TASCAM's DR-60DmkII, an update of the award winning DR-60D, is the audio recording solution for on-set filmmakers and videographers. The streamlined design fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limited audio quality of the camera s microphone in. ProSound Network Best of Show The streamlined design fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limited audio quality of the camera s microphone in. The DR-60DmkII is the next generation of 4-track solid-state recording, based on TASCAM s decades of recording innovation. The upgraded HDDA microphone preamps provide up to 64dB of gain, capturing every nuance of a performance. Up to four channels at a time can be recorded to the internal SD Card, at up to 96kHz/24-bit WAV file resolution. Two of the mic inputs utilize locking XLR connectors with 48V phantom power, the other two use an 1/8 stereo connector for wireless and lavaliere microphones. A Camera Output sends the mic mix to the camera for later synchronization, and a Camera Input is provided for monitoring playback. An additional headphone out and line out assist the crew during filming. The DR-60DmkII is designed for low-noise operation, including soft touch buttons and dedicated gain controls. Multiple recording modes are available on the DR-60DmkII. Four-Channel Mode records all four microphone inputs. Dual Recording is an alternate setting, capturing a copy of your audio at a lower level for a distortion-free safety track. Menus and operation are well laid out, owing to decades of innovative recording design. Reach beyond the limited performance of your camera s audio to capture the other half of your film. At a cost less than competing preamps, the TASCAM DR-60DmkII is the ultimate 4-track recorder designed for filmmakers, television, live events and web broadcast. Main Features To Top High-Quality HDDA Mic Preamps High quality mic preamps are a necessity for high-grade sound. The DR-60D's HDDA mic preamplifiers (High Definition Discrete Architecture) employ discrete circuitry and premium parts, approved after months of evaluation testing. The HDDA s circuit achieves an incredibly high EIN (-120dBu) for the lowest noise level available. The DR-60DmkII mic preamps have been upgraded for up to 64dB of gain with new XLR input jacks for greater cable compatibility. A CIRRUS LOGIC's AD converter (used also on the DR-40 portable recorder) is used to ensure detailed recording from any input signal. A Variety of Inputs and Outputs With Internal Mixing The DR-60DmkII can record up to 4-tracks simultaneously, allowing multiple microphones to be used while filming. Inputs 1/L and 2/R can be selected for mono or stereo link operation. Three sets of stereo outputs are provided. A Camera Out sends a reference track recording to the camera. The Line Out can feed a mixer or recorder. Finally, a powerful Headphone Out is available for direct monitoring. Each of these outputs has its own level control, and the Camera Out can be attenuated to microphone level without the need for an attenuating cable. The DR-60DmkII has an internal digital mixer for all 4 tracks. Adjust pan and level, add a Limiter or Hipass Filter (40/80/120Hz), and set individual channel Delay from the user-friendly set-up. The DR-60DmkII is ready to use right out of the box with its external, non-menu-intensive controls. Multiple Record Modes Meet Any Challenge On-Set The DR-60DmkII includes several recording modes to adapt to any recording scenario: MONO/DUAL MONO mode Ideal for single source microphones, like using a shotgun together with a clip-on lavaliere mic STEREO/DUAL STEREO mode These modes are ideal for shooting with a stereo or mid-side microphone. A Mid-Side Decoder is built in, and can be added either during monitoring or before recording 4CH mode This mode records all four microphone inputs to their own tracks. DUAL MONO and DUAL STEREO mode Records a back-up safety track in case levels are set too high and clipping occurs. The safety track can be set to record from -6dB to -12dB below the initial take. If an actor suddenly screams a line, you have a backup recording that isn t distorted Custom-designed for DLSR Shooters To Top Soft-Touch Controls Every aspect of the DR-60DmkII is designed specifically for DSLR Audio for Video Recording. The keys of the unit are designed specifically for quiet operation to eliminate handling noise. The Slate feature is designed to mark tracks easily while in production. The input and output layout is designed for versatile use. Whether the device is used under a camera, on a rig or strapped around a solitary sound engineer, TASCAM's DR-60D will meet all on-site audio production needs. Dedicated Camera Output The CAMERA OUT connector sends the mix from the DR-60DmkII to your camera. An adjustable level control is provided, as many DSLR cameras lack an input control. The camera audio gets a clean mix from the DR-60DmkII to assist syncing tracks in editorial. Most modern editors including Final Cut Pro X and Adobe Premiere include a function to automatically synchronize audio recordings with camera clips. If your editing software lacks this feature, applications such as Red Giant PluralEyes can automate the process. Slate Tone Generator for Tighter Lock The internal slate tone generator produces various tones for easy track making and recognition. Slate tones can be generated two ways: Automatic Tones are added to the head or the head and tail of each clip (from 0.5 3 sec) Manual Push the SLATE button to record a tone Ch 3 and 4 Inputs Support High-Output Microphones The channel 3/4 input connector supports a high-level maximum input up to 10dBV. Many microphones designed for use with video cameras have a high-level output and a 3.5mm output connector. Plug-in power is also available for microphones that need it. Tripod Mounting on Top and Bottom The DR-60D can be placed between a DSLR Camera and a tripod, or mounted to a cage or follow-focus rig. A tripod socket is on the bottom of the unit, and a (removable) tripod bracket is mounted on the top. Lightweight Body Designed for Rugged Portability The DR-60DmkII's body was manufactured with very rigid plastic for a durable but lightweight design. TASCAM understands how important weight is to steady camera movement when filmmaking. In addition to its light weight, the feature-rich DR-60DmkII is extremely compact. Only 5.25 wide, the DR-60DmkII won t interfere with camera operation. All batteries can be replaced without removing the device from the Camera or tripod / rig.

The TASCAM US-16x08 captures 16 mic and line inputs to your computer with clear sound quality and advanced features to manage big sessions. Eight Ultra-HDDA microphone preamps deliver the cleanest and quietest operation in their class while delivering up to 56dB of gain. An additional eight line inputs are provided, two of them switchable to instrument level for direct guitar or bass recording. Eight balanced line outputs are also available, two with a level control on the front panel for monitoring. Built into the US-16x08 is a DSP Mixer for low-latency digital mixing. Each channel has four-band EQ, compression, and a reverb send for polished-sounding monitor mixes. In addition to interface mode, the US-16x08 can be used stand alone as a standalone mic preamp. Mac and Windows drivers are provided, as well as USB Class Compliant 2.0 drivers for tablets like Apple's iPad. MIDI input and output are also available on the rear panel. Whether using the ergonomically-designed angled desktop stand or mounting with the included rack ears, the US-16x08 includes analog I/O for almost any music recording application. Main Features Ultra-HDDA Mic Preamps for Clear Audio Quality from All of Your Mics TASCAM's own Ultra-HDDA mic preamps are the cleanest, quietest, and best-sounding from any interface in their range. A gain range of 56dB makes them ideal for any type of mic dynamic, condenser, or ribbon. With preamp performance well beyond any interfaces in their price range, the Ultra-HDDA preamps on the US-16x08 makes your tracks sound like a record. Discrete Ultra-HDDA Mic Preamps Deliver Low Noise and Low Distortion TASCAM's Ultra-HDDA (High Definition Discrete Architecture) mic preamp design is based on discrete components, just like classic professional gear. They achieve an incredible EIN rating of -125 dBu, meaning their noise level is practically below the range of hearing. Other impressive specs include a signal-to-noise ratio of 100 dB, out-speccing anything in its price range. But instead of judging the design merely by test measurments, key components were selected following extensive listening tests. Rock Out with Amp Simulator Software using the Guitar Inputs The first two channels can be switched to direct guitar inputs. They're ideal for direct recording of electric and acoustic guitar and bass without the need for a preamp. Use them with amp modeling software, like the TH2 effect included with SONAR X3. * Guitar effect plug-ins sold separately. Input specifications easily handle high SPL environments The Ultra-HDDA mic preamps and line inputs offer 20dB of headroom for distortion-free recordings of percussive, high SPL instruments like drum tracks. 16 analog inputs to record a full drumset, instruments, and vocals at the same time Eight XLR mic inputs and eight TRS inputs can be used simultaneously for 16-track live recordings. Capture every detail of live performances or rehearsals for later mixdown. Eight XLR mic inputs and 8 TRS line inputs The eight XLR mic inputs have switchable 48V phantom power to use up to 8 condenser mics at the same time. The two front panel TRS line inputs are switchable between instrument level and line level input with adjustable gain. An additional six TRS line ins on the rear of the unit are switchable between -10dB and 4dB. All of the jacks support balanced or unbalanced 1/4 signals. Use as a Standalone Mic Preamp When powered on with out a USB connection, the US-16x08 functions as an 8-channel microphone preamp. Mics pass through the Ultra-HDDA preamps to the eight balanced line outputs on the rear panel. Use the interface to add additional high-quality mic inputs to a mixer an another audio interface. * When using the mic preamp mode, each input is connected to each output directly. Also, cannot use all functions of DSP mixer. For example, IN1 is connected OUTPUT1 directly through the Ultra-HDDA mic preamp. Advanced Digital Processing Includes an Advanced DSP Mixer and All-New USB Driver Digital processing features like the DSP Monitor Mixer and advanced USB drivers make sessions with the US-16x08 comfortable for the musicians and engineer. The DSP Mixer includes processing for a polished-sounding headphone mix without latency delay from your DAW software, fueled by a Blackfin DSP processor. And new drivers, re-written from the ground up, provide beter compatibility and performance on Mac, Windows and iPad recording systems. High Resolution Recording Up to 96kHz/24-bit The converters and electronics on the US-16x08 allow you to record at audio resolutions up to 96kHz/24-bit for detailed acoustic productions. No matter what your session's sample rate is set for, the high-quality analog and digital design make your recordings sound their best. Standard USB 2.0 Computer Connection The US-16x08 uses USB 2.0 to connect to your computer, found on nearly every computer manufactured in the last 10 years. Simply connect the interface to any available USB port. USB 2.0 provides plenty of data bandwidth, even when recording 16 channels at 96kHz/24-bit. The US-16x08 will also work with USB 3.0 jacks on your computer. Advanced DSP Mixer Features 4-band EQ and Compression On Each Channel Powered by an Analog Devices BlackFin DSP processor, the US-16x08 includes an advanced digital mixer for monitor mixing. Each input includes 4-band EQ, a low-cut filer, and compressor. The DSP mixer can store up to 10 snapshots as scenes - making it easy to recall mixer settings. An additional tab opens a digital patchbay to route signals to any output. All-new advanced USB Driver Software The US-16x08 includes an all-new driver architecture, written in-house by TASCAM engineers. The Windows driver software can be installed without connecting the interface, with simple on-screen instructions. Mac users can use the interface without installing a driver at all. Simply install the control panel software in order to change device settings. Finally, the class-compliant driver allows it to be used with tablets like Apple's iPad. (Requires Apple's Camera Connection Kit for USB connection) Sleek Industrial Design Inspires Creativity These powerful new interfaces are housed in modern industrial designs that are as ergonomic as they are stylish. TASCAM was the first company to offer a USB audio interface, and we have fused our years of experience with acclaimed German from designbox. TASCAM's new US series satisfies the needs of musicians from an aesthetic as well as ergonomic perspective. With its unique honeycomb structure on the side panels, the main body has a sense of weight while also maintaining a delicacy that matches the user's needs. Honeycomb structures are a feature of modern architecture, but are also a vital resource whose exceptional technical structure we can use in design. As this structure is found in nature, it has a stability and flexibility which comes with being an organic form. -Axel Hartmann@ designbox designbox (Official Website) A German audio design company founded by Axel Hartmann and Stephan Leitl in 1995, designbox has worked on famous music industry products such as synthesizers, effect pedals and amp simulators. Angled design provides excellent usability on a desktop The angled design makes desktop viewing and operation much more comfortable for tabletop use. All other interfaces have their controls on the front or the top of the device, causing you to crane your neck to read the knobs and switches. The US-16x08 are at a natural angle, making operation easier to keep you creative. A pair of rack ears are also included for use in a standard 19 equipment rack. Built to tough robust full metal body The durable metal jacket is employed for heavy duty use. Separate Volume Controls for Headphones and Line Output The US-16x08 includes both headphone and line output volume controls. Even when both powered monitors and headphones are connected, the user can set an optimum level for each during operation. And when you want to work on headphones, you don't need to reach around to switch off your monitors. Powerful Headphone Amp Provides 70mW per Channel The high-output 70mW 70mW (into 32 ) headphone amp makes headphone monitoring easy even in loud situations. This assures you enough monitoring volume when recording drums, guitars, or rehearsals, live or in the studio. Class-Compliant Drivers for use with iPad and Other Tablets The US-16x08 is built with class-compliant drivers built into the units. Not only does this mean that they can be used with many computers without first installing a driver, they also open the possibilities of with tablets such as Apple's iPad. Connect to iPad, iPhone, or other iOS devices Use Apple's Camera Connection Kit to connect the US-16x08 to an iPad or other iOS device. Utilitze the multichannel audio and MIDI functions with any of the thousands of iOS audio apps, like Garage Band or TASCAM's Portastudio app. * Apple's Camera Connection Kit is not included with this product. * When connected, the US-16x08 will not provide power to the iOS device.. Tested with Sonar, Pro Tools, Cubase, Live, Studio One, and Garage Band TASCAM has tested the interface operation with all leading DAW software, such as SONAR, Pro Tools, Cubase, Live, Studio One and Garage Band. Use the interfaces with your favorite Mac or Windows recording applications. MIDI Input and Output Included Standard MIDI input and output connectors allow connection with the thousands of keyboards, drum machines, controllers, and other sources that employ MIDI connectors. The interfaces can also be used for synchronized operation of multitrack recorders and other external recording equipment. Rackmount Ears and Hex Keys Included You can either use the rack ears for rackmount installations. Features At A Glance - Ultra-HDDA (High Definition Discrete Architecture) mic preamps with 125dBu EIN - Eight Ultra-HDDA mic pres with XLR connectors, eight TRS inputs - Standalone mode for use as an independent mic preamp - Up to 96kHz/24-bit recording - Support for Windows and Macintosh - USB 2.0 computer connection - Connect with iPads and other iOS devices via Class Compliant drivers - 48V phantom power available for all microphone inputs - High-impedance inputs available - 56 dB of preamp gain, ideal for dynamic or ribbon microphones - Tough metal casing for durability - Angled design provides excellent usability on a desktop - Eight TRS outputs - Standard TRS headphones output jack with 70mW/ch output power - Separate controls for line and headphones output volumes - MIDI input and output - Low-latency monitoring via on-board DSP mixer - DSP mixer with 4-band EQ and compression on each input channel - Digital Patch bay allows outputs to be assigned freely - Scenes can store DSP mixer settings (up to 10 scenes can be stored and named) - USB class compliant 2.0 support - Confirmed operation with major DAW software (SONAR, ProTools, Cubase, Live, Studio One, Garage Band) - RoHS certified - Dedicated AC adapter included

Four XLR Inputs and a Stereo Mic for Versatile Audio Production The DR-70D from TASCAM is the ultimate audio recording solution for filmmakers. Four balanced XLR mic inputs meet the requirements of production sound, from professional users to indie DSLR shooters. The compact format can be mounted either above or below a camera, and a pair of built-in microphones can capture sound on-set. The interface is designed for quick adjustment, with additional features to keep recording levels under control. Four XLR mic inputs with phantom power are included on the DR-70D, enough to cover busy scenes. The High-Quality HDDA(High Definition Discrete Architecture) Mic Preamps include 64dB of gain for quiet performances, and all four inputs have individual gain controls. Each input has a limiter and low cut filter available for controlling volume. Also included is Dual Recording mode, which records a safety copy of your audio at a lower level to prevent distorted takes. Quality components like 5532 op amps are used throughout for the clearest audio possible. Tracks on the DR-70D are captured to SD card, SDHC or SDXC media up to 128GB cards are supported. The recorder has tripod mounts on the top and bottom of the unit, allowing it to be mounted on a camera, a follow-focus cage, or used standalone. Other production friendly features include a slate tone, low-noise buttons, a powerful headphone output, and standard AA battery power. Uniquely designed for the needs of filmmakers, television producers, advertisers, and documentarians, the DR-70D packs multitrack recording into a package compact enough to use with any camera. Main Features Two built-in omnidirectional mics Two omnidirectional microphones allow easy recording of natural stereo sound without using external mics. Used in combination with one or two other mics, the DR-70D becomes a compact setup for recording interviews and ambient sound at the same time. 4 XLR/TRS combo jacks allow a variety of setups (4) XLR/TRS inputs are built-into the DR-70D. The four-channel design enables combinations of shotgun microphones, lavaliere mics, and the built-in stereo mic to be recorded individually. Channels 1 and 2 can be set to stereo input and channels 3 and 4 can be set to the built-in mics, making a variety of mic configurations possible. MONO/DUAL MONO : Best for recording the audio of a single performer. STEREO/DUAL STEREO : Best for recording with the built-in microphones or a stereo mic. 2MIX/DUAL 2MIX : Creates stereo files of two or more mixed inputs. Dual Recording mode can be used to create a backup file that is simultaneously recorded at a different level to prevent clipping when levels exceed the maximum input. The second track is recorded up to 12dB lower as a safety track to prevent distortion if your input signal overloads, you have a backup that isn't distorted. Built-in 4-in/2-out Mixer Enables 4-channel and Stereo Recording Each fo the four inputs is sent to a stereo mixer. This allows each input to be recorded individually for post production while a stereo mix is sent to headphones and the camera guide track. In addition to pan and level parameters, each input includes a limiter, a low-cut filter, and a delay to adjust for distances between mics. In addition, a mid-side decoding function enables the use of a MS stereo mics. HDDA (High Definition Discrete Architecture) mic preamps Microphone preamps do a lot of work to convert your mic-level signals to recordable levels, so they have a big impact on the quality of the audio that is recorded. The DR-70D uses TASCAM HDDA microphone preamps - created through careful selection of parts. An NE5532 op-amp was selected for its outstanding effect on audio quality. Through a mix of discrete architecture and hand-picked components, TASCAM has achieved an equivalent input noise level of 120 dBu. The A/D converter is made by CIRRUS LOGIC, similar to those used in the TASCAM DR series of linear PCM recorders. This high-quality converter miles better than those included in DSLR cameras ensures quiet, clean audio recording. Audio resolutions up to 96kHz/24-bit are supported. Compact, Rugged Design Can Be Attached Above or Below the Camera The DR-70Ds design is as compact as possible to stay out of the way while filming. The bottom of the unit has tripod screw threads for mounting under your camera or on a follow-focus cage. A removable camera attachment screw and hot shoe for the top of the unit are also included. The DR-70D can be attached in the way most convenient for the user by placing it between a tripod and the camera, or on top of the camera with a hot shoe mount. * Shoe mount adapter included in AK-DR70C (sold separately) is needed when mounting DR-70D on top of the camera. Custom-designed for Video Recording on DSLR cameras To TOP Camera Out Jack for Audio Recording on Both The DR-70D and Camera A stereo mix of your audio is sent to the camera output for later synchronization in your editing software. Simply drop your audio and video into the multi-camera feature of most editing software and audio will be automatically synced. Alternatively, software such as Red Giant Pluraleyes can be used to automatically sync audio and video. The camera output jack can be attenuated down to mic level to prevent overloading the audio input of DSLR cameras. Slate tone generator makes alignment with video files easy The built-in generator can produce slate tones that can be used as references when aligning audio and video. Line up the waveforms when you need perfect sync between audio and video. In addition to being able to produce slate tones when recording starts or when it starts and stops, the SLATE button can be used to add slate tones at any desired point. Automatic insertion : OFF/HEAD (start of recording only)/HEAD TAIL (start and end of recording) Manual insertion : Press and hold the SLATE button to produce a slate tone. 3.5mm Stereo Mini Jack Input Accepts Video Camera Mics The 3.5mm stereo 1-2 input mini jack allows the connection of consumer video camera mics. For example, connect a video camera mic for ambiance to jack 1-2, and shotgun mics to the XLR 3-4 jacks. This unit can supply plug-in power to the microphone and has a maximum input level of 10 dBV. Camera In Jack for Monitoring and Playback The Camera In jack allows playback from your camera to evaluate a take. Either the camer signal or DR-70D can be monitored through the headphones. Features at a glance To TOP - Supports SD/SDHC/SDXC cards - Maximum number of tracks recorded simultaneously: (4) - Recording modes: MONO, STEREO, 2MIX, DUAL MONO, DUAL ST, DUAL 2MIX - Recording formats: 16/24-bit, 44.1k/48k/96k Hz (WAV/BWF) - TASCAM HDDA microphone preamps provide legendary audio performance - Input levels can be adjusted independently - XLR/TRS inputs support 4dBu line level and phantom power (24V/48V) - Supports mics requiring plug-in power, and mics with high output (1-2) - CAMERA OUT jack enables audio mixed on the DR-70D to be output to the camera - CAMERA IN jack allows the DSLR camera audio to be monitored through the DR-70D - High-quality audio output through the line output jack that is independent of the headphones jack - Headphone jack with 20mW 20mW maximum output - Tripod mounting threads (bottom), camera screw attachment and a shoe mount that can be attached and removed with a coin (top) - Handles on the front left and right sides protect the screen and can be used to attach a shoulder strap - Transport and SLATE buttons are made of rubber to prevent handling noise during use - HOLD switch prevents accidental operation - 128x64-pixel graphic LCD with backlight - High-speed transfer of files to a computer using USB 2.0 - Micro-B USB cable included - Operates on (4) AA batteries, with an optional AC adapter (TASCAM PS-P515U) or USB cable provided with the unit (USB bus power). - BP-6AA external battery pack (sold separately) makes operation for even longer times possible - RC-3F footswitch or RC-10 wired remote control (both sold separately) for remote control - Built-in mixer can be used to adjust Pan and Level to mix output of (4) channels - Low-cut filter with five settings (40/80/120/180/220 Hz) to be used to reduce unwanted air-conditioning noise and other low-frequency sounds - Limiter function can automatically adjust excessive input levels (stereo-linking possible for 1/L and 2/R) - Delay function to adjust for distances between mics ( / 150 ms) - Mid-side decoding function enables the use of mid-side stereo mics - Slate tone functions (automatic/manual) - Selectable slate tone insertion points (recording start or recording start and finish when using the automatic slate function) - File name format can be set to use a user-defined word or date - Dual recording function allows two files to be recorded simultaneously at different levels (second file at between 1 dB and 12 dB) - Can start a new file automatically when a maximum file size set in advance is reached to continue recording - Track incrementing function allows a file to be split by creating a new file during recording when desired - Resume function remembers the playback position when the unit is turned off - Mark function allows up to 99 points to be added to a single recording (mark information can be used in software that supports the BWF format)

The DR-40X is a versatile 4-track recorder: music, podcasting, cinema, and any other application requiring high-quality audio Based on the commercially successful Tascam DR-40, this recorder brings some new features . Even more powerful: It incorporates a pair of static cardioid microphones, accepting high levels of sound pressure, configurable in AB or XY, for a wide stereo image or a very clear reproduction, with good phase coherence between the two channels. Possibility to use its own microphones or sources at the line level, thanks to the two inputs on Combo (mixed XLR / TRS jack) Neutrik, compatible microphone level and line level 4 dBu (front panel for example) The mic preamps can provide a voltage of 48-volt phantom power, with enough gain to capture the slightest whispers to the loud sounds of live gigs. The built-in stereo microphone pair captures the public vibe while recording the output signal directly from the console, making it ideal for live performances. Like its predecessor, the DR-40X offers the Dual Level Recording feature, which helps prevent recording distortion by creating a second file with a lower gain setting. Simple use: The control layout has been redesigned on the DR-40X for quick and easy access to all functions with one finger. Operations such as recording, setting levels, removing bad shots and setting markers are done with one touch. Menus are available in English, Spanish, Portuguese, French, Italian, German, Russian, Chinese, Korean, Japanese. Three different modes of automatic level management (Limiter, Peak Reduction, Auto Level) help prevent accidental distortion during recording. The user can apply a reverb effect (to choose from six types) to the input or output signal, and the Overdub function allows you to add voices or instruments to existing audio files. In addition, the Level Align function smooths out any abrupt level changes during playback, and a built-in speaker provides fast monitoring. The menu also allows you to choose other functions, such as variable speed listening, high-pass filter, chromatic tuner ... New Features: The new Dictation mode allows the user to jump forward and backward for a certain amount of time during playback. It can be used at the same time as the speed setting, and a specific equalizer for dictaphone use is very convenient for transcribing reports, for example. The new Overwrite mode, with a rollback level, allows the user to select an entry point and replace a portion of an existing record. In addition to mobile recording, the DR-40X can also be used as a USB audio interface, with two inputs and two outputs: a suitable tool for voiceover work, live streaming, podcasting and composition, with studio quality sound. Specifications: - High quality portable recorder (holds in hand) - Compact and easy to use - Micro SD / SDHC / SDXC card recording (capacity up to 128 GB) - Managed audio formats: Linear PCM format (WAV format) at 44.1 / 48/96 kHz and 16/24 bit, MP3 (data rate reduction): 32 to 320 kbit / s, in 44.1 / 48 kHz - Recording media: microSD card (64 MB to 2 GB capacity), microSDHC card (4 to 32 GB capacity), microSDXC card (48 to 128 GB capacity) - Recording / playback formats: BWF: 44.1 / 48 / 96kHz, 16/24 bit, WAV: 44.1 / 48 / 96kHz, 16/24 bit, MP3: 44.1 / 48kHz, 32 / 64/96/128/192/256/320 Kbps - Number of channels: 4 channels (2 × stereo) - Mic / Line In: Mixed XLR / Jack Connectors (XLRs can provide phantom power) - Headphone / Line Out: 3.5mm Stereo Mini Jack - Built-in speaker: 0.3 W (mono) - Power supply: 3 AA batteries (LR06) (alkaline or NiMH batteries) - Possible power supply via the USB bus of a computer - AC adapter: Tascam PS-P520E, sold separately. REF: 223878 - Consumption: 1.7 W (maximum) - Current: 0.34 A (maximum) - Dimensions (W × H × D): 70 × 155 × 35 (folded pickups) and 90 × 155 × 35 (unfolded pickups) - Weight: 213 g (without batteries) and 282 g (with batteries)