Jam and Have Fun with YouTube Pocket-size guitar processor with integrated features for YouTube learning and everyday playing. Pocket GT introduces a fun new way to practice, jam, and get better every day. Combining premium BOSS guitar tones with integrated YouTube learning, this pocket-size amp/effects processor pairs with your smartphone or tablet to create the ultimate go-everywhere lesson studio. Watch YouTube content in the companion BOSS Tone Studio app and create song lists, set loop markers, and more. Access deep editing tools to emulate the tones of famous players or craft new sounds all your own. And with automatic user memory switching, you can change up sounds as a YouTube video plays! Adding in other great features like Bluetooth music streaming, USB audio interface capability, and more, Pocket GT is a must-have companion that no guitar player should be without. Ultra-compact guitar amp/effects processor with powerful integrated learning features Companion BOSS Tone Studio app (iOS/Android/Mac/Windows) with built-in YouTube browser and deep tone editing tools Create video song lists and set A/B markers to repeat sections Assign user memories to markers and change sounds automatically during video playback Authentic GT sound engine with over 100 amps and effects, ready to play with zero latency 99 user memories (amp and effects settings compatible with the floor-based GT-1 guitar processor) Wirelessly stream music over Bluetooth or connect via the Aux In jack Control song/video playback with dedicated hardware buttons Center Cancel function reduces the volume of guitar solos and vocals in videos and music tracks Built-in rechargeable battery with up to four hours of runtime Onboard tuner with dedicated button for fast access USB audio interface for recording in desktop music software Download additional patches at BOSS Tone Central The Future of Learning Guitar Pocket GT makes learning with YouTube easier and more productive than ever. This miniature hardware hub provides the sound engine and audio connections, while the companion BOSS Tone Studio app features a YouTube browser that streams sound to Pocket GT and deep editing tools for shaping sounds instantly. This integrated approach simplifies set up and eliminates switching between apps, giving you a hassle-free way to enjoy studio-quality guitar tones while watching online lessons and jamming with videos. Build Skills Faster with Powerful Session Tools BOSS Tone Studio comes loaded with tools to supercharge your practice sessions. Create YouTube song lists for quick recall, and loop sections for focused study. And when you want to jam with backing tracks and other songs on YouTube, automatic user memory switching takes the experience to a new level. For example, you can set a clean sound for the verse, crunch for the chorus, and high-gain drive with echo for your lead solo and they ll all change in real time as the video plays! Premium GT Amps and Effects Equipped with the same sound engine as the best-selling GT-1 floor processor, Pocket GT puts over 100 world-class amps and effects in the palm of your hand. The 99 user memories come filled with ready-to-play sounds, but you can customize them or craft your own from scratch. And since Pocket GT and the GT-1 share the same DNA, stored amp and effects setups can be exchanged via their respective BOSS Tone Studio editors. Direct Hardware Controls Pocket GT s simple-yet-powerful interface puts an array of essential functions at your fingertips. Scroll through user memories with a dedicated knob, tweak amp gain and effects levels, and activate the built-in tuner with a quick press. Remote control buttons are provided as well, providing fast access to YouTube playback. And with the Center Cancel switch, you can instantly reduce the volume of vocals and guitar solos in songs and play them yourself. Bluetooth Streaming, USB Audio, and More Pocket GT doesn t just work with YouTube you can also wirelessly stream nearly any music app over Bluetooth and play along. There s an Aux In jack too, perfect for connecting a non-Bluetooth music player, drum machine, or other device. If you make music on a desktop computer, you can use Pocket GT to record mix-ready guitar tracks in your DAW via USB. And if you re looking for sonic inspiration, you ll find loads of great patches for download at BOSS Tone Central. Specifications : -Sample Rate 44.1 kHz -AD Conversion INPUT: 32 bits AF method * AF method (Adaptive Focus method) is a proprietary method from Roland and BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters. AUX IN: 24 bits -DA Conversion 32 bits -Effects 108 types -User Patches 99 -Nominal Input Level INPUT: -10 dBu, AUX IN: -13 dBu -Maximum Input Level INPUT: 7 dBu, AUX IN: 0 dBu -Input Impedance INPUT: 1 M ohm, AUX IN: 22 k ohms -Nominal Output Level PHONES/REC OUT: -10 dBu -Output Impedance PHONES/REC OUT: 2 ohms -Recommended Load Impedance PHONES/REC OUT: 16 ohms or greater -Display 7 segments, 2 characters (LED) -Connectors INPUT jack: 1/4-inch phone type PHONES/REC OUT jack: Stereo miniature phone type AUX IN jack: Stereo miniature phone type USB COMPUTER port: USB Micro-B type -Bluetooth Ver 4.2 Profile Support: A2DP (Audio), AVRCP (Remote Control) GATT (MIDI over Bluetooth Low Energy) -Power Supply Rechargeable lithium-ion battery Supplied from the USB port -Current Draw 500 mA -Expected battery life under continuous use Approximately 4 hours * These figures will vary depending on the actual conditions of use. -Battery charging time Approximately 3 hours *To charge the unit, use the USB port of a computer or a commercially available USB power supply adaptor (5 V, 500 mA or higher). -Dimensions 71 (W) x 129 (D) x 27.6 (H) mm 2-13/16 (W) x 5-1/8 (D) x 1-1/8 (H) inches -Weight (including battery) 160 g 6 oz -Accessories Owner's manual Leaflet USING THE UNIT SAFELY Micro USB cable * 0 dBu = 0.775 Vrms

Developed in collaboration with one of the most prestigious jazz drummers of his generation, Adam Nussbaum, the K Constantinople 22 Renaissance ride conceals an immense personality. A remarkable arrival. Marketed in the early 2000s, the Constantinople brought a much awaited response to the demand for cymbals in the vein of those used by jazz drummers of the sixties, like the great Elvin Jones. At the beginning of this century, when fusion music was in full swing, Zildjian heard the lament of these orphaned jazzmen in the face of a production that seemed to have simply forgotten them. This series alone symbolizes the rebirth of instruments for more acoustic music, cymbals necessarily richer, a little darker, but which lost nothing in articu tion or in definition. A very identity series. A K Constantinople cymbal can be recognized in a second! Its somewhat domed and hammered appearance, from the edge to the top of the bell, this smooth, satiny patina, and these hammer imprints that show here and there a rough part of the metal, make each ride of this series an instrument unique and identifiable. Similarly, the blind, the amateur (and a fortiori the connoisseur) can not be wrong, both the balance and the length of the sound halo speak for themselves. A real tour de force that has spawned many others since then. A very precise name. Creating a cymbal close to a Grail a priori unattainable was not enough. Zildjian craftsmen wanted to specify the name that we see affixed a few inches from the bell .. This sublime ride 22 inches Renaissance , was developed in partnership with the famous jazz drummer Adam Nussbaum. This has resulted in an extremely versatile cymbal that will work perfectly in different formations. A journey through the centuries ... Made with the ancestral methods of Turkish master craftsmen, these dark and deep cymbals offer unique harmonies. The art of making handmade cymbals is pushed to its climax. Do not look elsewhere, they are the best cymbals in the world: simply historic ... Category: ride Type: rebirth Material: bronze Cymbal diameter: 22.00 Thickness: thin medium Hammering: yes Sound: dark / medium Finishing: traditional

The 18-inch K Constantinople crash features a unique hammering technique that gives it more dark overtones and more personality and musicality than any other Zildjian cymbal! A remarkable arrival. Marketed in the early 2000s, the Constantinople brought a much awaited response to the demand for cymbals in the vein of those used by jazz drummers of the sixties, like the great Elvin Jones. At the beginning of this century, when fusion music was in full swing, Zildjian heard the lament of these orphaned jazzmen in the face of a production that seemed to have simply forgotten them. This series alone symbolizes the rebirth of instruments for more acoustic music, cymbals necessarily richer, a little more dark, but losing nothing in articulation or definition. A very identity series. A K Constantinople cymbal can be recognized in a second! Its somewhat domed and hammered appearance, from the edge to the top of the bell, this smooth, satiny patina, and these hammer imprints that show here and there a rough part of the metal, make each ride of this series an instrument unique and identifiable. Similarly, the blind, the amateur (and a fortiori the connoisseur) can not be wrong, both the balance and the length of the sound halo speak for themselves. A real tour de force that has spawned many others since then. A very precise name. Creating a cymbal close to a Grail a priori unattainable was not enough. The craftsmen Zildjian wanted to specify the name that we see affixed a few inches from the bell. A rather general disposition for this series, although other Constantinople are more fine and sharp. Two of them (the Renaissance and the Bounce) have even been designed with the help of renowned contemporary jazzmen, so as to emulate the style of Elvin Jones or Jimmy Cobb. Two legends that had the honor of playing with John Coltrane ... A myth come true! A journey through the centuries ... Made with the ancestral methods of Turkish master craftsmen, these dark and deep cymbals offer unique harmonies. The art of making handmade cymbals is pushed to its climax. Do not look elsewhere, they are the best cymbals in the world: simply historic ... Category: crash Material: bronze Cymbal diameter: 18.00 Thickness: Thin Hammering: yes Sound: dark / medium Finishing: traditional