The LEHLE SUNDAY DRIVER SW II is a compact high-end preamp for all types of electric and acoustic instruments - a preamp for electric and acoustic guitars and basses, not to mention other stringed instruments (such as violins, cellos and double basses) to realize their full musical potential. The switchable version expands on the classic LEHLE SUNDAY DRIVER II with a soft-touch foot switch, to activate and deactivate the pedal. The LEHLE-Switch works with a microcontroller and an intelligent True-Bypass-Relay-Circuit with active pop suppression circuit, thereby allowing the LEHLE SUNDAY DRIVER SW II to switch even faster than mechanical switches, noise-free and without wear. The easy-action mushroom-shaped button characteristic of LEHLE products is mounted in the cover, so that your foot pressure is transmitted indirectly, via a spring. Thus the electronics board is not exposed to mechanical loads, making the LEHLE SUNDAY DRIVER SW II virtually indestructible and guaranteeing years of trouble-free switching. When ON, its circuit is based on a discrete Class A circuit with JFET technology and provides two modes of operation, selected by a mode selector switch with gold-plated contacts: D stands for Driver: in this mode, your guitar signal is amplified, with absolutely no modification, at the input impedance of a guitar amp, efficiently eliminating losses on the route through leads and effects; the signal remains strong and clear, retaining its full dynamics. The second setting S - as in Sunday - multiplies the input impedance by five, bringing out previously inaudible details and, as gain increases, giving your guitar a characteristic and unmistakable warmth that has given this preamp its name - the result is a sound as mellow as a sunny Sunday afternoon. Even at the maximum 18 dB gain setting, the LEHLE SUNDAY DRIVER II always stays clean and absolutely free of background noise, thanks to its studio-standard overall dynamic range of 130 dB. To exploit the dynamics of tube amplifiers to the full, the input voltage is also rectified from the power supply socket, then filtered, stabilized and transformed to 30 V. When OFF, the LEHLE SUNDAY DRIVER SW II provides two different modes of operation: in TB (= True Bypass) mode, the input and output are linked via relay, with zero tonal loss. True-Bypass mode is the best option if you have a small setup with short cable routings and for when a treble booster or old-school fuzz pedal is placed after the LEHLE SUNDAY DRIVER SW II. If you have long cables or a complex effects board configuration, switch to TS (= True Sound) mode, and the LEHLE SUNDAY DRIVER SW II is active as a buffer, without amplifying or modifying the signal in any way. In this mode, the LEHLE SUNDAY DRIVER SW II operates as a totally neutral line-driver equivalent to mode D with the gain pot turned all the way to the left. The Bypass mode option enables you to effortlessly and tone-fully integrate the LEHLE SUNDAY DRIVER SW II into any setup, no matter how complex. High-end preamp, buffer and booster Discrete Class A input stage 130 dB dynamic range thanks to 30 V technology Choose between two sound modes Neutral, studio quality sound Switchable boost up to 18 dB Choose between Buffer and True-Bypass operation Balanced output can be used as a DI box

PHANTOM POWERED, ULTRA-QUIET VERSION OF THE ICONIC R44 MICROPHONE The A440 is the quietest high-performance ribbon microphone ever produced. It combines all of the warmth and beauty of the classic 44 with a signal so hot, you ll have to experience it to believe it. As with the rest of AEA's Big Ribbon microphones, it needs very little EQ, takes it nicely when you want it, and is free of resonances in the audible range. The A440 is unlike any other microphone on the market today, and no professional studio should be without one. Like its passive cousin, the R44CX, the A440 is based on the RCA 44BX, but is phantom powered and uses a custom-made German transformer. The active electronics are inspired by AEA s acclaimed TRP JFET preamp technology, providing a consistent sound immune to preamp loading. The A440 uses the same RCA NOS (new-old stock) ribbon element, only 1.8 microns thick, which is hand-cut from material originally manufactured for RCA. It features a museum-quality shell with a durable bronze investment cast yoke. Umber paint and a red medallion on the transformer case, and a bright nickel finish with polished brass accents are the icing on the cake for this piece of beauty. Because of its exceptionally low noise floor and its classic sound characteristics, the A440 has quickly become a favorite of even the most critical ears. Orchestral sampling experts EastWest Studios now favor their pair of A440s over their vintage RCA 44s due to the advantages in noise performance.Musicians with very high sound-quality demands and the desire for a long-lasting investment for their microphone locker gravitate towards the A440. Legendary guitarists Peter Frampton and Neil Young, or Irish alternative rockers The Script, all share their love for this stunning microphone. FEATURES - Phantom powered Big Ribbon microphone with 18 dB more gain than the R44 - JFET active electronics in the AEA TRP tradition - Exceptionally low equivalent noise level 6 dB(A): quietest ribbon microphone ever made - Long ribbon sound in the 44 tradition - Authentic RCA New Old Stock ribbon material - Investment cast bronze yoke and machined brass parts, no zinc - Single-diaphragm with well-controlled, native figure-8 polar pattern - Consistent horizontal polar response, on and off axis - 90º null-plane helps reject difficult acoustics - High SPL capability: 132.5 dB with a load of 1 kOhm - Hand built to order - Computer matched to production reference standards - Custom German toroidal transformer

The KU4 has the unmistakable characteristics of a smooth ribbon sound, yet it is uniquely different. Like other ribbons, its lightly-tensioned, ultra low mass ribbon has a frequency response beyond 20 kHz, an accurate transient response, and no upper midrange resonances common to large condenser mics. Having a supercardioid instead of a figure-eight polar response pattern mics sets it apart from other ribbon mics. The KU4's suppressed rear lobe reduces the pickup of room ambience and is especially useful when the rear of a figure-eight pattern would pick up undesirable sounds. The KU4's reduced bass proximity effect facilitates closer miking, while its low-tuned ribbon does not exhibit bass distortion. These characteristics make the KU4 well-suited for the modern studio. It is currently the only supercardioid ribbon microphone in commercial production. The KU4 is a re-vision of the legendary RCA KU3A, a unidirectional microphone originally designed for the Hollywood movie studios. Also known as the 10001 (for its RCA manufacturing number), it was RCA s most expensive ribbon microphone and fewer than 600 units were ever manufactured. The KU3A combined the smooth ribbon sound of a 44 with a unidirectional pattern, a wide sweet spot, and reduced proximity bass boost. Expanding an engineer's range of placement choices, it became a standard at film studios around the world. Today, however, the KU3A is a rare collector's item, and only a handful of studios or rental houses own them. The few lucky owners of vintage KU3As in great condition like Grammy-winning producer/engineer Kevin Augunas (Sound City Studios) treat their mics as little treasures. Original KU3As are notorious for their sonic inconsistencies due to production tolerances, so with the KU4, we at AEA engineered the microphone from the ground up in order to recreate this seminal design while ensuring flawless consistency from unit to unit. AEA is proud to put this microphone back into the hands of modern users. The KU4 is your ticket to discovering why RCA unidirectional ribbon microphones have been used in professional studios for over 60 years. AEA is honored to play a part in its history, and invites you to listen to the KU4 and claim your part of this legacy. The KU4 utilizes a medium sized ribbon unlike all other AEA mics. While AEA s Large Ribbon Geometry TM design offers advantages like extended bass response and maximum SPL level, the KU4 s shorter and narrower ribbon is characterized by a unique upper midrange presence that is particularly interesting for vocals and acoustic stringed instruments. Because of the shorter ribbon, the KU4 is much more similar to the venerable RCA 77 type microphone rather than the RCA 44. By comparison to the 77, the KU4 has a slightly longer ribbon, a fixed polar pattern, and a more natural sounding unidirectional mode. Compared to other non-bidirectional ribbon mics like the Beyer M160, the KU4 s ribbon is 50% longer providing better bass response and higher SPL handling capabilities. - Unidirectional (supercardioid) pickup pattern - Reduced proximity effect and room ambience - Extended top end with classic ribbon smoothness - Modern, consistent version of the RCA KU3A

Bundle offer comprising Alesis Strata Prime E-Drum Kit E-Drum Set - New module with 10.1" touch display- BFD sound engine- 75 Preset drum sets- Virtually unlimited number of user kits- 440 Kit pieces- 1092 Articulations and thousands of samples recorded via multiple microphone channels- Over 40 GB of occupied memory- 128 GB total storage space- Revolutionary new customisable trigger engine with automatic crosstalk filtering- Including rack, 90-day free subscription to Drumeo and 30-day free subscription to Melodics and BFD desktop application software Set configuration: - 20" Kick drum- 8" Tom pad- 10" Tom pad- 12" Tom pad- 14" Tom pad- 14" Snare pad- 14" Hi-Hat pad- 2 x 16" Crash cymbal pad- 18" Ride cymbal pad- All cymbal pads 360° with 3-zones- 14" Active hi-hat system with magnet system Note: Millenium DT-900 Drum Throne Round Drum Throne - Millenium Pro Series- Double-braced- Round seat- Height adjustable via spindle- Max. height: approx. 66 cm- Depth: approx. 51 cm- Max. load capacity: 135 kg- Black artificial leather seat- Extremely strong- Includes Memory Lock- Seat diameter: 34 cm Millenium HH-901 Pro Series Hi-Hat Stand - Pro Series- 3 Legs- Double-braced stand- Patented cymbal incline with tuning nut- Memory clamp- Chain connection between pedal and hi-hat stand- Rotating pedal- Sturdy, professional pedal- Height adjustable from 78 - 100 cm Millenium PD-122 Pro Bass Drum Pedal Bass Drum Pedal - Pro Series- Aluminium hinge- With steel base plate- Double chain over sprocket drive- Side-operating clamp mechanism- Beater equipped with two playing surfaces (felt - plastic)- Tuning key holder included Superlux HD-665 Headphones for Drummers - Circumaural- Closed- 40 mm Drivers- Sound pressure level: 102 dB- Impedance: 68 Ohm- Frequency range: 10 - 20000 Hz- Load capacity: 200 mW- Headphone pressure: 10 N- Detachable cable- Straight 3 m cable with 3.5 mm stereo jack- Weight with cable: 428 g- Weight without cable: 372 g- Colour: Black- Includes 6.3 mm stereo jack adapter, cable clip and bag Zultan 5A Hickory Drumsticks - Size: 5A- Unique grip due to coating based on natural waxes and oils- Hickory wood- Tear-drop shaped tip- Diameter: 14.3 mm- Length: 405 mm- Made in Germany

THE FAITHFUL REPRODUCTION OF THE ICONIC RCA 44 The Reinvention of a Classic Whether it be the smooth brass section of a Hollywood soundtrack, the velvety lushness of a jazz vocal, or the larger-than-life drum sound of a classic rock record - chances are that you will find a 44 ribbon mic used on most of your favorite albums. In studio use for more than 80 years, the 44 ribbon design by RCA is as rich in history as it is in sound and character. When the company s microphone division was closed down in 1976, we at AEA began servicing ribbon microphones, and by 1998 we were manufacturing 100% of the parts for the 44, resulting in the release of our very own version of this classic mic. Its recognizable sound produces thunderous lows due to the strong proximity effect, full and rich mids, and a unique top end taking the edge off of harsh instruments. This beautiful, natural-sounding microphone provides an unmatched authenticity of sonic reproduction, particularly when placed at a distance in a well-tuned room. History Repeating Forty years of servicing ribbon microphones has given AEA a lot of insight into why RCA 44s are still in daily use at world-class studios. Designed in the 1930s, the 44 was a groundbreaking revolution in recording technology. At a time when engineers had only one, maybe two microphones to record anything from a solo artist to an entire orchestra, studio mics had to deliver a great sound in every application. With its extended reach, reliability, and high fidelity sound, the 44 set a new quality standard for broadcast, recording, motion pictures, and sound reinforcement work. Even though ribbon mics fell out of fashion in the days of tape recording, many studios like Capitol Records or Warner kept their revered 44s in service. Since the advent of the digital revolution, the 44 is now back in demand more than ever. Reborn as the AEA R44, this mic is a permanent fixture in the studios of esteemed engineers and producers such as Bruce Swedien, Kevin Bacon, Shawn Murphy, and John Kurlander, and half the movies scored in Los Angeles now have an AEA 44 somewhere on the scoring stage. The R44 Microphone Family The AEA R44-series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. They even feature ribbon material originally manufactured for RCA. The original 44 microphones were constantly updated during their twenty years of production, and after carefully looking at some of the technical modifications, we at AEA decided to adopt the British engineering from RCA that reduces the mic's weight and hum sensitivity. The R44C was designed to meet or exceed the output of a brand-new RCA 44. It is a museum-quality replica, featuring a bronze investment cast yoke, superior to the original zinc yokes by RCA (which tend to corrode over time), a hand-polished cushion mount and a cloth-covered Accusound Silver Studio Pro cable. The R44CX is a high-output, red-badge version of the R44C, specially designed for scoring and other applications demanding a wide dynamic range with the classic 44 sound. The cost-effective R44CE features the exact same ribbon, transformer, and luscious sound as the R44C, but with a simpler, economical exterior trim. This version features a one-piece cushion mount, a formed steel yoke with satin nickel finish, and a star-quad XLR output cable. Finally, the R44CXE is the high output version of the R44CE combining the economical finish with the higher output of the R44CX. FEATURES - Museum grade reproduction of the RCA 44B/BX - New-old stock (NOS) RCA ribbon material - Legendary character with more than 80 years of studio history - Full and rich sound; smooth highs and warm lows - X motor option delivers 6 dB more dynamic range for film scoring

Bundle offer comprising Alesis Strata Core E-Drum Kit E-Drum Set - Core Drum Module with 7" touch display- BFD3 sound engine- 75 Preset drum sets- Virtually unlimited number of user kits- 370 Kit pieces- 800 Articulations and thousands of samples recorded via multiple microphone channels- Over 25 GB of occupied memory- 32 GB total storage space- Customisable trigger engine- Includes 90-day free subscription to Drumeo- BFD Desktop application software Set consisting of: - 1" x 8" Kick drum- 2x Tom pads- 1x 10" Tom pads- 1x 12" Two-zone snare pad- 1x 12" Hi-Hat pad- 2x 12" Cymbal pads and 14" ride cymbal pad- Mesh pads- 360° Three-zone cymbal pads- 12" Active hi-hat system with magnet system Hardware set consisting of: - Rack- 3 Cymbal boom stands- Snare Stand Note: Millenium DT-900 Drum Throne Round Drum Throne - Millenium Pro Series- Double-braced- Round seat- Height adjustable via spindle- Max. height: approx. 66 cm- Depth: approx. 51 cm- Max. load capacity: 135 kg- Black artificial leather seat- Extremely strong- Includes Memory Lock- Seat diameter: 34 cm Millenium HH-901 Pro Series Hi-Hat Stand - Pro Series- 3 Legs- Double-braced stand- Patented cymbal incline with tuning nut- Memory clamp- Chain connection between pedal and hi-hat stand- Rotating pedal- Sturdy, professional pedal- Height adjustable from 78 - 100 cm Millenium PD-122 Pro Bass Drum Pedal Bass Drum Pedal - Pro Series- Aluminium hinge- With steel base plate- Double chain over sprocket drive- Side-operating clamp mechanism- Beater equipped with two playing surfaces (felt - plastic)- Tuning key holder included Superlux HD-665 Headphones for Drummers - Circumaural- Closed- 40 mm Drivers- Sound pressure level: 102 dB- Impedance: 68 Ohm- Frequency range: 10 - 20000 Hz- Load capacity: 200 mW- Headphone pressure: 10 N- Detachable cable- Straight 3 m cable with 3.5 mm stereo jack- Weight with cable: 428 g- Weight without cable: 372 g- Colour: Black- Includes 6.3 mm stereo jack adapter, cable clip and bag Zultan 5A Hickory Drumsticks - Size: 5A- Unique grip due to coating based on natural waxes and oils- Hickory wood- Tear-drop shaped tip- Diameter: 14.3 mm- Length: 405 mm- Made in Germany

Evolution Of A Revolution Yet another quantum leap in tuning Positively PolyTune The original PolyTune rocked the world. It forever changed the way we look at tuning. The world s first polyphonic tuner took the hearts of guitarists by storm. Was it the jaw-droppingly awesome polyphonic tuning that made tuning much faster, easier and intuitive The bright LED matrix with auto-dimming that ensured maximum visibility Tuning Magnet, the slowing of the needle as you approached the correct pitch Maybe the MonoPoly technology that sensed whether you played one or six strings and instantly adjusted accordingly Like musicians who never really know how they wrote that number 1 hit, it was probably a combination of factors for us. Whatever it was, you loved it and we loved it! But at TC Electronic we re all about moving forward, so we ve improved on perfection and added some guitarist gems that cement PolyTune 2 as the leader of the pedal tuning pack. PolyTune® Technology Tune All Strings Simultaneously Retina-scorching Bright Display Ultra-precise Chromatic Strobe Tuner Polyphonic Perfection Unless you ve been living under a rock for the past few years, you ll know this. With PolyTune, you simply strum all strings on your guitar or bass at once and it will immediately tell you which strings need tuning! It really is as simple as strum - tune - rock! This way, you spend minimum time tuning and maximum time doing what you love the most - playing. And They Thought Einstein Was Bright! You ain t seen nothing yet! The display on PolyTune 2 is primed with some of the brightest LEDs you ve ever laid your eyes on. Remember when some tuners were really good for daytime gigs, and others excelled in dark clubs With PolyTune 2, you get an instant clear overview, no matter what the situation. And the ambient light sensor makes sure you get just the right amount of brightness. Every time. It s truly amazing how bright they get, so don t come complaining if planets want to orbit your pedalboard. The Strobe Is Strong With This One The original PolyTune was best in class when it came to precision. Great but why stop there We ve received many requests from the guitar community to add a strobe tuner a decision we d been debating internally as well. So let there be strobe! For fine-tuning your precious gear and giving it the care and attention it deserves, to super accurate tuning in the studio or by a roadie on stage. This strobe tuner is lightning fast and ultra precise. But how precise is it Well, let s just say if you tune and then put your pick on the fret-board you re going to see the difference (we re not even joking). PolyTune 2 FineTuning Innovation With PolyTune 2, we wanted enhanced performance and maximum precision, without getting away from what made the original PolyTune such a hit. Have a look at our feature list, which combines the revolutionary with a strong display of innovation. Full Strobe Ahead The strobe tuner in PolyTune 2 is super accurate and super fast. Finetune your instruments with surgical precision at blinding speeds. Sounds good, right We re talking /- 0.1Cent tuning accuracy and in case you don t really know what that means believe us there are atomic clocks that d kill for that accuracy. Tuning Magnet The tuner magnet feature slows down the needle once you get close to the desired pitch, delivering a quick and easy tuning experience any time, every time. MonoPoly MonoPoly instantly recognizes whether you play one or more strings and replies with the appropriate polyphonic or monophonic tuning mode. Total recall PolyTune 2 stores your preferences. From pitch reference to tuning mode, it hangs on to this information even after it is powered down, making sure you only have to set how you want things to happen once. Brighten Up Your Day This feature will make you smile. Basically, the new LEDs in PolyTune 2 are bright enough to be seen from space, but the ambient light sensor in PolyTune 2 ensures you always have the right brightness. The result A clear and pleasant visibility, no matter what situation you re in. True Bypass This allows for your carefully sculpted tone to flow unaffected when the pedal is bypassed and for silent tuning once engaged. PolyTune 2 Resume PolyTune® - Tune all strings simultaneously New chromatic strobe tuner - 0.1 cent tuning accuracy New bigger and brighter LED display with ambient light sensor Drop-D and capo tuning modes True bypass with silent tuning DC output for powering other pedals (power supply not included) 3M Velcro for pedal board attachment

Une boîte à rythmes analogique/numérique classique avec 11 sons de batterie, un séquenceur de 64 pas, un générateur d'ondes et un filtre bimode Behringer Rythm Designer RD-9Le RHYTHM DESIGNER RD-9 fournit tous les outils dont vous avez besoin pour devenir un maître du beat-maker, y compris : 11 voix de batterie ; un séquenceur 64 étapes ; un concepteur d'ondes et un filtre bi-mode - pour une boîte à rythmes à part entière qui va faire trembler la maison ! Que vous soyez novice en matière de programmation de batterie ou un professionnel chevronné cherchant à améliorer son installation, le RD-9 a tout ce qu'il faut pour passer dans la cour des grands. Le chef-d' uvre rajeuniLa RD-9 a été conçue avec le plus grand soin pour offrir de nouvelles possibilités de création de rythmes en faisant revivre le design intemporel de l'une des boîtes à rythmes les plus classiques d'antan. En adoptant une approche fraîche et moderne d'une boîte à rythmes classique, le RD-9 vous permet d'exploiter le son phénoménal de la vénérable TR-909 tout en bénéficiant de nouvelles fonctionnalités. Des basses colossales aux charlestons grésillants, vous pouvez les manipuler pour élever votre performance rythmique à un niveau supérieur. C'est un monstre de la création de rythmes analogiques ! Contrôle completConçu pour améliorer vos performances, le RD-9 propose de toutes nouvelles fonctions pour une utilisation en direct dans chacun des modes du séquenceur, notamment la répétition de pas, la répétition de notes, le déclenchement en temps réel et le step-overdubbing en direct. Il est ainsi facile d'activer l'enregistrement en mode motif, ce qui vous permet de construire des structures de morceaux à la volée et de repasser en mode lecture par simple pression d'un bouton. Chacun des 11 sons de batterie originaux est doté de ses propres commandes d'accord, de niveau, d'attaque et de déclin, ce qui vous permet de régler chaque son comme vous le souhaitez ou de les ajuster dans le feu de l'action pour créer des sons de batterie dont l'intensité et la tonalité varient au fil du morceau. Ajoutez un peu plus d'excitation avec la fonction de remplissage automatique et introduisez davantage de variations. Vous pouvez même sélectionner un autre morceau en mémoire sans interrompre la lecture, ce qui vous permet d'exécuter des sets entiers du début à la fin, simplement avec votre RD-9.Séquenceur puissant et riche en fonctionnalitésLe RD-9 est doté de l'un des séquenceurs pas à pas les plus puissants jamais créés. Le séquenceur 64 pas peut stocker jusqu'à 64 motifs et 16 morceaux avec un swing continuellement variable, ce qui vous permet d'imiter un vrai batteur et de donner aux rythmes que vous créez une sensation plus humaine. Concepteur d'ondes et filtre bi-modeLe Wave Designer intégré dispose de commandes individuelles d'attaque et de sustain qui peuvent être appliquées aux voix individuelles pour donner une autre dimension à vos rythmes de batterie. De plus, le bouton de filtre bi-mode très flexible du RD-9 permet de basculer entre LPF et HPF, ce qui vous permet d'expérimenter avec la fréquence de coupure et les commandes de résonance pour créer des rythmes hors du commun, tandis que ces balayages fluides peuvent être enregistrés directement dans le séquenceur et affinés à l'aide de l'éditeur de pas.Chaînage de paramètresL'encodeur robuste du RD-9 vous permet de définir des préférences de chaînage distinctes pour chacun de vos paramètres, leur permettant de fonctionner globalement ou de basculer lorsqu'un morceau ou un motif change. Les paramètres comprennent le tempo, le swing, la flamme, la probabilité, les mutes/solos de pistes indépendantes, les affectations de bus FX, les modes de filtre et les balayages pour un contrôle en temps réel amélioré. Les motifs peuvent être modifiés à la volée pour un contrôle créatif supplémentaire lorsque vous utilisez le RD-9 comme c ur de votre installation live.Contrôle USBPour faire entrer le RD-9 dans l'ère moderne, la connectivité USB a été ajoutée pour la synchronisation et le déclenchement MIDI. Cela permet au RD-9 d'être contrôlé par votre DAW si vous le souhaitez, permettant ainsi de déclencher des sons individuels. Les chiffresLe RD-9 dispose de 33 boutons et 58 touches, tous disposés dans un format très intuitif qui redonne du plaisir à la création de rythmes. Les connexions d'entrée et de sortie comprennent : Phones ; audio mono ; MIDI In, Out et Thru via USB et ports MIDI 5 broches ; et 11 sorties analogiques indépendantes pour le traitement externe ou l'enregistrement de vos rythmes en tant qu'audio multipiste. Avec ses 3 sorties de déclenchement, le RD-8 vous permet de contrôler des synthés externes et des séquenceurs matériels pour créer des morceaux sans avoir de station de travail audio numérique (DAW) en vue. Le RD-9 peut également envoyer et recevoir des informations d'horloge avec un timing très précis pour se synchroniser avec le monde extérieur.Une brève histoire des boîtes à rythmesDepuis ses humbles débuts en tant que support rythmique pour les organistes, jusqu'à l'embrasement des pistes de danse avec ses rythmes implacables et hypnotiques, la boîte à rythmes est l'une des inventions musicales les moins appréciées. Sans compromis dans sa précision métronomique, la boîte à rythmes fournit une section rythmique sans faille qui ne se lasse jamais de jouer la même boucle de quatre mesures. Cependant, lorsqu'elles sont placées dans la bonne main et dans le bon contexte musical, elles peuvent être affinées pour créer un art rythmique époustouflant. Première boîte à rythmes - Le RhythmiconLe révolutionnaire Rhythmicon a été créé par l'inventeur russe Leon Theremin en 1931. La machine est le fruit d'une collaboration avec le compositeur américain Henry Cowell et peut produire jusqu'à 16 rythmes différents avec un son bleepy saisissant. Rhythmate de ChamberlinLe Rhythmate était une boîte à rythmes pionnière, qui utilisait des boucles de bande pour créer des rythmes destinés à accompagner un joueur d'orgue. La machine avait 14 boucles de bande avec une commande coulissante qui permettait la lecture de différentes pistes sur chaque morceau de bande qui pouvaient être combinées pour créer de nombreuses variations.Roland CompuRhythm CR-78La CR-78 est une machine à rythmes analogique classique - et fut la première à utiliser un microprocesseur. Les 34 motifs intégrés pouvaient être modifiés par simple pression sur un bouton, offrant ainsi à l'utilisateur un contrôle créatif beaucoup plus important. En ce qui concerne les sons de batterie, le CR-78 offre 14 sons de batterie très électroniques, mais analogiques. Parmi ces sons figurent le kick, la caisse claire, le Rim, la cloche à vache, les hi-hats, les cymbales, les congas, les bongos, le tambourin et les guiros. Avec 11 effets de variation et la possibilité de régler le tempo, les accents et les entrées/sorties en fondu, le CR-78 est toujours capable de produire des rythmes exquis à utiliser dans le hip-hop ambiant et de nombreuses autres formes de musique. L'une des utilisations les plus connues de la CR-78 se retrouve dans le tube de Phil Collin de 1981,In the Air Tonight. Roland TR-808 Rhythm ComposerDans les univers de la Techno, de la House, du Hip-Hop et du RandB, le Roland TR-808 est une machine indispensable. Sa signature sonore, la grosse caisse qui a créé le groove des tubes de Marvin Gaye, Afrika Bambaata et 808 State, est actuellement l'un des sons les plus utilisés dans la musique moderne. Malgré son statut actuel d'icône, lorsqu'elle est sortie en 1980, la 808 n'était en aucun cas un best-seller. Beaucoup de gens n'aimaient pas son son simpliste et préféraient des machines plus coûteuses comme le LinnDrum à échantillonnage numérique. Cependant, les producteurs de la scène underground de la musique acidulée se sont tournés vers la TR-808 et toute la gamme de produits Roland, y compris la TB-303, la SH-101 et la TR-909, ce qui a donné à ces boîtes leur statut d'icône et leur prix moderne. Roland TR-909 Rhythm ComposerThe TR-909 featured the sampled and analog drum sounds that have become synonymous with house and techno music. This programmable, step-sequenced drum machine was launched in 1983, and while it was not an instant commercial success, it soon gained an underground following. With DIN Sync 24, MIDI In and Out and individual outputs for each sound, the TR-909 could be integrated into any studio and offers numerous controls for controlling each sound. The TR-909 has been used by The Prodigy, The Chemical Brothers, Moby, Fatboy Slim, Orbital and Jean Michel Jarre. It would be hard to find a techno or house producer who hasn t used a TR-909 kick in a track at some point.LinnDrumThe inspirational LinnDrum was created by Linn Electronics in 1982, using superior sounding samples that gave birth to a new generation of users who are synonymous with the sound of the 80 s. The LinnDrum was used on countless classics tracks throughout the 80s, including hits by Prince, Tears for Fears and Madonna.Oberheim DMXLaunched in 1981, the Oberheim DMX also used sampled sounds of real drums, individual tuning controls for each voice and a swing function to add a little grove. The controls gave the DMX the ability to emulate a real drummer via timing variations, rolls and flams to create a more human feel . The DMX has 11 samples, which can be used to create 24 individual drum sounds and allows up to 8 voices simultaneously. It has 8 separate outputs for individual channel processing and holds up to 100 sequences and 50 songs. The DMX s hard-hitting and convincing drum sound made it attractive to artists and producers in the burgeoning Hip-Hop culture and it is featured on many of the scenes early innovative records. New Order used the DMX to great effect on their 1983 single, Blue Monday with its repeating bass drum pattern. E-mu SP-1200Released in 1987, the E-mu SP-1200 was quickly accepted into the Hip-Hop world due to its limited bandwidth sampling rate, classic 4-pole filter and 12-bit sampling resolution. This all contributed to the unit s gravelly sounds, which have been featured on many hit recordings. The SP-1200 s ability to build the main structure of a song within a single piece of gear (a first in the industry) cut Hip-Hop artists loose from the studio to perform live alongside the machine. Famous users include the Beastie Boys, The Prodigy and Daft Punk.AKAI MPC60The celebrated Akai MPC was designed by Roger Linn and produced by Akai from 1988 onwards. The MPC allowed artists to use new clever ways to manipulate small samples to create a completely new track. These snippets were often lifted from other records and thus started a new style of Sound-Collage . The original MPC60 only allowed sample lengths of up to 13 seconds. Sampling memory was expensive at the time, which steered people to records at higher5 speeds in order to gain more time. The side effect was playback at a lower resolution, which contributed to the grittiness of the sound. Famous users include Kanye West, Dr. Dre and Mark Ronson. Points forts- Une boîte à rythmes étonnante avec un moteur de sons analogiques/numériques authentique pour créer des performances sonores classiques.- 11 sons de batterie originaux avec paramètres supplémentaires et possibilité d'accentuation globale- Séquenceur de batterie puissant de 64 pas prenant en charge le poly-mètre, la répétition des pas, la répétition des notes, le déclenchement en temps réel, la mise en sourdine des pistes et le solo des pistes.- 10 sorties analogiques indépendantes pour le traitement externe ou l'enregistrement de vos rythmes en tant qu'audio multipiste.- Le bus FX intégré comprend un générateur d'ondes et un filtre analogique bimode avec affectation par voix.- Enregistrement, édition et lecture en direct de la coupure du filtre analogique via l'automatisation.- Stockage de 16 morceaux et de 256 motifs, qui peuvent tous être importés/exportés pendant la lecture pour un nombre illimité de morceaux et de motifs.- Le mode Pattern permet d'organiser les motifs en morceaux complets et de définir le nombre de répétitions par partie de morceau.- Le mode Song permet d'enchaîner des morceaux pour des concerts et des compositions étendues.- La fonction unique de défilement automatique permet d'improviser dans tous les modes.- Entrée/sortie/traversée MIDI complète et implémentation USB pour la synchronisation et la connexion à des appareils externes.- Les options de synchronisation comprennent l'USB, le MIDI, l'horloge et l'interne pour une polyvalence maximale.- Encodeur pour l'édition de paramètres tels que Tempo, Swing, Probabilité, Flam et Random.- Affichage LED haute visibilité pour une édition facile des paramètres du programme- Puissantes sorties casque et principale sur connecteurs 1/4 CARACTÉRISTIQUES TECHNIQUES : Voix- Nombre de sons 11- Analogique : grosse caisse, caisse claire, tom basse, tom moyenne, tom haute, Rim shot, Clap- Numérique (échantillonnage) Chapeau fermé, Chapeau ouvert, Crash, Ride- Nombre de voix simultanées 10- Contrôles du son - Niveau d'accentuation- Grosse caisse : Accord, niveau, attaque, décroissance, hauteur, profondeur de la note- Caisse claire : Accord, niveau, tonalité, claquant- Tom basse, moyenne, haute Niveau, accord, décroissance- Rim shot / clap : Niveau- Opened/closed Hi-Hat Accord : niveau, déclin de l'accord, déclin de l'oh- Cymbale Crash : niveau, ride niveau, crash tune, ride tune- Boutons de sélection 11 Boutons de sélection de la voixConnectivité- Sorties : - Phones 1 x 1/4TRS, stéréo, impédance 8 - Mono 1 x 1/4TRS, servo-équilibré - Sortie voix 10 x 1/4TS, asymétrique- Entrée, sortie et traversée MIDI 3 x DIN 5 broches- Sorties de déclenchement 3 x 5 V, impulsion de 2 ms- Entrée/sortie de synchronisation 2 x 1/8TRS (pointe pour l'horloge et anneau pour le message de départ)- Classe USB conforme USB 2.0, type B- Systèmes d'exploitation pris en charge Windows 7 ou supérieur Mac OS X 10.6.8 ou supérieur- Commandes de volume Master, téléphones- Retour (entrée) 1 x 1/4TRS, symétrique

OFFERT :En plus d'une remise sur le performer kit, pour le black friday on vous offre le chargeur RS-1 qui va avecEnsemble Micro main sans fil Rode Performer Kit- Inclut Le TX-M2 (microphone à condensateur de haute qualité), le RX-DESK (récepteur de table) et une batterie au lithium-ion rechargeable LB-1- Transmission numérique série II de 2.4 GHz- Cryptage du signal 128 bits- Jusqu à 8 unités utilisables simultanément- Faible bruit de manipulation- Portée jusqu à 100 m*- Alimenté par la batterie rechargeable LB-1 incluse ou 2 piles AA LR06- Interrupteur de coupure- Conçu et fabriqué en AustralieComprenant un microphone-main à condensateur de haute qualité (TX-M2) et un récepteur de table, le RØDELink Performer Kit est parfait pour les discours, les interviews, les présentations scolaires, les mariages et les performances live. Offrant un appairage à une touche avec le récepteur RØDELink, le microphone peut être alimenté par la nouvelle batterie au lithium-ion LB-1 incluse ou 2 piles AA LR06.La gamme de fréquences du RØDELink est si intuitive que tout fonctionne dès la première utilisation, sans avoir à sélectionner un canal. Doté d une transmission numérique fiable et cryptée de série II de 2,4 GHz envoyée simultanément sur deux canaux, le RØDELink sélectionne automatiquement le signal le plus puissant et garantit une qualité audio aussi bonne et fiable qu avec une connexion filaire.Le Performer Kit inclut le TX-M2, Le RX-DESK, la batterie au lithium-ion rechargeable LB-1, une pince pour le microphone, un étui, un câble micro USB et offre une garantie étendue de deux ans (* LB-1 n'est pas inclus dans la garantie prolongée).RØDELINK PERFORMER KIT- Type de transmission Système agile à fréquence fixe 2,4 Ghz- Gamme dynamique du système 118dB- Portée (distance) Jusqu'à 100m*- Gamme de fréquences 35Hz - 20kHz- Niveau de sortie maximum 18dBu- Niveau maximal du signal d'entrée 140dB SPL- Latence maximale 4msRÉCEPTEUR (RX - DESK)- Source d'alimentation Bloc d'alimentation CC 15v 1A ou Bloc d'alimentation CC- Antenne Antenne de diversité externe- Connexion de sortie XLR symétrique / Jack 1/4asymétrique- Dimensions 208mm(W) X 37mm(H) X 166mm(D)- Poids 792gmÉMETTEUR (TX - M2)- Source d'alimentation Piles ou USB- Antenne Antenne de diversité située à la base du TX - M2- Connexion d'entrée N/A- Dimensions 40mm(W) X 256mm(H) X 40mm(D)- Poids 222gm

The original was used on countless hits over the years, and the new 65 Princeton® Reverb is easily versatile enough to go from your living room to the recording studio to small gigs. It s got the vintage vibe that Fender die-hards know and love, but the 65 Princeton® Reverb isn t only for the old-school guys who played em 30 or 40 years ago it s for anybody who craves top-notch tube tone, naturally dynamic clean and overdriven tones, and unmistakable long-spring Fender Reverb and tube Vibrato.A historically significant amp the originals fetch more than $2,000 these days and it s as valid as ever in today s musical world. Don t take our word for it, though listen for yourself!Model Name '65 Princeton® ReverbModel Number 217-2006-000 (230V, 50Hz) EURSeries Vintage Reissue SeriesType All Tube AmpOutput 15 watts into 8 ohmsOhms 8 ohmsSpeakers 1-10 Jensen® C-10R, 8 ohm, 40 watt Speaker with Ceramic Magnet, p/n 0069347000Channels 1 Channel (2 Inputs)Features Blackface Control Panel with Six Silver-Top Numbered KnobsControls Volume, Treble, Bass, Reverb, Speed, IntensityCovering Black Tolex, with Silver Grille ClothWeight 34 lbs, (12.7 kg)Dimensions Height: 16 (40.6 cm),Width: 19 7/8 (50.5 cm),Depth: 9.5 (24.13 cm)Power Handling N/ATube Complement 3 X 12AX7,1 X 12AT7,2 X 6V6,1 X 5AR4 RectifierTubeCover Cover Included, p/n 0075947000Accessories Cover and FootswitchFootswitch 2-Button Footswitch for Reverb and Vibrato On/Off, p/n 0994058000Introduced 6/2008

CE PACK CONTIENT :- 1x PIANO (ref : FP-30X WH)- 1x STAND (ref : KST-30 WH)Lorsque la qualité est importante mais que le budget est limité, le Roland FP-30X constitue le modèle idéal dans la gamme FP-X Roland. Réussissant le fragile équilibre entre prix réduit et performances supérieures, ce piano portable fin et stylé se place au-dessus du FP-10 d'entrée de gamme grâce à un générateur de son amélioré, des haut-parleurs plus puissants et une polyphonie supérieure. Intégrant la technologie SuperNATURAL Piano Roland et le même clavier 88 notes PHA-4 Standard que le FP-60X, le FP-30X est un instrument domestique idéal pour les pianistes chevronnés. Et grâce à son poids plume et sa connectivité Bluetooth pour les cours et le jeu sur de la musique, il constitue le choix idéal des pianistes de tout niveau qui souhaitent travailler l'instrument ou jouer dans de petites salles.Un son et un toucher acoustiques authentiquesOubliez les claviers légers de la plupart des pianos portables de milieu de gamme. D'un simple appui sur une touche du clavier PHA-4 Standard, vous comprendrez immédiatement que le FP-30X se place au-dessus du lot. Avec ses 88 touches standard, ce piano permet une expressivité totale et sera capable de suivre votre évolution technique. Grâce à son mécanisme de marteaux, son échappement et son toucher ivoire, il vous fournira les mêmes sensations qu'un clavier acoustique de qualité, jusqu'au clic subtil du relâchement des touches. Derrière la jouabilité et les sensations authentiques du piano se cache le puissant générateur de sons SuperNATURAL Piano Roland, capable de reproduire toutes les nuances des pianistes expérimentés et d'aider les débutants à développer les techniques appropriées. Un son impressionnant en toutes circonstancesLes puissants haut-parleurs stéréo du FP-30X procurent des timbres et un volume sonore surprenants lorsque vous jouez, complétant le générateur de sons pour donner encore plus d'expressivité à votre jeu. Et si vous avez besoin de davantage de puissance sonore, il vous suffit de connecter des enceintes amplifiées aux sorties dédiées de votre piano. Pour jouer à la maison, essayez le mode spécialement étudié pour obtenir une qualité sonore optimale lorsque le piano est posé sur une table, ou connectez deux casques audio aux sorties dédiés pour travailler votre instrument en silence de jour comme de nuit, en solo ou auprès de votre professeur de piano.Un piano compact à l'énorme potentielGrâce au FP-30X, portable peut signifier professionnel. Grâce à sa grande compacité et son poids très modéré, cet instrument se déplace sans efforts d'une pièce à l'autre de votre domicile, et peut être facilement rangé lorsque vous ne l'utilisez pas. Le FP-30X est également capable de s'adapter à vos progrès, que vous le placiez sur son meuble KSC-70 pour lui donner un look de piano droit ou apportiez plus d'expressivité à votre jeu en utilisant un pédalier KDP-70 à trois pédales ou une pédale de Sustain DP-10. Jouez sur de la musique enregistrée et apprenez plus vite grâce au Bluetooth et à l'USB.Grâce à sa connectivité évoluée, le FP-30X vous aide à rester motivé à travailler l'instrument. Avec l'audio par Bluetooth et un terminal mobile iOS ou Android, vous pourrez écouter de la musique diffusée par votre smartphone sur les haut-parleurs de votre piano ou sa sortie casque, jouer ainsi avec vos artistes favoris, ou améliorer votre technique en suivant des cours en ligne. Grâce au Bluetooth MIDI, vous pourrez vous connecter à des applis de composition telles que Zenbeats de Roland ou GarageBand d'Apple. Et pour connaître à tout moment votre marge de progression, vous pourrez vous connecter à l'appli Piano Every Day de Roland, qui enregistre vos parties de piano et vous permet de les réécouter en utilisant le son de piano de votre choix. Le FP-30X propose même la connectivité audio/MIDI par USB, qui permet l'enregistrement direct de vos parties de piano dans un ordinateur équipé d'un logiciel de production musicale.Caractéristiques :- 88 touches clavier PHA-4 avec Ivory Feel- Moteur sonore: 12 sons de piano SuperNATURAL- 20 sons de piano électronique et 24 autres sons- Polyphonie max.: 256 voix- Audio Bluetooth (V3.0) et Bluetooth MIDI (V4.0)- système de haut-parleurs intégré (deux haut-parleurs de 12 cm) avec 11 watts (x2)- Fonction de transposition- Métronomes intégrés- Enregistrement et lecture de fichiers MIDI standard (SMF) et audio (wav et MP3) sur clé USB- 30 chansons internes- Modes de clavier: piano entier, double, divisé et double- Interface utilisateur éclairée- 1x sortie stéréo (jack 6,3 mm x2)- 2x sorties casque stéréo (jack 3,5 mm et 6,3 mm)- 1x entrée pédale (jack 6,3 mm)- 1x entrée pour pédale triple KPD-70 en option- 1x entrée d'alimentation (12V DC)- Port USB A pour lecteurs flash USB- Port USB B pour ordinateur hôte- Inclus : Mode d'emploi, alimentation externe (PSB-7U), pupitre, pédale de sustain DP-2- Dimensions : 1300 x 284 x 151 mm- Poids : 14,8 kg- Couleur : Blanc

Piano numérique Roland FP-30XLorsque la qualité est importante mais que le budget est limité, le FP-30X constitue le modèle idéal dans la gamme FP-X Roland. Réussissant le fragile équilibre entre prix réduit et performances supérieures, ce piano portable fin et stylé se place au-dessus du FP-10 d entrée de gamme grâce à un générateur de son amélioré, des haut-parleurs plus puissants et une polyphonie supérieure. Intégrant la technologie SuperNATURAL Piano Roland et le même clavier 88 notes PHA-4 Standard que le FP-60X, le FP-30X est un instrument domestique idéal pour les pianistes chevronnés. Et grâce à son poids plume et sa connectivité Bluetooth pour les cours et le jeu sur de la musique, il constitue le choix idéal des pianistes de tout niveau qui souhaitent travailler l instrument ou jouer dans de petites salles.Ses points forts :- Le générateur de sons SuperNATURAL Piano permet une grande expressivité, du pianissimo au fortissimo - De nombreux sons in

Piano numérique Roland FP-30XLorsque la qualité est importante mais que le budget est limité, le FP-30X constitue le modèle idéal dans la gamme FP-X Roland. Réussissant le fragile équilibre entre prix réduit et performances supérieures, ce piano portable fin et stylé se place au-dessus du FP-10 d entrée de gamme grâce à un générateur de son amélioré, des haut-parleurs plus puissants et une polyphonie supérieure. Intégrant la technologie SuperNATURAL Piano Roland et le même clavier 88 notes PHA-4 Standard que le FP-60X, le FP-30X est un instrument domestique idéal pour les pianistes chevronnés. Et grâce à son poids plume et sa connectivité Bluetooth pour les cours et le jeu sur de la musique, il constitue le choix idéal des pianistes de tout niveau qui souhaitent travailler l instrument ou jouer dans de petites salles.Ses points forts :- Le générateur de sons SuperNATURAL Piano permet une grande expressivité, du pianissimo au fortissimo - De nombreux sons in

The Godin 5th Avenue brings you back to a time when the archtop acoustic guitar reigned supreme. With the soul of a 1950’s archtop, the 5th Avenue is a true vintage spirit of yesterday with today’s level of modern playability. With more projection & volume in the low/mids than traditional archtop acoustic guitars, the dynamically rich tone of the 5th Avenue makes this sophisticated instrument a dream to play, but not a nightmare to pay for. The Godin 5th Avenue now makes the affordable North American archtop guitar a reality! From Alt-Country, Delta Blues, Slide, Jazz to Rock, the 5th Avenue can really deliver both acoustically and electrically. The new Godin Kingpin P90 single-coil pickup delivers all that classic, vintage tone with presence, clarity and a little attitude thrown in for good measure!Made from Canadian Wild Cherry, the body of the 5th Avenue features a molded arched top and back, as well as an adjustable rosewood bridge, classic f-holes, contoured high-gloss headstock, floating pickguard and cream binding. Also, the rustic beauty of its Custom Polished Finish creates a gorgeous satin sheen reminiscent of the French polish of the 19th century.SpecsCanadian Wild Cherry archtopCanadian Wild cherry back & sidesSilver Leaf maple neckContoured high-gloss black headstockCustom Polished Finish reminiscent of thefrench polish of the 19th centuryRosewood FingerboardAdjustable Rosewood BridgeCream Binding1x Godin Kingpin P90 single-coil pickup1x Volume, 1x Tone16 (406 mm) fingerboard radius24.84 (630 mm) Scale1.72 (43 mm) nut width

HYBRID DRUMMING BEGINS HERE No two drummers are the same, and every player has their own distinctive style. Getting a sound that you re happy with, not to mention having the right sound for the gig, is vital. But it can be expensive and time consuming trying to find out what works. Enter the TM-1 a unique trigger module that makes it easy to add more sounds to your acoustic drum kit. And those sounds can be anything you like, from the TM-1 s onboard kick, snare, tom, cymbal, and percussion samples to your own samples and loops. Just connect any compatible Roland trigger pad to the TM-1 and directly play the sounds you need, or mount an RT-series trigger to one of your acoustic drums and play with your preferred sample layered on top in perfect sync, with no lag whatsoever. Getting your own custom sounds into the TM-1 is a breeze, thanks to the free editor app for Mac/Windows and iOS/Android.* Simply connect the TM-1 to your device, open the app, import samples from your library, and tweak the settings as needed. When it comes to performing on stage, the battery- or mains-powered TM-1 can be easily controlled with your foot via built-in switches. It s even possible to mute the hybrid sound with a foot press, letting you go all-acoustic in the verses before bringing in some extra hybrid power for the chorus. Every working drummer can benefit from a hybrid setup these days, and the TM-1 is the easiest and most affordable place to start. - The easiest way to get started with the power of hybrid drums - Simple and intuitive to use, with direct controls for all trigger functions - Small size, battery operation, and sturdy floor-based design integrates easily with your regular drum set - Two built-in footswitches for triggering sounds, changing kits, and muting the module - Suitable for any music style, from rock and metal to electronic music and beyond - 15 ready-to-play onboard kits and nearly unlimited sound customization via a convenient editor app - Free TM-1 Editor (Mac/Windows, iOS/Android) provides access to over 150 additional sounds, plus user sample import and much more - Compatible with Roland RT-series acoustic drum triggers and a wide variety of Roland trigger pads - Connect up to two pads or triggers (two single-trigger devices or one dual-trigger device) - Also works as a trigger-to-MIDI convertor when connected to a computer - USB for editor communication and trigger-to-MIDI conversion Specs : Kits : 15 Preloaded Sounds : 30 Number of User Sample : 30 Sound Length : Approx. 6 second/Sample Data Format : - Mac OSX: - WAV, AIFF, MP3, AAC, Apple Lossless Windows: - WAV (44.1 kHz, 16/24 bits) iOS: - WAV, AIFF, MP3, AAC, Apple Lossless Android: - WAV (44.1 kHz, 16 bits), MP3 - *The Application TM-1 Editor is required. Display : - 7 segments, 1 character (LED) Controls : - [SENS] knob (TRIG1, TRIG2) - [PITCH] knob (TRIG1, TRIG2) - [DECAY] knob (TRIG1, TRIG2) - [LEVEL] knob (TRIG1, TRIG2) - [MODE SELECT] button - [MUTE] switch - [KIT SHIFT] switch - [POWER] switch Indicator : - Trigger Indicator (TRIG1, TRIG2) Connectors : - TRIGGER IN jack : 1/4-inch phone type, mono - OUTPUT jack : Stereo 1/4-inch phone type *When setting the Output Setting to the MIX, The mixed sound of trigger 1 and 2 is output in mono. *When setting the Output Setting to the INDIVIDUAL, Each trigger is output separately to left and right (TRIG1: L-Side, TRIG2: R-Side).PHONES jack: Stereo 1/4-inch phone type - USB port : USB type B - DC IN jack USB : - MIDI Power Supply : - Alkaline battery (9 V, 6LR61) - AC adaptor (DC 9 V, sold separately) - Supplied from the computer via USB port Current Draw : - 100 mA (DC IN) - 250 mA (USB) Expected battery life under continuous use : Approx. 3 hours *It depends on the batteries' specification, capacity, and conditions of use. AccessoriesOwner's manual : - Leaflet USING THE UNIT SAFELY - Alkaline battery (9 V, 6LR61) - USB type B Cable Options (sold separately) : - AC adaptor (PSA-S series) - Acoustic Drum Trigger (RT series) - Pads (PD series, PDX series, BT-1) - Cymbals (CY series) - Kick (KD series) - Kick pedal (KT series) - Footswitch (DP series, BOSS FS-5U, FS-6, FS-7) - Stereo Split Cable (PCS-31L) - Personal Drum Monitor (PM series) SIZE AND WEIGHT - Width : 150 mm 5-15/16 inches - Depth : 95 mm 3-3/4 inches - Height : 60 mm 2-3/8 inches - Weight (including batteries) : 550 g 1 lb 4 oz The Simple Solution to Bring Hybrid Power to Your Acoustic Kit Hybrid drum setups are everywhere these days, from stadium concerts to small clubs and bars. Busy working drummers love the ability to bring studio-style impact to their core acoustic sounds and be able to cover the electronic percussion parts that are so essential to modern music styles. At first, creating a hybrid acoustic-electronic setup can seem daunting. But with the TM-1, it s easy for any player to start their hybrid journey. Just mount one or more Roland trigger devices within your setup, connect them to the TM-1, and access any sound you need. With dedicated controls for sensitivity, pitch, and more, there s no technical knowledge required for operation simply turn the knobs until the sound is right to you and start playing! Cover Any Gig with 15 Ready-to-Play Kits When playing on stage with just your acoustic kit, it s difficult or impossible to change your sound on the fly. But with a hybrid drum kit, changes can be made in an instant. Now you can play the sound of that unique drum you couldn t bring to the gig, or incorporate samples and loops to enhance and expand your main drum sound. Out of the box, the TM-1 has 15 ready-to-go kits with two instruments in each. The free editor app unlocks access to a library of over 150 additional sounds, including kick, snare, and other drums, and even synth loops. And with the ability to add your own sounds via the editor as well, the sonic possibilities are virtually endless. Whatever you want to achieve, changing your kit s sound during the set has never been easier. Editor App for Sample Import and Quick Sound Creation A hybrid drum setup lets you choose and customize the sounds for your entire setlist, so each song gets the perfect drum sound. With the TM-1 Editor, you re able to access all the module s internal sounds, import your own original samples, assign sounds to each trigger pad, and quickly customize them however you like. Samples up to six seconds long can be imported from your computer, tablet, smartphone, or even cloud storage. And you don t have to take your laptop to the gig to change up sounds at the last second just use your smartphone! Enhance Your Acoustic Drum Sounds with Roland RT-Series Triggers Your acoustic drum sound is king, but it can nearly always benefit from some sonic reinforcement at live gigs. The kick and snare are the backbone to a band s sound, but it can be a challenge to get them to cut through when playing with loud guitars, bass, and keys. By using Roland s RT-series acoustic triggers, you can layer samples from the TM-1 with your own kick and snare and amplify them together through the PA, providing increased punch, clarity, and depth that perfectly complements your core acoustic sound. For years, metal drummers have been enhancing their kick drums with electronic samples especially when playing fast double-kick phrases as it really helps cut through a dense mix. But this technique isn t just for speed players; every drummer can take advantage of these powerful hybrid benefits with the TM-1. Expand Your Percussion Palette with Roland Trigger Pads The TM-1 is also a great way to expand the variety of sounds available from your acoustic drum kit. By adding an electronic drum pad, you can perform with any sound assigned to it. There are two trigger inputs available, allowing you to connect two single-trigger pads or one dual-trigger pad. Most Roland drum pads work with the TM-1, including the compact BT-1 Bar Trigger Pad, KT-10 Kick Trigger Pedal, V-Pads, and V-Cymbals. It s even possible to connect BOSS footswitches like the FS-5U or FS-6 and use them as compact floor-based triggers. And don t forget that you can use the TM-1 s built-in footswitches to trigger sounds as well. Ultra-Portable and Built for the Road The TM-1 s compact size lets you take it wherever you want, and the stompbox-style design fits easily alongside your other floor-mounted gear. Better still, support for battery operation eliminates the hassle of finding AC power when you need to set up in a hurry or perform outdoors. The TM-1 is lightweight enough to throw into a bag or instrument case, and robust enough to travel thanks to its metal-body construction and rugged footswitches. Trigger-to-MIDI Conversion for Your Computer Whether you re producing at home, working in the studio, or performing live, you sometimes need to send a MIDI signal when you hit a pad. The TM-1 performs this trigger-to-MIDI conversion simply by connecting it to a computer via USB, allowing you to trigger sounds in drum samplers and plug-in instruments, record MIDI tracks in a DAW, or control clips and other functions in performance software like Ableton Live.

HYBRID DRUMMING BEGINS HERE No two drummers are the same, and every player has their own distinctive style. Getting a sound that you re happy with, not to mention having the right sound for the gig, is vital. But it can be expensive and time consuming trying to find out what works. Enter the TM-1 a unique trigger module that makes it easy to add more sounds to your acoustic drum kit. And those sounds can be anything you like, from the TM-1 s onboard kick, snare, tom, cymbal, and percussion samples to your own samples and loops. Just connect any compatible Roland trigger pad to the TM-1 and directly play the sounds you need, or mount an RT-series trigger to one of your acoustic drums and play with your preferred sample layered on top in perfect sync, with no lag whatsoever. Getting your own custom sounds into the TM-1 is a breeze, thanks to the free editor app for Mac/Windows and iOS/Android.* Simply connect the TM-1 to your device, open the app, import samples from your library, and tweak the settings as needed. When it comes to performing on stage, the battery- or mains-powered TM-1 can be easily controlled with your foot via built-in switches. It s even possible to mute the hybrid sound with a foot press, letting you go all-acoustic in the verses before bringing in some extra hybrid power for the chorus. Every working drummer can benefit from a hybrid setup these days, and the TM-1 is the easiest and most affordable place to start. - The easiest way to get started with the power of hybrid drums - Simple and intuitive to use, with direct controls for all trigger functions - Small size, battery operation, and sturdy floor-based design integrates easily with your regular drum set - Two built-in footswitches for triggering sounds, changing kits, and muting the module - Suitable for any music style, from rock and metal to electronic music and beyond - 15 ready-to-play onboard kits and nearly unlimited sound customization via a convenient editor app - Free TM-1 Editor (Mac/Windows, iOS/Android) provides access to over 150 additional sounds, plus user sample import and much more - Compatible with Roland RT-series acoustic drum triggers and a wide variety of Roland trigger pads - Connect up to two pads or triggers (two single-trigger devices or one dual-trigger device) - Also works as a trigger-to-MIDI convertor when connected to a computer - USB for editor communication and trigger-to-MIDI conversion Specs : Kits : 15 Preloaded Sounds : 30 Number of User Sample : 30 Sound Length : Approx. 6 second/Sample Data Format : - Mac OSX: - WAV, AIFF, MP3, AAC, Apple Lossless Windows: - WAV (44.1 kHz, 16/24 bits) iOS: - WAV, AIFF, MP3, AAC, Apple Lossless Android: - WAV (44.1 kHz, 16 bits), MP3 - *The Application TM-1 Editor is required. Display : - 7 segments, 1 character (LED) Controls : - [SENS] knob (TRIG1, TRIG2) - [PITCH] knob (TRIG1, TRIG2) - [DECAY] knob (TRIG1, TRIG2) - [LEVEL] knob (TRIG1, TRIG2) - [MODE SELECT] button - [MUTE] switch - [KIT SHIFT] switch - [POWER] switch Indicator : - Trigger Indicator (TRIG1, TRIG2) Connectors : - TRIGGER IN jack : 1/4-inch phone type, mono - OUTPUT jack : Stereo 1/4-inch phone type *When setting the Output Setting to the MIX, The mixed sound of trigger 1 and 2 is output in mono. *When setting the Output Setting to the INDIVIDUAL, Each trigger is output separately to left and right (TRIG1: L-Side, TRIG2: R-Side).PHONES jack: Stereo 1/4-inch phone type - USB port : USB type B - DC IN jack USB : - MIDI Power Supply : - Alkaline battery (9 V, 6LR61) - AC adaptor (DC 9 V, sold separately) - Supplied from the computer via USB port Current Draw : - 100 mA (DC IN) - 250 mA (USB) Expected battery life under continuous use : Approx. 3 hours *It depends on the batteries' specification, capacity, and conditions of use. AccessoriesOwner's manual : - Leaflet USING THE UNIT SAFELY - Alkaline battery (9 V, 6LR61) - USB type B Cable Options (sold separately) : - AC adaptor (PSA-S series) - Acoustic Drum Trigger (RT series) - Pads (PD series, PDX series, BT-1) - Cymbals (CY series) - Kick (KD series) - Kick pedal (KT series) - Footswitch (DP series, BOSS FS-5U, FS-6, FS-7) - Stereo Split Cable (PCS-31L) - Personal Drum Monitor (PM series) SIZE AND WEIGHT - Width : 150 mm 5-15/16 inches - Depth : 95 mm 3-3/4 inches - Height : 60 mm 2-3/8 inches - Weight (including batteries) : 550 g 1 lb 4 oz The Simple Solution to Bring Hybrid Power to Your Acoustic Kit Hybrid drum setups are everywhere these days, from stadium concerts to small clubs and bars. Busy working drummers love the ability to bring studio-style impact to their core acoustic sounds and be able to cover the electronic percussion parts that are so essential to modern music styles. At first, creating a hybrid acoustic-electronic setup can seem daunting. But with the TM-1, it s easy for any player to start their hybrid journey. Just mount one or more Roland trigger devices within your setup, connect them to the TM-1, and access any sound you need. With dedicated controls for sensitivity, pitch, and more, there s no technical knowledge required for operation simply turn the knobs until the sound is right to you and start playing! Cover Any Gig with 15 Ready-to-Play Kits When playing on stage with just your acoustic kit, it s difficult or impossible to change your sound on the fly. But with a hybrid drum kit, changes can be made in an instant. Now you can play the sound of that unique drum you couldn t bring to the gig, or incorporate samples and loops to enhance and expand your main drum sound. Out of the box, the TM-1 has 15 ready-to-go kits with two instruments in each. The free editor app unlocks access to a library of over 150 additional sounds, including kick, snare, and other drums, and even synth loops. And with the ability to add your own sounds via the editor as well, the sonic possibilities are virtually endless. Whatever you want to achieve, changing your kit s sound during the set has never been easier. Editor App for Sample Import and Quick Sound Creation A hybrid drum setup lets you choose and customize the sounds for your entire setlist, so each song gets the perfect drum sound. With the TM-1 Editor, you re able to access all the module s internal sounds, import your own original samples, assign sounds to each trigger pad, and quickly customize them however you like. Samples up to six seconds long can be imported from your computer, tablet, smartphone, or even cloud storage. And you don t have to take your laptop to the gig to change up sounds at the last second just use your smartphone! Enhance Your Acoustic Drum Sounds with Roland RT-Series Triggers Your acoustic drum sound is king, but it can nearly always benefit from some sonic reinforcement at live gigs. The kick and snare are the backbone to a band s sound, but it can be a challenge to get them to cut through when playing with loud guitars, bass, and keys. By using Roland s RT-series acoustic triggers, you can layer samples from the TM-1 with your own kick and snare and amplify them together through the PA, providing increased punch, clarity, and depth that perfectly complements your core acoustic sound. For years, metal drummers have been enhancing their kick drums with electronic samples especially when playing fast double-kick phrases as it really helps cut through a dense mix. But this technique isn t just for speed players; every drummer can take advantage of these powerful hybrid benefits with the TM-1. Expand Your Percussion Palette with Roland Trigger Pads The TM-1 is also a great way to expand the variety of sounds available from your acoustic drum kit. By adding an electronic drum pad, you can perform with any sound assigned to it. There are two trigger inputs available, allowing you to connect two single-trigger pads or one dual-trigger pad. Most Roland drum pads work with the TM-1, including the compact BT-1 Bar Trigger Pad, KT-10 Kick Trigger Pedal, V-Pads, and V-Cymbals. It s even possible to connect BOSS footswitches like the FS-5U or FS-6 and use them as compact floor-based triggers. And don t forget that you can use the TM-1 s built-in footswitches to trigger sounds as well. Ultra-Portable and Built for the Road The TM-1 s compact size lets you take it wherever you want, and the stompbox-style design fits easily alongside your other floor-mounted gear. Better still, support for battery operation eliminates the hassle of finding AC power when you need to set up in a hurry or perform outdoors. The TM-1 is lightweight enough to throw into a bag or instrument case, and robust enough to travel thanks to its metal-body construction and rugged footswitches. Trigger-to-MIDI Conversion for Your Computer Whether you re producing at home, working in the studio, or performing live, you sometimes need to send a MIDI signal when you hit a pad. The TM-1 performs this trigger-to-MIDI conversion simply by connecting it to a computer via USB, allowing you to trigger sounds in drum samplers and plug-in instruments, record MIDI tracks in a DAW, or control clips and other functions in performance software like Ableton Live.

The first Weatherking Drumhead was made of newly introduced Mylar from DuPont™. 7 mil and 3 mil ply films were combined to make the first AMBASSADOR® drumhead. It was the drumhead that changed the sound of the world.HistoryThe growth of the drum-set as a popular musical instrument became a reality the day Ringo Starr appeared with the Beatles on the Ed Sullivan Show. That day, the drum-set boom took off and Remo Drumheads went with it.Vintage “A” Drumheads feature AMBASSADOR® durability with a unique soft feel reminiscent of calf heads with accentuated snare response for back beats, ghost notes, brushes and press rolls.