Enhance Your Sound and Add New Expression to Your Acoustic Cajon Performances The EC-10M ELCajon Mic Processor is a totally unique and innovative creative tool designed for the acoustic cajon. Compact and battery powered, the EC-10M picks up the cajon s acoustic sound with the included clip-on condenser mic, which is also used to trigger a variety of onboard tones for layering with the acoustic voice. You can then send both sounds to an amp or PA, giving you complete control over your stage sound. It s also possible to create percussion phrases with a built-in looper, and play additional sounds via integrated A/B foot pads or optional kick trigger pedals. Everywhere you play, the EC-10M transforms the acoustic cajon experience with a world of new expressive power. A unique and innovative creative tool for acoustic cajon players. FEATURES Easy setup simply attach the included clip-on condenser mic to the sound hole of the acoustic cajon and start playing Amplify the acoustic cajon the EC-10M can be used as a mic preamp for the supplied microphone A variety of sounds 16 onboard kits with tones including tambourine, shaker, djembe, electronic drums, and more can be layered with the acoustic cajon Multiple tones play two different electronic sounds by slapping the edge or head of the acoustic cajon Add pedals up to two kick trigger pedals (Roland KT-10, KT-9, or KD-7) can be connected to play additional sounds; integrated A/B foot pads can also trigger sounds Create loops and play along a simple looper function allows recording of rhythm phrases using the onboard sounds Versatile outputs send the microphone and layered sounds to a PA mixer via two independent outputs, or mix all sounds to one mono output Two-way power can be used with four AAA-size batteries (for up to five hours of use*) or included power supply *Maximum use time will vary depending on the battery specifications, capacity, and conditions of use. ENHANCE YOUR ACOUSTIC CAJON PERFORMANCES With the EC-10M, it s easy to take your acoustic cajon performances to new heights. Just attach the dedicated clip-on mic to the instrument s sound hole, and then layer EC-10M tones with the acoustic voice to create unique hybrid sounds. The 16 kit variations include percussion sounds such as tambourine, surdo, splash cymbal, and many others, plus acoustic snare drum and the famous TR-808 snare. Built-in cajon tones with ambience are also included for reinforcing your acoustic cajon s natural voice with powerful studio sound. ADD VARIETY AND PLAY WITH AUTHENTIC CAJON TECHNIQUES The EC-10M intelligently senses when the mic is picking up sounds from the head and edge surfaces on the cajon, giving you the ability to trigger distinctly different electronic sounds with each of these areas. This lets you integrate EC-10M sounds using authentic cajon techniques, so you don t have to adjust your playing in any way. TRIGGER EXTRA SOUNDS WITH FOOT PADS OR OPTIONAL PEDALS In addition to head and edge sounds, each of the 16 kits within the EC-10M includes two electronic sounds that are pre-assigned to the onboard A/B foot pads for triggering with toe taps while performing. If you d prefer to play these sounds with authentic foot techniques and a more solid feel, up to two Roland kick trigger pedals (KT-10, KT-9, or KD-7) can be connected.* *A splitter cable (such as the optional PCS-31L) is required to connect two kick trigger pedals to the EC-10M. LIGHT, COMPACT, AND BATTERY-POWERED You can use the compact EC-10M anywhere, since it weighs just 500 g/1.1 lbs. and runs on four AAA batteries. The included clip-on condenser mic is compact and convenient, eliminating the need to take up valuable stage space with a mic stand and large microphone. With its small footprint, the EC-10M is an easy fit in the tightest performing spaces. AMPLIFY YOUR ACOUSTIC CAJON AND EC-10M LAYERED SOUNDS Along with being a sound module for electronic sounds, the EC-10M also functions as a mic preamp for the clip-on mic, enabling you to amplify both the acoustic cajon and layered sounds through an amp or PA. You can send the sounds to two independent outputs, or mix them together to one. With the EC-10M, it s simple to achieve a powerful, consistent cajon sound at every gig, from intimate street performances to the biggest concert stages. RECORD PERCUSSION PHRASES AND PLAY ALONG The EC-10M includes a built-in looper* for the electronic layered sounds. This lets you create instant percussive backing for acoustic cajon playing or jamming with another instrument. The looper is controlled using the A/B foot pads, and you can capture electronic sounds triggered from the cajon and external pedals in your loops. And by changing the kits while the loop is playing, the tones in the loop are changed too. With this cool creative option, your acoustic cajon performances will be transformed forever! *Recorded phrases cannot be saved. Spécifications: -Sound Kit Variation 16 -Layered Sound Contents 2 (High, Low) -Controls [Top Panel] POWER switch (MIC) COMPRESSOR knob (MIC) VOLUME knob (ELECTRONIC) THRESHOLD knob (ELECTRONIC) VOLUME knob MODE SELECT button A button B button [Left Side] MIC GAIN knob ENHANCE switch -Indicators KIT Number -Connectors TRIGGER INPUT jack: 1/4-inch TRS phone type MIC INPUT jack: Stereo miniature type (Use included clip mic only) MIC/MIX OUTPUT jack (MONO): 1/4-inch phone type ELECTRONIC OUTPUT jack (MONO): 1/4-inch phone type DC IN jack -Power Supply AC adaptor (DC5.7V) Rechargeable Ni-MH battery (AAA, HR03) x 4 -Current Draw 150 mA -Expected battery life under continuous use Approx. 5 hours. * These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use. -Dimensions 175 (W) x 135 (D) x 55 (H) mm 6-15/16 (W) x 5-3/8 (D) x 2-3/16 (H) inches -Weight 500 g 1 lb 2 oz -Accessories Clip Mic Owner's manual Leaflet USING THE UNIT SAFELY AC adaptor -Options (sold separately) Kicks: KD-7, KT-9, KT-10 Stereo Split Cable: PCS-31L

Evolution Of A Revolution Yet another quantum leap in tuning Positively PolyTune The original PolyTune rocked the world. It forever changed the way we look at tuning. The world s first polyphonic tuner took the hearts of guitarists by storm. Was it the jaw-droppingly awesome polyphonic tuning that made tuning much faster, easier and intuitive The bright LED matrix with auto-dimming that ensured maximum visibility Tuning Magnet, the slowing of the needle as you approached the correct pitch Maybe the MonoPoly technology that sensed whether you played one or six strings and instantly adjusted accordingly Like musicians who never really know how they wrote that number 1 hit, it was probably a combination of factors for us. Whatever it was, you loved it and we loved it! But at TC Electronic we re all about moving forward, so we ve improved on perfection and added some guitarist gems that cement PolyTune 2 as the leader of the pedal tuning pack. PolyTune® Technology Tune All Strings Simultaneously Retina-scorching Bright Display Ultra-precise Chromatic Strobe Tuner Polyphonic Perfection Unless you ve been living under a rock for the past few years, you ll know this. With PolyTune, you simply strum all strings on your guitar or bass at once and it will immediately tell you which strings need tuning! It really is as simple as strum - tune - rock! This way, you spend minimum time tuning and maximum time doing what you love the most - playing. And They Thought Einstein Was Bright! You ain t seen nothing yet! The display on PolyTune 2 is primed with some of the brightest LEDs you ve ever laid your eyes on. Remember when some tuners were really good for daytime gigs, and others excelled in dark clubs With PolyTune 2, you get an instant clear overview, no matter what the situation. And the ambient light sensor makes sure you get just the right amount of brightness. Every time. It s truly amazing how bright they get, so don t come complaining if planets want to orbit your pedalboard. The Strobe Is Strong With This One The original PolyTune was best in class when it came to precision. Great but why stop there We ve received many requests from the guitar community to add a strobe tuner a decision we d been debating internally as well. So let there be strobe! For fine-tuning your precious gear and giving it the care and attention it deserves, to super accurate tuning in the studio or by a roadie on stage. This strobe tuner is lightning fast and ultra precise. But how precise is it Well, let s just say if you tune and then put your pick on the fret-board you re going to see the difference (we re not even joking). PolyTune 2 FineTuning Innovation With PolyTune 2, we wanted enhanced performance and maximum precision, without getting away from what made the original PolyTune such a hit. Have a look at our feature list, which combines the revolutionary with a strong display of innovation. Full Strobe Ahead The strobe tuner in PolyTune 2 is super accurate and super fast. Finetune your instruments with surgical precision at blinding speeds. Sounds good, right We re talking /- 0.1Cent tuning accuracy and in case you don t really know what that means believe us there are atomic clocks that d kill for that accuracy. Tuning Magnet The tuner magnet feature slows down the needle once you get close to the desired pitch, delivering a quick and easy tuning experience any time, every time. MonoPoly MonoPoly instantly recognizes whether you play one or more strings and replies with the appropriate polyphonic or monophonic tuning mode. Total recall PolyTune 2 stores your preferences. From pitch reference to tuning mode, it hangs on to this information even after it is powered down, making sure you only have to set how you want things to happen once. Brighten Up Your Day This feature will make you smile. Basically, the new LEDs in PolyTune 2 are bright enough to be seen from space, but the ambient light sensor in PolyTune 2 ensures you always have the right brightness. The result A clear and pleasant visibility, no matter what situation you re in. True Bypass This allows for your carefully sculpted tone to flow unaffected when the pedal is bypassed and for silent tuning once engaged. PolyTune 2 Resume PolyTune® - Tune all strings simultaneously New chromatic strobe tuner - 0.1 cent tuning accuracy New bigger and brighter LED display with ambient light sensor Drop-D and capo tuning modes True bypass with silent tuning DC output for powering other pedals (power supply not included) 3M Velcro for pedal board attachment

Special Edition BOSS Pedal with Premium Tone The OD-1X launches the famous BOSS overdrive into a modern era of expression, delivering an unmatched level of performance for guitarists with an ear for tone. This next-generation stomp combines over 35 years of innovation in pedal design with the most advanced technologies, bringing you a completely new tonal experience that's only possible with the legendary expertise of BOSS. Prepare to be amazed - the inspiring and ultra-responsive OD-1X will change your thinking about overdrive pedals forever.

In April of 1965, a new device changed rock \'n\' roll forever. From the back workbench of Macari\'s Musical Exchange on Denmark Street in London, Gary Hurst invented the Sola Sound* Tonebender* fuzz. Building on the foundation of the American-made 1962 Maestro Fuzz Tone*, Gary expanded what fuzz could do and gave a new sound to the thriving London music scene. Starting with his very first prototype made in a simple wooden box (April 1965) to the many other official Sola Sound* versions like the MKI (Sept 1965), MK2 (Mid 1966), MK3/MK4 (Feb 1970), etc., the Tonebender* has evolved just like the music that it helped create. The JHS Bender is our attempt to recreate the most prized Tonebender* in my collection: my 1973 MK3 Silver/Orange Onomatopoeia version. This version has three very special germanium transistors, tons of mojo, and fifty plus years of experience, but it is finicky and it doesn\'t always do what you want it to do. I had to ask: could we replicate this pedal sonically Could we capture what it\'s all about, but in a way that is more consistent, dependable, and easy to manufacture Yes. The end result is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors. The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect, turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Bender works well with a range of different amplifiers and guitars. Attack is the distortion control, the more you turn it clockwise, the more fuzz you create. On the side you will see a Mode button that lets you access a never-before-heard JHS Mode. Push that button for more gain and a mid frequency boost to send you leads soaring through the mix. With higher Attack settings in this mode, you will feel the fuzz slightly gate depending on your picking dynamics. If you want a fuzz that can go from middle of the road crunch distortion to full out aggression, the Bender is for you. The tone control is extremely flexible and allows for dozens of sonic variations that most fuzz users only dream about. If you love the fuzz sounds of Led Zeppelin, Jeff Beck, The Beatles, Mick Ronson (David Bowie), and My Bloody Valentine, then the Bender is for you.

Special Edition BOSS Pedal with Premium Tone The DS-1X launches the famous BOSS distortion into a modern era of expression, delivering an unmatched level of performance for guitarists with an ear for tone. This next-generation stomp combines over 35 years of innovation in pedal design with the most advanced technologies, bringing you a completely new tonal experience that\'s only possible with the legendary expertise of BOSS. Prepare to be amazed-the inspiring and ultra-responsive DS-1X will change your thinking about distortion pedals forever.