Based on the Portico 5017 Mobile Pre, the 517 provides world-class transformer-coupled micpreamp, compressor and DI circuitry with Vari-phase, Silk and DI/mic blending capabilities all in a single 500 series module. Mic Pre and Instrument Amplifier The 517 s mic pre based on the TEC Award-winning Portico 5017 provides up to 66dB of gain, polarity-reverse and phantom power switches, and the Silk circuit for a more vintage vibe. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection. Blended Use Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals. The Compressor Based around a new LDR (light dependent resister) design, the 517 s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active. Vari-Phase In addition to the standard polarity reverse, the 517 s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined. For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow-sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned. This technique is also extremely useful when combined with the internal blend control on instruments. A bassist or guitarist using both direct and mic d signals can blend the two into a single output, using the variable phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal. SPECIFICATIONS - Frequency Response: Main Output, no load, 0.2 dB @ 10 Hz 3 dB @ 160 kHz - Noise: Measured at Main Output, unweighted, 22 Hz 22 kHz, Terminated 150 Ohms. With gain at unity better than 100 dBu With gain at 66 dB better than 62 dBu Equivalent Input Noise better than 128 dBu Noise Factor 1.5dB - Maximum Output Level: Maximum output from 20 Hz to 40 kHz is 23 dBu. - Total Harmonic Distortion and Noise: @ 1 kHz, 20 dBu output: Main Output: Better than 0.001% @ 20 Hz, 20 dBu output: Main Output: Better than 0.002% Silk Engaged: Better than 0.2% Second harmonic - Crosstalk: Measured channel to channel: Better than 90 dB @ 15 kHz. - Phantom Power: 48 Volts DC ±1%

The Cameo TriBar 400 IR is equipped for all kinds of lighting applications thanks to its 24 three-colour LEDs with very high brightness, 3 W power, absolutely silent operation with convection cooling and 5 DMX modes. For impressive Chase effects, the LEDs can be controlled separately in groups of 8. The Washer RGB has a 20° starting angle; it can be used in stand-alone mode, Master or Slave, and includes 12 automated programs and a microphone for music control. The Cameo TriBar 400 IR has a bright display and 4 function keys plus an infrared remote control, allowing comfortable manual operation. Its rugged metal housing is equipped with adjustable universal mounting brackets and accepts 3-point DMX subbases and IEC mains subbases for cascade connection. The power consumption is very low: 75 W. 24 high brightness tricolor LEDs, power 3 W 3 groups of 8 LEDs separately controllable Comes with infrared remote control and batteries Absolutely silent operation due to convection cooling 5 DMX control modes, plus standalone, Master and Slave modes Built-in microphone for music control Illuminated display with 4 keys Function for manual operation IEC mains input/output subbases, for cascade connection Robust metal housing, with safety eyelets and mounting brackets CHARACTERISTICS: Product type LED light bars Interior Type Colour spectrum RGB Number of LEDs 24 LED type 3 W TRI Colour Dispersion angle 20°. DMX input 3-pin male XLR connector DMX output 3-pin female XLR connector DMX 12 channel, 2 channel, 3 channel 1,3 channel 2,9 channel DMX modes DMX 12 functions DMX 12 Programs, 3 sections RGB, color macro, Master Dimmer, Sound Control, Strobe Standalone modes 12 Programs, color macro, Auto programs, Slave Mode, Sound Control, Strobe, Strobe Settings Low, Enter, High, Mode LED display indicators Mains voltage 100 - 240 V, 50 - 60 Hz Power consumption 75 W Mains socket IEC, female, IEC, male Housing material Metal Cooling Convection cooling Case color black Light illuminance 4380lx@1m Width 1007 mm Height (mm) 65 mm Depth 65 mm Weight 2.6 kg

Introduced in 1995, the model 801 microphone preamplifier was slightly ahead of its time. But as digital audio workstations soon flooded the industry, an accompanying high performance 8 channel mic preamplifier suddenly made perfect sense. So the model 801 quickly became an industry standard, which remains inimitable and unsurpassed. Many years later, with a nearly flawless service record and an endless supply of critical acclaim, the model 801 gets a much deserved update, including an updated audio path, a new chassis forged of stainless steel and a slightly new name: the m801. First and foremost, the new m801 delivers unmatched audio performance with massive headroom and ultra-wide bandwidth which contribute to a markedly open, musical character. The m801 is designed to effortlessly resolve even the lowest level ambient information, resulting in a sonic picture of astonishing clarity and detail, which serves to capture the essential character of the music being recorded. The m801 s signal path has been hot-rodded to be fully balanced from start to finish, resulting in wider dynamic range, while new higher current output drivers enable even longer cable runs without signal loss. Now included on each channel is a dedicated ribbon microphone switch, which shifts the preamplifier s entire gain range up 10dB, while deactivating 48V phantom power, optimizing input impedance and bypassing the decoupling capacitors. And, we ve added an additional set of 8 channel balanced outputs for sending signals to a secondary recorder, workstation or console. Each channel offers 48V phantom, phase reverse and a 20dB pad. Gain controls are our finest 24 position gold contact rotary switches, wired with 1% metal film resistors for maximum audio performance and perfect resetability. All components, active and passive, are selected for pure audio performance and long term reliability. No corners are cut and no compromises are made. While its predecessor now takes its place in pro audio history, the new m801 faithfully furthers the tradition of breathtaking audio performance and perfect reliability in a beautiful, functional 8 channel package. FEATURES fully balanced, transformerless design all new, higher-current outputs drive even longer cable runs ribbon mic mode switch on each channel fast, musical transimpedance amplifier architecture precision 24 position gold contact rotary switch gain controls 48V phantom power, 20 dB pad and phase reverse no electrolytic capacitors in the signal path sealed gold contact relays for all signal switching all electrical and mechanical design elements maximized for absolute purist, audiophile performance large two color LED peak indicator regulated linear power supply with custom wound toroidal transformer highest quality metal film resistors used throughout five year transferable warranty on parts and labor

Steinberg Absolute 6 Instrument CollectionAbsolute 6 propose une multitude d'instruments créatifs, avec plus de 136 Go de contenu sonore pour tous les types de production musicale. Explorez plus de 7 800 préréglages, la plateforme d'échantillonnage et de synthèse nouvelle génération HALion 7, des synthétiseurs exceptionnels comme Padshop ou Retrologue 2 et, avec Groove Agent et Backbone, certains des meilleurs plug-ins de batterie VST disponibles.Description :- Plus de 136 Go de contenu et 7 800 préréglages- Bibliothèques d'échantillons haut de gamme pour guitares, basses, chœurs, orchestres et claviers- Nouveau : HALion 7, désormais avec synthèse FM et spectrale- Nouveau : synthétiseur FM Lab et guitares à accordage ouvert Tales- Intègre Steinberg Licensing, le nouveau système de gestion des licences Steinberg. Aucune clé USB n'est requise.Instruments inclus dans Absolute 6 :- HALion 7- Backbone - Re-synthétiseur de batterie- Groove Agent 5 (incluant Prime Cuts, Future Past Perfect, Rock Essentials)- Synthétiseur Retrologue 2 (incluant Sounds of Soul)- Synthétiseur Padshop 2 (incluant Polarities, Zero Gravity et Granular Guitars)- The Grand 3 – Suite de piano VSTConfiguration requise :- Validité de la licence : Perpétuelle- Protection contre la copie : Activation en ligne- Activations simultanées : 1- Windows : à partir de 10 (64 bits)- Mac OS (64 bits) : à partir de 11- Processeur min. : Intel Core i5- RAM min. : 16 Go- Espace minimum sur le disque dur : 136 Go- Connexion Internet pour l'installation et l'activation- Formats pris en charge : AAX Native 64 bits / AU 64 bits / VST3 64 bits

The 333XL / 333XL-212 is the big brother to the 333 Series, with four key additions:Overall active Presence control.Comes loaded with EL34 power tubes for a more compressed, tighter midrange.Noise Gate on Lead channel. This is an ANALOGUE gate that will never close or shut you off in a clean passage. It is designed to decrease high frequency noise and hiss without changing your tone and it works loads better than a lot of competitors gates.XL switch on Crunch and Lead channels. The XL function will add more chunk to your sound. You can add some thunder to the combo version to more closely emulate a 412 cab, thicken the sound of single coil pickups or add sustain to single-note melodic passages.After that, this design is much like the 333 with three fully independent channels: A totally Clean channel that won t break up; a Crunch channel for a halfway dirty rock and blues tone (or crank the gain for a metal rhythm tone); and a Lead channel with the same structure as the Crunch channel, but with access to more gain. Each of these channels has its own volume feeding the overall master volume, giving you total control over the level of each.INFINIUM Valve Life Multiplier TechnologyOur revolutionary INFINIUM Valve Life Multiplier technology is like having your very own technician inside your amp constantly monitoring and tweaking valve performance for the ultimate in tonal integrity and reliability. This revolutionary circuit not only optimizes the performance of each output tube, it dynamically balances the drive between them to more evenly distribute the load. With INFINIUM, your tubes last up to 20 times longer, saving you substantial money over the lifespan of your amplifier. INFINIUM also compensates for the effects of aging, automatically adjusting current levels to keep your valves sounding as good as the day they were installed.If and when a valve does reach the end of its life, the system even tells you which one to replace. All you need do is replace the faulty valve and let INFINIUM take care of the rest for you. This all adds up to more consistent sound quality and longer life for your valves. Maintenance for valve amps has never been this easy!Hand-built 120-Watt amplifier driven by 4 x EL34 valves (convertible to 6L6)Modern 3-channel preamp design (Clean, Crunch, Lead) featuring 4 x 12AX7 valves for boutique clean and face-melting hi-gain toneIntegrated high-class reverb is assignable per channel and has a dedicated Reverb controlRevolutionary INFINIUM Valve Life Multiplier technology: Extends the life of your amplifier s expensive power valves up to 20 times. Provides incredible reliability and consistent tone over the complete lifespan of your valves No need for expensive matched valve sets Allows you to mix and match any combination of compatible valve types and brands Monitors performance of each power tube continuously and displays defective valves to allow for easy and individual replacementXL switches on the Lead and Crunch channels for killer low end controlAdjustable Noise Gate available on Lead channelFully independent Equalizer sections for each channel with dedicated Bass, Mid and Treble controlClassic Presence control for efficient midrange sound shapingRemote controlled FX Loop with adjustable Send and Return level also serves as Boost functionHeavy-duty footswitch for Channel selection and FX Loop/Boost function includedLine output with dedicated Level controlImpedance switch (4, 8 and 16 Ohms) to match virtually any speaker cabinetHigh-quality components and exceptionally rugged construction ensure long life

Adding 18S to your monitoring set up will open up a new world of performance that lets you mix and master with painstaking accuracy, helping to deliver tracks that translate beautifully to any playback system. Dynaudio have applied their advanced DSP modelling technology that acoustically matches 18S to any Dynaudio Pro Studio Monitor from BM, LYD and upwards, turning two-way systems into three-way set-ups. Its punch is delivered by two brand-new custom MSP Hybrid Drive units and a 500W amp for absolute control and power. Main features - 500-watt state-of-the-art Class D amplifier module - Dual 9.5in MSP Hybrid Drive long-throw woofers for accurate low-end frequency reproduction - Advanced DSP with presets for a wide range of Dynaudio PRO studio monitors - Preset speaker crossover filters - Time alignment for adjusting, according to position - Three-band, built-in Parametric EQ - Dual opposing driver design principle - Master/Slave feature for daisy-chaining multiple subwoofers - Hand-crafted in Denmark Specifications - Frequency Response: 16-230Hz /- 3dB - Max SPL 1m half space (CEA-2010): 110 dB (flat) - Principle: Dual opposing - Crossover Freq.: 50-150Hz - Woofer: 2 x 28cm (9.45 ) long-throw MSP Hybrid - Amplifier: 500W Class-D - I/O Connectors: XLR balanced/RCA - Auto ON/OFF: Yes - Dimensions (H x W x D): 333 x 470 x 268 mm - Weight: 20.5 kg

Adding 18S to your monitoring set up will open up a new world of performance that lets you mix and master with painstaking accuracy, helping to deliver tracks that translate beautifully to any playback system. Dynaudio have applied their advanced DSP modelling technology that acoustically matches 18S to any Dynaudio Pro Studio Monitor from BM, LYD and upwards, turning two-way systems into three-way set-ups. Its punch is delivered by two brand-new custom MSP Hybrid Drive units and a 500W amp for absolute control and power. Main features - 500-watt state-of-the-art Class D amplifier module - Dual 9.5in MSP Hybrid Drive long-throw woofers for accurate low-end frequency reproduction - Advanced DSP with presets for a wide range of Dynaudio PRO studio monitors - Preset speaker crossover filters - Time alignment for adjusting, according to position - Three-band, built-in Parametric EQ - Dual opposing driver design principle - Master/Slave feature for daisy-chaining multiple subwoofers - Hand-crafted in Denmark Specifications - Frequency Response: 16-230Hz /- 3dB - Max SPL 1m half space (CEA-2010): 110 dB (flat) - Principle: Dual opposing - Crossover Freq.: 50-150Hz - Woofer: 2 x 28cm (9.45 ) long-throw MSP Hybrid - Amplifier: 500W Class-D - I/O Connectors: XLR balanced/RCA - Auto ON/OFF: Yes - Dimensions (H x W x D): 333 x 470 x 268 mm - Weight: 20.5 kg

Comprised of a rugged, portable chassis with world class Portico pre-amp, compressor and DI circuits as well as two channel operation, variphase, silk and DI/mic blending capabilities, the Portico 5017 is an innovative and powerful tool for recording or live performance. In replacing the Portico 5016 Mic Pre / Variphase DI, the 5017 Mobile DPC adds single knob compression, DI / Mic Pre blending, and a go anywhere design to a well established classic. With Portico Series custom transformers and silk mode, the Mobile DPC s sonic signature is nothing short of legendary. It s the 5017 s revolutionary feature set however that make it an indispensable tool for studio recording, live recording and stage performances. Dual Channel Use Used as a two channel device, a lead singer and guitar player, can take the classic studio quality of the 5017 wherever they go; using the DPC for a Vocal mic pre and compressor, as well as a separate DI preamplifier. To achieve this, the blend control should be selected as fully DI (blend off), and an internal jumper can be selected to apply the compressor to the mic pre signal. When engaged, Silk mode would effect both vocal and guitar tracks, and the HPF control would effect only the mic path. Blended Use Used as a single channel device for instruments, the 5017 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals. The Compressor Based around a new LDR (light dependent resister) design, the 5017 s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with an internal jumper to change between standard and fast time constants. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active. Vari-Phase In addition to the standard polarity reverse, the 5017 also incorporates a vari-phase control to adjust the phase incrementally. This control is useful any time two signals derived from the same source are combined. For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned. This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 5017, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal. With the 5017, the Portico sound is always within reach.

The brand new stunning Titan 8 is the latest passive, two-way loudspeaker introduced by Wharfedale Pro. The Titan 8 combines the newest technologies, materials and design topology, including a titanium compression driver and heavy-duty cast-frame woofer, to ensure absolute accuracy, high output and the smooth, wide dispersion of the critical mid and high frequency ranges.Titan 8 enclosure is created using state of the art, gas assist injection moulding technology, enabling us to mould thicker, hollow core enclosure walls, which are stronger, sonically superior and much lighter in weight than standard injection moulded enclosures. Also, internal laminar flow ribs further increase the rigidity of the enclosure. This intelligent enclosure design, along with a custom Wharfedale Pro transducer is essential in the reproduction of punchy low end down to 55Hz.Because of its functional cabinet design, the Titan 8 is versatile and easily mounted in a variety of configurations. A top stacking feature is provided for multi-loudspeaker applications and the Titan 8 also can be used on its side as a stage monitor. The speaker stand receptacle features a locking screw to ensure stability and rubber-padded carry handles make the job of transporting the enclosure easier than ever. Cord wrap and cable anchor features are also molded into the enclosure. Eight M6 threaded rigging points are provided for a variety of safe flying configurations with four of these inserts available, bottom-mounted, in an OmniMount® 60.0 bracket footprintPowerful, compact, lightweight and affordable, the Titan 8 is the ideal choice for installation and outdoor applications. It delivers the high level, even dispersion and sonic integrity usually associated with much more expensive speakers.# 2-way, passive speaker system# Custom designed low distortion, high power handling 8 inch woofer# 300 watt program, 600 watt peak power handling capability# 124dB maximum dB SPL# 8 enclosure impedance# Two NL4 Speakon type connectors with two ¼ phonejacks - wired in parallel# Built-in, rubberized, easy-grip handles for easy transportation# High frequency driver bulb protection# Standard 35mm integral speaker stand socket and bottom mounted bracket inserts# Trapezoidal shape for vertical arrays and horizontal stage monitor use# Top stacking feature for easy integration of multiple enclosures# Using state of the art, gas assist injection moulding technology, plus an internal laminar flow rib pattern increased the enclosures rigidity and reduced its weight compared with standard injection moulded enclosures# Eight M6 threaded inserts (3 on top, 4 on the bottom and 1 on the side) for rigging applications or wall bracket mounting# Integral cord wrap and cable anchor molded into the enclosure

The legendary V846 is back, and it s better than ever. Introducing the V846-HW: The ultimate Wah Wah pedal for the tone enthusiast, featuring hand-wired turret board construction and premium components.Features and Highlights A premium rebirth of the classic VOX 846 Wah Wah. The pedal that continues to be loved by legendary guitarists around the world Hand-wired turret board construction uses absolutely no printed circuit boards True bypass circuit eliminates loss in audio quality when bypassed Vintage spec Halo type inductors reproduce the distinctive sound of the classic V846 New VOX potentiometer design provides precise control and excellent reliability Low-noise carbon composite resistors (made in Japan by KAMAYA ELECTRIC CO., LTD) High-quality polyester film capacitors Foot switch made by Carling Technology, chosen for its durability and unbeatable feel underfoot Solid and trustworthy jacks made by Switchcraft®VOX created the world's first wah-wah pedal back in the 1960s; forever changing the sound of rock music. In 1967, guitarists from around the world rushed to embrace the original V846 Wah Wah Pedal, known for its inimitable VOX sound. The V846 has more than earned its place in rock history, being used on countless legendary performances, including the famous playing of Voodoo chile at the Woodstock Music and Arts Fair in 1969.Now in 2011, over forty years later, the V846 has been reborn as the V846-HW Hand-Wired Wah Wah Pedal. While its classic tone is undeniable, the V846-HW was not created to simply repeat the history of the past, but to write new chapters in the future. As its name implies, the V846 Hand Wired boasts hand-wired turret board construction. But VOX didn t stop there. Every component, including the inductors, resistors, capacitors, and the potentiometer has been carefully selected for premium fidelity and tone. In fact, a tone-preserving true bypass has been added to the original design. Outside, the die-cast body features a sandblasted exterior with crepe finish. The V846-HW is a perfect combination of VOX's world-famous technology, with classical yet modern specifications, surpassing any previous Wah Wah pedal in history by delivering the purest sound.Hand Wired ArtistryThe internal circuitry of the V846-HW uses no printed circuit boards whatsoever; the hand-wired turret board construction requires a high level of craftsmanship, technical skill, and precise manual assembly. Labor intensive, this hand-wiring artistry creates an ideal and efficient signal path. Responding to every nuance of the guitarist's touch, the V846-HW is truly the ultimate Wah Wah pedal.True BypassDesigned as a premier pedal for the tone purist, the V846-HW provides a true bypass circuit to meet the needs of today's guitarist. Any coloration of the sound or loss in audio quality when the Wah Wah function is off has been totally removed.Vintage-Spec Inductor; Smooth PotentiometerThe inductor is the heart of every VOX Wah Wah pedal. The V846-HW uses a specially-voiced vintage-spec Halo type inductor. The carefully selected magnetic core material and winding ensures a perfect reproduction of the original V846's Wah sound, the sound sought after by guitarists around the world. The potentiometer is a VOX original that features a distinctive response, and is sealed for durability. Thanks to a remarkably smooth curve, the region at the very beginning of the pedal's travel a region difficult for conventional Wah Wah pedals is assured sensitive response with an unprecedentedly fine degree of control.Premium Components offer Maximum Sound PotentialCarbon composite resistors (made in Japan by KAMAYA ELECTRIC CO., LTD) are used for their extremely low noise and uncolored sound. As in the VOX Hand-Wired Series amps, high-spec polyester film capactitors are used. The high-quality footswitch made by Carling Technologies, was selected for both its reliability and its good feel underfoot. The Switchcraft® jacks are well-known and trusted for their sturdy bushings, simple construction, and high reliability. Together, these carefully selected components come together in the amazing V846-HW, the ideal embodiment of the Wah Wah pedal that only VOX can provide.VOX V846-HW Wah-Wah Specifications Terminals: Input (x1) Output (x1) Power supply: 9 Volt Battery (x1) Dimensions (W x D x H): 102 x 253 x 80 mm/ 4.02 x 9.96 x 3.15 inches Weight: 1,300 g/ 2.86 lbs. (not including battery) Standard Accessory: Special Soft Case

Twin-Iso Two Channel Signal Isolator - Two channel balanced line level isolator - Jensen Transformers for optimal signal transfer - Up 24dB signal handling without distortion - Eliminates hum and buzz caused by ground loops - The Radial Twin-Iso is a high performance two channel balanced line-level isolator for professional touring, sound installation, broadcast and studio that provides isolation between various pieces of audio equipment such as consoles, amp racks, remote towers and recorders as a means of eliminating hum and buzz caused by ground loops. Central to the Twin-Iso are two world-renowned Jensen audio transformers. These high performance devices are exceptionally linear at all frequencies and are capable of handling as much as 24dB without distortion to ensure absolute signal integrity is retained no matter what the program material. As with all Radial products, the Twin-Iso is road-ready to handle the most abusive environments. It features 14 gauge steel I-beam construction and an innovative book-end design that creates a protective zone around switches and connectors. A full bottom no-slip pad provides mechanical insulation from vibrations while adding electrical insulation between electrically charged devices. When combined with the J-Rak or J-Clamp, the Twin-Iso easily integrates into 19 rack systems or may be semi-permanently mounted inside racks or under podiums. The Twin-Iso solves noise problems with plug and play simplicity while delivering exceptional audio signal integrity. Applications Using the Twin-Iso to isolate two mixers Isolating two mixers is common practice in live touring as it allows the opening act to set their mix and feed it into the main act's console. By isolating the two, you eliminate the potential for ground hum and buzz caused by ground loops. Using the Twin-Iso on the amp rack A common problem is the noise encountered when connecting two pieces of gear that may be powered on a difference audio circuit. The Twin-Iso easily solves the problem by isolating the input from the output of the other device. Using the Twin-Iso to eliminate noise In the studio, you can sometimes come across old vintage gear that may sound great, but due to less than ideal grounding, may introduce noise. The Radial Twin-Iso is equipped with ground loops and 100% isolation to eliminate these types of problems.

MOOG THEREMINI The Theremini is a re-imagination of one of the oldest electronic musical instrument in history, and Bob Moog s first love the theremin. Its design fuses the experience of performing with an instrument you don t actually touch, with a powerful sound engine derived from Moog s award winning synthesizer, Animoog. The Theremini guarantees immediate success to any player at any skill level, while providing new ways to experiment with music, education, and gestural control. Assistive pitch correction allows each player to adjust the instruments level of playing difficulty. At the maximum position, the Theremini will play every note in a selected scale perfectly, making it impossible to play a wrong note. As this control is decreased, more expressive control of pitch becomes possible. When set to minimum, the Theremini will perform as a traditional theremin with analog heterodyning oscillator and absolutely no pitch assistance. A built in tuner supplies real-time visual feedback of each note as it is played, as well as its proximity to perfection. This is useful for correcting a users playing position, or to educate younger players about pitch and scales. The presets section allows you to select from 32 wave or wavetable-based patches, store a selected scale and root note, set and recall a specified playing range, and specify per-patch settings for the included stereo delay. Recessed in the top of the Theremini is a compact speaker perfect for private rehearsal and quick setup anywhere. Silent rehearsal is also possible via front panel headphone jack. Simply plug in ear-buds or headphones and the built in speaker becomes silent. For live performance and gestural control, the rear panel features two line level audio outputs, a pitch CV output with selectable range, and a mini USB jack for MIDI I/O and connectivity. FEATURES Pitch correction w/ selectable scales and root note Built in tuner allows you to learn pitch and scales 32 Wavetable based presets Built in speaker Headphone output Two 1/4 audio outputs Single Pitch CV output w/ selectable range User selectable scale and root note (stored per preset) User selectable range: highest note and lowest note (stored per preset) Adjustable Stereo Ping-Pong Delay Removable pitch antenna - built in storage compartment on bottom-side Built in 3/8 Mic stand and Camera stand adaptor High quality rubberized feet FRONT PANEL LCD SCREEN: 128 X 64 pixel LCD with white backlight. HEADPHONE JACK: 1/8 (3.5mm) TRS headphone jack. Inserting a headphone plug will disable the internal speaker VOLUME KNOB: Controls headphone volume and built in speaker volume. PITCH BIAS KNOB: Determines the amount of pitch correction from 0% to 100% SCALE BUTTON: Select from a list of built in scales ROOT BUTTON: Select the root note to be used by the scale SETUP BUTTON: Provides access the setup and calibration functions - also acts as a shift key. DELAY LENGTH BUTTON: Selects the length of delay: SHORT, MEDIUM, LONG, or OFF DELAY AMOUNT KNOB: Controls the amount of delay mixed with the dry signal. PRESET KNOB: Selects the preset played from a built in list of 32 presets REAR PANEL LEFT OUTPUT: 1/4 jack Line Level unbalanced TS RIGHT OUTPUT: 1/4 jackLine Level unbalanced TS CV OUTPUT: 1/4 jack TS 0-5V or 0-10V selectable USB: MiniB USB2.0 High Speed for USB MIDI KENSINGTON LOCK SLOT POWER SWITCH: Push ON / Push OFF POWER JACK: 12VDC/1.2A from 100 240VAC external supply(included) DIMENSIONS:22.75 L x 6.5 D x 15 H w/antenna (4 H without) WEIGHT: 3lbs

MIDI Performance Controller- 19 push encoders with LED ring- OLED display for clear operation- Each encoder can be programmed for two targets with MIDI continuous controller, NRPN, 14-bit MIDI strings, absolute or relative mode, LED colour and click action.- Mappings are organised into scenes, each with 12 display pages (access to 192 controllers per scene)- Storage for 16 scenes- 16 presets per scene for controller settings- Grouping allows multiple encoders to be controlled as a group via a definable master encoder.- Snapshots enable crossfading between any value settings of other encoders using an encoder- Record function for each encoder for automations- Programming directly on the device or OXI app (PC or Mac)- Bluetooth 5.0 MIDI for wireless connection with iOS, macOS, Android and Windows devices- 1 MIDI input- 2 MIDI outputs: 3.5 mm TRS jack, type A- USB-C port for USB MIDI and power supply- Sturdy aluminium housing- Dimensions (W x D x H): 114 x 142 x 36 mm- Weight: 370 g- Includes transport case and USB cable

Soundcraft Si Expression Drawing on more than a decade of experience in the field of digital audio mixing, the Soundcraft Si Expression exploits some of the newest DSP, component technology and manufacturing techniques to deliver our most powerful cost effective digital console ever! Each console in the range is identical in its feature set so your only choice is how many faders and local mic amps you want. With a range covering the super portable 19 rack mount Expression 1 to the mighty Si Expression 3 with its 30 2 faders and 32 mic/line inputs there is a model to meet all needs. Taking the Si Expression 2 as a typical example, it features 24 recallable mic pre amps (32 on Si Expression 3 and 16 on Si Expression 1) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow to light the way so you are never lost. All Si Expression consoles have busses, output processing and connectivity to match the versatility of the inputs; the 14 aux/group mixes can be configured as 14 mono mixes, 8 mono plus 6 stereo mixes or almost anything in between, whilst the 4 matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four more mix busses dedicated to the internal Lexicon FX processors all in addition to the left, right and centre busses. Each bus mix features a compressor, 4 band EQ, BSS graphic EQ and delay always available all of the time. Output connectivity is comprehensive with all models featuring 16 balanced line outputs, headphone monitor out, AES out and of course the 64x64 option slot. To complement the channel and bus processing all Si Expression consoles integrate four stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based, use of all the effects, even on the most demanding programmes does not affect other processing in any way and all dynamics, EQs, filters, delays, and GEQs remain available regardless what you are doing. Flexible onboard and expansion I/O options ensure your Si Expression integrates effortlessly with other system components utilising any of the Si series option cards including AES, Firewire/USB/ADAT, AVIOM, CobraNet, BSS Digital Audio Bus (BLU Link), Dante CAT5 or optical MADI. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like Waves, enables linking the Si Expression to any of the Soundcraft or Studer stageboxes to extend the I/O power and flexibility. Adding a stagebox to an Si Expression actually increases the number of channels you can mix at once not just how many inputs you have available to choose from! It is said 'Power is nothing without control' and here the Si Expression excels with a comprehensive but 'simple to use' control surface incorporating a dedicated control for every parameter, a row of global mode encoders and colour touch screen ensuring operation is quick and easy. As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of the latest generation EMMA DSP processor, the same DSP platform that has helped propel previous Soundcraft Si series consoles to fame. All this power united with reliability, flexibility and usability puts the Si Expression in a class of its own. Si Expression Highlights - D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs. - Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings. - Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list! - Copy and Paste - Copy whole channels, busses, mixes, Lexicon effects, a single part such as the EQ or multiple parts like the channel gate and compressor. - TOTEM - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders. - BSS GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing. - 1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Expression controls to be labelled on the surface just as they would have been on an analogue mixer. - Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions. - Soundcraft FaderGlow - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again! - Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO and more negate the need to dive into screen and context menus. - Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc... - Everything Everywhere - All channels and busses have a full complement of processing, nothing to assign or configure. Key Features - 24 (32 - Si Expression 3, 16 - Si Expression 1) mono mic inputs - 4 line inputs - Colour touch screen interface - 66 channels to mix possible - Pre/Post selection per input per bus - AES in and out - Global mode encoders - Soundcraft FaderGlow - GEQ on every bus - 20 sub-group / aux busses - 4 FX busses - 8 Matrix busses - LR and C Mix busses - 4 Stereo Lexicon Effects engines - Delay on inputs and outputs - 4 Mute Groups - Freely assignable insert loops - Harman HiQnet integration - 64x64 channel option card slot

Soundcraft Si Expression Drawing on more than a decade of experience in the field of digital audio mixing, the Soundcraft Si Expression exploits some of the newest DSP, component technology and manufacturing techniques to deliver our most powerful cost effective digital console ever! Each console in the range is identical in its feature set so your only choice is how many faders and local mic amps you want. With a range covering the super portable 19 rack mount Expression 1 to the mighty Si Expression 3 with its 30 2 faders and 32 mic/line inputs there is a model to meet all needs. Taking the Si Expression 2 as a typical example, it features 24 recallable mic pre amps (32 on Si Expression 3 and 16 on Si Expression 1) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow to light the way so you are never lost. All Si Expression consoles have busses, output processing and connectivity to match the versatility of the inputs; the 14 aux/group mixes can be configured as 14 mono mixes, 8 mono plus 6 stereo mixes or almost anything in between, whilst the 4 matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four more mix busses dedicated to the internal Lexicon FX processors all in addition to the left, right and centre busses. Each bus mix features a compressor, 4 band EQ, BSS graphic EQ and delay always available all of the time. Output connectivity is comprehensive with all models featuring 16 balanced line outputs, headphone monitor out, AES out and of course the 64x64 option slot. To complement the channel and bus processing all Si Expression consoles integrate four stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based, use of all the effects, even on the most demanding programmes does not affect other processing in any way and all dynamics, EQs, filters, delays, and GEQs remain available regardless what you are doing. Flexible onboard and expansion I/O options ensure your Si Expression integrates effortlessly with other system components utilising any of the Si series option cards including AES, Firewire/USB/ADAT, AVIOM, CobraNet, BSS Digital Audio Bus (BLU Link), Dante CAT5 or optical MADI. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like Waves, enables linking the Si Expression to any of the Soundcraft or Studer stageboxes to extend the I/O power and flexibility. Adding a stagebox to an Si Expression actually increases the number of channels you can mix at once not just how many inputs you have available to choose from! It is said 'Power is nothing without control' and here the Si Expression excels with a comprehensive but 'simple to use' control surface incorporating a dedicated control for every parameter, a row of global mode encoders and colour touch screen ensuring operation is quick and easy. As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of the latest generation EMMA DSP processor, the same DSP platform that has helped propel previous Soundcraft Si series consoles to fame. All this power united with reliability, flexibility and usability puts the Si Expression in a class of its own. Si Expression Highlights - D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs. - Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings. - Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list! - Copy and Paste - Copy whole channels, busses, mixes, Lexicon effects, a single part such as the EQ or multiple parts like the channel gate and compressor. - TOTEM - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders. - BSS GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing. - 1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Expression controls to be labelled on the surface just as they would have been on an analogue mixer. - Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions. - Soundcraft FaderGlow - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again! - Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO and more negate the need to dive into screen and context menus. - Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc... - Everything Everywhere - All channels and busses have a full complement of processing, nothing to assign or configure. Key Features - 24 (32 - Si Expression 3, 16 - Si Expression 1) mono mic inputs - 4 line inputs - Colour touch screen interface - 66 channels to mix possible - Pre/Post selection per input per bus - AES in and out - Global mode encoders - Soundcraft FaderGlow - GEQ on every bus - 20 sub-group / aux busses - 4 FX busses - 8 Matrix busses - LR and C Mix busses - 4 Stereo Lexicon Effects engines - Delay on inputs and outputs - 4 Mute Groups - Freely assignable insert loops - Harman HiQnet integration - 64x64 channel option card slot

Soundcraft Si Expression Drawing on more than a decade of experience in the field of digital audio mixing, the Soundcraft Si Expression exploits some of the newest DSP, component technology and manufacturing techniques to deliver our most powerful cost effective digital console ever! Each console in the range is identical in its feature set so your only choice is how many faders and local mic amps you want. With a range covering the super portable 19 rack mount Expression 1 to the mighty Si Expression 3 with its 30 2 faders and 32 mic/line inputs there is a model to meet all needs. Taking the Si Expression 2 as a typical example, it features 24 recallable mic pre amps (32 on Si Expression 3 and 16 on Si Expression 1) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow to light the way so you are never lost. All Si Expression consoles have busses, output processing and connectivity to match the versatility of the inputs; the 14 aux/group mixes can be configured as 14 mono mixes, 8 mono plus 6 stereo mixes or almost anything in between, whilst the 4 matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four more mix busses dedicated to the internal Lexicon FX processors all in addition to the left, right and centre busses. Each bus mix features a compressor, 4 band EQ, BSS graphic EQ and delay always available all of the time. Output connectivity is comprehensive with all models featuring 16 balanced line outputs, headphone monitor out, AES out and of course the 64x64 option slot. To complement the channel and bus processing all Si Expression consoles integrate four stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based, use of all the effects, even on the most demanding programmes does not affect other processing in any way and all dynamics, EQs, filters, delays, and GEQs remain available regardless what you are doing. Flexible onboard and expansion I/O options ensure your Si Expression integrates effortlessly with other system components utilising any of the Si series option cards including AES, Firewire/USB/ADAT, AVIOM, CobraNet, BSS Digital Audio Bus (BLU Link), Dante CAT5 or optical MADI. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like Waves, enables linking the Si Expression to any of the Soundcraft or Studer stageboxes to extend the I/O power and flexibility. Adding a stagebox to an Si Expression actually increases the number of channels you can mix at once not just how many inputs you have available to choose from! It is said 'Power is nothing without control' and here the Si Expression excels with a comprehensive but 'simple to use' control surface incorporating a dedicated control for every parameter, a row of global mode encoders and colour touch screen ensuring operation is quick and easy. As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of the latest generation EMMA DSP processor, the same DSP platform that has helped propel previous Soundcraft Si series consoles to fame. All this power united with reliability, flexibility and usability puts the Si Expression in a class of its own. Si Expression Highlights - D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs. - Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings. - Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list! - Copy and Paste - Copy whole channels, busses, mixes, Lexicon effects, a single part such as the EQ or multiple parts like the channel gate and compressor. - TOTEM - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders. - BSS GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing. - 1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Expression controls to be labelled on the surface just as they would have been on an analogue mixer. - Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions. - Soundcraft FaderGlow - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again! - Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO and more negate the need to dive into screen and context menus. - Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc... - Everything Everywhere - All channels and busses have a full complement of processing, nothing to assign or configure. Key Features - 24 (32 - Si Expression 3, 16 - Si Expression 1) mono mic inputs - 4 line inputs - Colour touch screen interface - 66 channels to mix possible - Pre/Post selection per input per bus - AES in and out - Global mode encoders - Soundcraft FaderGlow - GEQ on every bus - 20 sub-group / aux busses - 4 FX busses - 8 Matrix busses - LR and C Mix busses - 4 Stereo Lexicon Effects engines - Delay on inputs and outputs - 4 Mute Groups - Freely assignable insert loops - Harman HiQnet integration - 64x64 channel option card slot

for recording microphones and instruments Audiophile 24-Bit/192 kHz resolution for professional audio quality Compatible with popular recording software including Avid Pro Tools*, Ableton Live*, Steinberg Cubase*, etc. Streams 2 inputs / 4 outputs plus 1x MIDI I/O with ultra-low latency to your computer, supporting Mac* OS X* and Windows XP* or higher 2 state-of-the-art, MIDAS designed Mic Preamplifiers with 48 V phantom power Analog Inserts for use of external effects such as compressors, etc. Zero-latency direct monitoring while recording Input/Playback Mix control and Stereo/Mono switch for direct monitoring Powerful Phones output with Level control and Monitor A/B source select for DJ-style cueing Status, Signal and Clip indications for perfect overview USB port for connection and power Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com Built-like-a-tank, impact-resistant metal chassis Conceived and designed by BEHRINGER Germany The incredible U-PHORIA UMC204HD bridges the gap between your creativity and your fans. This blazingly fast USB 2.0 studio in a box will have you recording your next masterpiece in minutes with all the connectivity required for your microphones, guitars, keyboards and even MIDI devices. Record the perfect vocal right to your computer-based DAW thanks to the 4 astonishingly pure, world-class MIDAS-designed mic preamps, which include 48 Volt phantom power for condenser microphones, all going through studio-grade 24-Bit/192 kHz converters for the best possible sound quality. Whether you re a singer-songwriter, producer on the go, or just need a rock-solid interface for running backing tracks at a gig, the ultra- dependable U-PHORIA UMC204HD will help you shine in the digital domain. Studio in a Little Black Box When it s time to make recording history on your Mac or Windows computer, plug in microphones, instruments or line level sources to the UMC204HD s 2 combination XLR/TRS inputs for the ultimate in studio flexibility! Connect and communicate with MIDI devices to add the benefit of control surfaces to your studio workflow. 192 kHz Precision You take your tracks seriously, and the UMC204HD respects that, providing up to 192 kHz resolution for even the most demanding applications in music as well as video post production. Work with confidence and accuracy in your favorite recording software for professional results every time. MIDAS - The Legend in Sound Quality Ever since its formation in the 1970s, MIDAS has had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations world-wide, legendary MIDAS consoles such as the XL4 and Heritage H3000 quickly became industry standards. MIDAS has earned their impeccable reputation due to their no-compromise approach for audio and build quality and in particular for their Award-winning Mic Preamps which are considered by industry experts as the industry s best sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality. BEHRINGER is proud to incorporate a MIDAS designed mic preamp for the ultimate in high-quality audio reproduction in both live and studio environments. Find out more about MIDAS amazing legacy by visiting their extensive website. Zero-Latency Monitoring The UMC204HD mix control allows zero-latency direct monitoring, which means musicians can experience their performance clearly with no delay or lag in the returning signal, resulting in a better performance and recording. A powerful phones output has its own level control and Monitor A/B source select for DJ-style cueing. To make it a done-deal, we provide free audio recording, editing and podcasting software, plus 150 instrument / effects plug-ins just a download away at behringer.com. Getting Connected On the rear panel of the UMC204HD, you ll find the USB 2.0 port for simple and easy connection to your computer, along with plenty of analog playback options including 1 4 TRS, RCA and XLR. The UMC204HD also features 2 analog Inserts for use with external effects such as compressors, gates and EQs, etc. Built-in MIDI I/O allows you to connect keyboards and all your favorite outboard MIDI hardware. Tracktion - Record, Edit, Mix and Share Tracktion is one of the world s fastest and easiest Digital Audio Workstations (DAW) for composing, recording, editing, mixing and sharing your music with the world. Featuring a single-screen interface, and pushing the envelope in design elegance, Tracktion brings together outstanding Pro DAW features, such as dynamic automation, unlimited track count, MIDI recording and support for VST and AU plug-ins. This powerful music production software gives you all the tools of an entire professional-grade recording studio. Learning a DAW has never been easier, thanks to their vast and readily available library of resources. As our way of saying Thank You , when you register your (insert the product name) at behringer.com, we ll reward you with a complimentary download code for the full version of Tracktion 4. Recording and editing couldn t be easier. To learn more about Tracktion, visit tracktion.com/support/videos. Everything You Need to Sound Amazing The U-PHORIA UMC204HD is a powerful 2 input, 4 output USB recording interface featuring genuine MIDAS-designed mic preamps with exceptional 24-Bit/192 kHz high-resolution converters, designed to help your recordings and mixes sound their absolute best.