Tuning: G/C/F/Bb (medium flat)- With 46 (2-course) treble keys- 4 Double helicon and 5 helicon basses 7 accompaniment chords- Incl. X- and B-bass- Tipo A MANO reedplates- Michlbauer system- Manually readjusted for optimal response and precision tuned- Convinces by low air consumption- Low weight- Easy response and brilliant sound- Made of olive wood

Ideal for soft and hardwoods and porous materials- Adheres immediately- Fast drying- Resistant to most solvents- Easy to paint- Can be sanded very well without softening- Can be easily cleaned with water before drying- Container contents: 473 ml

When you re mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive® 16.0.2 USB s familiar, easy-to-use interface keeps all critical controls visible and accessible not buried in menus or layers. Our design philosophy is simple: One fader for every mono or stereo channel; one output for every bus. Add to that easily accessed, color-coded function buttons; rotary trim controls; and clearly labeled, individual knobs for EQ and dynamics processing. Aux sends have their own physical controls. Every channel has a big, bright meter display. But don t let the analog feel fool you: The StudioLive 16.0.2 USB offers the power of modern digital mixing, multitrack recording, wireless remote control, and more. Features - 24-bit/48 kHz sampling rate - 12 Class A XMAX microphone preamplifiers - 16 line-level inputs - 4 auxiliary buses - High-definition analog-to-digital converters (118 dB dynamic range) - Unlimited-headroom, 32-bit floating-point, digital mixing and effects processing - 18x16 USB 2.0 digital recording interface - Scene automation with load/save/recall of all settings - Master effects processors (reverb and delay with Load and Save) - MIDI control over: Scene and FX Recall, FX to Main assign, Main Output, and FX Return Level - 60 mm faders - Military-grade quick-touch buttons - Fast-acting LED meters - Talkback communication system - Rugged steel chassis - Compatible with Cubase, Digital Performer, Logic, Nuendo, Sonar, Studio One®, and others - Windows® and Mac® compatible - Dimensions (h x d x l): 140 x 397 x 406 mm - Weight: 9,07 kg

Mouthpiece for Bb Clarinet (Boehm System)- Tip opening. 1.27 mm- Facing length: medium long- Material: black ebonite- Flexible, round sound thanks to the particularly large track opening- Easy to play

Hybrid Maple Shell (center Wenge ply) - Tom 10 x 7 - Tom 12 x 8 - Floor tom 16 x 15 - Bass drum 22 x 18 - TH945B Tom holder include (TOMS SHELL ONLY - WITHOUT SNARE DRUM, CYMBALS OR HARDWARE) Hook Lug YESS III Mount System Vent Hole (for bass drum) Optimised Bearing Edge Shape Inner Vintage Finish Common design/Architecture Detail - Hoop Material : Aluminum - Thickness : 3.0mm - Lugs Type : Hook Lug - Shells : Thickness 8.0mm(BD), 6.2mm(TT, FT) - Material : Maple-Wenge-Maple Hybrid - Head Top (toms) : Clear Emperor - Bottom (toms) : Clear Ambassador - Front (bass drum) : Smooth White PS3 with YAMAHA Logo - Batter (bass drum) : PS3 Clear (only 18BD: Coated Ambassador) Hybrid Maple Shell The new Absolute Hybrid Series inherits the hybrid shell technology found on our flagship PHX Series. On Absolute Hybrid shells, the design consists of a core ply of wenge a very hard and heavy wood native to Africa, sandwiched between plies of maple, well known for its clear tone. This hybrid design delivers a drum tone that plays rich and clear across the full dynamic range, from pianissimo to fortissimo. Hook Lug Hook lugs offer quick and easy head replacement, precision tuning, and can readily handle high-tension tuning. Lug bases are designed with a small footprint to maximise tone output from the hybrid shell. YESS III An evolutionary step up from our YESS II tom mount, the YESS III reduces acoustic dampening even further. Allowing the shell to vibrate more freely, the YESS III mount brings out more of the shell s natural sustain and volume. Low-Mass Tom Holder Base The tom holder s light weight and small footprint allows the bass drum shell to vibrate more freely. Optimized Bearing Edge The bearing edge angle on the bass drum differs from the angle used on the tom and snare shells to optimise tonal balance in the drum set. A 45º/R1.5 edge is used on the snare and toms to a balanced tone; while a 30º/ R1.5 edge on the bass drum shell brings out more low-end tone for a deeper, more powerful sound. Vent Hole The vent hole plays an important role in performance, since it affects not only the sensation of hitting the drum (the impact) but also the initial sound, sustain and tone. Through an exhaustive series of prototypes, YAMAHA has discovered the optimal number and vent hole position depending on the air capacity of each shell. Particularly, vent holes contribute to the enhancement of tone colors in midrange to low-frequency sounds, as well as the control of sustain. Vintage finish interior Shell interiors are coated with our exclusive Vintage Natural finish for enhanced tone and refined looks. 3.0mm Aluminum Die-Cast Hoops Aluminium die-cast hoops deliver a strong tight sound with an extraordinary attack and decay.

Description : The Classic Design CN models combine the easy playability and distinct tone of nylon strings with the comfort of steel-string spacing. We ve replaced the typically wide necks normally found on classical guitars with the same easy-playing neck profile found on all other Classic Design models. As a nod to tradition, the CN-140SCE uses a solid cedar top, along with walnut back and sides for a warm and mellow tone. The CN-140SCE provides a supremely comfortable experience for players of any skill level the thinline concert body makes it a perfect guitar for the living room and stage alike, while the single cutaway makes it easy to access higher frets. When the need to plug in arises, this model s onboard Fishman electronics provide straightforward, yet powerful tonal control. Feature : Thinline concert body with cutaway Solid cedar top with classical fan bracing Walnut back and sides Easy-to-play neck with rolled fingerboard edges Fishman Classic Design pickup/preamp Includes hardshell case Thinline concert body with cutaway Solid cedar top with classical fan bracing Walnut back and sides Easy-to-play neck with rolled fingerboard edges Fishman Classic Design pickup/preamp Body Binding : Multiple Body Finish : Gloss Body Material : Solid Spruce Top with Laminated Ovankol Back and Sides Body Shape : Concert Bracing : Classical Fan Bridge Pins : Pin-less Bridge : Walnut Case/Gig Bag : Hardshell Case Color : Black Controls : Volume, Treble, Mid, Bass Fingerboard Material : Walnut Fingerboard Radius : 12 (305 mm) Fret Size : Vintage Style Hardware Finish : Chrome Neck Binding : 1-Ply Black Neck Finish : Gloss Urethane Neck Material : Mahogany Neck Shape : Fender 'Easy-to-Play' shape with rolled fretboard edges Number of Frets : 18 Nut Material : Graph Tech NuBone Nut Width : 1.69 (43 mm) Orientation : Right-Hand Position Inlays : Side Dot Special Electronics : Fishman CD Preamp Strings : Fender Nylon Classical Tie-End (.028-.043 Gauges) Style : Acoustic Subtype : Acoustic Guitars Truss Rod : Dual-Action Tuning Machines : 3-In-Line with Amber Pearloid Buttons

Mouthpiece for Soprano Saxophone Tip opening. 1.5 mm Facing length: 16.0 mm Made of Biomed resin for comfort and durability as well as easy cleaning Inspired by the classic sound of the 60s and 70s Easy response Firm fit of the reed with any standard ligature Excellent resonance and precise, powerful sound Perfect intonation Especially well-suited for Jazz and Classical Colour: Black Made in Germany

Mouthpiece for Tenor Saxophone Tip opening. 2.32 mm Facing length: 24.0 mm Made of Biomed resin for comfort and durability as well as easy cleaning Inspired by the classic sound of the 60s and 70s Easy response Firm fit of the reed with any standard ligature Excellent resonance and precise, powerful sound Perfect intonation Especially well-suited for Jazz and Classical Colour: Black Made in Germany

Mouthpiece for Soprano Saxophone Tip opening. 1.25 mm Facing length: 16.0 mm Made of Biomed resin for comfort and durability as well as easy cleaning Inspired by the classic sound of the 60s and 70s Easy response Firm fit of the reed with any standard ligature Excellent resonance and precise, powerful sound Perfect intonation Especially well-suited for Jazz and Classical Colour: Black Made in Germany

Mouthpiece for Tenor Saxophone Tip opening. 1.52 mm Facing length: 24.0 mm Made of Biomed resin for comfort and durability as well as easy cleaning Inspired by the classic sound of the 60s and 70s Easy response Firm fit of the reed with any standard ligature Excellent resonance and precise, powerful sound Perfect intonation Especially well-suited for Jazz and Classical Colour: Black Made in Germany

Mouthpiece for Soprano Saxophone Tip opening. 1.6 mm Facing length: 16.0 mm Made of Biomed resin for comfort and durability as well as easy cleaning Inspired by the classic sound of the 60s and 70s Easy response Firm fit of the reed with any standard ligature Excellent resonance and precise, powerful sound Perfect intonation Especially well-suited for Jazz and Classical Colour: Black Made in Germany

Mouthpiece for Tenor Saxophone Tip opening. 2.32 mm Facing length: 24.0 mm Made of Biomed resin for comfort and durability as well as easy cleaning Modern sound Easy response Firm fit of the reed with any standard ligature Excellent resonance and precise, powerful sound Perfect intonation Especially well-suited for Jazz and Classical Colour: Black Made in Germany

Mouthpiece for Soprano Saxophone Tip opening. 1.25 mm Facing length: 21.9 mm Made of Biomed resin for comfort and durability as well as easy cleaning Modern sound Easy response Firm fit of the reed with any standard ligature Excellent resonance and precise, powerful sound Perfect intonation Especially well-suited for Jazz and Classical Colour: Black Made in Germany

Mouthpiece for Soprano Saxophone Tip opening. 1.5 mm Facing length: 21.9 mm Made of Biomed resin for comfort and durability as well as easy cleaning Modern sound Easy response Firm fit of the reed with any standard ligature Excellent resonance and precise, powerful sound Perfect intonation Especially well-suited for Jazz and Classical Colour: Black Made in Germany

Mouthpiece for Soprano Saxophone Tip opening. 1.6 mm Facing length: 21.9 mm Made of Biomed resin for comfort and durability as well as easy cleaning Modern sound Easy response Firm fit of the reed with any standard ligature Excellent resonance and precise, powerful sound Perfect intonation Especially well-suited for Jazz and Classical Colour: Black Made in Germany

Mouthpiece for Tenor Saxophone Tip opening. 1.52 mm Facing length: 24.0 mm Made of Biomed resin for comfort and durability as well as easy cleaning Modern sound Easy response Firm fit of the reed with any standard ligature Excellent resonance and precise, powerful sound Perfect intonation Especially well-suited for Jazz and Classical Colour: Black Made in Germany

Ibanez classical guitars take the guesswork out of finding an affordable, great-sounding classical guitar that's easy to fret and play. Whether you are looking for a traditional classical-sized instrument or a comfortable nylon-string beginner guitar, they are extremely well-constructed, affordable and have the pristine tonality and playability of much more expensive instruments. Specifications : - Body shape: Cutaway Classical body - Top: Spruce top - Back and sides: Mahogany back and sides - Neck: Mahogany neck - Pickup: Ibanez Under Saddle pickup - Preamp: Ibanez preamp w/4-Band EQ - Tuning machine: Gold Classical tuners - Rosette: Classical Mosaic Design rosette - Bridge and fretboard: Rosewood bridge and fretboard

Mouthpiece for Tenor Saxophone- Tip opening: 1.78 mm- Warm, round tone and easy playability- Perfect for classical or brass ensemble- Concave S-baffle- Medium chamber- Made with the industry's first additive manufacturing process (Additive Manufacturing Process A.M.P.)- Material with a density and weight similar to classic hard rubber- Made in USA

LOTUS Flugelhorn FL-7L Brass Gen3; mouthpiece for flugelhorn; cup diameter: 16.30 mm; cup depth: medium deep; bore: 4.6 mm; shank: large/American; material: brass (full and round sound and response), LOTUS gold coating: hypoallergenic, scratch-resistant and does not tarnish; "classic" flugelhorn sound; flexible use; suitable for big band, brass band up to jazz and classical solos; very easy intonation up to the upper end of the range.

EJ32 Folk Nylon strings feature silver wound basses, black nylon trebles, and D'Addario ball ends to accommodate a variety of guitars and string changing options. D'Addario Folk Nylon strings are constructed with high quality nylon and a ball end on each string to facilitate easy installation on classical or steel string acoustic guitars, if desired. Black Nylon Trebles Ball-ends on each string to accommodate a variety of guitars, easy string changing Silver-Wound basses Environmentally friendly, corrosion resistant packaging for strings that are always fresh Made in the U.S.A. for the highest quality and performance