Effect Pedal- Hi-End stereo analogue delay- Uses 8x MN3005 chips for warm, rich echoes- Delay time from 80 ms to 1200 ms- Stereo or Mono usable- Delay Modes: Parallel, Ping-Pong, Series (serial)- Independent setting of delay times for left and right channel- Independent setting of note values per channel: crotchet, quaver, dotted quaver- Provides both syncopated and classic delay sounds- Active tilt EQ for the effect signal, from bass-boost/hi-cut to high-boost/bass-cut- Adjustable waveforms for modulation: sine, square, random- Adjustable modulation phase for the right channel: 0º, 90º, 180º- Parallel delay mode: left and right channels operate independently of each other- Delay mode ping-pong: repetitions alternate between the channels- Delay Mode Series: syncopated rhythms- Delays of the left channel are mixed with the input of the right channel- Trails and no-trails mode: Effect fades out or effect stops immediately after deactivation- Tap tempo foot switch- Holding the tap tempo foot switch sets the feedback to maximum (oscillation)- MIDI input- Expression controls the delay time or the modulation depth- Controls: Feedback L, Mix, Feedback R, Mod, Time, Tone- Switches: Div L, Feedback Path, Mod/Time, Div R- Footswitch: Effect Bypass, Tap/Osc- Input: 2 x 6.3 mm jack- Output: 2 x 6.3 mm jack- MIDI In: 1 x MIDI DIN- MIDI Thru: 1 x MIDI DIN- Tap/Exp input: 1x 6.3 mm jack- Power supply: Operation with 9V DC power supply (2.1 mm x 5.5 mm barrel connector, centre negative, available under Art. 409939 - not included- Power consumption: 500 mA- Dimensions: 12.7 x 14.6 x 5.7 cm- Made in USA

Multiband Distortion Plugin (Download)- Variable distortion and saturation effect with up to 6, optionally linear-phase, frequency bands- 28 Different distortion algorithms from subtle analogue to brute digital- Crossovers with adjustable slope 6, 12, 24 and 48 dB/oct.- Drive, mix, feedback, dynamics, tone and level can be adjusted per band, as well as solo and mute- 50-Slot modulation matrix easy to operate by drag-and-drop- Various modulators such as 16-step XLFOs, XY controllers, envelopes, etc.- Undo, redo as well as A/B switching- Clear user interface with various layouts and view options- Interactive multiband display and live visualisation of modulations for sources and destinations- Various zoom levels and full-screen mode- Plenty of overall presets as well as presets per component

Dual UHF Wireless System- PG Presenter combo- 2 x BLX1 Pocket receiver- 2 x CVL Lavalier microphone- Can operate up to 3 systems simultaneously- Pilot tone- Microprocessor-controlled antenna diversity- Quick scan feature to find free frequencies- Frequency response: 50 - 20,000 Hz- Cardioid- Plastic receiver- Integrated antennas- XLR and jack outputs- Audio status LEDs- Frequency range: S8 (823-832 MHz)

Bundle offer comprising XVive Wireless System U2 Red 2.4 GHz Wireless System - Set with transmitter and receiver - both with battery and without power supply to operate- Built-in, rechargeable lithium battery- Range without obstacles: up to approx. 30 m- Frequency range 20 - 20,000 Hz- Latency:- 4 Channels switchable- 24 bit / 48 kHz A / D converter- Dynamic:> 105 dB- Operation with one battery charge: up to 5 hours- Includes USB charging cable- Colour: Red Thomann USB Power Supply USB Power Supply - 5V DC- Max. 1000 mA- Input: 100 - 250 V AC- USB portNote: USB cable is not included.

From elastic delay to vintage slap-back echo, the VINTAGE DELAY VD400 harnesses the authentic sounds of classic 1960s studio wizardry. Analog at its Finest Though digital sound technology constantly evolves, nothing sounds quite like the old-school analog Bucket Brigade-style delay you get when you step on the VD400. With its dedicated Repeat Rate, Intensity and Echo dials, this amazing little stomp box evokes the spirits of some of rock and roll s most legendary heroes, and provides up to 300 milliseconds of true analog delay. Every type of classic delay, from a deep-space whisper, to an interplanetary battle cry is at your command. Easy to Operate The bright blue LED tells you when the Vintage Delay is activated (and serves as a beacon for other time travelers), and the top-quality on/off switch maintains excellent signal integrity in bypass mode. You can power the VD400 with either a 9 V battery or our PSU-SB DC power supply (not included). Like a Trip Back in Time... The VINTAGE DELAY VD400 is like a snapshot pulled right out of time and its low, low price tag will have you reminiscing about how much you miss those good-old days.

BOSS introduces the 200 Series, a new generation of pedals that combine advanced sound and versatility in a format designed to save space in a pedalboard. Easy-to-access controllers and multifunction switches allow easy and intuitive handling, and built-in storage memory allows you to save many configurations. All 200 Series pedals offer 32-bit AN / NA sound quality, 32-bit internal processing, 96 kHz sampling rate, and the ability to add external switch or expression pedals, as well as MIDI. The EQ-200 is the most versatile compact equalizer pedal ever created for guitar and bass. It incorporates two 10-band EQs, as well as a graphic display to visualize at a glance the selected correction curve. The optional signal flow structures configure both channels in stereo, parallel or serial operation, and it is even possible to connect external pedals for even more advanced pre / post sound modeling. To go even further, the frequency ranges of the 10 bands can be chosen from three different types, in order to allow you to optimize the performances of the EQ-200 according to your instrument. Strong points - High-end 32-bit AN / NA sound quality, 32-bit floating-point internal processing, 96 kHz sample rate - Two 10-band EQs that can be used in stereo, parallel or series - Insert function for external effects processing with pre and / or post sound modeling - Three available frequency range settings: 30 Hz to 12.8 kHz, 32 Hz to 16 kHz and 28 Hz to 14 kHz - Boost / cut 15 dB on each band, plus general volume setting on each channel - Stereo Link function to operate the two equalization channels together - Intuitive interface with physical cursors and graphic display of the EQ - Real time settings and four storage memories of favorite settings - Panel Lock feature disables controllers to prevent unintended changes - Two integrated footswitches with assignment setting - Possibility of adding extra controllers: footswitches, expression pedal or MIDI - MIDI input and output via TRS minijacks (BMIDI-5-35 adapter cable available separately) - Micro USB connector for system updates - Works on PSA series power adapter or three AA batteries

Saxophone Holder- For baritone sax, tenor sax, alto sax and soprano sax- Spreads the weight of the saxophone equally over both shoulders- No strain on the cervical vertebrae- Quick to operate with one hand- Space-saving: Smaller than a sheet of paper when folded- Comfortable sitting and standing- Does not slip- Uses materials from the aerospace and space industries: Made of fibre-reinforced high-performance plastic with aircraft aluminium shoulder straps, bracket padding made of TPE (thermoplastic elastomer), Dyneema drawstring (breaking load 250 kg) and plastic-coated stainless steel hooks- Weight: 180 g- Replacement cord, instructions and fabric bag included

The SRM Series offers exceptional sound despite their light weight. SRM uses an ultra-dynamic Class D amplifier that dissipates very little heat. As a result, they will be able to operate at full output all night long without faltering. - Active speaker 2000 W class D - 10 speaker and tweeter Sym-X - Frequency response: 45Hz - 20kHz - Max. SPL level : 131 dB - Coverage: 60°(H) x 40°(V) - 4-channel mixer - 2 mic/line combo XLR/ 6.35mm jack mic/line inputs and 1 stereo minijack input with gain control - EQ presets and integrated limiter - Equalization adjustment per channel - 30 m delay setting - Direct Out and Mix out XLR outputs - Bluetooth interface for music streaming, mixer control and pairing of two speakers - Colour control screen - Universal power supply with power correction factor - Slanted panel for use in return - 35 mm base plate (two corners) and M10 attachment points (vertical orientation) - Black finish - Weight and dimensions: 14.0 kg - 584 x 328 x 384 mm

The small format FT-1 Fender Clip-On Tuner is easy to operate even under darkened stage conditions. Built-in vibration sensor for accurate tuning even in noisy areas. The large LCD display with easy-to-read needle shows white when out of tune and bright green when in tune. Small, compact size one-handed swivel clamp. Tuning modes include: Guitar, Bass, Ukulele, Violin and Chromatic. Tuning range B0 B7. A4 Calibration: 440Hz. Lightweight: 30 grams. Power: 3V2032 cell battery (one piece)

The Series 180 consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the Series 180 is predestined for economy-minded production and home recording studios. The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All Series 180 microphones are available with either matte black or nickel finish. Applications Their slender shapes and the transmission characteristics described below make the Series 180 especially suitable for a very wide range of tasks in the radio and television sector. Acoustic features The KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone. The KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule s rear opening, and is not due to resonances. The KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°. Electrical features The Series 180 microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications: Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handlingcapability of up to 138 dB. The microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders. The output of the Series 180, as in all Neumann microphones, is balanced and phantom (48V) powered. Economy The Series 180 is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the Series 180 is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones. Technical Data Acoustical operating principle : Pressure/Pressure gradient transducer Directional pattern : hypercardioid Frequency range : 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm : 10 mV/Pa Rated impedance : 50 ohms Rated load impedance : 1 kohms Equivalent noise level, CCIR1) : 24 dB Equivalent noise level, A-weighted1) : 15 dB-A Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) : 70 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) : 79 dB Maximum SPL for THD 0.5%2) : 142 dB Maximum output voltage : 10 dBu Supply voltage (P48, IEC 61938) : 48 V ± 4 V Current consumption (P48, IEC 61938) : 3.2 mA Matching connectors : XLR 3F Weight approx. : 80 g Diameter : 22 mm Length : 107 mm ______________________________________________ 1) according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal

Need to convert a digital multi-track signal to analog, or vice versa The new BEHRINGER ULTRAGAIN DIGITAL ADA8200 is sublimely easy to operate, fits neatly into a single rack space, and thanks to its MIDAS-designed Mic Preamps and integrated A/D and D/A converters you ll get optimal signal conversion without the slightest hint of distortion or signal deterioration! The ULTRAGAIN ADA8200 is the professional s edge. What's New The ADA8200 builds on the proud legacy of our ADA8000, which is one of our all-time, best-selling products. Now, you re probably thinking, If they sell so many ADA8000s, then why are they changing them The short answer we improved it, by upgrading to reference-class Cirrus Logic converters and MIDAS-designed Mic Preamps, making the ADA8200 the natural choice for musicians and audio engineers alike. The Technical Stuff Signal conversion in the ADA8200 takes place at either 44.1 or 48 kHz with 24-bit resolution. The ADAT inputs and outputs can be operated independently, as long as there is an identical wordclock signal. Frequency range is an ultra-wide 10 Hz - 24 kHz at a 48 kHz sampling rate. The Ins and Outs Connections are provided for balanced XLR and ¼ TRS, as well as unbalanced ¼ TS inputs. XLR line out connectors located on the rear panel provide either balanced or unbalanced connectivity. Digital I/O is handled via ADAT format TOSLINK optical sockets, which support up to 8 channels of data. Value You can trust all your digital ones and zeros to the ADA8200, at an ultra-affordable price that will amaze you. Order online or stop by your authorized BEHRINGER dealer today and expand your digital arsenal. Important Compatibility Information There is a known issue with the ADAT interface implementation of the MOTU 2408 audio interface that makes it incompatible with the ADA8000/ADA8200 under certain operating conditions. Users are advised to avoid the following configuration: The MOTU 2408 is connected to a MOTU PCI-424 card and operating in PCI Mode under computer control The ADA8000/ADA8200 SYNC option is set to SLAVE and the clock input is being supplied from the MOTU 2408 The optical output from the ADA8000 ADAT interface is connected to an ADAT input on the MOTU 2408

XVive Wireless System U2 Silver 2.4 GHz Wireless System- Set with transmitter and receiver - both operate with battery and without a power supply- Built-in fixed rechargeable lithium battery- Range without obstacles: Up to app. 30 meters- Frequency range 20 - 20,000 Hz- Latency: 6 ms- 4 Switchable channels- 24-bit/ 48 kHz A/D converter- Dynamic: 105 dB- Operating on a single charge: Up to 5 hours- Including USB charging cable XVive Hard Travel Case for U2 Black Travel Case- EVA case for the XVive U2 Guitar Wireless System- Precisely fitting inlays provide secure protection for the XVive U2 Guitar Wireless System and the charging cable- Secure fixation of all components- Shockproof, dustproof and water-repellent- Made of three-layer, extra-hard EVA- Outer material: high-density oxford fabric outer material- Inner compartment with zipper for accessories- Dimensions (L x W x H): 116 x 136 x 70 mm- Weight: 203 g- Colour: Black

Table-style keyboard stand »Omega-E« This electric-powered height adjustable keyboard stand offers pure comfort and is ergonomically optimized for making music while seated or standing. The keyboard stand is based on the »Omega« 18810 with its various expansion options. The continuous height adjustment of the »Omega-E« is quick and easy for your desired seated or standing height through its integrated electric motor. Using the memory setting (including display), four different heights can be preset. After the system is set up, all that is needed is a tap of the control unit and the table assume the pre-set height. The adjustable height is between 597 and 1,257 mm. Using the Desk Control App with Bluetooth technology, you can easily operate the table via your Smartphone. The control unit can be mounted to the table. The integrated cable management keeps everything tidy. The frame and base are made of steel and together have a weight bearing load of up to 80 kg. The keyboard table is CE-certified. Weight: 24.5 kg, H: 597/1257 mm, Width: 180/678 mm, Depth 345 mm.

Bundle offer comprising Thomann GCL-422 MKII Bb-Clarinet Bb Clarinet - Improved model- German fingering- 22 keys- Six rings- Made entirely from natural grenadilla wood- Adjustable thumb rest with ring for the strap- Silver-plated key system- Two barrels: 58 and 60 mm- Each instrument is checked in our master workshop for woodwind instruments and readjusted before sale- Including ESM mouthpiece, Rovner ligature, BG thumb rubber, Thomann de Luxe wiper, microfiber polishing cloth, rubber patch, grease and Luxury light case with carrying strap Thomann Reed Bb-Clarinet German 2.5 Reeds - For German Bb-Clarinet- Strength: 2,5- Quick response- Optimal vibration behavior- Centered sound in all registers- Long lasting- Made of finest French cane- Guaranteed pesticide-free- Minimal production tolerance- Made in Germany!- Box of 10 reeds Neotech Strap for Clarinet Black Neck Strap for Clarinet - Elastic nylon neck strap (cord is not elastic)- Width: 3.5 cm- Metal hook with rubber coating- With a plastic component for fastening to the thumb key- Length: 40.6 - 50.8 cm- Colour: Black K&M 15228 Clarinet Stand Clarinet Stand - Extremely small and compact- Excellent stability ensured by 5 stable die-cast zinc feet- Thanks to the patented and easy to operate screw-in system the feet can be conveniently stored in the peg- The short peg completely fits into the bell of the clarinet- It makes it easy for transport in all common instrument cases- Diameter assembly size: 196 mm- Total height: 130 mm- Weight: 0.149 kg- Colour: Black Thomann CTM-700 Metronome and Chromatic Tuner - Suitable for guitar, bass, ukulele and violin- Transpose function for C, F, Bb and Eb instruments- Voices via jack input (signal loop through), clip pickup or built-in microphone- Meter Mode (Auto) or Sound Out Mode (Manual)- Tuning range: 430 - 450 Hz- Tuning accuracy: +/- 0.5 percent- Metronome: 30 - 260 bpm- 6.3 mm jack input- Headphone output: 3.5 mm jack- Volume control- Includes clip-on pickup Thomann Mouthpiece Cushion Black 0.8 Rubber Mouthpiece Cushion - Standard- Suitable for all saxophone and clarinet mouthpieces- No solvents thanks to avoiding the use of glue- Absolutely resistant to biting- Thickness: 0.8 mm- No slipping when playing, and a pleasant touch- Colour: Black- Package quantity: 6 Pieces

Bundle offer comprising Buffet Crampon Prodige Bb-Clarinet 17/6 Bb Clarinet - Model: BC2541-2-0GB- Boehm system- 17 Keys- 6 Rings- ABS body- Poly-cylindrical bore in accordance with E13- Root note: A' = 442 Hz- Barrel: 64 mm- Adjustable thumb rest- Blue steel springs- Leather pads- Silver-plated key system- Incl. mouthpiece, gig bag and accessories Bari Original Reed Bb- Clarinet M Plastic reed for Bb clarinet - Boehm system- Strength: Medium- Brilliant and lively sound- Big projection and focus- Fast response K&M 15228 Clarinet Stand Clarinet Stand - Extremely small and compact- Excellent stability ensured by 5 stable die-cast zinc feet- Thanks to the patented and easy to operate screw-in system the feet can be conveniently stored in the peg- The short peg completely fits into the bell of the clarinet- It makes it easy for transport in all common instrument cases- Diameter assembly size: 196 mm- Total height: 130 mm- Weight: 0.149 kg- Colour: Black Thomann Cleaning Set Flute or Clarinet Cleaning Set for Flute or Bb Clarinet - Consists of a form-optimised swab and a cleaning cloth, 30 x 30 cm- Soft, lint-free material- Made of heavy and absorbent microfibre- Washable- The soft material protects the instrument from scratches during cleaning- Includes lockable storage box BG France A21 Thumb Rubber Thumb Rubber - For clarinet or oboe- For instruments with adjustable thumb rest

LEGENDARY STEREO TONE, MODERN INNOVATION The JC-40 Jazz Chorus delivers Roland s renowned JC clean tone and signature stereo chorus effect in a compact combo amp with evolved features for the modern guitarist. Like the flagship JC-120 amp that it s based on, the JC-40 offers a classic stereo clean sound that s a perfect palette for tone shaping with stompbox effects. Now, there s also a true stereo input for enhanced performance with stereo effects pedals, guitar synths, amp modeling gear, and multi-effects. In addition, the JC-40 s onboard effects include newly added features and updated sounds to support the needs of today s players. - Legendary Roland JC clean tone in a small, gig-ready combo amp - Stereo 40-watt amp with two 10-inch speakers - Stereo input enables players to get true stereo sound with modelers and stereo effects pedals - Signature Dimensional Space Chorus effect for expansive stereo sound - Built-in vibrato, distortion, and reverb effects, newly evolved for modern styles - Footswitch jacks for turning onboard effects on/off while performing - Stereo effects loop for connecting external effects JC Clean: The Benchmark in Clean Guitar Tone For 40 years, players around the world have revered the iconic clean voice and huge stereo sound of the JC-120 Jazz Chorus amplifier. With the JC-40, you can now enjoy this genuine, industry-standard tone in a scaled-down amp with innovative modern refinements. Two independent power amps and custom-designed 10-inch speakers deliver punchy stereo sound that won't get buried in the band, while durable, road-tough construction ensures years of reliable operation on stage and in the studio. Stereo Input for Multi-Effects, Modelers, and Synths With its front-panel stereo input, the JC-40 allows players who use stereo effects devices to achieve wide, inspiring sound without having to carry around two separate amps. The amp s rich clean tone lets you get the most out of external stereo pedals like delays, reverbs, and various modulation effects. It s also perfectly suited for advanced gear that employs amp modeling, multi-effects, and/or synth capabilities, such as the GT-100, GP-10, and ME-80 from BOSS and GR-55 guitar synth from Roland. Get Connected The JC-40 s rear panel is filled with connectivity options. There s an effects loop for patching in mono or stereo effects, and you even have your choice of serial or parallel operation. Line Out jacks give you a convenient mono or stereo feed to a mixing board or recorder, while the headphones jack is great for quiet practicing with your setup late at night or on the road. There s also support for optional footswitches, allowing you to easily turn the JC-40 s chorus/vibrato, reverb, and distortion effects on/off while performing. Famous Stereo Chorus and Other Effects Beyond its stellar clean tone, the JC-40 includes onboard effects, all newly refreshed for enhanced performance. The trademark Dimensional Space Chorus stereo effect fills the stage with immersive 3D sound, and now offers selectable fixed or manual modes for increased tonal range. Renewed vibrato and reverb effects are on hand, and both operate in stereo for rich, deep performance. There s built-in distortion as well, updated with a smooth, satisfying tone that s great for all types of music. Ideal for Pedal-Based Players If you create your sound with stompbox pedals, there s no better platform than the classic JC clean amp. The rich, neutral sound won t color your basic guitar tone, perfect for hearing exactly what your pedals put out. SPECIFICATIONS Rated Power Output 40 W Nominal Input Level: - INPUT L/MONO, R jacks: -10 dBu (1 M ohm) - EFFECT RETURN L/MONO, R jacks: -10 dBu (22 k ohms) - EFFECT RETURN L/MONO only: -10 dBu (11 k ohms) Speakers: 25 cm (10 inches) x 2 Controls - POWER switch - BRI (Bright) Switch - VOLUME knob - TREBLE knob - MIDDLE knob - BASS knob - DISTORTION knob - REVERB knob - SPEED knob - DEPTH knob - VIB/CHORUS switch - EFFECT LOOP switch Indicator POWER Connectors: - INPUT L/MONO, R jacks: 1/4-inch phone type - LINE OUT L/MONO, R jacks: 1/4-inch phone type - PHONES jack: Stereo 1/4-inch TRS phone type - FOOT SWITCH (CHORUS VIBRATO, REVERB, DISTORTION) jacks: 1/4-inch phone type - EFFECT LOOP SEND jack: 1/4-inch phone type - EFFECT LOOP RETURN L/MONO, R jacks: 1/4-inch phone type - AC IN jack Power Consumption:43 W Accessories: - Owner's manual - Power cord Options (sold separately): Footswitch (BOSS FS-5L, FS-6, FS-7) SIZE AND WEIGHT Width 592 mm 23-5/16 inches Depth 251 mm 9-15/16 inches Height 436 mm 17-3/16 inches Weight(excluding AC Adaptor)15.8 g 34 lbs 14 oz. * 0 dBu = 0.775 Vrms

XVive Wireless System U2 Red 2.4 GHz Wireless System- Set with transmitter and receiver - both with battery and without power supply to operate- Built-in, rechargeable lithium battery- Range without obstacles: up to approx. 30 m- Frequency range 20 - 20,000 Hz- Latency: 105 dB- Operation with one battery charge: up to 5 hours- Includes USB charging cable- Colour: Red XVive Hard Travel Case for U2 Black Travel Case- EVA case for the XVive U2 Guitar Wireless System- Precisely fitting inlays provide secure protection for the XVive U2 Guitar Wireless System and the charging cable- Secure fixation of all components- Shockproof, dustproof and water-repellent- Made of three-layer, extra-hard EVA- Outer material: high-density oxford fabric outer material- Inner compartment with zipper for accessories- Dimensions (L x W x H): 116 x 136 x 70 mm- Weight: 203 g- Colour: Black

USB-MIDI Interface- With automatic input/output detection- 2 MIDI plugs, each of which can operate as an independent input or output- Power-over-MIDI: 5 V power supply for the connected device directly via the USB-MIDI cable- USB interface- Power supply via USB- Length approx. 1.9 mm- Direct support of Mac OS and Windows XP/VISTA/Windows 7, 8.1, 10 (32 and 64 bit)

Chromatic tuner- Easy to operate - Clip it on, flip up the display and the FT-2 powers on- Simply flip the tuner back down and the device will shut itself off- Large, high-contrast and backlit display- Accuracy: ±1 cent- High-contrast, multi-colour backlit display features a "tuning needle"- Powered via a 2032 button cell battery (included)- Dimensions (L x W x H): 48 x 44 x 27 mm- Weight: 21 g