The lighter version of the Vintage Pure Ride comes up with an outstanding dry stick response with hints of trash and darkness underneath. They have a distinctive raw and earthy look. Byzance Vintage Pure cymbals are created by a process in which the metal becomes very flexible. While this character gives them a unique response, slight deformations may occur at the cymbals edge. Such changes are within the accepted standards of this cymbal and will not affect the sound. Therefore, slight deformations at the edge are not covered by the warranty. Styles: Pop, Fusion, Jazz, Funk, RNB, Reggae, Studio, World, Electro Timbre: Dark Character: Vintage, Dry Pitch: Low Volume: Medium to Low Sustain: Short Weight: Medium thin Finish: Dark, Raw Material: B20 Lathe: None

The lighter version of the Vintage Pure Ride comes up with an outstanding dry stick response with hints of trash and darkness underneath. They have a distinctive raw and earthy look. Byzance Vintage Pure cymbals are created by a process in which the metal becomes very flexible. While this character gives them a unique response, slight deformations may occur at the cymbals edge. Such changes are within the accepted standards of this cymbal and will not affect the sound. Therefore, slight deformations at the edge are not covered by the warranty. Styles: Pop, Fusion, Jazz, Funk, RNB, Reggae, Studio, World, Electro Timbre: Dark Character: Vintage, Dry Pitch: Low Volume: Medium to Low Sustain: Short Weight: Medium thin Finish: Dark, Raw Material: B20 Lathe: None

The Cameo AURO® SPOT 400 is a 16-bit RDM compatible servo projector with a resolution of 630° Pan and 235° Tilt, powered by high speed 3-phase motors and equipped with an extremely bright LED. Two gobo wheels, rotating and fixed gobos, two colour wheels and three different rotating prisms provide effective lighting effects with 12 intense colours, split colours and two shades of white. The AURO® SPOT 400 can be controlled in 5-channel, 19-channel and 27-channel DMX mode; it includes automatic operating programs and can be used in Master, Slave or stand-alone mode. It features a motorized focus, a Frost filter, four optimized Dimmer curves, Shake effects and a strobe with up to 20 flashes of lightning per second. The rugged case features a battery-powered display and 6 buttons for convenient offline configuration, 3- and 5-point DMX ports, Neutrik powerCON mains sockets and a low noise, temperature-controlled fan. The AURO® SPOT 400 accepts all mains voltages from 100 to 240 volts. RDM compatible slave headlamp 200 000 lux at 1 m, 4470 lumen Highly rapid 3-phase motors Motorized focus, Pan and Tilt 16-bit resolution 16-bit pan and tilt Automatic position correction 2 colour wheels, 12 colours, Split colours, warm white and cool white open 2 gobo wheels, 7 rotating gobos and 9 fixed open gobos Frost Filter Rotating prism 3,5 and 8 facets Flash strobe frequency adjustable from 0 to 20 Hz Highly regular dimmer, from 100% to 0% with 4 curves to choose from Quiet, temperature-controlled fan DMX subbases (3 and 5 points) and powerCON power supply subbases Neutrik professional quality Display with 6 battery-powered user keys, for offline configuration SPÉCIFICATIONS Product type LED Lyres Type Slave projector (eye) Colour spectrum Cold white Number of LEDs 1 Color temperature 9300 K LED type 180 W Refresh frequency 3600 Hz Dispersion angle 12°. Number of gobos: 16 Diameter of gobos Outside diameter: 20.4 mm, pattern: 16.5 mm DMX input 3-pin male XLR connector, 5-pin male XLR connector DMX output 3-pin female XLR connector, 5-pin female XLR connector DMX 19 channel, 27 channel, 5 channel DMX modes DMX functions 3 x Prism, Dimmer curves, Dimmer, Dimmer, Focus, Frost, Gobo Shake, Macro movement, Pan/Tilt, Pan/Tilt fine, Auto programs, Gobo rotation, Color wheel, Gobos wheel, Stroboscope PAN 540° / 630° movement TILT 230° movement Standalone modes Master/Slave mode, static mode, Auto programs Settings -, , Down, Enter, Up, Mode, Battery indicator LCD colour display indicators Mains voltage 100 - 240 V, 50 - 60 Hz Power consumption 290 W Neutrik powerCON mains socket Housing material ABS, Metal Case color black Cooling Temperature-controlled fans Luminous illuminance 200000lx @ 1m Light output 4470 lm Width 405 mm Height (mm) 565 mm Depth 285 mm Weight 16 kg Other Properties 2 Omega Dismounting, Supplied with 1m power cable with Neutrik powerCON connector

These raw looking cymbals with high-density hand hammering are all about strong sticking responses over deep and dry darkness. Total control, due to almost no sustain. Byzance Vintage Pure cymbals are created by a process in which the metal becomes very flexible. While this character gives them a unique response, slight deformations may occur at the cymbals edge. Such changes are within the accepted standards of this cymbal and will not affect the sound. Therefore, slight deformations at the edge are not covered by the warranty. Styles: Pop, Fusion, Jazz, Funk, RNB, Reggae, Studio, World, Electro Timbre: Dark Character: Vintage, Dry Pitch: Low Volume: Medium to Low Sustain: Short Weight: Medium Finish: Dark, Raw Material: B20 Lathe: None

The Vintage Pure Crash features an overall dry sound character with a relatively fast decay. Unique tones for drummers who want to express themselves. They have a distinctive and earthy look. Byzance Vintage Pure cymbals are created by a process in which the metal becomes very flexible. While this character gives them a unique response, slight deformations may occur at the cymbals edge. Such changes are within the accepted standards of this cymbal and will not affect the sound. Therefore, slight deformations at the edge are not covered by the warranty. Styles: Pop, Fusion, Jazz, Funk, RNB, Reggae, Studio, World, Electro Timbre: Dark Character: Vintage, Dry Pitch: Low Volume: Medium to Low Sustain: Short Weight: Thin Finish: Dark, Raw Material: B20 Lathe: Narrow Blade

The Vintage Pure Crash features an overall dry sound character with a relatively fast decay. Unique tones for drummers who want to express themselves. They have a distinctive and earthy look. Byzance Vintage Pure cymbals are created by a process in which the metal becomes very flexible. While this character gives them a unique response, slight deformations may occur at the cymbals edge. Such changes are within the accepted standards of this cymbal and will not affect the sound. Therefore, slight deformations at the edge are not covered by the warranty. Styles: Pop, Fusion, Jazz, Funk, RNB, Reggae, Studio, World, Electro Timbre: Dark Character: Vintage, Dry Pitch: Low Volume: Medium to Low Sustain: Short Weight: Thin Finish: Dark, Raw Material: B20 Lathe: Narrow Blade

The Cameo AURO® SPOT 200 is a 16-bit RDM compatible servo projector with 630° Pan and 235° Tilt resolution, powered by high speed 3-phase motors and equipped with an extremely bright 100 watt LED. Eight intense colours (including white and split), six interchangeable gobos and a rotating 3-sided prism ensure impressive lighting effects. The AURO® SPOT 200 is controlled in DMX 5-channel, 13-channel and 22-channel DMX mode, offers automatic mode, control via an external sound source (integrated microphone) and master, slave or stand-alone modes. It has a large number of functions: four Dimmer curves, Shake effects and a strobe with a maximum frequency of 20 flashes per second. The rugged housing is equipped with a temperature-controlled silent fan, 3- and 5-point DMX subbases and Neutrik powerCON-type mains subbases, and the LCD display with 4 user keys for easy adjustment. The AURO® SPOT 200 accepts all mains voltages from 100 to 240 volts. RDM compatible slave headlamp 130,000 lux at 1 m Highly rapid 3-phase motors 16-bit resolution Motorized Focus Automatic position correction Battery back-up display 8 intense colors, more white and split 6 gobos open All gobos are interchangeable, metal or glass 3-sided rotating prism Highly regular dimmer, from 100% to 0% with 4 curves to choose from Flash strobe frequency adjustable from 0 to 20 Hz Quiet, temperature-controlled fan SPÉCIFICATIONS Product type LED Lyres Type LED Lyres 8-channel colour spectrum, multicolour, white, Split colours Number of LEDs 1 Colour temperatures 10000 K LED type 100 W Dispersion angle (manually adjustable) 12° - 16°. Number of gobos: 6 open Diameter of gobos outer diameter 22.90 mm, image diameter 19.50 mm mm DMX input 3-pin male XLR connector, 5-pin male XLR connector DMX output 3-pin female XLR connector, 5-pin female XLR connector DMX 13-channel, 22-channel, 5-channel DMX modes DMX Functions Dimmer, Dimmer Curve, Gobo Shake, PAN, Auto Programs, Gobos Wheel, TILT PAN 630° movement TILT 235° movement High-frequency retroboscope 1 - 20 Hz Autonomous Auto Run, Show, Sound Control modes Settings -, , Enter, Mode, Value Down, Value Up LCD colour display indicators Mains voltage 100 - 240 V, 50 - 60 Hz Power consumption 220 W Neutrik powerCON IN / OUT mains socket Housing material Metal, ABS plastic Case color black Quiet, temperature-controlled fan cooling Luminous illuminance 130000lx @ 1m Luminous flux 3250 lm Width 285 mm Height (mm) 480 mm Depth 180 mm Weight 8.8 kg

Leave Your Amp At Home. Nothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialing in the perfect amp tone when going direct. Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience. Three amplifier models crafted using Matrix Modeling , capturing the subtleties and unique tonal qualities of each amp Round Amp based on* a Fender® Deluxe Reverb® Chime Amp based on* the Brilliant channel of a Vox® AC30 Punch Amp based on* a Marshall® Plexi (Super Lead model number 1959) Nine Impulse Response speaker cabinets, 24bit / 96kHz 500ms Stereo (three per amp type), pre-loaded with a curated set of IRs: Deluxe Reverb 1×12 by OwnHammer Blues Junior® 1×12 by CabIR Vibrolux® 2×10 by CabIR AC30 2×12AlNiCo by OwnHammer 1×12 AlNiCo by Celestion® Mesa® 4×12 by Valhallir GNR 4×12 by OwnHammer 2×12 Vintage 30 by Celestion Marshall® 8×12AlNiCo by CabIR Load your own impulse responses using Strymon Impulse Manager software Hybrid IR/algorithmic Room control with selectable small, medium, and large rooms Simple, responsive amp-style controls for Drive, Level, Bass, Middle, and Treble Premium stereo high impedance discrete JFET analog front end with up to 22dB of pure analog gain Stereo Input (requires TRS adapter cable) Stereo Output Operates at instrument and Line Level input sources Discrete transistor headphone amplifier Expression pedal input provides seamless morphing between knob positions (Expression mode), or smooth pre/post volume control with logarithmic taper (Volume mode) USB jack for connecting to Strymon Impulse Manager software to add and edit your own speaker cabinet IRs Compatible with Strymon MultiSwitch Plus for remote selection of up to 4 presets Full featured MIDI control accessible via EXP Jack for remote parameter control and access to 300 preset locations (requires Strymon MIDI EXP cable or MIDI to TRS interface) Ultra-low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality Super high performance SHARC and ARM co-processors 32-bit floating point processing Transparent Analog Buffered Bypass Strong and lightweight anodized black aluminum chassis 9V DC power supply included Power requirements: maximum 9 volts DC center-negative, with a minimum of 500mA of current Dimensions: 4.5 deep x 4 wide x 1.75 tall 11.4 cm deep x 10.2 cm wide x 4.4 cm tall Designed and built in the USA Go Direct With Gorgeous Tone. Iridium gives you three iconic amplifiers, with a total of nine impulse response speaker cabinets that complement the tonality of the amp. Skip the hassle of lugging around or miking amps. Place Iridium on your pedalboard and send gorgeous stereo amplifier tones, stunningly realistic cabs, and lush room ambience direct to a recording interface or PA system. With Iridium, it s a snap to dial in a direct tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones. Three Iconic Amplifiers Our Matrix Modeling process captures all the subtleties and unique tonal qualities of each amplifier. We ve taken three iconic tube amps with distinct characters and mathematically modeled every aspect of their circuitry with absolute precision to deliver the response, feel, and inspiring experience of playing through the original amps at their best. Taking the process a step further, we ve hot-rodded each amp to provide an extended range of tonal options beyond what was available from the original designs. Nine Stereo IR Cabinets Iridium s speaker cabinets offer a level of realism and responsiveness unprecedented in outboard effects. Iridium delivers full stereo 24bit 96kHz resolution for the entire 500 milliseconds of its speaker cabinet impulse responses. Until now, IRs of this resolution have only been available for use within studio recording software. Iridium s breakthrough technology means you can use the very best impulse responses available, bringing maximum realism to your pedalboard. Adjustable Room Ambience Iridium s hybrid room reverb combines a 256 millisecond stereo impulse response with Strymon s reverb tank algorithm for extended decay. This combination places your amp and cab in a natural sounding room (small, medium, or large), creating a space for your amp to open up and breathe. The Amps We've Always Wanted. Round Amp Based on* a Fender® Deluxe Reverb The Deluxe is one of the most recorded amps in history for good reason. This amp is clean, bright, and mid-scooped, with plenty of headroom. At higher Drive settings it delivers an overdriven sound unique to its architecture. We chose the Deluxe s Normal channel for its round tone that plays well with pedals. While preserving access to all the tones originally available with this channel, our model gives you something extra: a midrange control. With the midrange at noon, you get the original fixed-resistor value and standard tonal characteristics of the Deluxe. Turn down the midrange for a more scooped sound, or turn it up for tweed-era tones. Chime Amp Based on* the Brilliant channel of a Vox® AC30TB The amp that defined the guitar sound of the British Invasion. Our model of the AC30TB Brilliant channel is jangly, bright, and chimey, providing air for subtle passages with a light touch, and bite when you want to dig in. For this amp, the Middle knob acts a Tone Cut knob, providing high-end roll-off just before the power tubes, per the original AC30 design. In addition to the full available gain of the original amp, toward the top end of the Drive knob s range of travel, we ve added a frequency-shaped front end boost to tighten the low end while driving the amp further into saturation. Punch Amp Based on* a Marshall® Plexi (Super Lead model number 1959) This powerful amp is meatier, with higher gain than the other two amps, and has a powerful midrange response. This amp features a buttery, smooth overdrive. At higher Drive settings it will deliver all the high gain distortion and growl this amp is known for, and then some. Setting the Drive control at around 2 o clock gets you the maximum gain the original Plexi design allowed. Beyond that, our model has some additional gain on tap, giving you access to custom hot-rodded Plexi high gain tones. Amp Science Our Matrix Modeling process captures all the subtleties and unique character of each amplifier. From the unique composition of each tone stack, to component values, bias levels, corner frequencies, and tube stage gain; all of these factors affect the way a note or chord reacts and evolves over time, and all have been mathematically modeled with the highest fidelity. We included multi-stage power sag, so that the sag response and time constant for each stage of the amplifier is modeled separately, adding further harmonic complexity and realistic feel. We also modeled the compression, limited cone movement, and speaker distortion that can happen at high signal levels. We carefully set the range and taper for each knob to make it easy to dial in a variety of great tones with intuitive, predictable amp-like responsiveness. Combining the meticulous reproduction of original circuits with careful fine-tuning has resulted in three stellar amp models that deliver the response, feel, and inspiring experience of playing through the original amps at their best. Tone Stacks That Hit All The Sweet Spots Aggressively boost the treble, and Iridium beautifully reveals all the subtle nuances of even the softest fingerstyle playing. Crank the bass, and enjoy resonant low end that will make you swear there s an amp in the room even when monitoring through headphones. True to the tone stacks of the classic amps we modeled, Iridium s tone controls have the same interdependences as found in the original circuit designs. Iridium gives you amp EQ that is a joy to use, yielding a wide variety of great tones in any direction you go. A Carefully Curated Cabinet Collection. Nine Stunningly Realistic Cabs. Iridium comes pre-loaded with a carefully curated collection of premium cabinet IRs from OwnHammer, Celestion, cabIR and Valhallir. You can also load your own IRs using Strymon Impulse Manager software. Deluxe Reverb® 1×12 by OwnHammer Impulse of a vintage Fender® Deluxe Reverb 1×12 open back combo with a 1978 Fender CTS ceramic 12 speaker. Blues Junior® 1×12 by cabIR Impulse of a 1×12 Blues Junior cabinet with a Jensen® C12N speaker. Vibrolux® 2×10 by cabIR Impulse of a 1965 Fender Vibrolux 2×10 with Jensen C10NS speakers. AC30 2×12 AlNiCo by OwnHammer Impulse of a Vox® AC30/6 open back 2×12 combo with 2001 Celestion® T0530 Blue AlNiCo speakers. 1×12 AlNiCo by Celestion Impulse of a Celestion Blue AlNiCo speaker in a closed back 1×12 cab. Mesa® 4×12 by Valhallir Impulse of a 4×12 Mesa Boogie halfback with two Celestion Black Shadow® MC-90 and two ElectroVoice® Black Shadow EVM12-L speakers. GNR 4×12 by OwnHammer Impulse of a 1971 Marshall® 1960B basketweave 4×12 cabinet with 1971 Celestion T1221 G12M-25 speakers. 2×12 Vintage 30 by Celestion Impulse of a Celestion Vintage 30 in an open back 2×12 cab. Marshall 8×12 AlNiCo by cabIR Impulse of a 1965 Marshall 8×12 re-issue full stack cabinet, with Celestion T652 AlNiCo speakers. Unprecedented IR Technology. Impulse responses allow the sound and character of a mic d speaker cabinet to be captured, so that any audio signal can be processed by the resulting impulse response and sound as if it s being played through that exact speaker cabinet. Iridium is able to deliver impulse response resolution far greater than any other piece of outboard gear. With full 24bit 96kHz resolution for the entire 500 milliseconds of its speaker cabinet impulse responses, Iridium is able to use the absolute highest quality IRs available. This means countless details are accurately preserved and reproduced to give you a completely real speaker response. Every cabinet resonance, speaker vibration, as well as reflections between the cabinet, the mic, the floor, and the ceiling; all the minuscule cues that tell our brain we are listening to our favorite cabinet are preserved, providing completely lifelike realism. Load Your Own Impulses. It s easy to replace the pre-installed IRs with custom IRs from your own collection by using Strymon Impulse Manager software. To download the software or learn more, visit strymon.net/support/iridium. Where Can I Use Iridium On Stage Want to play live with the exact same tones that you use at home or in the studio Or have access to multiple amp and cab setups without having to lug them on stage Leave your amps at home, and connect Iridium directly to the house PA system. Going direct eliminates the need to mic an amp, giving sound engineers the option to send your amp and cab tone directly to a wedge or in-ear monitors. Instant adjustments to your tone are right there on your pedalboard, only a footswitch away. With Iridium, there are no menus to wade through just familiar, responsive amp-style controls for instant, easy adjustment. In the Studio Iridium provides gorgeous, iconic amp tones, stunningly realistic stereo cabinet impulse responses, and natural room ambience essential elements for recording guitar in the studio. Place Iridium at the end of your effects chain and capture stereo amp and cab tones direct into your recording interface. Or, place Iridium before your delays and reverbs to allow those time-based effects to occur post amp and cab. Skip the hassle of miking up your amps or having to crank them up to get the tone you desire. Instantly audition amps and cabs with the flick of a switch. At Home You can t always crank up an amplifier when you want to play in your living room or rehearse at home. Plug your favorite set of headphones into Iridium s headphone jack and get immersed in the sounds of iconic amps and cabs in a natural sounding room. Integrate Iridium into your pedalboard by placing at the end of your chain or before delays and reverbs, and experience your entire pedalboard tones directly in your headphones. More Use Cases Iridium also allows for less common use cases. Want to use Iridium s amplifiers but not the IR cabinets Select Iridium s Cab Bypass mode, and connect the output(s) to the effects return or power amp input on a guitar amplifier. Want to use Iridium s IR cabinets but not the amps Engage Iridium s Amp Bypass mode, and connect a preamp or preamp pedal (such as Riverside) to Iridium s input. Because the purpose of Iridium is to generate amp and cabinet tones, the primary use case is for direct situations. It s not recommended to connect Iridium to a guitar amplifier. Direct Tone That Inspires. With Iridium, it s easy to dial in a direct guitar tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones. In this video, we take a look at the direct environments where Iridium shines. More Features An Amp, Through a Cab, in a Room. Iridium features a hybrid room ambience design that combines 256ms impulse response captures of real rooms for realistic early reflections, with an algorithm for extended decay and modulation. This combination places your amp and cab in a natural sounding room, creating a real space for your amp to open up and breathe. In addition to controlling the amount of room ambience, you can also choose a small, medium, or large room. Super Quiet, Amazingly Responsive. Iridium s input features an ultra low noise, discrete, class-A JFET preamp circuit providing up to 20dB of pure analog gain. This variable gain JFET circuit is used in concert with DSP to create the tube driven input stage of each of Iridium s amps. With our hybrid approach you get the best of both analog and digital worlds. The JFET stage acts as an analog front end conditioner, providing exceptional touch sensitivity and dynamic interaction with your guitar while improving noise performance, and the incredibly powerful SHARC DSP facilitates the great level of detailed complexity and responsiveness of each tube amp s circuitry. This combination of variable gain JFET and DSP is also how we are able to deliver that hot-rodded extra gain at the top end of the Drive knob for the Chime and Punch amps. Stereo Through and Through. Iridium is perfect for use with stereo effects in stereo rigs. Iridium s TS-mono/TRS-stereo input features stereo class-A JFET preamps feeding into a stereo amp driving a stereo speaker cabinet in a stereo-captured room feeding stereo outputs. Get Immersed. You can t always crank up an amplifier when you want to play in your living room or rehearse at home. Plug your favorite set of headphones into Iridium s headphone jack and get immersed in the sounds of iconic amps and cabs in a natural sounding room. Everyone Has a Favorite. Iridium allows you to save and recall your favorite settings. Simply dial up your favorite sound, and press and hold the Favorite switch to save these settings. Instantly recall these settings with the press of the Favorite switch, or press again to return back to the current knob and switch settings. Or, connect a MultiSwitch Plus to give you access to 4 presets right at your feet. You can also connect a MIDI device to access up to 300 presets. Hidden Superpower. Lurking inside your Iridium pedal is a hidden superpower: MIDI Control. Save and load presets with up to 300 preset locations. Control all knobs and switches via MIDI. Integrate Iridium into an elaborate MIDI pedalboard or use in an ultra-compact setup for easy travel. Connect our MIDI EXP Cable to the EXP/MIDI pedal jack to access these features. Powerful Expression Control. With Volume Mode, you can connect an expression pedal and use it as a Volume pedal, providing a logarithmic taper for smooth volume control. This provides an excellent alternative to a standalone volume pedal. Volume can be set for pre or post amp, cab, and room settings. Or, use your expression pedal to enjoy a whole new level of instantaneous, continuous control. Set as many knobs as you like for the heel position and toe position of your expression pedal, and all settings will simultaneously morph throughout the full range of the expression pedal. Amp Research and Development Delivering the complete experience of playing into an amp through a miked cab in a room is a research and development project that has been years in the making. The amp development began in the tube emulation and cascading gain stage topography created for Riverside, and then majorly leveled up for the intense degree of real-time calculation Matrix Modeling required to create Iridium s amps. We re not just talking about the perfectly recreated tone stacks, but also things like the treble bleed on the gain controls, multi-stage power supply sag, and preamp and power amp tube emulation. Our talented and tireless engineering team covered quite a bit of new ground on the way to recreating these classic amp designs with exact mathematical fidelity, and then expanded the capabilities of each amp in musically useful ways, giving you the full range of original amp sounds, and then some. Impulse Response Technology We knew it was theoretically possible to deliver our goal of 24bit 96kHz 500ms impulse responses, but we had to figure out how to do it in practice. This part of the Iridium project turned out to be a five-year journey through adversity. We started with a smaller proof-of-concept FFT (fast Fourier transform) based IR convolution with shorter-duration mono cab IRs, kept working on it, and eventually tore it all down and rebuilt so we could deliver the 24bit 96kHz 500ms IR cabs that we d dreamed of for Iridium. Hybrid Room Ambience Design With these amazing amps and cabs, we wanted to create amazing spaces for them to live and breathe in. When you are playing in a physical room, the first 80 milliseconds or so of early reflections are what really tell your brain what type of space you re in. The complexity of those myriad early reflections are very difficult to simulate with an algorithm. That s where impulse response technology is the perfect tool for the task. After a certain duration, however, impulse responses become computationally expensive, and that s where the algorithm shines: on the long tail. The algorithmic portions of our room ambience were dialed in for each room, with delay lines tailored to enhance and meld with each specific space and room size. Creating a seamless transition between IR and algorithm was an intensive and artistic process that ultimately resulted in completely natural sounding rooms that feel great to play in and never distract. SHARC and ARM Co-Processors Iridium makes the most of the powerful combination of a high-performance 32-bit floating-point SHARC ADSP-21375 processor working together with an ARM co-processor. The SHARC is the perfect choice for handling the plethora of FFT instructions Iridium s real-time sound processing requires, including adding and subtracting simultaneously. We ve created an optimized high-speed communications link between the two processors, and have maximized what the ARM co-processor can do. Each turn of any of Iridium s knobs sets off a chain of numerous coefficient calculations which we let the ARM co-processor handle, leaving the SHARC free to do its massive computational number crunching full-time at maximum capacity. Besides stellar sound and responsiveness, this combination delivers super fast patch switching. The ARM also provides USB connectivity and allows you to very quickly load and audition impulses with our Impulse Manager software. Iridium is really a new class of device. You get IR resolution never before available in outboard gear, without paying a price in patch switching time, allowing you to select presets seamlessly with the speed you expect for live performance use. Manufacturing Iridium, like all of our effects pedals, is built right here in Los Angeles, California. There are many advantages to building our pedals within minutes of our design shop. Most importantly, we control every aspect of manufacturing to ensure quality and consistency at every step of the process. Every potentiometer, encoder, switch, LED, and audio component on every pedal is tested and re-tested. Using the latest Audio Precision audio analyzing gear, each pedal must exceed our exacting audio quality standards.

If you ve dreamed of having a piano in your home but don t have the space or budget for a full-sized instrument, your wait is over. The affordable FP-30 offers Roland s acclaimed sound, feel, and modern features in a top-quality 88-note instrument that fits any space with ease. Light and portable, it s a great fit for performing players and music classrooms as well. Adding in numerous sounds beyond the piano, built-in practice and recording functions, and Bluetooth® wireless support for working with popular music apps, the FP-30 delivers a premium musical experience previously unattainable in such a streamlined package. Specifications Keyboard Keyboard 88 keys (PHA-4 Standard Keyboard: with Escapement and Ivory Feel) Touch Sensitivity Key Touch: 5 types, fixed touch Keyboard Mode Whole Dual (volume balance adjustable) Split (split point adjustable, volume balance adjustable) Twin Piano Pedals Accessory pedal Damper Optional pedals Damper (capable of continuous detection) Soft (capable of continuous detection) Sostenuto (function assignable) Sound Generator Piano Sound SuperNATURAL Piano Sound MIDI Format Conforms to GM2, GS Max. Polyphony 128 voices Tones Piano: 6 Tones E.Piano: 7 Tones Other: 22 Tones Stretched Tuning (only for piano tones) Always On Master Tuning 415.3 Hz--466.2 Hz (adjustable in increments of .1 Hz) Transpose -6-- 5 (in semitones) Effects Ambience (Off, 1--4) Brilliance (Mellow, Normal, Bright) Only for Piano Tones: String Resonance (Always On) Damper Resonance (Always On) Key Off Resonance (Always On) Metronome Tempo Quarter note = 2--25 Beat /4, 2/4, 3/4, 4/4, 5/4, 6/4 Smf Recorder Parts 1 part Save Format Standard MIDI Files (Format ) Note Storage Approx. 3, notes Controls Song Select Play/Stop Rec Tempo Count-in Mix Balance All Song Play Tempo Quarter note = 2--25 Resolution 12 ticks per quarter note Rhythm Rhythms 8 types Controls Rhythm Select Start/Stop Tempo Tempo Quarter note = 2--25 Audio Playback File Format: Audio File (WAV 44.1 kHz, 16-bit linear format) Controls Song Select Play/Stop Internal Memory Save Song Standard MIDI Files (Format ) Songs Max. 1 song External Memory External Storage USB Flash Memory Playable Song Format Standard MIDI Files (Format , 1) Audio File (WAV, 44.1 kHz, 16-bit linear format) Save Format Standard MIDI Files (Format ) Bluetooth MIDI, Turning music sheet Bluetooth Ver 4. Other Internal Songs 3 songs Connectors DC In jack USB COMPUTER port: USB Type B USB MEMORY port: USB Type A Phones jacks (usable as output jack) x 2: Stereo miniature phone type, Stereo 1/4-inch phone type Rated Power Output 11 W x 2 Speakers 12 cm (4-3/4 inches) x 2 Volume Level (Spl) 12 dB (This value was measured according to the method that is based on Roland's technical standard.) Language English Control Volume (with the speaker volume and the headphones volume automatically select function) Other Functions Panel Lock Tone Demo Auto Off Power Supply AC adaptor Power Consumption 8 W (3--22 W) 8 W: Average power consumption while piano is played with volume at center position 3 W: Power consumption immediately after power-up; nothing being played 22 W: Rated power consumption Accessories Owner's Manual Music Rest AC Adaptor Power Cord (for connecting AC Adaptor) Damper pedal Options (Sold Separately) Dedicated Stand: KSC-7 Dedicated Pedal Board: KPD-7 Keyboard Stand: KS-12 Damper Pedal: DP-1 Headphones USB Flash Memory * * Use USB Flash Memory sold by Roland. We cannot guarantee operation if other products are used. Size And Weight (With Music Rest Detached) Width 1,3 mm 51-3/16 inches Depth 284 mm 11-7/8 inches Height 15 mm 5-7/8 inches Weight 14.1 kg 31 lbs 2 oz Size And Weight (With Music Rest And Dedicated Stand Ksc-7) Width 1,3 mm 51-3/16 inches Depth 324 mm 12-13/16 inches Height 925 mm 36-3/8 inches Weight 23 kg 5 lbs 12 oz

The Echo Master is a noisy lo-fi echo that makes your vocals blast through with awesomeness like never before. Imagine vintage tape delay at the tip of your voice fingers. Other vocal delay/echo units on the market sound crystal clear and can be good for some performers but we were going for something with massive character. The Echo Master has that awesome gritty wicked sound you\'ve grown to love. The pedal comes with integrated XLR input and output jacks, control for Feedback, Mix and Delay Time. There\'s also a 1/4 FX loop to integrate with virtually any other effect pedal. There\'s also an optional mic clip to attach the unit to a microphone stand for easy access while singing. 9V DC power supply included.

At Ibanez, we have always made it a point to study and understand how guitar playing evolves and progresses with music trends over time. Currently, we are seeing an explosion of young contemporary guitarists pushing their playing techniques into exciting new directions. We are viewing this trend as the beginning of a third phase of guitar playing. All of us at Ibanez challenge ourselves as guitar designers to step up and answer the needs of this third phase. We found that, in order to fully grasp the expanding range of musical expression created, we must consider the guitar not just as an isolated device, but as an extension of the guitarist's body. If we were to give this phenomenon a name, it would be Synchronizing Guitars and Players. In launching the AZ series, our aim was not to merely create a completely new guitar model, but to sculpt a great guitar that can foster the potential of the modern third phase' while maintaining traditional elements. Even though Ibanez is thought of as a modern guitar brand, we have decades of accumulated knowledge and a history of pushing boundaries. The AZ series carries with it all of the hallmarks of these tried and tested Ibanez qualities: the smooth oval neck grip, the well balanced asymmetrical body shape, and a neck heel that allows unrivaled playability. It also features details such as a new tremolo bridge, as well as new pickups developed in collaboration with Seymour Duncan. All of these elements help the AZ push the existing boundaries of playability and sound even further. We always strive to make our guitars with the finest materials and parts, yet we know that collecting new parts and materials alone do not make a great guitar. Rather, exquisite guitars are made through the processes of examining, testing, understanding, then finally synchronizing these materials together. The harmonic balance between the bridge and pickups, nut and machine heads, neck and fret material, all work together in order to help guitarists create their desired sound. From A to Z, there is no aspect of guitar making that we ever overlook. This tradition has been passed down masterfully to the AZ series. At first glance, the AZ series may seem like an enigma to some. The magic of this new series is not something that may be apparent by just visual observation. The magic, however, does become instantly apparent once an AZ model is played. The AZ series represents the future of guitar playing and we welcome you to play one and see for yourself. AZ Modern Oval C S-TECH WOOD roasted maple 1pc neck S-TECH treated Maple was used for the AZ's neck construction, a first. Its nitrogen-heating treatment increases the wood's stability, durability, water resistance and tolerance of temperature changes. After extensive prototyping and trials, we concluded that 20.5mm thickness at the 1st fret and 22.5mm at the 12th fret was the optimal neck thickness for this process. The neck was then sealed with an oil finish, making it feel similar to a well-played guitar neck. Neck Grip In order to achieve supreme neck grip comfort, the fretboard edge was finished with a smooth curve that extends from the border between the fretboard and the neck to the surface of the fretboard. The detailed neck shape was precisely carved using a ball mill for ultimate consistency. The width measurements of the fretboard are 42mm at the nut and 57mm at the last fret. These dimensions allow for an easy grip in the lower register, and a more modern feel in the higher register. Body Design The AZ's shallow back body contour and big forearm contour lets the guitar's body fit the player naturally, thus increasing playing comfort. The AZ body has a deep waist and different radii on each body edge curve (3 mmR on body top/8 mmR on body back), making it easier to play in both standing or sitting positions. Seymour Duncan Hyperion Pickups The AZ's custom Hyperion pickups were developed in collaboration with Seymour Duncan. Hyperion pickups feature a moderate output through Alnico-5 magnets to keep the clarity of the fundamental tone when using a distortion sound and deliver a clear pick attack. From treble to bass, and from high-E string to low-E string, the overall tonal balance is evenly adjusted, and works well with various effect pedals. dyna-MIX 9 w/Alter switch The Dyna-MIX 9 offers nine sound variations, and can easily switch between humbucker and single coil modes with just a flick of the mini switch. One Dyna-MIX 9 mode even simulates a humbucker sound using the combination of the two single coil pickups. Ibanez T1802 Tremolo Bridge (made by GOTOH) The new T1802 Bridge, a collaboration between GOTOH and Ibanez, features machined titanium saddles and a machined steel tremolo block for a quick response, thick lows and rich highs. The 10.5mm string spacing allows for easy picking across strings, including techniques such as string skipping and hybrid picking. The snap and hold tremolo arm socket makes it easy to load a tremolo arm, and the arm torque adjuster enables fine torque adjustment without any tools. The 2-point floating tremolo system allows for a super smooth tremolo motion when either raising or lowering the pitch. GOTOH H.A.P-M machine heads The AZ comes with GOTOH MAGNUM LOCK machine heads, which have an established reputation for tuning stability. Its H. A. P (Height Adjustable Post) system allows for the adjustment of string posts for the appropriate tension of each string. AZ Oval C S-TECH WOOD Roasted Maple neck S-TECH WOOD Roasted Maple fretboard w/Black dot inlay Seymour Duncan Hyperion Pickups dyna-MIX 9 switching system w/Alter switch Gotoh T1802 tremolo bridge Oil-impregnated Bone nut /Stainless Steel Frets Super All Access Neck Joint Luminlay side dot inlay Gotoh Magnum Lock machine heads w/H.A.P.(Height Adjustable Post) An ergonomic body back contour Neck Type : AZ Oval C Neck Joint : Bolt-on Neck Material : S-TECH WOOD Roasted Maple Neck finish : Oil Neck thickness (1st fret, mm) : 20,5 Neck thickness (12th fret, mm) : 22,5 Scale (inch) : 25,5 Scale (mm) : 648 Nut width (mm) : 42 End width (mm) : 56,4 Number of fret : 22 Fretboard : S-TECH WOOD Roasted Maple Fretboard Radius (mm) : 305 Fret Type : Jumbo Stainless Steel Fret edge treatment : Prestige fret edge treatment Inlay : Black dot Body Material : Alder Body finish : Gloss Polyester Total length (mm) : 978 Body thickness (mm) : 44 Body length (mm) : 452 Body Width (mm) : 309 Bridge : Gotoh T1802 String spacing (mm) : 10,5 Active or Passive : Passive Nut : Bone Machine Head : Gotoh Magnum Lock machine heads w/H.A.P. Hardware color : Chrome Neck Pickup : Seymour Duncan Hyperion (S) Middle Pickup : Seymour Duncan Hyperion (S) Bridge Pickup : Seymour Duncan Hyperion (H) Controls, Pickup selector : 1 Volume, 1 Tone, 5-way lever switch Other Swtichs : dyna-MIX9 switching system w/Alter Switch Side Dot Inlay : Luminlay side dots Special Strings : D'Addario EXL110 String Gauges (from top to bottom) : .010/.013/.017/.026/.036/.046 Tuning (from top to bottom) : 1E,2B,3G,4D,5A,6E Included case or bag : M20AZ Other item(s) included : Tremolo arm, Multi tool Net Weight (g) : 3300

The PAN08 is a multifunctional device. Each of the four channels can be used independently as an active DI box, line isolation box or booster. The combination socket input acceptsunbalanced and balanced signals. The output has dual transformer balanced XLR jacks (front and rear). The signal level can be attenuated by 20 dB for microphone inputs, but can also be boosted in three stages by up to 18 dB for LINE inputs if necessary. With an output level of 12 dBu on a load of 600 with 0.05 % THD / 40 Hz and an output noise level of less than -110 dBu, the unit meets even high professional standards. One special feature that is worthy of mention is battery power. The supply voltage may range from 9 to 18 V. Thus the PAN08 can also be used without mains power outdoors.

ARTIST SERIES TIMBALES DIEGO GALÉ Grammy Nominated artist Diego Galé has devoted his artistic life to the production, composition and performance of Afro-Cuban music. Over the years Diego has created his own personal sound that many want for their productions. An important part of Diego's sound are the instruments he plays. The new Diego Galé Artist Series Timbales by MEINL are just what Diego needs for his extensive recording and touring schedule providing a cascara sound that delivers in every situation and that looks good on any stage. FEATURES Classic Timbales shape and look Cascara sound that has the right amount of projection that works in the studio and live situations Comes with professional Timbale stand MATERIAL Solid brass INCLUDES Adjustable Cowbell holder Professional Timbale Stand Accessory pouch L-shaped tuning key Tune Up Oil SIZE: 14 15 COLOR: Solid Brass

When you're struck by inspiration, take a seat behind the brand new FP Roland FP-10 entry-level piano. This affordable digital piano is always ready to play, provides reassuring sensations with its standard PHA-4 88-key keyboard, and surrounds you with beautiful Roland SuperNATURAL piano sounds through its speakers or headphone output. Thanks to its portable and compact design, the FP-10 is the ideal instrument for playing at home, whether you work your technique in your office or give a recital in your living room. And with Bluetooth® connectivity and powerful embedded features unique to a digital piano in this price range, the FP-10 is the perfect second piano for experienced pianists. Connect to music with the PHA-4 Expressive Keyboard Playing the piano is a matter of nuances. The FP-10's PHA-4 Standard Keyboard provides the responsive feel of a high-quality acoustic piano, with every note nuance, from piano to forte, being detected by Roland's technology. With high-resolution sensors and an exhaust for fast repetition of notes, the PHA-4 keyboard faithfully translates differences in tone and volume into subtle differences in key pressure.. The attention to detail goes up to the reproduction of the difference in weight of hammers, heavier in the bass register, lighter in the high register. By placing your fingers on the white keys, you will be amazed by their revolutionary moisture-absorbing material that recreates the natural texture of ivory. And to be able to apply your express pedal pedal-type pedaling, simply connect the optional DP-10 pedal. Authentic sound to motivate beginners and inspire professionals You'll find more instruments in the FP-10's price range, but none have piano sounds of equal quality.. The Roland SuperNATURAL tone generator delivers authentic, almost-live piano sounds, whether you're a beginner learning the basics or an accomplished pianist wanting to work out the details of his or her joints. This natural piano sound is diffused in your home thanks to the powerful built-in speakers, or in the headphones of your headphones that will allow you to play at any time of day or night. Boost your creativity with built-in sounds, learning features and apps Filled with state-of-the-art digital features, the FP-10 makes your play sessions fun and productive. It allows you to be creative in various musical genres thanks to many integrated sounds of organ, electric piano, strings ... You will improve your tempo thanks to the integrated metronome, and learn more quickly thanks to the Twin Piano mode which allows the teacher and his pupil to play side by side in the same tessitura. And with Bluetooth and MIDI compatibility, you'll be able to connect to your favorite music creation software, or apps like Apple's GarageBand or Roland's Piano Partner 2 (Rhythm is not available in Piano Partner 2). The most compact 88-key digital piano in its class You would like to buy a standard 88-key piano, but do not have room for such an instrument. The Roland FP-10 is for you. The most compact 88-key digital piano in its class, measuring only 1284 x 258 mm, the FP-10 can be easily moved and placed in any room. For even easier transport, you can use the KS-12 portable keyboard stand; as for the robust KSCFP-10 dedicated stand, it will give the FP-10 an authentic piano look. Technical characteristics Keyboard Keyboard 88 keys (standard PHA-4 keyboard with Ivory Feel ivory exhaust and touch) Sensitivity to touch 5 types, fixed touch Keyboard modes Whole Dual Twin Piano pedals Optional pedal Damper Sound Generator Piano sounds SuperNATURAL Piano Maximum polyphony 96 votes sounds Piano: 4 sounds Electric piano (E Piano): 2 sounds Others: 9 sounds Extended tuning (only for piano sounds) Always on General tuning 415.3 Hz to 466.2 Hz (adjustable in steps of 0.1 Hz) Transposition -6 to 5 semitones Effects Atmosphere (0-10) Brilliance (-10 / 10) Only for piano sounds: String Resonance: Always On Mute Resonance: Always On Key Off Resonance Resonance: Always On Metronome Tempo Black = 10 to 500 Measures 0/4, 2/2, 3/2, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 8/8, 9 / 8, 12/8 Bluetooth MIDI: Bluetooth V4.0 Internal pieces Listening: 17 pieces Demo of sounds: 15 pieces Connectors DC In jack USB port to computer: USB Type B USB key port: USB Type A 1 headphone output (Phones): stereo mini-jack Output Power 6 W x 2 Speakers 12 cm x 2 Language English Controller Volume (automatic rocker volume adjustment of speakers or headphones) Other functions Auto Off Food AC adapter Consumption 4W (3-6W) 4 W: Average consumption when playing with a volume set halfway 3 W: Consumption just after extinction, without playing 6 W: maximum consumption Accessories user's Guide Desk AC adapter Power cord (to connect the AC adapter) Mute pedal Dimensions (With The Lectern In Place) Width 1.284 mm Depth 298 mm Height 324 mm Weight 12.3 kg

At Ibanez, we have always made it a point to study and understand how guitar playing evolves and progresses with music trends over time. Currently, we are seeing an explosion of young contemporary guitarists pushing their playing techniques into exciting new directions. We are viewing this trend as the beginning of a third phase of guitar playing. All of us at Ibanez challenge ourselves as guitar designers to step up and answer the needs of this third phase. We found that, in order to fully grasp the expanding range of musical expression created, we must consider the guitar not just as an isolated device, but as an extension of the guitarist's body. If we were to give this phenomenon a name, it would be Synchronizing Guitars and Players. In launching the AZ series, our aim was not to merely create a completely new guitar model, but to sculpt a great guitar that can foster the potential of the modern third phase' while maintaining traditional elements. Even though Ibanez is thought of as a modern guitar brand, we have decades of accumulated knowledge and a history of pushing boundaries. The AZ series carries with it all of the hallmarks of these tried and tested Ibanez qualities: the smooth oval neck grip, the well-balanced asymmetrical body shape, and a neck heel that allows unrivaled playability. It also features details such as a new tremolo bridge, as well as new pickups developed in collaboration with Seymour Duncan. All of these elements help the AZ push the existing boundaries of playability and sound even further. We always strive to make our guitars with the finest materials and parts, yet we know that collecting new parts and materials alone do not make a great guitar. Rather, exquisite guitars are made through the processes of examining, testing, understanding, then finally synchronizing these materials together. The harmonic balance between the bridge and pickups, nut and machine heads, neck and fret material, all work together in order to help guitarists create their desired sound. From A to Z, there is no aspect of guitar making that we ever overlook. This tradition has been passed down masterfully to the AZ series. At first glance, the AZ series may seem like an enigma to some. The magic of this new series is not something that may be apparent by just visual observation. The magic, however, becomes instantly apparent once an AZ model is played. The AZ series represents the future of guitar playing and we welcome you to play one and see for yourself. AZ Modern Oval C S-TECH WOOD roasted maple 1pc neck S-TECH treated Maple was used for the AZ's neck construction, a first. The neck's nitrogen-heating treatment increases the wood's stability, durability, water resistance and tolerance of temperature changes. After extensive prototyping and trials, we concluded that 20.5mm thickness at the 1st fret and 22.5mm at the 12th fret was the optimal neck thickness for this process. The neck was then sealed with an oil finish which makes it feel similar to a well-played guitar neck. Neck Grip In order to achieve supreme neck grip comfort, the fretboard edge was finished with a smooth curve that extends from the border between the fretboard and the neck to the surface of the fretboard. The detailed neck shape was precisely carved using a ball mill for ultimate consistency. The width measurements of the fretboard are 42mm at the nut and 57mm at the last fret. These dimensions allow for an easy grip in the lower register, and a more modern feel in the higher register. Body Design The AZ's shallow back body contour and big forearm contour lets the guitar's body fit the player naturally, thus increasing playing comfort. The AZ's body has a deep waist and different radii on each body edge curve (3 mmR on body top/8 mmR on body back), making it easier to play in both standing or sitting positions. Seymour Duncan Hyperion Pickups The AZ's custom Hyperion pickups were developed in collaboration with Seymour Duncan. Hyperion pickups feature a moderate output through Alnico-5 magnets to keep the clarity of the fundamental tone when using a distortion sound and deliver a clear pick attack. From treble to bass, and from high-E string to low-E string, the overall tonal balance is evenly adjusted, and works well with various effect pedals. Dyna-MIX 10 w/Alter switch The Dyna-MIX 10 offers ten sound variations, and can easily switch from humbucker and single coil modes with just a flick of the mini switch. The Power Tap mode provides a realistic single coil sound despite its two humbucker pickup layout. Ibanez T1802 Tremolo Bridge (made by GOTOH) The new T1802 bridge, a collaboration between GOTOH and Ibanez, features machined titanium saddles and a machined steel tremolo block for a quick response, thick lows and rich highs. The 10.5mm string spacing allows for easy picking across strings, including techniques such as string skipping and hybrid picking. The snap and hold tremolo arm socket makes it easy to load a tremolo arm, and the arm torque adjuster enables fine torque adjustment without any tools. The 2-point floating tremolo system allows for a super smooth tremolo motion when either raising or lowering the pitch. GOTOH H.A.P-M machine heads The AZ comes with GOTOH MAGNUM LOCK machine heads, which have an established reputation for tuning stability. Its H. A. P (Height Adjustable Post) system allows for the adjustment of string posts for the appropriate tension of each string. AZ Oval C S-TECH WOOD Roasted Maple neck S-TECH WOOD Roasted Maple fretboard w/Black dot inlay Seymour Duncan Hyperion Pickups dyna-MIX 10 switching system w/Alter switch Gotoh T1802 tremolo bridge Oil-impregnated Bone nut /Stainless Steel Frets Super All Access Neck Joint Luminlay side dot inlay Gotoh Magnum Lock machine heads w/H.A.P.(Height Adjustable Post) An ergonomic body back contour Neck Type : AZ Oval C Neck Joint : Bolt-on Neck Material : S-TECH WOOD Roasted Maple Neck finish : Oil Neck thickness (1st fret, mm) : 20,5 Neck thickness (12th fret, mm) : 22,5 Scale (inch) : 25,5 Scale (mm) : 648 Nut width (mm) : 42 End width (mm) : 57 Number of fret : 24 Fretboard : S-TECH WOOD Roasted Maple Fretboard Radius (mm) : 305 Fret Type : Jumbo Stainless Steel Fret edge treatment : Prestige fret edge treatment Inlay : Black dot Body Material : Alder Body finish : Satin Polyester Total length (mm) : 978 Body thickness (mm) : 44 Body length (mm) : 452 Body Width (mm) : 309 Bridge : Gotoh T1802 String spacing (mm) : 10,5 Active or Passive : Passive Nut : Bone Machine Head : Gotoh Magnum Lock machine heads w/H.A.P. Hardware color : Chrome Neck Pickup : Seymour Duncan Hyperion (H) Bridge Pickup : Seymour Duncan Hyperion (H) Controls, Pickup selector : 1 Volume, 1 Tone, 5-way lever switch Other Swtichs : dyna-MIX10 switching system w/Alter Switch Side Dot Inlay : Luminlay side dots Special Strings : D'Addario EXL110 String Gauges (from top to bottom) : .010/.013/.017/.026/.036/.046 Tuning (from top to bottom) : 1E,2B,3G,4D,5A,6E Included case or bag : M20AZL Other item(s) included : Tremolo arm, Multi tool Net Weight (g) : 3300

At Ibanez, we have always made it a point to study and understand how guitar playing evolves and progresses with music trends over time. Currently, we are seeing an explosion of young contemporary guitarists pushing their playing techniques into exciting new directions. We are viewing this trend as the beginning of a third phase of guitar playing. All of us at Ibanez challenge ourselves as guitar designers to step up and answer the needs of this third phase. We found that, in order to fully grasp the expanding range of musical expression created, we must consider the guitar not just as an isolated device, but as an extension of the guitarist's body. If we were to give this phenomenon a name, it would be Synchronizing Guitars and Players. In launching the AZ series, our aim was not to merely create a completely new guitar model, but to sculpt a great guitar that can foster the potential of the modern third phase' while maintaining traditional elements. Even though Ibanez is thought of as a modern guitar brand, we have decades of accumulated knowledge and a history of pushing boundaries. The AZ series carries with it all of the hallmarks of these tried and tested Ibanez qualities: the smooth oval neck grip, the well-balanced asymmetrical body shape, and a neck heel that allows unrivaled playability. It also features details such as a new tremolo bridge, as well as new pickups developed in collaboration with Seymour Duncan. All of these elements help the AZ push the existing boundaries of playability and sound even further. We always strive to make our guitars with the finest materials and parts, yet we know that collecting new parts and materials alone do not make a great guitar. Rather, exquisite guitars are made through the processes of examining, testing, understanding, then finally synchronizing these materials together. The harmonic balance between the bridge and pickups, nut and machine heads, neck and fret material, all work together in order to help guitarists create their desired sound. From A to Z, there is no aspect of guitar making that we ever overlook. This tradition has been passed down masterfully to the AZ series. At first glance, the AZ series may seem like an enigma to some. The magic of this new series is not something that may be apparent by just visual observation. The magic, however, becomes instantly apparent once an AZ model is played. The AZ series represents the future of guitar playing and we welcome you to play one and see for yourself. AZ Modern Oval C S-TECH WOOD roasted maple 1pc neck S-TECH treated Maple was used for the AZ's neck construction, a first. The neck's nitrogen-heating treatment increases the wood's stability, durability, water resistance and tolerance of temperature changes. After extensive prototyping and trials, we concluded that 20.5mm thickness at the 1st fret and 22.5mm at the 12th fret was the optimal neck thickness for this process. The neck was then sealed with an oil finish which makes it feel similar to a well-played guitar neck. Neck Grip In order to achieve supreme neck grip comfort, the fretboard edge was finished with a smooth curve that extends from the border between the fretboard and the neck to the surface of the fretboard. The detailed neck shape was precisely carved using a ball mill for ultimate consistency. The width measurements of the fretboard are 42mm at the nut and 57mm at the last fret. These dimensions allow for an easy grip in the lower register, and a more modern feel in the higher register. Body Design The AZ's shallow back body contour and big forearm contour lets the guitar's body fit the player naturally, thus increasing playing comfort. The AZ's body has a deep waist and different radii on each body edge curve (3 mmR on body top/8 mmR on body back), making it easier to play in both standing or sitting positions. Seymour Duncan Hyperion Pickups The AZ's custom Hyperion pickups were developed in collaboration with Seymour Duncan. Hyperion pickups feature a moderate output through Alnico-5 magnets to keep the clarity of the fundamental tone when using a distortion sound and deliver a clear pick attack. From treble to bass, and from high-E string to low-E string, the overall tonal balance is evenly adjusted, and works well with various effect pedals. Dyna-MIX 10 w/Alter switch The Dyna-MIX 10 offers ten sound variations, and can easily switch from humbucker and single coil modes with just a flick of the mini switch. The Power Tap mode provides a realistic single coil sound despite its two humbucker pickup layout. Ibanez T1802 Tremolo Bridge (made by GOTOH) The new T1802 bridge, a collaboration between GOTOH and Ibanez, features machined titanium saddles and a machined steel tremolo block for a quick response, thick lows and rich highs. The 10.5mm string spacing allows for easy picking across strings, including techniques such as string skipping and hybrid picking. The snap and hold tremolo arm socket makes it easy to load a tremolo arm, and the arm torque adjuster enables fine torque adjustment without any tools. The 2-point floating tremolo system allows for a super smooth tremolo motion when either raising or lowering the pitch. GOTOH H.A.P-M machine heads The AZ comes with GOTOH MAGNUM LOCK machine heads, which have an established reputation for tuning stability. Its H. A. P (Height Adjustable Post) system allows for the adjustment of string posts for the appropriate tension of each string. AZ Oval C S-TECH WOOD Roasted Maple neck S-TECH WOOD Roasted Maple fretboard w/Black dot inlay Seymour Duncan Hyperion Pickups dyna-MIX 10 switching system w/Alter switch Gotoh T1802 tremolo bridge Oil-impregnated Bone nut /Stainless Steel Frets Super All Access Neck Joint Luminlay side dot inlay Gotoh Magnum Lock machine heads w/H.A.P.(Height Adjustable Post) An ergonomic body back contour Neck Type : AZ Oval C Neck Joint : Bolt-on Neck Material : S-TECH WOOD Roasted Maple Neck finish : Oil Neck thickness (1st fret, mm) : 20,5 Neck thickness (12th fret, mm) : 22,5 Scale (inch) : 25,5 Scale (mm) : 648 Nut width (mm) : 42 End width (mm) : 57 Number of fret : 24 Fretboard : S-TECH WOOD Roasted Maple Fretboard Radius (mm) : 305 Fret Type : Jumbo Stainless Steel Fret edge treatment : Prestige fret edge treatment Inlay : Black dot Body Material : Alder Body finish : Satin Polyester Total length (mm) : 978 Body thickness (mm) : 44 Body length (mm) : 452 Body Width (mm) : 309 Bridge : Gotoh T1802 String spacing (mm) : 10,5 Active or Passive : Passive Nut : Bone Machine Head : Gotoh Magnum Lock machine heads w/H.A.P. Hardware color : Chrome Neck Pickup : Seymour Duncan Hyperion (H) Bridge Pickup : Seymour Duncan Hyperion (H) Controls, Pickup selector : 1 Volume, 1 Tone, 5-way lever switch Other Swtichs : dyna-MIX10 switching system w/Alter Switch Side Dot Inlay : Luminlay side dots Special Strings : D'Addario EXL110 String Gauges (from top to bottom) : .010/.013/.017/.026/.036/.046 Tuning (from top to bottom) : 1E,2B,3G,4D,5A,6E Included case or bag : M20AZL Other item(s) included : Tremolo arm, Multi tool Net Weight (g) : 3300

18 Byzance Vintage Sand Thin Crash SIGNATURE The 18 Sand Thin Crash is a pitch matched, dark sounding cymbal with a short sustain. What stands out is its relatively trashy crash sound with a modern white-noise character. Styles: Pop, Fusion, Jazz, Funk, RNB, Reggae, Studio, World, Electro Timbre: Dark Character: Vintage, Dry Pitch: Low Volume: Medium to Low Sustain: Short Weight: Thin Finish: Sandblasted Material: B20 Lathe: Narrow Blade

This music stand is equipped with an expandable music desk. Both music rests can be expanded to the right and the left and together with the additional sheet music holder provide for the viewing of 4 DIN A4 sheets of music next to each other. The comfortable angle is facilitated through very fine zinc-die-cast teeth. The expandable music desk collapses to a small and easy to transport size. Data Height: from 580 to 1,220 mm Leg construction: U-profile legs with cross braces Material: steel Music desk: traditionally foldable Music desk dimensions: 485 x 240 x 42 mm Product Category: Topline Rod combination: 3-piece folding design Size when folded: 500 mm Special features: extra-wide, extra stable expandable music desk, with additional sheet holders (775 mm) Type: black Weight: 1.75 kg

Attachment For 3rd Level- Suitable for keyboard stands Omega-E 18800, Omega 18810 and Omega Pro 18820- Can only be used in combination with the attachment 18811- Height adjustment by means of spring-loaded clamping knob- Inclinable in 5 grades from 0° - 20°- Material: steel- Height adjustable from 200 - 275 mm- Support depth: 280 mm- Max. load capacity: 15 kg- Weight: 2.6 kg- Colour: Ruby Red