Designed in collaboration with Ned Steinberger, D'Addario's Micro Clamp Tuner accurately matches a wide variety of stringed instruments. It is very compact, lightweight and easy to use. The highly sensitive piezoelectric microphone and its backlit display allow very precise tuning even in noisy, dark or well lit environments, where other tuners do not work. The compact design allows the tuner to hide behind the head of the guitar effortlessly, hiding from your audience and allowing it to stay on the instrument inside most protective covers. Featuring a 360-degree swivel mechanism and an adjustable padded gripper, the NS Micro offers optimal viewing angles and positioning flexibility. As a result, the NS Mini is also suitable for both left-handed and right-handed use, and on small and large-head instruments, making it the ideal choice for the widest variety of musicians and instruments, 5 string bass guitar with Ukulele. The Micro NS also features an easy-to-read, color-changing backlit display, which is easily visible on dark scenes or in direct sunlight. Maximum battery life is provided by the auto-off function, which turns off the tuner automatically after a few minutes to preserve the life of the CR2032 battery (supplied). Complementing the latest, even more accurate version of the D'Addario software, the NS Micro also offers adjustable calibration between 430 Hz and 450 Hz for use in a wide variety of gaming situations. Enjoy precise and easy adjustments with discretion! D'Addario electronic tuners are designed by musicians for musicians, with the characteristic ease of use associated with high tuning precision. D'Addario electronic tuners are designed by musicians for musicians and feature intuitive features, high-visibility displays, and exceptional accuracy. D'Addario is part of the D'Addario family of products, recognized for its innovation and the quality of its musical accessories. D'Addario offers a full range of recognized accessories including cables, picks, tuners, ace capos Very high precision tuner for a range of instruments (guitars, basses, Ukulele, Banjo, Mandolins) Discreet and very compact, it hides behind the head of your guitar, and does not leave it, even in the cover. Highly accurate chromatic tuning by vibration, no cable needed. Its adjustable clip and reversible screen is suitable for both left-handed and right-handed people, in front of or behind the head of your instrument. DANGER: HARMFUL OR FATAL IF SWALLOWED. Contains petroleum distillates. If swallowed, do not induce vomiting. Contact the doctor immediately. Wash thoroughly after use. KEEP OUT OF REACH OF CHILDREN

Standard Model. It's Made of ABS Resin, but it Sounds as Deep and Resonant as Seasoned Grenadilla.Never before has there been a student model bass clarinet with such a rich, warm sound. The YCL-221 has a tone quality very close to that of a professional instrument; it's hard to believe it isn't made of top grade grenadilla. And the easy playability and accurate intonation will help any young musician sound better. The secret of this remarkable instrument is the fact that it has the same basic body specifications and tonehole designs as our pro model bass clarinets. And it looks as beautiful as it sounds: a special matte finish gives the durable ABS Resin body the look of a wooden clarinet. No one but Yamaha can give you such quality for such a price.Design Based on Pro ModelWe use the same materials and special crafting techniques as on our pro model YCL-621 to form the bell and neck giving improved roundness for better resonance. All key systems were also designed based on the 621 for smooth comfortable performance.A Natural Neck AngleThe YCL-221 boasts a neck angle similar to a soprano clarinet for natural feeling comfort, endurance, and playability. Only Yamaha with its hightech production capability can offer this neck angle on a student model.Easy to Hold/Easy to PlayThe YCL-221 key positioning is ergonomically designed for comfort, while the ABS resin body is much lighter than wooden models making it easier to hold and play, And the attractive matte finish looks the same as a pro Grenadilla model.Stronger KeysAfter extensive research, Yamaha metallurgists have come up with a new stronger alloy for the key mechanism. This enhanced durability is especially important on a bass clarinet with its long key rods.

With millions of loyal and happy customers, BEHRINGER XENYX mixers stand alone at the top of their class. Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, next-generation XENYX Q Series USB mixers can handle your live gigs and provide the state-of-the-art tools to make stunning, professional-quality recordings. Select models feature dedicated, wireless-ready integration for our new ULM Series USB microphones, making them the first of their kind in the industry. Along with their built-in USB/audio interfaces, one-knob mono channel compressors and KLARK TEKNIK FX engines (available on select models), XENYX Q Series USB mixers come with all the recording and editing software you'll need to turn your computer into a complete, high-performance recording studio.Product Features:- Premium ultra-low noise, high headroom mixer- 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps- 4 studio-grade compressors with super-easy one-knob functionality and control LED for professional vocal and instrumental sound- Ultra-high quality KLARK TEKNIK FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings- Wireless-ready for high-quality BEHRINGER digital wireless system (not included)- Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com- Neo-classic British 3-band EQs for warm and musical sound- 7-band stereo graphic EQ allows precise frequency correction of monitor or main mixes- Revolutionary FBQ Feedback Detection System instantly reveals critical frequencies- Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image- Voice Canceller function for easy-to-use sing-along applications- 4 fully equipped stereo input channels featuring 2 additional mic inputs on channels 5/6 and 7/8, 3-band EQ and input trim control- Channel inserts on each mono channel for flexible connection of outboard equipment- 2 aux sends per channel: 1 pre fader for monitoring, 1 post fader (for internal FX and/or as external send); 2 multi-functional stereo aux returns- Balanced main mix outputs with gold-plated XLR connectors, headphone/control room output and stereo rec outputs- Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls- Planet Earth switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving- High-quality components and exceptionally rugged construction ensure long life- Conceived and designed by BEHRINGER GermanyKLARK TEKNIK FX on All QX ModelsNothing adds the finishing touch to a live or recorded performance like really good effects, so we equipped a select group of these mixers with one of the best FX engines in the industry. Designed by the world-renowned KLARK TEKNIK engineering team, these high-end FX processors feature 32 studio-grade presets with dual addressable parameters, Tap function and storable user parameter settings. Complete with its own dedicated level meter, these effects provide a wide range of enhancement options, from sweet and mild to absolutely wild! Wireless Ready PerformanceQX1204USB - QX2442USB mixers are wireless-ready right out of the box. Our new ULTRALINK ULM200USB (sold separately) features two high-quality 2.4 GHz wireless mics, plus a special 2-channel receiver dongle that connects directly to a dedicated input port on the top of the mixers. This technologic breakthrough makes for seamless wireless integration that is easier and more affordable than ever. What's a Compressor Ask professional sound engineers what their favorite piece of external processing gear is and the response will be virtually unanimous - dynamic compression. What's compression Glad you asked. Compression limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate sound techs have difficulty mastering. Our one-knob compression is available on all mono channels and is easy to operate, even for entry-level users. Now you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. Our one-knob compressors come standard on each and every XENYX Q Series USB mixer. Sonically Superior Mic PreampsAll XENYX mixers have one thing in common; great-sounding, high headroom XENYX mic preamps. These state-of-the-art mic preamps are a tremendous step in the evolution of audio technology- and they can easily hold their own, even when compared to expensive, boutique-style mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range with a bandwidth that extends from below 10 Hz to well above 200 kHz. As a result, XENYX mixers provide such transparent, crystal-clear performance that you just might think someone upgraded your microphones while you weren't looking. Sweet British EQThe British consoles of the 1960s and '70s changed the sound of rock and roll. Without them, the British Invasion might not have even happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our XENYX mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality. Recording ReadyThere was a time when the recording process called for lots of specialized gear, which meant the average musician had to buy time at a recording studio-and that time was expensive! But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. But how do you get all that music flying around your brain into a computer That's where XENYX Q Series mixers come in. Thanks to the built-in, bi-directional stereo USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source connected to the mixer can be recorded straight to your hard drive. Which brings us to software... How About Some Free Software!Because you'll want to take full advantage of your XENYX QX Series mixers' recording and podcasting potential, we've put together a massive software download at www.behringer. com that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You're ready to go live on your PC or Mac right out of the box! You also get more than 100 virtual instruments and 50 FX plug-ins, turning your computer into a complete home-based or mobile recording studio. XENYX QX1222USBThe X1222USB ups the ante with six mono mic inputs. These two additional channels can also be used for stereo line-level devices, such as keyboards or sound modules. Building on the feature set of the two previous models, the QX1222USB comes equipped with channel Inserts for inputs 1-4, a stereo 7-band graphic EQ, which can be assigned to the main or monitor buses, and our proprietary FBQ Feedback Detection System. Enjoy the freedom of wireless mic functionality, thanks to the built-in ULM receiver port. Other features include full-sized faders for MON and FX SENDs, our XPQ 3D stereo surround effect (creates a broader, enhanced stereo image), and a handy Voice Canceller function for removing vocals from pre-recorded tapes and CDs for instant-karaoke applications. Outstanding ValueNo matter what your audio mixing needs are, BEHRINGER QX Series USB mixers provide the performance and features to take your talent to the next level, at a price sure to amaze you. Try one on today-we've got one in your size!

Reloop's new RP 7000 MK2 vinyl turntable has a heavy-duty chassis thanks to its metal construction and synthetic materials. Its scratch-resistant, vibration-proof and scratch-resistant top is finished in black and metal. The quartz motor's power and adjustable starting torque allow precise adjustment of the plate speed from 0.2 to 6 seconds, making it an extremely smooth vinyl plate. The S-arm has anti-skid function and a universal connection for classic read heads. The RP 7000 MK2 is also equipped with the front/rear playback system and two on/off buttons for easy operation in a vertical configuration. It also has buttons to toggle between the three gear modes (33 1/3,45 and 78 rpm). A mobile and interchangeable LED light makes it easy to find the position of the reading head in a dark environment. The RP 7000 MK2 has an integrated and switchable phono preamplifier for use with a Phono or line output signal. The RCA connection is facilitated by the use of detachable cables. Thanks to the technical improvements made, this new RP 7000 MK2 meets the high demands of professional clubs and DJs even more significantly. General characteristics: Aluminium body (black colour) extremely robust Rigid frame with metal and rubber reinforcements to dampen vibrations and ensure perfect insulation Anti-shock feet Removable LED reading head illumination Reverse function (reverse playback) Additional on/off button for vertical positioning Universal connection for read heads Flush-mounted connection slot for easy installation in a flight cash box Adjustable pitch ± 8%, ± 16 and ± 50%. Detachable RCA cables Power supply: 115-230 V, 60/50 Hz Power consumption: 13W Included accessories: tray, anti-slip mat, LED lighting, counterweight, Phono RCA cable with earthing, AC adapter, instructions for use Dimensions (W x D x H): 458 x 354 x 144.6 mm Weight: 11,7 Kg Reading arm: Arm type: universal, balanced static, S-shaped Length: 230 mm Overhead: 15 mm Weight applicable to the cell: 3.5-8.5 g Hydraulic shock absorber and anti-skid mechanism: 0-3 g Connections: phono / line output (gold plated) Arm mass: 30 g Plateau: Direct drive turntable Three-phase 16-pin brushless quartz motor Precise control of the 3-speed motor: 33 1/3,45 and 78 rpm Adjustable starting torque: 2.8 - 4.5 kg/cm Adjustable start and stop speed: from 0.2 to 6 sec Wow and flutter: 0.01% WRMS S/N ratio >: 55 dB (DIN-B) Brake system (electronic brake) Material: die-cast aluminium Diameter: 332 mm Weight: 1,5 Kg

The feature packed tuner your audience will never see. The tuner features a reversible screen, multi-color display and metronome in a housing that blends with the aesthetics of any instrument. It's so small, convenient and accurate, you'll want one for every instrument you own! -Mounts behind or on front of headstock -Reversible multi-color display - Visual metronome - Fast and accurate tuning While the features grew, the size of the NS Mini just got smaller introducing the NS Micro Headstock Tuner. The NS Micro offers improved accuracy, faster response, expanded calibration range, visual metronome mode and an improved ratchet design. A highly sensitive piezo transducer and easy to read multi-color backlit display allow smooth and highly accurate tuning in noisy, dim or well-lit environments while the micro design and reversible screen allow the tuner to hide effortlessly behind or mount on the front side of the headstock allowing the tuner to remain clamped to the instrument inside most cases when stored. A 360 degree swivel mechanism and adjustable padded clamp, offers optimal viewing angles and maximum positioning flexibility. As a result, the NS Micro is equally at home on left and right-handed instruments as well as on small and large headstocks, making it the ideal choice for the widest variety of players and instruments. The NS Micro is powered by a readily available CR2032 battery (included) and provides maximum battery life utilizing an auto-off function, shutting the tuner off automatically after several minutes from power up. Enjoy effortless and inconspicuous tuning at a great value with the NS Micro Headstock Tuner. A Ned Steinberger design. Built-in piezo transducer picks up instrument s vibration rather than sound Improved software for faster response and improved accuracy Tri-color reversible backlit LCD screen makes it easy to tune in dark environments while allowing mounting in front or behind headstock Wide calibration range (410Hz to 480Hz) and visual metronome Compact design blends into the aesthetics of instrument while adding considerably less weight than other headstock tuners Tunes acoustic and electric guitars, basses, mandolins, banjos and other stringed instruments D Addario electronic tuners are designed by musicians for musicians featuring intuitive features, easy to read display's, and exceptional tuning accuracy.

THE SHAPE OF THINGS TO COME With its responsive touchscreen, 25 motor faders and acclaimed AnalogiQTM recallable preamps, Qu-24 combines exceptional ease of use with class-leading audio performance. Drawing on the technologies and workflow pioneered on our GLD and iLive touring systems, Qu makes Allen and Heath digital mixing more accessible and more compact than ever. FX AND PROCESSING ANALOGIQTM PREAMPS Qu-24 s twenty four AnalogiQTM total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high class, low latency 24bit analogue to digital converters matched to high quality 24bit digital to analogue converters to deliver the required outputs. The AnalogiQTM design has been refined over many months to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles. THE MIXING EXPERIENCE Having massive processing power and advanced functionality is great, but it counts for nothing if you can t access the controls you need in a heartbeat. Once you start using Qu-24 you ll sense the years of research into ergonomics and the hands-on mixing experience that our team has drawn upon to deliver a wonderfully natural layout and workflow. It s not about recreating an analogue interface, it s about creating an experience that s fluid, comfortable and intuitive for novices, digital natives and old school road warriors alike, making all the benefits of digital mixing technology readily accessible to all. TOUCH CONTROL The 800 x 480, sixteen million colour Touchscreen and its dedicated data encoder form the heart of the Qu interface, providing super-fast, easy access to all settings. The user-friendly interface has been designed with clarity in mind. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more. THE SUPERSTRIP All your key processing tools are presented in a clean layout on the SuperStrip, with 1 function per physical control. The SuperStrip is complemented by an onscreen Touch Channel for intuitive access to full processing parameters without clutter or complex menu structures. Processing for Mono and Stereo inputs includes trim, polarity, HPF, gate, insert, 4 band PEQ, compressor and delay. The main LR and the Mono mixes have controls for Insert, 1/3 octave GEQ, compressor and delay. The Stereo mixes provide Insert, 4-band PEQ, compressor, delay and balance control. FADER AUTOMATION Moving faders started as an expensive option in the studio desks of the 80s, and later became the norm with the advent of digital technology. Nevertheless some entry-level digital mixers lack this precious commodity which is a fundamental part of the Total Recall approach. Fader automation is essential for rapid mixing, especially when you re dealing with multiple monitor mixes just press a mix key and the faders immediately fly to the send levels for that mix. Qu-24 features 25 motorized ALPS faders, 24 arranged over 2 layers, allowing instant access to all channels and masters in a compact space, plus a dedicated master fader which dynamically follows the mix selection. A third, Custom layer is available for ad-hoc user strip layout, where any combination of Inputs, FX Sends, FX Returns and Mix masters can be assigned. ILIVE FX Qu-24 s dynamics and FX algorithms are derived from the FX used in our iLive pro touring series. Some of the world s most respected audio engineers have chosen to use iLive s FX on tour in preference to top-end plug-ins and external FX units. Qu-24 boasts 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. The FX library has the ability to grow with future firmware releases. FX are returned to the mix on dedicated return channels, so you re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ. Find out more about FX and processing for Qu TOTAL RECALL True digital mixing is about being able to save and recall scenes (snapshots) at the press of a button. Qu-24 can store up to 100 full Scenes for recall at will. Channels and mixes can be made Safe from Scene recall. For example, if an instrument or mic gets swapped out after the soundcheck, the channel can be made safe to avoid settings being overridden by Scene recalls. Or if a broadcast feed or walk-in iPod is added last-minute before the show kicks off, that mix or channel can be made safe from any scene change. In addition, single parameter updates can be blocked using per scene Recall Filters or a Global Recall Filter. So if you tweak the graphic EQ to reflect the room response when the audience gets in, you can block this to prevent any overwriting at scene change. Custom settings for each EQ, compressor, channel or FX can be saved as Library presets. This lets you store your tried and tested SM58 EQ or reverb pattern and apply it to other channels or shows. Libraries, Scenes and the complete Show configuration can be saved to a USB key, so you can carry the show with you, ready to use on another Qu mixer. USB AUDIO STREAMING Qu-24 s built-in interface streams up to 32 selectable tracks to your Mac or PC. The returns from the Mac or PC can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X truly plug n play. It will be recognized straightaway by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIO and WDM compatible driver is available for Windows computers. Standard MIDI control is tunnelled over the USB connection so you can easily map the faders to the tracks of your favourite DAW. A DAW Control driver is available for easy setup and emulation of HUI or Mackie Control protocols on Mac OS X systems. QU-DRIVE Forget soundcard drivers and software setup, Qu-24 has an integrated multitrack USB recorder, providing 18 channels of 48kHz 24bit recording and playback straight to / from your USB hard drive. Capturing stereo or multitrack recordings of your shows has never been so easy. Multitrack audio can be played back to Mono channels 1-18. Stereo files from your hard disk can be played back to ST3. ARMED TO THE HILT Qu-24 is equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording / playback, Ethernet and fader automation. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response. The mixer s DSP farm exploits next generation dual core DSPs. With plenty of DSP power under the hood the channel processing is only using a fraction of capacity, so Qu-24 is future-proofed, with ample room for updates and extra functionality. The Qu DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix. THE SHAPE OF THINGS TO COME Made from 18 gauge, cold-rolled Zintec steel, Qu-24 s distinctive frame is designed for strength and rigidity. We ve done unspeakable things to that chassis in the lab and it s taken everything we ve thrown at it even being stomped on by our resident ex-tank commander. Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by the whirring of fans coming from the mix position. Qu s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans. QU-PAD Add the Qu-Pad iPad app to your Qu setup and you re free to adjust the monitors on stage, roam around the venue whilst tweaking the PA, and then mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings. Qu-Pad requires the connection of a Wi-Fi router or access point to the Qu-24 Network port. ME PERSONAL MIXING SYSTEM Qu-24 is fully compatible with our ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKETM port (or from an AR2412 Stagebox if you ve got one connected to the dSNAKETM port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience. Find out more at allen-heath.com/ME DSNAKETM Qu-24 is a self-contained mixer, so if you ve already got the analogue cables you re good to go. If you re thinking of trading in the copper multicore for a Cat5 digital snake, Qu-24 s dSNAKETM port has you future-proofed, allowing connection to a remote AR2412 or AR84 Stagebox. dSNAKETM is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m / 390 . So if you re mixing FoH you can place your I/O on the stage and run a single Cat5 cable back to the Qu-24 in the mix position. SOFTKEYS Qu-24 packs 10 SoftKeys for more user-assignable functions such as Mute Groups, Tap Tempo, Scene navigation or PAFL Clear. 4 GROUPS Groups 1-4 are typically used as subgroups to LR for level masters and/or processing, for example to compress a drum kit or to tame multiple lavalier microphones with a single graphic equalizer. THE MATRIX Qu-24 s Matrix adds 2 further stereo outputs equipped with full processing to the console s extensive I/O. It is a mixer within a mixer, fed from any combination of Group 1-4, Mix 1-10, and main LR. It can be used to provide a broadcast feed, a recording mix, or duplicate the main outputs for delay stacks and fill / zone speakers where independent GEQ and delay is applied. FEATURES 24 Mic / Line Inputs (TRS XLR) 25 Motor Faders 3 Stereo Inputs (TRS) 4 Stereo FX Returns 20 Mix Outputs (XLR) 2 Stereo Groups 2 Stereo Matrix Outs 4 Mute Groups 4 DCA Groups 4 FX Engines 4 FX Sends / Returns 10 Soft Keys USB Audio Streaming DAW MIDI Control AES Digital Out Recallable AnaLOGIQTM Preamps Qu-Drive direct Multitrack Recording / Playback on USB drives 800×480 Touchscreen iLive FX Library dSNAKETM Remote Audio Port Compatible with ME Personal Mixing System Qu-Pad iPad App Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs Built-in Signal Generator RTA with Peak Band indication ACCESSORIES AR2412 24 inputs, 12 outputs AudioRack with dSNAKETM connection and expansion port for personal monitoring. AR84 8 inputs, 4 outputs AudioRack with dSNAKETM connection. AH7000 80m drum of Neutrik EtherFlex Cat5 with locking connectors. AH8721 120m drum of Klotz Cat5 with locking connectors. LEDLamp variable brightness 18 gooseneck lamp

With millions of loyal and happy customers, BEHRINGER XENYX mixers stand alone at the top of their class. Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, next-generation XENYX Q Series USB mixers can handle your live gigs and provide the state-of-the-art tools to make stunning, professional-quality recordings. Select models feature dedicated, wireless-ready integration for our new ULM Series USB microphones, making them the first of their kind in the industry. Along with their built-in USB/audio interfaces, one-knob mono channel compressors and KLARK TEKNIK FX engines (available on select models), XENYX Q Series USB mixers come with all the recording and editing software you'll need to turn your computer into a complete, high-performance recording studio. Product Features:- Premium ultra-low noise, high headroom mixer- 10 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps- 8 studio-grade compressors with super-easy one-knob functionality and control LED for professional vocal and instrumental sound- Ultra-high quality KLARK TEKNIK FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings- Wireless-ready for high-quality BEHRINGER digital wireless system (not included)- Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com- Neo-classic British 3-band EQs with semi-parametric mid band for warm and musical sound- Channel inserts and direct outputs on each mono channel plus main mix inserts for flexible connection of outboard equipment- 4 aux sends per channel: 2 pre/post fader switchable for monitoring/FX applications, 2 post fader (for internal FX or as external send)- Clip LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels- 4 subgroups with separate outputs for added routing flexibility; 4 multi-functional stereo aux returns with flexible routing- Control room/phones outputs with multi-input source matrix; rec inputs assignable to main mix or control room/phones outputs- Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls- Planet Earth switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving- High-quality components and exceptionally rugged construction ensure long life- Conceived and designed by BEHRINGER GermanyKLARK TEKNIK FX on All QX ModelsNothing adds the finishing touch to a live or recorded performance like really good effects, so we equipped a select group of these mixers with one of the best FX engines in the industry. Designed by the world-renowned KLARK TEKNIK engineering team, these high-end FX processors feature 32 studio-grade presets with dual addressable parameters, Tap function and storable user parameter settings. Complete with its own dedicated level meter, these effects provide a wide range of enhancement options, from sweet and mild to absolutely wild!Wireless Ready PerformanceQX1204USB - QX2442USB mixers are wireless-ready right out of the box. Our new ULTRALINK ULM200USB (sold separately) features two high-quality 2.4 GHz wireless mics, plus a special 2-channel receiver dongle that connects directly to a dedicated input port on the top of the mixers. This technologic breakthrough makes for seamless wireless integration that is easier and more affordable than ever. What's a Compressor Ask professional sound engineers what their favorite piece of external processing gear is and the response will be virtually unanimous - dynamic compression. What's compression Glad you asked. Compression limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate sound techs have difficulty mastering. Our one-knob compression is available on all mono channels and is easy to operate, even for entry-level users. Now you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. Our one-knob compressors come standard on each and every XENYX Q Series USB mixer.Sonically Superior Mic PreampsAll XENYX mixers have one thing in common; great-sounding, high headroom XENYX mic preamps. These state-of-the-art mic preamps are a tremendous step in the evolution of audio technology- and they can easily hold their own, even when compared to expensive, boutique-style mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range with a bandwidth that extends from below 10 Hz to well above 200 kHz. As a result, XENYX mixers provide such transparent, crystal-clear performance that you just might think someone upgraded your microphones while you weren't looking.Sweet British EQThe British consoles of the 1960s and '70s changed the sound of rock and roll. Without them, the British Invasion might not have even happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our XENYX mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.Recording ReadyThere was a time when the recording process called for lots of specialized gear, which meant the average musician had to buy time at a recording studio-and that time was expensive! But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. But how do you get all that music flying around your brain into a computer That's where XENYX Q Series mixers come in. Thanks to the built-in, bi-directional stereo USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source connected to the mixer can be recorded straight to your hard drive. Which brings us to software...How About Some Free Software!Because you'll want to take full advantage of your XENYX QX Series mixers' recording and podcasting potential, we've put together a massive software download at www.behringer. com that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You're ready to go live on your PC or Mac right out of the box! You also get more than 100 virtual instruments and 50 FX plug-ins, turning your computer into a complete home-based or mobile recording studio.XENYX QX2442USBThe flagship of the XENYX QX USB Series is the QX2442USB with 10 state-of-the-art, XENYX-powered mic inputs, 4 stereo channels, 4 Aux Sends, 4 stereo Aux Returns, plus our easy to use one knob compressors on all mono channels. Other features exclusive to the QX2442USB are: four subgroups for mixing flexibility; L/R Main Inserts (the ideal path for connecting graphic equalizers or compressor/limiters); and 8 each Direct Outs and Sub Outs for analog recording purposes. Enjoy the freedom of wireless mic functionality, thanks to the built-in ULM receiver port. No task is too big or too small for the XENYX QX2442USB!Outstanding ValueNo matter what your audio mixing needs are, BEHRINGER QX Series USB mixers provide the performance and features to take your talent to the next level, at a price sure to amaze you. Try one on today-we've got one in your size!

BEHRINGER EUROPOWER PMP1680S 1200W POWERED MIXER The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.LightweightWhat is Class-D Technology Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps don t need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.When used in conjunction with switching-mode power supplies, which don t require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.Massive Mono or Stunning StereoOur latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.Classic Control, State-of-the-Art SoundLeave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Built-in, boutique-caliber mic preamps with switchable 48 V phantom power make it possible to use either dynamic or condenser mics with the PMP Series. The PMP6000 gives you 12 mic inputs while the PMP4000 and PMP1680S each give you 8 mic inputs.Built-in Digital Effects ProcessorThe new generation of PMP mixers come equipped with 24-bit FX processors, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you re pulling double duty as sound engineer and performer, the FX processors features a footswitch jack for remote on/off . Of course, if you have treasured outboard gear you ve grown attached to, these mixers can integrate them into the mix while leaving out the built-in FX processor.Changing the ChannelsThe PMP Series gives you excellent flexibility to accommodate whatever a performance requires. You get 12 (PMP6000) or 8 (PMP4000 and PMP1680S) channels for mics, guitars and other mono instruments. Stereo channels 13-20 (PMP6000), 9-16 (PMP4000) and 7-10 (PMP1680S) are designed to work in pairs as stereo channels, or independently for more mono instruments. All mono channels have 3-band EQ, switchable Low cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.A STANDBY switch (PMP6000 and PMP1680S) mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint show you which frequencies to adjust for optimized sound, without the feedback.The Ins and OutsUse the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for instant karaoke applications.CD/TAPE OUT RCA outputs send line-level signals from the mixer to a recording device. The left and right output ¼ connectors can be used for a variety of purposes, including connecting more power amps. Connect monitor power amps or active monitor speakers to the MON SOUND output. Powered outputs on these mixers are available in professional Speakon-compatible format.Small, Simple, SuperbMedium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, it s easier than ever to lend exceptional sound quality to all kinds of public performances.features * Ultra-compact rack-mountable 2 x 800-Watt stereo powered mixer (1600-Watt bridged mode) * Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight * Ultra-compact design at nearly half the depth and weight of conventional powered mixers means no more lugging around dead weight * 10-channel mixer section features 6 mono and 2 stereo channels plus separate CD/Tape input/output * 2 studio-grade, 24-bit stereo FX processors with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects * Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal * 8 high-quality mic preamps with switchable 48 V phantom power for condenser microphones * Effective, extremely musical 3-band EQ, switchable Pad, and Clip LEDs on all mono channels * Stereo 7-band graphic EQ allows precise frequency correction of monitor and main outputs * Voice Canceller function removes singer's voice from recordings for karaoke applications * Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode * Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc. * Standby switch mutes all input channels during breaks while background music is provided via CD/Tape input * Adjustable stereo Aux input for connecting external signal sources * Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption * Rack mount brackets included * High-quality components and exceptionally rugged construction ensure long life * Conceived and designed by BEHRINGER Germany

SLAM! stands for Stereo Limiter And Micpre and it pretty much describes what it will do to most VU meters. We had to put a switch on this limiter to drop its internal VU meters down 3 & 6dB to keep the poor little needles from bending– it'll get LOUD fast (hence the exclamation mark). And on top of being an amazing pair of (actually four) Limiters, and Class A tube mic preamps, it also has masters degrees in DI, AtoD and DtoA, VU and PPM but that was too much for an acronym. When it comes to classic gear, especially classic limiters, we can all agree numbers like LA2s, 1176s, 2264s, and others come to mind. What if all those sounds were to be found in one stereo tube unit. Interested We combined our favorite Electro-Optical circuit (ELOP®) with a damn fast FET based brick-wall limiter reminiscent of some cool classics. And we added a sidechain filter that can remove low frequencies that makes it more useful for a variety of tasks, while retaining that easy, it just works quality that has made it a favorite for vocals everywhere. The FET-based limiter has different desirable characteristics that both optimise the signal for digital recording, due to the brick-wall capability, and let you dial in how clean or crunchy, or punchy, and how loud and proud you want it. Manley is excited to announce the SLAM! GET IN: The SLAM! starts with tube Mic Preamps on both channels with selectable phase reverse, high pass filter, and switchable phantom power (on the back panel). We’ve got plenty of gain for you in this new tube circuit, up to 60dB with 20dB more in the limiter– plenty for soft singers using low output ribbon mics. The input attenuator is right up front, like a variable pad so your loud rock ‘n’ rollers won’t cause a problem either. Track direct with the Direct Instrument input or bring your line level inputs into the SLAM! for processing. The DI inputs have selectable input impedance, depending on how far you plug the 1/4 cable into the jack: push it in all the way and the input impedance is 100KOhms, pull it out half way and it becomes 20 megOhms which reduces pickup loading and allows all the highs to get through. Come on in! Get it LOUD... two different and distinct limiters per channel: The ELOP® LIMITER: Our beloved Electro-Optical Levelling Amplifier circuit, the ELOP®, still the favorite for vocal tracking, shows up here with its new switchable side-chain high pass filter making it much more useful for mixes and other tracks as well. One of the most appreciated aspects of our original ELOP® is the simplicity of a two knob limiter, which is optimum for demanding pro recording pressures. You can still grab two knobs and have complete control of level and dynamics and be ready to hit that record button. Intuitive controls and a straight ahead signal path through quality components simply work. The ELOP® limiter implementation is done like we did in our VOXBOX® which pioneered the idea of limiting the mic signal before it hits any active stage. The ELOP limiter moves to the line stage when LINE is selected. The ELOP sidechain provides different HP filters on a toggle. The 200 Hz setting has been tailored for vocals and adds a touch of de-essing.The FET LIMITER: Here’s a new fast FET based brick wall limiter that spans the range of clean predictable limiting to the grunge and gravel that other FET based limiters are desired for. The FET RELEASE control allows you to dial up a variety of colors. There is even a CLIP setting that provides as round a shape as has ever been available. (Read more below about the CLIP settings.) We aimed at sound first, then experimented with circuits until we heard what we wanted discovering fresh approaches that provide a very wide range of useful dynamic control. For example, you can set up for a fast brick wall limiter with slower releases for minimum artifacts, or go with the faster releases to get some crunch and then get extreme loudness. The Attack control is unusual too providing the sonic control common with its historic brothers but very unusually retaining the zero overshoot “none-shall-pass” brick wall that defines a real limiter. And it’s punchy! As the saying goes, “Louder is better.” The SLAM! optimizes levels to analog to digital converters with ballz, warmth and loudness verging on silly or just clean and safe. What is especially nifty is the ability to use the ELOP® and FET limiters together at the same time dialing in whatever amounts of each effect you like. Every limiter has its own character or sound and here we have combined two powerful world-class tools that can be uniquely blended and mixed to taste and purpose. Even the metering is appropriate for each limiter so you can easily see how each is contributing. Metering on the SLAM! is exceptional. The two full size real VU meters show you the raw input levels, the final output levels, and the ELOP® Limiter gain reduction in the traditionally preferred format for visually displaying apparent loudness. VU’s are cool. Noticing how mastering engineers often need a switchable pad on their VU's because the optimised levels tend to pin the needles in the red, the SLAM! VU’s also have a 0, -3dB, -6dB switch to help with this situation. There are also very fast and super accurate multi-color LED ladder peak meters that display the input and output levels and the FET gain reduction, and some combinations. They will do Peak, Peak Hold timed, and Peak Hold until reset, and also allow you to manually set where the individual bars change colors to match your other gear. And with maximum clean I/O levels of +30 dBu, it is a lot more likely you will use these meters to see what’s clipping downstream. It probably won’t be the Manley tube line drivers inside!The back panel should keep everybody happy. In the sea of jacks including the big power supply connector, you'll find all the usual XLR’s for transformer balanced I/O and 1/4 phone jacks for direct unbalanced I/O. Eight Bantam jacks in a mini-patchbay configuration handle the side-chain inserts and linking functions. You can insert EQs into the ELOP® and FET limiters, and there are more jacks for you to mix in an external signal into the side chains. Another pair of jacks provides for easy linking for 5.1 surround work if you have three or four SLAM!'s. It’s all here.Speaking of Linking... all previous Manley dynamics units require both channels to be setup fornear identical settings rather than the more common just set the Left side. The SLAM! lets you do it both ways. The L Side method is the STEREO LINK mode and is quick and convenient but, like others, uses a mono mix for the side-chain. The BOTH & EXT adds the rear panel link jacks to the link buss so you could chain up several SLAM!s for linked surround work. Both or all 6 channels should be set similarly. This mode is usually better for mastering as it responds to the true peak level of the channels rather than an artificial mono mix.Outside the Box, that's where the power supply is. The illuminated power switch turns on the external power supply. Keeping the power supply far away also keeps additional heat and magneticfields away from the precious audio. The power supply is housed in a sturdy cast aluminum 7 x 4 x 5 box that is easy to mount to or place in the bottom of a rack. A seriously humongous 16 pin connector, and 6' multicore cable connects the two boxes.The SLAM! also seems a natural as a mastering tool. The FET limiter works great on mixes, and the ELOP® now has a high pass filter switch that is spot-on for mastering. We offer a dedicated mastering version which eliminates the mic preamps, adds detented controls replacing the pots, and provides extra metering options. Manley compressors and EQs seem to be the most popular pieces of gear ever when it comes to mastering. The ultimate analog rack for the final important touches to the mix would have include the SLAM!, The Variable Mu® and The Massive Passive. Combine this with some digital processors of similar calibre and one has a respectable and very effective set of mastering tools. That Manley rack plus some Manley Microphones would make an ultimate stereo recording chain too. This is gear you’ll want to keep for a lifetime.

Use Shadow s unique Stompin Bass to add dynamic percussion to your performance. Perfect for solo artists, percussionists and bands.For those of you who like to create a natural rhythm to accompany your playing, the Stompin Bass is the perfect solution.The Stompin'Bass has a unique and compact design that is very robust and road worthy with a high quality Shadow NanoMAG pickup system. It adds dynamic percussion for solo artists and bands alike. The Stompin Bass is played simply by tapping the surface with your foot, and its angled design allows for hours of tireless use. Upgrade the sound of solo artists but of any band without a percussive instrument. Made out of chosen rosewood which is often used for high class bass guitars the Stompin Bass worksis a unique instrument that adds dynamic percussion for solo artists and bands alike.The removable rear extension supports your heel, and the anti-slip surface keeps the Stompin Bass in place. Toneful bubinga wood houses Shadow s high quality, patented NanoMag pickup. Combined they produce a very natural, deep, warm percussive sound. The Stompin Bass is shielded making it free from noise and interference. The Stompin Bass is both versatile and easy to use. The slanted top gives a player comfort and easy use with the foot. You can either play it by using your toes or your heel. The underside of the Stompin Bass is covered with a special anti-slip material.Because of the NanoMAG pickup and the active electronics inside the Stompin Bass supplies, unlike other similar percussive products, a full, deep and warm bass sound. As it is a humbucker, it is free of 50/60Hz hum. A completely shielded case and low impedance output protect it from outside magnetic disturbances and makes it totally hum-free. The electronic circuitry is powered by a single 9V battery with extremely low power consumption. The battery turns on automatically, as soon as you plug the instrument cable into the endpin jack. To prolong battery life, take the cable out, when not in use.Depending on your equipment and its EQ setup, the material of your shoes and how hard you stomp you will get different sounds. The Stompin Bass has a standard output jack which can be plugged straight into any PA or EQ, pedal, guitar amplifier you like, to produce the tone and volume which best suits your style.It even comes with its own special carry case. - Percussive instrument to create a natural rhythm- Active NanoMAG supplies a deep, warm and hum-free sound- Unique, compact design made of chosen rosewood- Very robust and road worthy product- Versatile and easy to use- Incl. high quality gig bag- Incl. 9 volt battery- Measurements Stompin'Bass: 14 cm x 13,5 cm- Measurements extension: 14 cm x 13,5 cm

With millions of loyal and happy customers, BEHRINGER XENYX mixers stand alone at the top of their class. Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, next-generation XENYX Q Series USB mixers can handle your live gigs and provide the state-of-the-art tools to make stunning, professional-quality recordings. Select models feature dedicated, wireless-ready integration for our new ULM Series USB microphones, making them the first of their kind in the industry. Along with their built-in USB/audio interfaces, one-knob mono channel compressors and KLARK TEKNIK FX engines (available on select models), XENYX Q Series USB mixers come with all the recording and editing software you'll need to turn your computer into a complete, high-performance recording studio.Product Features:- Premium ultra-low noise, high headroom mixer- 6 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps- 6 studio-grade compressors with super-easy one-knob functionality and control LED for professional vocal and instrumental sound- Ultra-high quality KLARK TEKNIK FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings- Wireless-ready for high-quality BEHRINGER digital wireless system (not included)- Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com- Neo-classic British 3-band EQs with semi-parametric mid band for warm and musical sound- 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes- Revolutionary FBQ Feedback Detection System instantly reveals critical frequencies- Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image- Voice Canceller function for easy-to-use sing-along applications- Channel inserts on each mono channel for flexible connection of outboard equipment- 3 aux sends per channel: 1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)- Clip LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels- 2 subgroups with separate outputs for added routing flexibility and 2 multi-functional stereo aux returns with flexible routing- Balanced main mix outputs with gold-plated XLR connectors, headphone/control room output and stereo rec outputs- Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls- Planet Earth switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving- High-quality components and exceptionally rugged construction ensure long life- Conceived and designed by BEHRINGER GermanyKLARK TEKNIK FX on All QX ModelsNothing adds the finishing touch to a live or recorded performance like really good effects, so we equipped a select group of these mixers with one of the best FX engines in the industry. Designed by the world-renowned KLARK TEKNIK engineering team, these high-end FX processors feature 32 studio-grade presets with dual addressable parameters, Tap function and storable user parameter settings. Complete with its own dedicated level meter, these effects provide a wide range of enhancement options, from sweet and mild to absolutely wild! Wireless Ready PerformanceQX1204USB - QX2442USB mixers are wireless-ready right out of the box. Our new ULTRALINK ULM200USB (sold separately) features two high-quality 2.4 GHz wireless mics, plus a special 2-channel receiver dongle that connects directly to a dedicated input port on the top of the mixers. This technologic breakthrough makes for seamless wireless integration that is easier and more affordable than ever. What's a Compressor Ask professional sound engineers what their favorite piece of external processing gear is and the response will be virtually unanimous - dynamic compression. What's compression Glad you asked. Compression limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate sound techs have difficulty mastering. Our one-knob compression is available on all mono channels and is easy to operate, even for entry-level users. Now you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. Our one-knob compressors come standard on each and every XENYX Q Series USB mixer. Sonically Superior Mic PreampsAll XENYX mixers have one thing in common; great-sounding, high headroom XENYX mic preamps. These state-of-the-art mic preamps are a tremendous step in the evolution of audio technology- and they can easily hold their own, even when compared to expensive, boutique-style mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range with a bandwidth that extends from below 10 Hz to well above 200 kHz. As a result, XENYX mixers provide such transparent, crystal-clear performance that you just might think someone upgraded your microphones while you weren't looking. Sweet British EQThe British consoles of the 1960s and '70s changed the sound of rock and roll. Without them, the British Invasion might not have even happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our XENYX mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality. Recording ReadyThere was a time when the recording process called for lots of specialized gear, which meant the average musician had to buy time at a recording studio-and that time was expensive! But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. But how do you get all that music flying around your brain into a computer That's where XENYX Q Series mixers come in. Thanks to the built-in, bi-directional stereo USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source connected to the mixer can be recorded straight to your hard drive. Which brings us to software... How About Some Free Software!Because you'll want to take full advantage of your XENYX QX Series mixers' recording and podcasting potential, we've put together a massive software download at www.behringer. com that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You're ready to go live on your PC or Mac right out of the box! You also get more than 100 virtual instruments and 50 FX plug-ins, turning your computer into a complete home-based or mobile recording studio. XENYX QX1832USBBuilding on the feature set of the X1622USB, the X1832USB comes with two additional mic strips (including channel inserts), for a total of six XENYX mic preamps. Thanks to the built-in ULM receiver port you also get our seamless wireless mic capability. The onboard stereo 9-band graphic equalizer, which can be assigned to the main or monitor buses, provides superb system EQ and works in conjunction with the FBQ feedback detection circuitry to eliminate annoying mic squeals. Other features include full-sized faders for Mon and FX Sends, along with our proprietary XPQ 3D stereo surround effect and Voice Canceller. The ultra-versatile X1832USB also has an additional Aux Send (switchable pre/post), for a total of three, and two assignable subgroups. Outstanding ValueNo matter what your audio mixing needs are, BEHRINGER QX Series USB mixers provide the performance and features to take your talent to the next level, at a price sure to amaze you. Try one on today-we've got one in your size!

nanoSERIES2Slim-line USB-MIDI ControllersAnnouncing the new nanoSERIES2; three compact and convenient USB-MIDI controller models offering serious features for the computer-based musicianSlim-line controllers combining cutting-edge design and technologyEach of the nanoSERIES2 of ultra-compact and low-profile USB-MIDI controllers will fit perfectly in front of your laptop computer or desktop keyboard, offering impressive control while conserving valuable set-up space. Simply connect a single USB cable, and you\'ve got a music production studio on your desk at home or on the go. Three models to suit your needsThe nanoKEY2 is equipped with 25 velocity-sensing keys and an advanced design for reliable recording. For entering drum parts, the nanoPAD2 is the top choice. It boasts 16 responsive pads and an X-Y touchpad, just as on the Kaossilator Pro. The nanoKONTROL2 provides knobs, switches, and faders - perfect for controlling any DAW computer based DAW or numerous types of other music production software. Choose one, two or all three nanoSERIES2 controllers, and set up a simple and stylish system that\'s perfect for your music production needs. Two stylish colors: Black and White.Each of the three nanoSERIES2 models is available in your choice of bold Black or bright White. Choose the color that\'s right for you - match your computer, contrast your console - it\'s all up to you! An ideal companion for the microKEYThe nanoSERIES2 controllers are the ideal companions for the 37-note, natural-touch Korg microKEY. The latter\'s dual USB hub ports allow any two nanoSERIES2 controllers to be connected directly to the microKEY to create a customized, expanding control center for any music production system.Apple iPad CompatibilityEnjoy nanoSERIES2 MIDI control of your iPad Music apps! Korg nanoSERIES2 controllers can now be used with the iPad via the Apple iPad Camera Connection Kit, providing MIDI control using the Apple Core MIDI features. Apple iOS 4.2.1 is supported, and the app needs to support Core MIDI. If you are using multiple nanoSERIES2 controllers, or plan to use a single nanoSERIES2 for an extended period of time, please use a powered USB hub. nanoKONTROL2 Slim-Line USB Control Surface# Low-profile, multi-function control surface# New track select and marker advance parameters# Supports numerous software titles including major DAW programsConvenient, compact control surface, with easy setup for immediate useIn a body proportioned to fit perfectly in front of your laptop computer, the nanoKONTROL2 provides eight channels of the controllers you need to control your music software. The nanoKONTROL2 also features a dedicated transport control section. The buttons have been carefully selected to be useful with your software, ensuring simple and intuitive control. Many software titles - including major DAW programs - are supported, dramatically reducing the need to make complicated connection settings.Complete control for your DAW or software synthesizerA knob, fader, and three switches are provided for each of the eight channels, respectively assigned to pan, volume, and solo/mute/record. This arrangement is a real convenience when recording automation for multiple channels. There\'s also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production. When using a software synthesizer, you can assign parameters to the desired controllers for easy control. For example you could use the faders to control the ADSR of an envelope generator, and use the knobs to control the filter\'s cutoff frequency and resonance, etc.Korg Kontrol Editor softwareThe nanoKONTROL2 works with the Korg Kontrol Editor software - available free on the Korg website. Load it into your computer, and use it to make detailed customized settings. For example, the minimum and maximum values for each control change message can be specified.USB power for an uncluttered setupJust connect a single USB cable from your computer to the nanoKONTROL2, and you\'ve got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace. nanoKONTROL2 specificationsControllers: * 8 knobs * 8 sliders * 24 buttons * Transport buttons: REW/FF/STOP/PLAY/REC * CYCLE button * MARKER button * TRACK buttonCorresponding Software: Avid Pro Tools/Apple Logic, GarageBand/MOTU Digital Performer/Steinberg Cubase/Ableton Live/Cakewalk SONOR Software that can be controlled by control change messageConnections: mini-USBPower: USB bus powerPower Consumption: USB bus power: less than 100 mADimensions: * Size (W x D x H): 12.80 x 3.27 x 1.18 inches * Weight: 0.65 lbs. * Accessories: USB cableSystem Requirements:Macintosh: * Supported OS: Mac OS X 10.4 or later * Supported Computer: Apple Macintosh with USB port, satisfying the operating requirements of Mac OS X or Apple Macintosh with PowerPC supportedWindows: * Supported OS: Microsoft Windows XP SP3 (32bit), Microsoft Windows Vista SP2 (32bit, 64bit), Microsoft Windows7 (32bit, 64bit) * Supported Computer: Computer with USB port, satisfying the operating requirements of Windows XP/ Vista/7 (Intel USB chipset recommended)

Reloop's new RP 7000 MK2 vinyl turntable has a heavy-duty chassis thanks to its metal construction and synthetic materials. Its scratch-resistant, vibration-proof and scratch-resistant top is finished in black and metal. The quartz motor's power and adjustable starting torque allow precise adjustment of the plate speed from 0.2 to 6 seconds, making it an extremely smooth vinyl plate. The S-arm has anti-skid function and a universal connection for classic read heads. The RP 7000 MK2 is also equipped with the front/rear playback system and two on/off buttons for easy operation in a vertical configuration. It also has buttons to toggle between the three gear modes (33 1/3,45 and 78 rpm). A mobile and interchangeable LED light makes it easy to find the position of the reading head in a dark environment. The RP 7000 MK2 has an integrated and switchable phono preamplifier for use with a Phono or line output signal. The RCA connection is facilitated by the use of detachable cables. Thanks to the technical improvements made, this new RP 7000 MK2 meets the high demands of professional clubs and DJs even more significantly. General characteristics: Aluminium body (black colour) extremely robust Rigid frame with metal and rubber reinforcements to dampen vibrations and ensure perfect insulation Anti-shock feet Removable LED reading head illumination Reverse function (reverse playback) Additional on/off button for vertical positioning Universal connection for read heads Flush-mounted connection slot for easy installation in a flight cash box Adjustable pitch ± 8%, ± 16 and ± 50%. Detachable RCA cables Power supply: 115-230 V, 60/50 Hz Power consumption: 13W Included accessories: tray, anti-slip mat, LED lighting, counterweight, Phono RCA cable with earthing, AC adapter, instructions for use Dimensions (W x D x H): 458 x 354 x 144.6 mm Weight: 11,7 Kg Reading arm: Arm type: universal, balanced static, S-shaped Length: 230 mm Overhead: 15 mm Weight applicable to the cell: 3.5-8.5 g Hydraulic shock absorber and anti-skid mechanism: 0-3 g Connections: phono / line output (gold plated) Arm mass: 30 g Plateau: Direct drive turntable Three-phase 16-pin brushless quartz motor Precise control of the 3-speed motor: 33 1/3,45 and 78 rpm Adjustable starting torque: 2.8 - 4.5 kg/cm Adjustable start and stop speed: from 0.2 to 6 sec Wow and flutter: 0.01% WRMS S/N ratio >: 55 dB (DIN-B) Brake system (electronic brake) Material: die-cast aluminium Diameter: 332 mm Weight: 1,5 Kg

A-49 MIDI Keyboard ControllerPortable Control with Pro ActionFeatures There s no shortage of portable MIDI keyboard controllers on the market, but portability often equates to subpar keyboard action. With the new A-49, the game has changed this lightweight, slim-line controller features a premium-grade, full-size keyboard that raises the bar in its class. Available in pearl white and black finishes, the A-49 is a dream for musicians seeking a simple, easy-to-use MIDI keyboard with pro-quality playing feel.- 49 full-size keys with velocity sensitivity- Lightweight and compact- Easy to use- Two knobs, two switches, and D-BEAM controller- USB bus powered; no AC adapter required- Bundled with Cakewalk SONAR LE software- Pearl white and black finishesGreat Keys, Great ControlsThe A-49 s keys have a rounded shape for better reaction to the player s touch and more comfortable glissandi. Other enhancements have been made to reduce the already low mechanical noise and eliminate vertical shake. All of these features add up to a keyboard that even the most discerning pros will appreciate.Add color to your sound and excitement to your performance by waving your hands over the invisible D-BEAM. The A-49 can assign all its controllers automatically for fully utilizing an external SuperNATURAL sound module such as the INTEGRA-7. It s also a great second keyboard for controlling synthesizers that have onboard SuperNATURAL sounds, such as the JUPITER-80 and JUPITER-50.Mobile MusicThe A-49 was born for mobile use. It s strong yet amazingly lightweight (less than six pounds/2.5 kilograms), making it easy to lift and carry. And although it has a very streamlined design, the A-49 features a full-size, premium keyboard with 49 velocity-sensitive keys.For the ultimate in portable convenience, the A-49 is powered from your computer s USB bus no power cable or adapter is required. It draws a minimal amount of current, which is ideal for a USB bus-powered device.Make Music with Your Mac or PCThe A-49 provides clean connections via its recessed rear panel, so you can place a computer monitor or laptop in the perfect position for creating music. Two knobs, two switches, and the D-BEAM controller are all easily accessible and intelligently arranged to make your workflow fast and fluid. Dedicated octave buttons offer immediate control of the key scale, and a transpose button is provided for adjusting the scale in semitone steps; LED indicators give you instant visual feedback of your octave/transpose settings. Other settings can be accessed via the Function button, which lets you use the keys to perform additional tasks printed above the keyboard.Perfect Partner for the iPad*Recently, many musicians have gravitated toward their Apple iPads to record musical ideas. While there are small MIDI keyboards that can be used with the iPad, the A-49 gives you pro playability as well as mobility. Its clean, clutter-free surface and excellent feel keeps your fingers on the keys and your mind on the music.*The A-49 can be connected to the iPad via Apple s Camera Connection Kit.

nanoSERIES2Slim-line USB-MIDI ControllersAnnouncing the new nanoSERIES2; three compact and convenient USB-MIDI controller models offering serious features for the computer-based musicianSlim-line controllers combining cutting-edge design and technologyEach of the nanoSERIES2 of ultra-compact and low-profile USB-MIDI controllers will fit perfectly in front of your laptop computer or desktop keyboard, offering impressive control while conserving valuable set-up space. Simply connect a single USB cable, and you\'ve got a music production studio on your desk at home or on the go. Three models to suit your needsThe nanoKEY2 is equipped with 25 velocity-sensing keys and an advanced design for reliable recording. For entering drum parts, the nanoPAD2 is the top choice. It boasts 16 responsive pads and an X-Y touchpad, just as on the Kaossilator Pro. The nanoKONTROL2 provides knobs, switches, and faders - perfect for controlling any DAW computer based DAW or numerous types of other music production software. Choose one, two or all three nanoSERIES2 controllers, and set up a simple and stylish system that\'s perfect for your music production needs. Two stylish colors: Black and White.Each of the three nanoSERIES2 models is available in your choice of bold Black or bright White. Choose the color that\'s right for you - match your computer, contrast your console - it\'s all up to you! An ideal companion for the microKEYThe nanoSERIES2 controllers are the ideal companions for the 37-note, natural-touch Korg microKEY. The latter\'s dual USB hub ports allow any two nanoSERIES2 controllers to be connected directly to the microKEY to create a customized, expanding control center for any music production system.Apple iPad CompatibilityEnjoy nanoSERIES2 MIDI control of your iPad Music apps! Korg nanoSERIES2 controllers can now be used with the iPad via the Apple iPad Camera Connection Kit, providing MIDI control using the Apple Core MIDI features. Apple iOS 4.2.1 is supported, and the app needs to support Core MIDI. If you are using multiple nanoSERIES2 controllers, or plan to use a single nanoSERIES2 for an extended period of time, please use a powered USB hub. nanoKONTROL2 Slim-Line USB Control Surface# Low-profile, multi-function control surface# New track select and marker advance parameters# Supports numerous software titles including major DAW programsConvenient, compact control surface, with easy setup for immediate useIn a body proportioned to fit perfectly in front of your laptop computer, the nanoKONTROL2 provides eight channels of the controllers you need to control your music software. The nanoKONTROL2 also features a dedicated transport control section. The buttons have been carefully selected to be useful with your software, ensuring simple and intuitive control. Many software titles - including major DAW programs - are supported, dramatically reducing the need to make complicated connection settings.Complete control for your DAW or software synthesizerA knob, fader, and three switches are provided for each of the eight channels, respectively assigned to pan, volume, and solo/mute/record. This arrangement is a real convenience when recording automation for multiple channels. There\'s also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production. When using a software synthesizer, you can assign parameters to the desired controllers for easy control. For example you could use the faders to control the ADSR of an envelope generator, and use the knobs to control the filter\'s cutoff frequency and resonance, etc.Korg Kontrol Editor softwareThe nanoKONTROL2 works with the Korg Kontrol Editor software - available free on the Korg website. Load it into your computer, and use it to make detailed customized settings. For example, the minimum and maximum values for each control change message can be specified.USB power for an uncluttered setupJust connect a single USB cable from your computer to the nanoKONTROL2, and you\'ve got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace. nanoKONTROL2 specificationsControllers: * 8 knobs * 8 sliders * 24 buttons * Transport buttons: REW/FF/STOP/PLAY/REC * CYCLE button * MARKER button * TRACK buttonCorresponding Software: Avid Pro Tools/Apple Logic, GarageBand/MOTU Digital Performer/Steinberg Cubase/Ableton Live/Cakewalk SONOR Software that can be controlled by control change messageConnections: mini-USBPower: USB bus powerPower Consumption: USB bus power: less than 100 mADimensions: * Size (W x D x H): 12.80 x 3.27 x 1.18 inches * Weight: 0.65 lbs. * Accessories: USB cableSystem Requirements:Macintosh: * Supported OS: Mac OS X 10.4 or later * Supported Computer: Apple Macintosh with USB port, satisfying the operating requirements of Mac OS X or Apple Macintosh with PowerPC supportedWindows: * Supported OS: Microsoft Windows XP SP3 (32bit), Microsoft Windows Vista SP2 (32bit, 64bit), Microsoft Windows7 (32bit, 64bit) * Supported Computer: Computer with USB port, satisfying the operating requirements of Windows XP/ Vista/7 (Intel USB chipset recommended)

EUROPOWER PMP60001600-Watt 20-Channel Powered Mixer with Dual Multi-FX Processor and FBQ Feedback Detection System* Ultra-compact 2 x 800-Watt stereo powered mixer (1600 Watt bridged mode)* Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight* Ultra-compact design at nearly half the weight of conventional powered mixers* 20-channel mixer section features 12 mono and 4 stereo channels plus separate CD/Tape input/output* 2 studio-grade 24-bit stereo FX processors with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects* Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal* 12 high-quality XENYX Mic Preamps with switchable 48 V phantom power for condenser microphones* Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels* Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs* Voice Canceller function removes singer s voice from recordings for karaoke applications* Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode* Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.* Standby switch mutes all mic input channels during breaks while background music is provided via CD/Tape input* Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image* Adjustable stereo 2-Track input for connecting external line sources* Multi-functional stereo Preamp outputs for added flexibility* Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption* High-quality components and exceptionally rugged construction ensure long life* Conceived and designed by BEHRINGER GermanyThe new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection. What is Class-D Technology Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps don t need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.When used in conjunction with switching-mode power supplies, which don t require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.Massive Mono or Stunning StereoOur latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time. Classic Control, State-of-the-Art SoundLeave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Built-in, boutique-caliber mic preamps with switchable 48 V phantom power make it possible to use either dynamic or condenser mics with the PMP Series. The PMP6000 gives you 12 mic inputs while the PMP4000 and PMP1680S each give you 8 mic inputs. Built-in Digital Effects ProcessorThe new generation of PMP mixers come equipped with 24-bit FX processors, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you re pulling double duty as sound engineer and performer, the FX processors features a footswitch jack for remote on/off . Of course, if you have treasured outboard gear you ve grown attached to, these mixers can integrate them into the mix while leaving out the built-in FX processor. Changing the ChannelsThe PMP Series gives you excellent flexibility to accommodate whatever a performance requires. You get 12 (PMP6000) or 8 (PMP4000 and PMP1680S) channels for mics, guitars and other mono instruments. Stereo channels 13-20 (PMP6000), 9-16 (PMP4000) and 7-10 (PMP1680S) are designed to work in pairs as stereo channels, or independently for more mono instruments. All mono channels have 3-band EQ, switchable Low cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.A STANDBY switch (PMP6000 and PMP1680S) mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint show you which frequencies to adjust for optimized sound, without the feedback.The Ins and OutsUse the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for instant karaoke applications.CD/TAPE OUT RCA outputs send line-level signals from the mixer to a recording device. The left and right output ¼ connectors can be used for a variety of purposes, including connecting more power amps. Connect monitor power amps or active monitor speakers to the MON SOUND output. Powered outputs on these mixers are available in professional Speakon-compatible format.Small, Simple, SuperbMedium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, it s easier than ever to lend exceptional sound quality to all kinds of public performances.