien."

A propos / Témoignages de membres

› ›
Bach, Johann Sebastian: Chorus: "Ich glaube, lieber Herr, hilf meinem Unglauben" for Winds & Strings

Chorus: "Ich glaube, lieber Herr, hilf meinem Unglauben" for Winds & Strings
BWV 109 No 1
Johann Sebastian Bach




Annoter cette partition
Notez le niveau :
Notez l'intérźt :

EcouterTélécharger MP3 (7.35 Mo)42x 129x VoirTélécharger PDF : Chorus: "Ich glaube, lieber Herr, hilf meinem Unglauben" (BWV 109 No 1) for Winds & Strings (20 pages - 406.5 Ko)153x
 

 
Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :





laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté Free-scores.com





Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Vents & Orchestre Cordes

  1 autre version
Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Ich glaube, lieber Herr, hilf meinem Unglauben (I believe, dear Lord, help my unbelief), BWV 109, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the 21st Sunday after Trinity and first performed it on 17 October 1723.

Bach wrote the cantata in 1723 during his first year in Leipzig for the 21st Sunday after Trinity. The prescribed readings for the Sunday were from Paul's Epistle to the Ephesians, "take unto you the whole armour of God" (Ephesians 6:10–17), and from the Gospel of John, the healing of the nobleman's son (John 4:46–54). The unknown poet of the cantata text stressed the faith, which made the healing possible. The cantata opens with a quote from the Gospel of Mark, The possessed boy, Mark's rendition of the gospel (Mark 9:24). The following movements almost form a dialogue between fear and hope, or belief and doubt, such as Bach would compose three weeks later in O Ewigkeit, du Donnerwort, BWV 60, and again for Easter of 1724 in Erfreut euch, ihr Herzen, BWV 66. Movement 2 is a dialogue, movement 3 the expression of fear, movements 4 and 5 turn to hope. The closing chorale is verse 7 of "Durch Adams Fall ist ganz verderbt" of Lazarus Spengler (1524).

The opening chorus shows many elements of a concerto grosso. In the instrumental ritornello, oboe 1 and violin 1 form the concertino. The vocal parts appear sometimes as a solo or duet, expressing belief in an upward theme derived from the ritornello theme, with doubt expressed in a downward line.

The inner dialogue in movement 2 is marked forte and piano, rather than giving the words to two different singers, as John Eliot Gardiner points out: "Bach reinforces the dichotomy between faith and doubt by assigning two opposing voices sung by the same singer, one marked forte, the other piano, alternating phrase by phrase and surely unique in Bach's recitatives". The final question "Ach Herr, wie lange?" (Ah, Lord, how long?) is intensified as an arioso, marked adagio. In the following aria fear is expressed, according to Gardiner, in "jagged melodic shapes, unstable harmonies headed towards anguished second inversion chords, and persistent dotted rhythmic figures". It has been compared to the tenor aria from Bach's St John Passion, Ach, mein Sinn.

The closing chorale is not a four-part setting, but a complex chorale fantasia with an independent orchestral part, in which the choral part is embedded. The lines of the chorale melody "Durch Adams Fall ist ganz verderbt", interspersed by interludes, are sung in long notes by the soprano (with the corno) on a foundation of faster movement in the lower voices. This movement is the first chorale fantasia written in a Bach cantata in Leipzig, to be followed by many such movements opening chorale cantatas of the second annual cycle.

Although originally scored for alto and tenor soloists, a four-part choir, cor du chasse (corno da caccia or corno da tirarsi), two oboes, two violins, viola, and basso continuo, I created this arrangement for Winds (2 Flutes, 2 Oboes, Bb Clarinet, French Horn & Bassoon) and Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Ajoutée par magataganm le 2014-12-20
Partition centrale :Ich glaube, lieber Herr, 109 (5 partitions)



0 commentaire



Signaler

Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent
› "Ach bleib bei uns, Herr Jesu Christ" for Flute Duet - 2 flutes
› "Ad Te Levavi" for Brass & Strings - Vents & Orchestre Cordes






Boutiques pour ORCHESTRE

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux