USB 2.0 immersive audio interface and monitor controller with USB-C connection- Supports up to 9.1.6 speaker setups- Onboard Room Calibration DSP- Sonarworks SoundID Referenz Integration- Remote Control Software- AD/DA conversion: 24bit / 96kHz- Dynamic range inputs: 122 dB- Dynamic range outputs: 126 dB- 2 x 16 Channel surround outputs (analogue & AES)- 2 z Stereo line outputs (relay-switched)- 2 x Independent stereo headphone outputs- 2 x Audient Console microphone preamps (microphone / line / instrument)- 2 x ADAT, word clock input and output- Fanless design- Dimensions: 19" / 1U- Includes Sonarworks SoundID reference measurement microphone and 60-day free trial version of SoundID Reference for Multichannel- Note: After the 60-day trial period has expired, the created profiles can no longer be accessed. A licence must be purchased for further use.

2-Channel Limiter with Measuring Microphone Adjustable via threshold and output For sealing Input and output: XLR Microphone input: XLR Connection for solid-state relay Connection option for SPL D2 MKII 180 days data storage Can be operated remotely via the Internet Time slot - up to 3 different limitings possible per day Software for download at www.dateq.nl Dimensions (W x H x D ): 483 x 45 x 175 mm Installation format: 19" / 1U Weight: 3.2 kg

The first Weatherking Drumhead was made of newly introduced Mylar from DuPont™. 7 mil and 3 mil ply films were combined to make the first AMBASSADOR® drumhead. It was the drumhead that changed the sound of the world.HistoryThe growth of the drum-set as a popular musical instrument became a reality the day Ringo Starr appeared with the Beatles on the Ed Sullivan Show. That day, the drum-set boom took off and Remo Drumheads went with it.Vintage “A” Drumheads feature AMBASSADOR® durability with a unique soft feel reminiscent of calf heads with accentuated snare response for back beats, ghost notes, brushes and press rolls.

The first Weatherking Drumhead was made of newly introduced Mylar from DuPont™. 7 mil and 3 mil ply films were combined to make the first AMBASSADOR® drumhead. It was the drumhead that changed the sound of the world.HistoryThe growth of the drum-set as a popular musical instrument became a reality the day Ringo Starr appeared with the Beatles on the Ed Sullivan Show. That day, the drum-set boom took off and Remo Drumheads went with it.Vintage “A” Drumheads feature AMBASSADOR® durability with a unique soft feel reminiscent of calf heads with accentuated snare response for back beats, ghost notes, brushes and press rolls. var so = new SWFObject(http://www.remo.com/flash/vs_holder.swf, movie, 320, 262, 8, #ffffff, true); so.addVariable(xmlfile, http://www.remo.com/flash/xml/images_album_9.xml); so.write(flashcontent);

The first Weatherking Drumhead was made of newly introduced Mylar from DuPont™. 7 mil and 3 mil ply films were combined to make the first AMBASSADOR® drumhead. It was the drumhead that changed the sound of the world.HistoryThe growth of the drum-set as a popular musical instrument became a reality the day Ringo Starr appeared with the Beatles on the Ed Sullivan Show. That day, the drum-set boom took off and Remo Drumheads went with it.Vintage “A” Drumheads feature AMBASSADOR® durability with a unique soft feel reminiscent of calf heads with accentuated snare response for back beats, ghost notes, brushes and press rolls.

The first Weatherking Drumhead was made of newly introduced Mylar from DuPont™. 7 mil and 3 mil ply films were combined to make the first AMBASSADOR® drumhead. It was the drumhead that changed the sound of the world.HistoryThe growth of the drum-set as a popular musical instrument became a reality the day Ringo Starr appeared with the Beatles on the Ed Sullivan Show. That day, the drum-set boom took off and Remo Drumheads went with it.Vintage “A” Drumheads feature AMBASSADOR® durability with a unique soft feel reminiscent of calf heads with accentuated snare response for back beats, ghost notes, brushes and press rolls.

The first Weatherking Drumhead was made of newly introduced Mylar from DuPont™. 7 mil and 3 mil ply films were combined to make the first AMBASSADOR® drumhead. It was the drumhead that changed the sound of the world.HistoryThe growth of the drum-set as a popular musical instrument became a reality the day Ringo Starr appeared with the Beatles on the Ed Sullivan Show. That day, the drum-set boom took off and Remo Drumheads went with it.Vintage “A” Drumheads feature AMBASSADOR® durability with a unique soft feel reminiscent of calf heads with accentuated snare response for back beats, ghost notes, brushes and press rolls.

The first Weatherking Drumhead was made of newly introduced Mylar from DuPont™. 7 mil and 3 mil ply films were combined to make the first AMBASSADOR® drumhead. It was the drumhead that changed the sound of the world.HistoryThe growth of the drum-set as a popular musical instrument became a reality the day Ringo Starr appeared with the Beatles on the Ed Sullivan Show. That day, the drum-set boom took off and Remo Drumheads went with it.Vintage “A” Drumheads feature AMBASSADOR® durability with a unique soft feel reminiscent of calf heads with accentuated snare response for back beats, ghost notes, brushes and press rolls.

The first Weatherking Drumhead was made of newly introduced Mylar from DuPont™. 7 mil and 3 mil ply films were combined to make the first AMBASSADOR® drumhead. It was the drumhead that changed the sound of the world.HistoryThe growth of the drum-set as a popular musical instrument became a reality the day Ringo Starr appeared with the Beatles on the Ed Sullivan Show. That day, the drum-set boom took off and Remo Drumheads went with it.Vintage “A” Drumheads feature AMBASSADOR® durability with a unique soft feel reminiscent of calf heads with accentuated snare response for back beats, ghost notes, brushes and press rolls.

The new V847 Wah-Wah pedal is an enhanced version of the most famous guitar effects pedal of all time. Based on the specifications of the original pedal developed by VOX in the '60s, the new Wah-Wah offers guitarists the same legendary tone with the addition of AC power capability and a buffered input jack for preserving the unprocessed guitar tone when the pedal is not engaged. The pedal s inductor has undergone a redesign to be closer in specification to the original VOX wah inductors, for improved dynamics and tone. These additions will benefit players of all genres who use a wah pedal as an integral part of their sound.About the Wah-WahVOX developed the world s first Wah-Wah effect during the '60s in an effort to allow guitarists to emulate the sound of a trumpet being muted an important musical ingredient of the day. VOX s original Wah-Wah pedal quickly gained widespread popularity and its unique sonic characteristics have encouraged further experimentation by guitarists ever since. Having made spotlight appearances on some of the most famous recordings of all time, the Wah-Wah is still considered must-have equipment for guitar players of all levels and abilities today.VOX V847 Wah-Wah Specificaitons Input/Output jacks: INST jack, AMP jack, DC i/p jack. Power supply: One 9V DC battery 6F22(S-006P) Power consumption: 540uA @ 9VDC Battery life for continuous use: approximately >100 hours with manganese battery (will vary depending on conditions) Dimensions: 102(W) x 252(D) x 75(H) (including rubber feet, pedal in lowest postion) Weight: 1673g (including battery) Included Accessories: Vinyl carry bag*Specifications and features are subject to change without notice.

Y Adapter- Transmits two channels each from AES3 to a Dante network and vice versa- RJ45 Metal plug with built-in LEDs- 1 XLR male output- 1 XLR female input- 96 kHz / 24 bit- Robust housing for day-to-day tasks while touring- Fully functional Dante interface- Requires POE (Power over Ethernet) for operation

In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications. The U 87* is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect. Applications The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television. The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech. Acoustic features The U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably. Polar patterns The dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic. Electrical features The letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged. The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB. Filter and attenuation A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion. An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect). The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm. Specifications Acoustical operating principle Pressure gradient transducer Directional pattern Omnidirectional, cardioid, figure-8 plus Frequency range 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa1) Rated impedance 200 ohms Rated load impedance 1 kohms Equivalent noise level, CCIR2) 26/23/25 dB1) Equivalent noise level, A-weighted2) 15/12/14 dB-A1) Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) 68/71/69 dB1) Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) 79/82/80 dB1) Maximum SPL for THD 0.5%3) 117 dB (cardioid) Maximum SPL for THD 0.5% with preattenuation3) 127 dB Maximum output voltage 390 mV Dynamic range of the microphone amplifier (A-weighted) 105 dB Supply voltage (P48, IEC 61938) 48 V ± 4 V Current consumption (P48, IEC 61938) 0.8 mA Matching connectors XLR3F Weight 500 g Diameter 56 mm Length 200 mm Caution: Shockmount EA 87 sold separately

In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications. The U 87* is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect. Applications The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television. The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech. Acoustic features The U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably. Polar patterns The dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic. Electrical features The letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged. The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB. Filter and attenuation A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion. An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect). The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm. Specifications Acoustical operating principle Pressure gradient transducer Directional pattern Omnidirectional, cardioid, figure-8 plus Frequency range 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa1) Rated impedance 200 ohms Rated load impedance 1 kohms Equivalent noise level, CCIR2) 26/23/25 dB1) Equivalent noise level, A-weighted2) 15/12/14 dB-A1) Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) 68/71/69 dB1) Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) 79/82/80 dB1) Maximum SPL for THD 0.5%3) 117 dB (cardioid) Maximum SPL for THD 0.5% with preattenuation3) 127 dB Maximum output voltage 390 mV Dynamic range of the microphone amplifier (A-weighted) 105 dB Supply voltage (P48, IEC 61938) 48 V ± 4 V Current consumption (P48, IEC 61938) 0.8 mA Matching connectors XLR3F Weight 500 g Diameter 56 mm Length 200 mm Caution: Shockmount EA 87 sold separately

Bundle offer comprising Headrush Prime Multi-Effect Unit for Electric Guitar - Guitar FX / amp modeller / vocal processor- High-resolution 7" touchscreen with an intuitive user interface- Realistic and responsive amp, cabinet and microphone modelling- Extensive library of guitar and vocal effects including Antares Auto-Tune- Amp Cloner captures the sound of your favourite amp, preamp, distortion, overdrive or fuzz pedal- Direct Wi-Fi connection to the HeadRush Cloud for clone sharing, preset sharing and firmware updates- Wi-Fi streaming music practice tool for easy song learning- Bluetooth audio connection for play-along with mobile devices- Powerful custom multicore DSP system with seamless preset switching- Road-ready steel housing with durable built-in expression pedal and universal power supply- 12 footswitches with customisable colour LEDs and OLED scribble strip display screens- Virtually unlimited import of IR files for guitar and bass cabinets- Stereo FX loop for integration of pedals and external devices and 4-cable method connectivity- Premium looper with save/load function and MIDI sync- Record and amplify via the built-in USB audio interface (up to 24-bit / 96 kHz)- Dimensions (W x D x H): 63 x 31 x 10 cm- Weight: 7.6 kg- Including ReValver Suite and Amp Cloner software and Guitareo 90-day membership Connections: - Input for guitar: 6.35 mm jack- Input with switchable 48 V phantom power for microphones: Combo XLR / 6.35 mm jack- Two outputs with switchable ground lift: XLR- Two outputs switchable between amp or line level: 6.35 mm TRS jack- Headphone output: 3.5 mm jack- MIDI input and output: 5-pin- Stereo FX Loop: 2 x 6.35 mm stereo jack- External amplifier output: 6.35 mm jack- USB-A input for importing/exporting files directly from/to a USB drive and for connecting external USB MIDI controllers Thon Pedal Case Headrush Prime Case - For Headrush Prime (item 562540 - not included)- Unit can be operated in the lower part- Lid made of 6.8 mm multiplex phenolic resin coated- With 10 cm cable duct behind the unit- 22 x 22 mm aluminium edge- 4 L-corners middle- 1 Imitation leather handle- 4 Butterfly latches mini- 4 Ball corners -small- 4 Ball corners with L-corner- 4 Rubber feet 38 x 10 mm- Foam padding- Dimensions (W x D x H): approx. 710 x 485 x 145 mm- Weight: approx. 6.1 kg- Colour: Brown- Made in Germany