Walrus Audio Qi EtherealizerLe Qi Etherealizer (prononcé « chee ethereal-izer »), une création collaborative avec Yvette Young, est une pédale multi-effets qui combine des effets de chorus, de delay, granulaires et, bien sûr, de réverbération, pour offrir un terrain de jeu créatif propice à l'exploration atmosphérique. Connue pour sa technique de jeu innovante et exploratoire, son amour des pédales de guitare et son rôle de leader du groupe de math rock Covet, le Qi reflète son approche de la création de paysages sonores riches et évolutifs.Nommé d'après l'énergie vitale qui circule dans tous les êtres vivants, le Qi est conçu pour offrir des textures riches, des atmosphères expansives et des couches dynamiques. En associant la vision artistique d'Yvette à un design de pointe, la Qi ouvre la porte à des sons immersifs et hors du commun.Caractéristiques :Pédale multi-effets stéréo avec chorus, delay, effets granulaires et réverbération.Conçue en collaboration avec Yvette Young, connue pour son groupe de math rock Covet et sa technique exploratoire de fingerstyle.Inspire les musiciens avec des sons ambiants, glitchy et magiques.Mélangez et assortissez le chorus, le delay et le grain, et utilisez-les en série ou en parallèle :Mode série : les effets s'alimentent les uns les autres pour créer des textures évolutives.Mode parallèle : les effets fonctionnent indépendamment pour un mélange personnalisé.Le chorus offre les modes Tri Chorus et Stereo Chorus pour des sons riches et modulés.Le delay est un delay numérique propre et complet qui offre des répétitions pouvant aller jusqu'à 2 secondes.L'effet granulaire offre deux modes :Mode Grain Cloud : déclenche des échantillons de grain aléatoires pour des textures glitchy, réglables à l'aide du bouton X pour contrôler la densité.Mode Phrase Sample : utilise des grains rythmiques provenant des pics de votre jeu, avec un tempo réglable via le bouton X.L'effet Grain dispose de 5 modes de lecture :NormalDouble vitesse (+1 octave)Demi-vitesse (-1 octave)InverséAléatoireCommandes globales : Espace, Tonalité, Série / Parallèle, Mix / Dry.Le bouton Space offre une réverbération riche, allant de pièces intimes à de vastes paysages oniriques.Le bouton Tone façonne la sortie de l'effet avec un filtre passe-bas de type synthétiseur.Fonctions de verrouillage et momentanées telles que Grain-Freeze et oscillation Delay.Entrée stéréo et sortie stéréo.Ports TRS MIDI jack 3.5mm in et thru pour le contrôle MIDI. Paramètres contrôlables par MIDI.Enregistrez jusqu'à trois préréglages avec un mode live supplémentaire. Jusqu'à 127 préréglages via MIDI.Port USB-C inclus pour les futures mises à jour du firmware.Conçu avec la nouvelle puce MDSP exclusive de Walrus Audio pour une grande headroom, une qualité audio accrue et un rapport signal/bruit supérieur.Le Qi Etherealizer est disponible en finition Terracotta avec des illustrations originales d'Yvette Young ou en finition noir mat avec de l'encre crème.Alimentation : 9 V, 300 mA.Conçu et assemblé aux États-Unis.

With abundant power and versatile connections, the R10 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks. If you want to get the very best performance out of your 500 series modules, the Rupert Neve Designs R10 is the serious rack for the serious sound you want. Power You Can Trust Power-wise, the R10 has 150% the required current for a 10-space chassis to prevent the power rails from failing under a higher than expected load. To help monitor and troubleshoot problematic modules, the R10 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R10 helps your modules realize their fullest potential. Connect Like Never Before With a plethora of connections available, the R6 backpanel is practically a patchbay on its own. The R10 features 10 channels of balanced I/O options including XLR and TRS. Solid Steel Construction The chassis is comprised of solid steel with bumpers to support the unit in both horizontal and vertical configurations, and features a collapsable handle for portability. All connectors and fittings are of the highest quality to ensure that the R10 will hold up to many years of use. A New Level of Confidence in the 500 Series Because the R10 is built to 500 series specifications, it will work flawlessly with any properly designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R6 has variable-position screw holes to make the installation process go more smoothly. The 500 series link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, 5-6, 7-8 and 9-10. Matching blank panels are also available to cover any empty slots.

Choroi Bordunleier Maple, 16 strings, body made of maple, satin varnish, by tuning the lyre to chords improvisations and accompaniment of songs can be easily realized, the cross-shaped pattern of bass- and melody-strings makes it easy to realize various scales with pedal-note basses, Basic tuning: d’-e’fis’-g’-a’-h’-cis’’-d’’. Basses: d-a-a-d’-d’-d’.

Ditto X4 Looper is the pedal that'll let you turn a single moment in time into something truly spectacular. By perfectly merging ease of use with stellar creative features like dual loop tracks, 7 loop FX, loop decay and MIDI sync, Ditto X4 Looper will instantly become the canvas on which you paint your multi-layered sonic masterpieces. If you can dream it, you can loop it! Still Simple, Still Mind-Blowing Even though Ditto X4 Looper basically offers endless creative possibilities, it still honors the core principle of our famed Ditto Looper. Simplicity! No drum-machines, no deep-editing menus or other time consuming tech-nonsense, only immediate unfiltered fun. So all you have to think about is - What will you create today Loop De Loop If you thought that having one loop track was fun, then wait until you try running two interweaving and perfectly synced tracks at once. It will blow you away! Run a 4 bar percussive beat in loop 1 and a 16 bar chord progression with endless layers of ambient textures underneath in loop 2, or simply have your verse and chorus set up in each track and seamlessly switch between them for an unforgettable on-stage performance. You're the aural architect, and with Ditto X4 Looper you'll finally have the tool to realize the sonic wonders inside your head. FX On The Fly Imagine this: You got a cool dual loop going, and you can see the crowd is loving it. Out of the blue you engage the Hold FX for a cool rhythmic stutter. The crowd is baffled. Then you reverse your loop and throw them into an otherworldly trance. Finally you hit that Tape Stop FX for a unique jaw-dropping finish to your piece. You look up. The crowd is dumbstruck and smoke is rising from their heads, 'cause you literally just blew their minds! This scenario (which may or may not have happened) just scratches the surface of what can be done with the 7 on-board FX. Now throw loop decay and external MIDI control into the mix, and you have a pedal that will continue to inspire you for years to come. Ditto X4 Looper - Resume The guitar player's looper - made for guitarists by guitarists Dual loop tracks - create evolving multi-track compositions or fully fledged songs 7 loop FX - endless creative potential MIDI sync - for perfectly timed live loops Loop decay True bypass and analog dry-through Stereo In/Out StarJam - Import free loops made by music's finest 9V DC/300mA

ProRMP Reamp - Play pre-recorded tracks through amps and pedals - On board level control for fine tuning amp level - Transformer isolated to eliminate buzz and hum - Opens the door to creative new tones and textures - For years, Reamping has been the 'secret weapon' for countless recordings by the biggest names in the business! Few realize that recording engineers not only Reamp guitars, but often Reamp bass, keyboards, drums and even voice as a means to bring creative new tones and sonic signatures to their music. Reamping has many benefits. You start by recording a clean track and concentrate on capturing the best musical performance. Once the magic has been captured, send the clean track back to the amps and effects and adjust the sound to suit. No more hours of repetition for the guitarist, no more rushed jobs due to scheduling, and best of all, you do not have to commit to the sound of the track. You can modify the tone as the recording progresses while using real amps, effects and natural ambiance for the most organic tone. The Radial ProRMP is a 100% passive Reamper. This means it does not require any external powering. The magic behind the ProRMP's great tone is a custom wound transformer that at once converts the balanced line level source to a hi-z output for your amp while also acting as an electrical isolator to eliminate troublesome ground loops that can often cause buzz and hum in the sound. Plug and play easy to use, the ProRMP connects from the recorder to your amp and effects units and does all the impedance matching for you. Just adjust the level to suit! Like all Radial products, the ProRMP is built tough! Encased in 14 gauge steel, the ProRMP employs a unique book-end design with a tough I-beam frame that protects it from damage and assures the PC board and solder points will not be stressed. A full-bottom no-slip pad works double duty by providing plenty of stay put while also eliminating electrical contact points from guitar amp chassis bolts that could cause ground loops. The Radial ProRMP - affordable Reamping for every studio! Applications Reamping Step-1 Record the guitar track using a Radial direct box like the Pro48. This splits the signal so that the guitar player can hear his amp while you capture the clean (dry) performance. Reamping Step-2 Send the dry track from your recording system to the ProRMP. This then feeds your guitar amp and pedals. Adjust the tone and move the mics until you get the sound you want. Using the ProRMP with a wireless system Most wireless systems simply do not sound all that good. Take the balanced output from the wireless and send it through the ProRMP. You will be amazed at the warmth!

Balanced or unbalanced isn't the question here. BALUS stands for Balanced-Unbalanced. Due to the stereo TRS jacks used in the PLI05, it can cope with both balanced and unbalanced signals. The PLI05 is so to say the PLI02's little sister. Both boxes can be used to convert balanced to unbalanced and both use so called line isolating transformers to realize a galvanic separation.

* 16,8mm bore * Bell Ø 366mm * Yellow brass body * Gold brass leadpipe * Nickel silver outer slides * 3 top-action valves * Stainless steel pistons * Lacquered finish * Gig bag with rucksack assembly * Weight approx. 5,8 kg For many years Roy Benson wind instruments are the embodiment of innovative instruments in an astonishing price class. Together with professional musicians and well-known instrument makers the ROY BENSON team sets new signs with innovative ideas for the players, to realize their musical visions.

In response to requests by many customers, we expanded this series with a new, powerful amplifier that is also compatible with 2-ohm systems. The key specifications are 2 x 1200 W at 2 ohms, 2 x 950 W at 4 ohms and 2 x 600 W at 8 ohms RMS power. Like the other power amplifiers in the DEEP2 series, the DP2400X uses class H circuitry powered by a conventional power supply. The protective circuitry is also identical with that used in the DEEP2 series. It also follows the DEEP2 design in its integration of two temperature-dependent two step cooling fans. One special feature is a switchable 12 dB low-cut and/or 12 dB low-pass filter adjustable from 25 Hz to 150 Hz on both channels. This makes it possible to use the DP2400X as a bass amp or even realize a powerful bi-amping system. With the filters switched off, it becomes a conventional 2 channel power amp.

A retro design updated with futuristic features and designed as a standalone, compact and easy-to-use workstation. Designed for creatives who break patterns every day. Made to help artists forge their unique paths of sound construction. Welcome to the first hardware tracker in the world of music. Polyend Tracker integrates the essential characteristics of a classic tracker . The vertical timeline, powerful sequencer and mechanical keyboard combined with a newly designed data entry interface allow you to create and interpret your music in a new and intuitive way. After a quick glance and a few minutes with the Polyend Tracker interface, you will quickly realize the range of tools you have at your fingertips. Polyend Tracker is smooth, light and portable. Power consumption is also low, so you can use it with any USB power source. Its robust and compact design makes it an excellent companion for musical creation wherever and whenever you want. It doesn't matter if you are in your studio, on the road or live. Features: - Step sequencer and musical arranger - Sampler (Forward, 1 Shot, Backward, Ping-Pong) - Granular synthesizer - Wave table synthesizer (compatible with Ableton Wave and Serum) - Screen with 8 Screen Keys - Up to 48 instruments per project - Step sequencer with 256 patterns at 128 steps per project - Low pass, band pass and high pass filters - ADSR envelope, sending reverberation, volume, panning, adjustment by instrument - Micro Tuning and MicroTiming - 48 silicone pads with a precise response - Sampling up to 2 minutes 16 bits / 44 kHz - Offline sample editor with full multi-effects - Extended effects such as Chorus, Flanger, Delay, Compressor, Bit Crusher, Limiter, Amplifier - Slicer with automatic grid detection - Slot for micro SD card - Stereo output on 3.5 mm mini Jack - Mono line input on 3.5 mm mini Jack - Mono microphone input on 3.5 mm mini Jack - MIDI input / output on 3.5 mm mini jack - USB-C port - Power supply via USB - Included: USB power supply, USB-C cable, audio adapter and 16 GB micro SD card - Dimensions: 357 x 245 x 16 mm - Weight: 2 kg

Inspired by Jimi s sought-after tone, the Manic is a Vintage Fuzz Face, but in an intuitive, very easy-to-use package. Often, guitarists purchase a fuzz pedal and plug it into a clean amp only to realize that it sound terrible. Not Jimi-like at all. The trick is that a vintage fuzz needs to be placed into a preamp that is already in the edge of saturation. Then the guitarist lowers the guitar s volume knob to get the perfect sound and fuzz feel. With the Manic, we wanted to make your life easier. The Manic by Foxgear allows you place your fuzz into your pedalboard then directly into a clean amp, yet still reaching the best, touch responsive, organic, dynamic, fuzzy sound you have ever heard.

Yamaha DTX6K-X Electronic Drums The DTX6K-X defines the new mid-range of the Yamaha E-Drums range, and promises professional sounds and features for players on a budget, but offering a massive technological step forward. It combines Yamaha's world class acoustic drum history with the newest in digital drumming, sampling, and music technology. The DTXPRO sound module offers totally new audio quality with new samples recorded in some of the best studios in Europe. The sounds can be treated with a host of studio effects, so users can tailor the sound of their kits to their exact needs. Users can also load up to 1000 of their own samples, in addition to the 400 internal sounds. Unique to the DTXPRO modules are the Kit Modifier Knobs which allow the user to instantly change the sound of the kit by adjusting real sampled room ambience (not just digital reverb), kit compression, and other effects in real time. Every channel also has EQ, and Transient Adjustment which is usually found in studio software and allows you to change the attack and decay of the sound to suit your needs. Included: - DTXPRO Sound module (x1) - XP80 Snare Pad (x1) - TP70 Tom Pad (x3) - PCY135 Pad (x1) - PCY90 Pad (x2) - KP65 Kick Pad (x1) - HH65 Hi Hat controller (x1) - DTX6K Rack System Power adapter, Module holder, manual Superbly Playable Reproducing the way a drum behaves when struck is a key factor in the playability of electronic drums. Yamaha has undertaken an exhaustive investigation of how drums respond when hit, leveraging this information to achieve a truly faithful representation of instrument behavior. Moreover, professional drummers from around the world have evaluated the performance of the DTX-PRO, allowing Yamaha to improve its expressive capabilities still more. Yamaha s expertise as a manufacturer of music hardware has allowed them to offer combinations of expertly crafted modules and pads that deliver superb playability. High-performance sound engine that recreates sound creation The high-performance sound engine in the DTX-PRO module leverages the technologies that Yamaha has acquired over decades of making musical instruments of all kinds. Every single channel of the DTX-PRO module has three band, sweepable EQ, channel compression (in addition to the overall kit compression), Transient Adjustment (where the Attack and Release of each sound are individually adjustable) and Insertion effects, to help let drummers recreate their favorite drum sounds. As a complement to this, Yamaha drum pads feature pad sensing technologies that respond with precise accuracy to the actions of the player, delivering the ultimate in expressive capability that is reflected in the sound. Reliable Yamaha Hardware Yamaha's HS650A hi-hat stand is included with the DTX6K2-X and DTX6K3-X. All of the DTX6 Series also uses Yamaha's traditional ball clamps for snare pads, making fine adjustment of settings easy. Yamaha is also one of the finest acoustic drum makers in the world, and its hardware is trusted by many professional drummers, for its strength, ease of use, and stability. An extensive range training functions to support drummers The best practice functions featured in previous DTX models are also found in the DTX-PRO. As well as the sophisticated programmable metronome, the module offers a comprehensive recorder function, 10 training functions that are ideal for players of all standards, as well as 37 training songs that allow you to learn various genres. Beginners and professionals alike will find the DTX6 training functions a useful aid for daily practice. Professional grade headphone amp Yamaha realize that it is incredibly important that drummers can hear themselves clearly, so the DTX-PRO module comes equipped with a high precision, low distortion, low noise, and high-power headphone amplifier. This circuitry delivers high-fidelity sound directly to the player, has been developed exclusively for electronic drums, and it envelops the player in realistic drum kit sounds. Includes Cubase AI The DTX-PRO module comes with a download code for the latest version of Cubase AI the powerful music production software. By connecting the DTX-PRO to your computer with a USB cable, all recording, editing, and mixing tasks, that are found in modern music production, can be handled by the one software program.

The resurrection of the legendary Binson Echorec multi-head drum echo Driving force behind Pink Floyd s Pompeii performance. THE STORY The Binson Echorec was so cool we had no choice but to bring it back. And we wanted to bring it back right. We wanted to take all the goodness of that huge Binson Echorec and squeeze it down into a standard sized stompbox without losing anything. In fact, in addition to not losing any of the qualities that made it such a compelling musical device, we wanted to EXTEND its capabilities because the original Binson hinted at possibilities that it couldn t realize. We re talking about variable delay time! We thought, What if we had the same four playback head concept but could stretch the delay time out beyond the 300mS of the original Binson Then the rhythmic patterns suggested by the various combinations of those four playback heads could really come to life! OVERVIEW The Swell knob controls the number of repeats regenerated - from a single repeat of each playback head to infinite repeats. The Tone control tilts the EQ of the repeats from dark and fat to bright and thin. Dark settings makes the repeats sit in the background. Bright settings emphasizes the attack, great for playing off the syncopated rhythms of the multi-head arrangement. The original Echorec had a maximum delay time of 300ms. The delay time on the Catalinbread Echorec goes from about 40ms -1000ms. And the cool thing is you can twist the Delay Time knob in real-time to get speeding-up / slowing-down, spaceship warp landing sounds! Mix knob goes from full dry to full wet giving a lot of flexibility to use the Echorec in a variety of situations, even wet/dry rigs by setting the Mix full wet. The original Echorec had a 12 position switch which controlled the various playback head configurations. Since the original was mechanical with the disc only able to go one speed, not all combinations were available for use. The Catalinbread Echorec changes all that. With the ability to vary the delay time on the single playback head, we were able to include all combinations, which include rhythmic patterns not available before. CATALINBREAD EXPERIENCE Here s a quick rundown so you can get some playing time in before coming back and reading the full story. And please do come back and read the rest of the guide! It will help you more fully appreciate what the Echorec can do for you and give you a bit of history! Plug in your guitar, Echorec, and amp. Set your amp clean for now. Don t put it on your pedalboard just yet, just play it by itself to get familiar with it! Set Swell to minimum, Tone to noon, Delay Time to noon, Mix between 9:00 and noon, and set Program Select anywhere you fancy. Now play your guitar and flip through the Program Select. This control allows you to select the playback head combinations. Program 1 is a single tap and Program 12 is all four heads. And in-between are all the cool combinations that give you some famous and soon-to-be-famous rhythmic pulses (you will write a song before the night s out - guaranteed! ;-) ) A good way to check out the head combinations is to flip to a Program and mute your strings and rake them once so you can hear the distinct rhythmic pulses each Program creates. Now start turning the Swell control up and be greeted with a beautiful wash of swirling repeats. We know you re having fun now. You re welcome! Don t forget to try playing soft passages followed by loud ones so you can get a feel for the touch sensitive dynamics of the Echorec s preamp. It breathes with your playing! OK, now that you ve undoubtedly already got a riff for that new song you ve been meaning to write for the past six months, take a break and sit down to read the rest of the user guide!

With abundant power and versatile connections, the R6 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks. If you want to get the very best performance out of your 500 series modules, the Rupert Neve Designs R6 is the serious rack for the serious sound you want. Power You Can Trust Power-wise, the R6 has 150% the required current for a 6-space chassis to prevent the power rails from failing under a higher than expected load. To help monitor and troubleshoot problematic modules, the R6 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R6 helps your modules realize their fullest potential. Connect Like Never Before With a plethora of connections available, the R6 backpanel is practically a patchbay on its own. The R6 features 8 channels of balanced I/O options including DB-25, XLR and TRS that may be used interchangeably. This versatility is especially handy when you are taking the R6 with you to another environment where you are unsure of the cables available, or if you need to convert DB-25, XLR or TRS connections to another format using the THRU functionality on channels 7-8. Solid Steel Construction The chassis is comprised of solid steel with bumpers to support the unit in both horizontal and vertical configurations, and features a collapsable handle for portability. All connectors and fittings are of the highest quality to ensure that the R6 will hold up to many years of use. A New Level of Confidence in the 500 Series Because the R6 is built to 500 series specifications, it will work flawlessly with any properly designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R6 has variable-position screw holes to make the installation process go more smoothly. The 500 series link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, or 5-6. Matching blank panels are also available to cover any empty slots.

There are many guitarists who are quite happy to plug their head into any cabinet they can lay their hands on. It's a pity as you only need use your ears to realize the difference the right cabinet can make to your amplifier's sound.Too many manufacturers compromise their cabinets by using inexpensive speakers. This foolhardy decision can be disastrous! After all, it's the speakers that turn your playing into what your ears actually hear. Orange carefully selects the finest speakers from the world's best manufacturers to ensure that your amplifier's tone is never compromised!Durability aside, the obvious advantage of denser materials is to aid in thickening your amplifier's sound and improving speaker projection. Orange cabinets feature an 18ply birch plywood shell. The Right Design Orange's unique skid design helps to acoustically couple the cabinet to the stage. The advantage Better definition and bass response.* Power Handling 120 Watts* Speaker Configuration 2 X 12* Speaker Type Celestion Vintage 30* Impedance 16 Ohms* Input type 1/4 Jack

12,7 mm bore 8 Yellow brass bell Nickel silver outer slides Hard chrome-plated nickel silver inner slides Lacquered finish Light weight form shaped case with rucksack assembly Weight approx. 1,5 kg For many years Roy Benson wind instruments are the embodiment of innovative instruments in an astonishing price class. Together with professional musicians and well-known instrument makers the ROY BENSON team sets new signs with innovative ideas for the players, to realize their musical visions.

12,8 - 13,5 mm bore Yellow brass body Bell Ø 21 cm Gold brass leadpipe Nickel silver outer slides 4 valves (3 top, 1 side action) Stainless steel pistons Water key on 3rd valve slide Lacquered finish Light weight form shaped case with rucksack assembly Weight approx. 2,6 kg For many years Roy Benson wind instruments are the embodiment of innovative instruments in an astonishing price class. Together with professional musicians and well-known instrument makers the ROY BENSON team sets new signs with innovative ideas for the players, to realize their musical visions.

There are many guitarists who are quite happy to plug their head into any cabinet they can lay their hands on. It's a pity as you only need use your ears to realize the difference the right cabinet can make to your amplifier's sound. The Right Speakers Too many manufacturers compromise their cabinets by using inexpensive speakers. This foolhardy decision can be disastrous! After all, it's the speakers that turn your playing into what your ears actually hear. Orange carefully selects the finest speakers from the world's best manufacturers to ensure that your amplifier's tone is never compromised! The Right Materials Durability aside, the obvious advantage of denser materials is to aid in thickening your amplifier's sound and improving speaker projection. Orange cabinets feature an 18ply birch plywood shell. The Right Design Orange's unique skid design helps to acoustically couple the cabinet to the stage. The advantage Better definition and bass response. * Power Handling 60 watts* Speaker Configuration 1 X 12* Speaker Type Celestion G12K-100* Impedance 16 Ohms* Input Type 1/4 Jack * Grill Cloth Basket Weave