24-channel analog mixing console and 24-channel recorder on SD card Classic sound, resurrected - A hybrid professional console, combining the heat of analog and the latest modern technologies Historically, Tascam has been creating recording solutions that have become standard: the Tascam 38 8-track tape, the DA-88 modular digital multi-tracker, and the legendary Portastudios family, real portable studios built on analog tape and hard disk. Today, Tascam reinvents its legacy, combining the classic sound of analog consoles with the latest audio technologies: Here is the brand new live console with multitrack recorder, the Model 24. Whether in rehearsal, in concert or in production, the Model 24 is an ideal mix: multitrack recorder, mixing console and audio interface. This triple function hybrid recording console is the result of an evolution perfectly in tune with the current requirements of the world of music. The return of the classic sound. A simple and intuitive design A glance is enough to understand what is happening: the Model 24 has been developed to be simple and intuitive for everyone. Its 100mm stroke physical faders provide precise level adjustment, the 7-band stereo graphic equalizer is easily accessible for mixing spectrum work, the Fam starter equalizer potentiometers are familiar and the input / output connectors are all on the work surface of the console, for quick and easy access. Revolutionary Tascam Recording Technology The Model 24 allows the user to record 24 tracks in 48 kHz / 24 bit directly onto the SD card, and allows punch-in / out on 8 tracks at a time. With the revolutionary Tascam audio emulator technology, the console can also play 22 tracks simultaneously from an SD card. The 16 high-end Tascam mic preamps guarantee a sound of absolute purity. Flexible connectivity The Model 24 features 22 analog inputs: 20 balanced channels (divided into 12 mono and 4 stereo) and 1 unbalanced stereo input. In addition, the Model 24 connects to your favorite audio workstation software via USB. You can also connect your smartphone, via Bluetooth , to retrieve a streaming audio signal, either to work a song in rehearsal or to broadcast a music of waiting forceful to wait for your audience before your arrival on stage. Longevity and reliability The console is lightweight - it can be easily transported from a studio to a rehearsal room or concert hall, wherever you actually want to work, and the well-known reliability of the Tascam hardware ensures that the Model 24 will work flawlessly. anywhere. Features: - 22 channels: 12x mono and 5x stereo - Integrated 24-track recorder - SD card recording with a maximum resolution of 24 Bit / 48 kHz - Simultaneous playback of 22 tracks possible - Works as a 24-channel USB audio interface - 3-band EQ for channels from 1 to 20 - Compressor for channels 1 to 12 - Integrated effects processor - 3 auxiliary channels - 7-band graphic equalizer for Master or Aux / Monitor - Bluetooth receiver for wireless stereo sources - 100 mm fader - Integrated power supply - Dimensions: 577 x 529 x 106 mm - Weight: 10.4 kg

The TASCAM US-16x08 captures 16 mic and line inputs to your computer with clear sound quality and advanced features to manage big sessions. Eight Ultra-HDDA microphone preamps deliver the cleanest and quietest operation in their class while delivering up to 56dB of gain. An additional eight line inputs are provided, two of them switchable to instrument level for direct guitar or bass recording. Eight balanced line outputs are also available, two with a level control on the front panel for monitoring. Built into the US-16x08 is a DSP Mixer for low-latency digital mixing. Each channel has four-band EQ, compression, and a reverb send for polished-sounding monitor mixes. In addition to interface mode, the US-16x08 can be used stand alone as a standalone mic preamp. Mac and Windows drivers are provided, as well as USB Class Compliant 2.0 drivers for tablets like Apple's iPad. MIDI input and output are also available on the rear panel. Whether using the ergonomically-designed angled desktop stand or mounting with the included rack ears, the US-16x08 includes analog I/O for almost any music recording application. Main Features Ultra-HDDA Mic Preamps for Clear Audio Quality from All of Your Mics TASCAM's own Ultra-HDDA mic preamps are the cleanest, quietest, and best-sounding from any interface in their range. A gain range of 56dB makes them ideal for any type of mic dynamic, condenser, or ribbon. With preamp performance well beyond any interfaces in their price range, the Ultra-HDDA preamps on the US-16x08 makes your tracks sound like a record. Discrete Ultra-HDDA Mic Preamps Deliver Low Noise and Low Distortion TASCAM's Ultra-HDDA (High Definition Discrete Architecture) mic preamp design is based on discrete components, just like classic professional gear. They achieve an incredible EIN rating of -125 dBu, meaning their noise level is practically below the range of hearing. Other impressive specs include a signal-to-noise ratio of 100 dB, out-speccing anything in its price range. But instead of judging the design merely by test measurments, key components were selected following extensive listening tests. Rock Out with Amp Simulator Software using the Guitar Inputs The first two channels can be switched to direct guitar inputs. They're ideal for direct recording of electric and acoustic guitar and bass without the need for a preamp. Use them with amp modeling software, like the TH2 effect included with SONAR X3. * Guitar effect plug-ins sold separately. Input specifications easily handle high SPL environments The Ultra-HDDA mic preamps and line inputs offer 20dB of headroom for distortion-free recordings of percussive, high SPL instruments like drum tracks. 16 analog inputs to record a full drumset, instruments, and vocals at the same time Eight XLR mic inputs and eight TRS inputs can be used simultaneously for 16-track live recordings. Capture every detail of live performances or rehearsals for later mixdown. Eight XLR mic inputs and 8 TRS line inputs The eight XLR mic inputs have switchable 48V phantom power to use up to 8 condenser mics at the same time. The two front panel TRS line inputs are switchable between instrument level and line level input with adjustable gain. An additional six TRS line ins on the rear of the unit are switchable between -10dB and 4dB. All of the jacks support balanced or unbalanced 1/4 signals. Use as a Standalone Mic Preamp When powered on with out a USB connection, the US-16x08 functions as an 8-channel microphone preamp. Mics pass through the Ultra-HDDA preamps to the eight balanced line outputs on the rear panel. Use the interface to add additional high-quality mic inputs to a mixer an another audio interface. * When using the mic preamp mode, each input is connected to each output directly. Also, cannot use all functions of DSP mixer. For example, IN1 is connected OUTPUT1 directly through the Ultra-HDDA mic preamp. Advanced Digital Processing Includes an Advanced DSP Mixer and All-New USB Driver Digital processing features like the DSP Monitor Mixer and advanced USB drivers make sessions with the US-16x08 comfortable for the musicians and engineer. The DSP Mixer includes processing for a polished-sounding headphone mix without latency delay from your DAW software, fueled by a Blackfin DSP processor. And new drivers, re-written from the ground up, provide beter compatibility and performance on Mac, Windows and iPad recording systems. High Resolution Recording Up to 96kHz/24-bit The converters and electronics on the US-16x08 allow you to record at audio resolutions up to 96kHz/24-bit for detailed acoustic productions. No matter what your session's sample rate is set for, the high-quality analog and digital design make your recordings sound their best. Standard USB 2.0 Computer Connection The US-16x08 uses USB 2.0 to connect to your computer, found on nearly every computer manufactured in the last 10 years. Simply connect the interface to any available USB port. USB 2.0 provides plenty of data bandwidth, even when recording 16 channels at 96kHz/24-bit. The US-16x08 will also work with USB 3.0 jacks on your computer. Advanced DSP Mixer Features 4-band EQ and Compression On Each Channel Powered by an Analog Devices BlackFin DSP processor, the US-16x08 includes an advanced digital mixer for monitor mixing. Each input includes 4-band EQ, a low-cut filer, and compressor. The DSP mixer can store up to 10 snapshots as scenes - making it easy to recall mixer settings. An additional tab opens a digital patchbay to route signals to any output. All-new advanced USB Driver Software The US-16x08 includes an all-new driver architecture, written in-house by TASCAM engineers. The Windows driver software can be installed without connecting the interface, with simple on-screen instructions. Mac users can use the interface without installing a driver at all. Simply install the control panel software in order to change device settings. Finally, the class-compliant driver allows it to be used with tablets like Apple's iPad. (Requires Apple's Camera Connection Kit for USB connection) Sleek Industrial Design Inspires Creativity These powerful new interfaces are housed in modern industrial designs that are as ergonomic as they are stylish. TASCAM was the first company to offer a USB audio interface, and we have fused our years of experience with acclaimed German from designbox. TASCAM's new US series satisfies the needs of musicians from an aesthetic as well as ergonomic perspective. With its unique honeycomb structure on the side panels, the main body has a sense of weight while also maintaining a delicacy that matches the user's needs. Honeycomb structures are a feature of modern architecture, but are also a vital resource whose exceptional technical structure we can use in design. As this structure is found in nature, it has a stability and flexibility which comes with being an organic form. -Axel Hartmann@ designbox designbox (Official Website) A German audio design company founded by Axel Hartmann and Stephan Leitl in 1995, designbox has worked on famous music industry products such as synthesizers, effect pedals and amp simulators. Angled design provides excellent usability on a desktop The angled design makes desktop viewing and operation much more comfortable for tabletop use. All other interfaces have their controls on the front or the top of the device, causing you to crane your neck to read the knobs and switches. The US-16x08 are at a natural angle, making operation easier to keep you creative. A pair of rack ears are also included for use in a standard 19 equipment rack. Built to tough robust full metal body The durable metal jacket is employed for heavy duty use. Separate Volume Controls for Headphones and Line Output The US-16x08 includes both headphone and line output volume controls. Even when both powered monitors and headphones are connected, the user can set an optimum level for each during operation. And when you want to work on headphones, you don't need to reach around to switch off your monitors. Powerful Headphone Amp Provides 70mW per Channel The high-output 70mW 70mW (into 32 ) headphone amp makes headphone monitoring easy even in loud situations. This assures you enough monitoring volume when recording drums, guitars, or rehearsals, live or in the studio. Class-Compliant Drivers for use with iPad and Other Tablets The US-16x08 is built with class-compliant drivers built into the units. Not only does this mean that they can be used with many computers without first installing a driver, they also open the possibilities of with tablets such as Apple's iPad. Connect to iPad, iPhone, or other iOS devices Use Apple's Camera Connection Kit to connect the US-16x08 to an iPad or other iOS device. Utilitze the multichannel audio and MIDI functions with any of the thousands of iOS audio apps, like Garage Band or TASCAM's Portastudio app. * Apple's Camera Connection Kit is not included with this product. * When connected, the US-16x08 will not provide power to the iOS device.. Tested with Sonar, Pro Tools, Cubase, Live, Studio One, and Garage Band TASCAM has tested the interface operation with all leading DAW software, such as SONAR, Pro Tools, Cubase, Live, Studio One and Garage Band. Use the interfaces with your favorite Mac or Windows recording applications. MIDI Input and Output Included Standard MIDI input and output connectors allow connection with the thousands of keyboards, drum machines, controllers, and other sources that employ MIDI connectors. The interfaces can also be used for synchronized operation of multitrack recorders and other external recording equipment. Rackmount Ears and Hex Keys Included You can either use the rack ears for rackmount installations. Features At A Glance - Ultra-HDDA (High Definition Discrete Architecture) mic preamps with 125dBu EIN - Eight Ultra-HDDA mic pres with XLR connectors, eight TRS inputs - Standalone mode for use as an independent mic preamp - Up to 96kHz/24-bit recording - Support for Windows and Macintosh - USB 2.0 computer connection - Connect with iPads and other iOS devices via Class Compliant drivers - 48V phantom power available for all microphone inputs - High-impedance inputs available - 56 dB of preamp gain, ideal for dynamic or ribbon microphones - Tough metal casing for durability - Angled design provides excellent usability on a desktop - Eight TRS outputs - Standard TRS headphones output jack with 70mW/ch output power - Separate controls for line and headphones output volumes - MIDI input and output - Low-latency monitoring via on-board DSP mixer - DSP mixer with 4-band EQ and compression on each input channel - Digital Patch bay allows outputs to be assigned freely - Scenes can store DSP mixer settings (up to 10 scenes can be stored and named) - USB class compliant 2.0 support - Confirmed operation with major DAW software (SONAR, ProTools, Cubase, Live, Studio One, Garage Band) - RoHS certified - Dedicated AC adapter included

The heart of any great song is a great vocal sound. The Tascam TA-1VP combines the world-renowned Auto-Tune Pitch Correction and TEC-Award-winning Microphone Modeler technologies with state-of-the-art vocal processing modules to give you everything you need to create stunning vocal tracks in any musical style. Live or in the studio, the TA-1VP lets you instantly select from a large library of sounds. Factory presets are included for a wide variety of vocal styles and the interface makes it easy to create your own signature sounds. Given the power and flexibility of the processing modules, there is also a selection of presets for instrumental and percussion tracks available. And MIDI control in realtime makes the TA-1VP a perfect companion for automated mixing environments.Main FeaturesAuto-tune real-time pitch correction EVO voice processing technology for enhanced tracking and correction capabilities Correct the pitch of vocals (or solo instruments) in real time and without distortion or artifacts while preserving all of the expressive nuances of the original performance Microphone modelling Give your vocal tracks the characteristics of a variety of high-end studio mics Adjust the proximity effect associated with mic distance Analogue tube modelling Give your vocals the warmth of a classic tube preamp Variable knee compressor Manipulate the dynamics with a state-of-the-art dynamics processor Threshold, ratio, attack and decay controls Continuously variable knee characteristic Downward expanding gate Use this gate with threshold and ratio controls to eliminate noise and breath sounds Works independently of the compressor Variable-frequency de-esser Tame the sibilance of vocals to match any performance Controls available: Threshold, ratio, attack and decay as well as a variable-frequency highpass Flexible parametric 2-band EQ Fine-tune your vocal sound with two independent bands of equalization Select from 6 dB or 12 dB high or low cut, high or low shelving with variable slope, bandpass, notch and fully parametric peaking Automatic mono or stereo double tracking Automatically mix a doubled track into the units main output or route it to a separate output for post-processing and mixing Programmable settings Every parameter can be saved as a preset for instant recall Factory presets for a wide variety of vocal styles An extensive collection of factory presets for a variety of vocal styles is included as standard MIDI control in realtime Control every variable module parameter via MIDI continuous controllers for realtime automation Really easy to use Quickly find the parameter you want Virtually every major function is only a single button press away SpecificationsModules AUTO-TUNE Chromatic and 24 diatonic scales, all user customizableRetune speedPitch detection sensitivity MIC MODELER Source Mics, specific models Shure SM58, Shure SM57, Shure Beta 58a, Shure KSM 32, Audio Technica 3035, Audio Technica ATM31, Audio Technica ATM41a, Audio Technica 4050, Rode NT1, Rode NT2, Rode NT3, CAD M177, CAD E200, CAD E350 Source Mics, generic models Handheld Dynamic, Studio Dynamic, Wireless, Small Diaphragm Condenser, Large Diaphragm Condenser Model Mics Handheld dynamic, Studio dynamic, Small diaphragm condenser 1, Small diaphragm condenser 2, Large diaphragm condenser 1, Large diaphragm condenser 2, Large diaphragm condenser 3, Drum mic (kick), Drum mic (snare), Drum mic (cymbal), Telephone Tube saturation drive 0-12 dB COMPRESSOR Threshold -36 dB to 0 dB Ratio 1:1 to 99:1 Attack 1-200 ms Release 1-200 ms Knee Continuously variable GATE Threshold -96 dB to 0 dB Ratio 1:1 to 1:99 DE-ESSER Threshold -60 dB to 0 dB Ratio 1:1 to 99:1 Attack 1-200 ms Release 20-2550 ms Highpass frequency 2971 Hz to 20 kHz PARAMETRIC EQ (2 independent bands) 6-dB Lowpass, 6-dB Highpass, 12-dB Lowpass, 12-dB Highpass, Bandpass, Notch, Low shelf (variable slope), High shelf (variable slope), Peaking, Double Tracking, Stereo or variable mono mix Analogue audio inputs and outputs Mic input (Balanced) XLR-3-31 (1: GND 2: HOT 3: COLD) Input impedance 2.2 kOhm Nominal input level (with PAD) -48.3 dBu (0.003 Vrms) to -16.8 dBu (0.112 Vrms) Nominal input level -23.3 dBu (0.053 Vrms) to 8.2 dBu (1.992 Vrms) Maximum input level 8.2 dBu (1.992 Vrms) Line input (Balanced) 6.3-mm TRS phone jack (Tip: HOT, Ring: COLD, Sleeve: GND) Input impedance 10 kOhm Nominal input level 7.5 dBu (0.327 Vrms) to 24 dBu (12.283 Vrms) Maximum input level 24 dBu (12.283 Vrms) Line output, Main (Balanced) 6.3-mm TRS phone jack (Tip: HOT, Ring: COLD, Sleeve: GND) Output impedance 100 Ohm Nominal output level 4 dBu (1.228 Vrms) Maximum output level 20 dBu (7.75 Vrms) Line output, Double Track (Balanced) 6.3-mm TRS phone jack(Tip: HOT, Ring: COLD, Sleeve: GND) Output impedance 100 Ohm Nominal output level 4 dBu (1.228 Vrms) Maximum output level 20 dBu (7.75 Vrms) Digital audio output Digital output (coaxial) RCA pin jack Format IEC 60958-3 (SPDIF) Output impedance 75 Ohm Output level 0.5 Vpp Other inputs and outputs MIDI input 5-pin DIN connector Format MIDI standard MIDI output 5-pin DIN connector Format MIDI standard Footswitch 6.3-mm TS phone jack Audio performance Input Analog Trim 0 dB to 30 dB Frequency response 20 Hz - 20 kHz /-0.5 dB (Mic in to Line out)20 Hz - 20 kHz /-0.2 dB (Line in to Line out) S/N ratio (Mic input) sup.98 dB (Mic or Line in to Line out) Total harmonic distortion inf.0.01% (Mic in to Line out)inf.0.008% (Line in to Line out) Dynamic range sup.120 dB (Line out) Power supply and other specifications Power supply TASCAM PS-1225L AC adaptor (included) Power consumption 4 W External dimensions (W x H x D) 483 mm x 44 mm x 128 mm Weight 2 kg Operating temperature range 5-35 °C Display 2 x 20 character LCD Indicators INPUT Level (LED x5)Output Level (LED x5)Tuning Correction (LED x4)Compression Gain Reduction (LED x5)De-esser Gain Reduction (LED x5)