Combining Ludovic Lanen s mastery of sound with one of the best mic manufacturers in the business... has given us the new Ludovic Lanen Prodipe TT1 multi-purpose mic.So what s special about this mic This is a well balanced mic with a high output level. It is perfect for singers who want the highest standards, as well as conference speakers, presenters and entertainers who want a true reproduction of their voice.And you shouldn t let the price influence you, nor compare it to a low quality mic! Even though the price is exceptionally low, this new mic offers an identical quality to many professional mics that I have used on the big stage. The reason we are where we are today is because on my last visit to China I tested, compared and assessed the performance of more than a hundred cartridges alongside the engineers from the state of the art factory that we work with.This close partnership enabled me to develop the completely new TT1 and I can absolutely guarantee its performance. Prices really don t mean anything anymore; of the hundred cartridges that I was offered to look at, many of the more expensive were not as good or as efficient as the one I selected and prepared for you. For the last 30 years I have always put more trust in my ears than in the price and with this new product I can once again offer you excellence at a never before seen price.And it s with this new type of challenge that I can also see just how positive globalisation is! Ludovic Lanen

Condensor Microphone ST1 Ludovic LanenCondensor Professional Microphone for Studio and Live recordingThe ST1, based on the STC-3D and providing the same features and quality of sound, is a multipurpose electrostatic studio/live mic equipped with a low cut filter and attenuator. It will make sure you are able to keep on top of all your live recordings: voice, percussion, guitar, piano, atmospheric, brass, etc. The reason I have become the sound engineer for all the top French singers is because I never compromise on the quality of my recordings and that is why PRODIPE wanted my expertise.But that s not all! I believe in PRODIPE because I know that this brand has continually tried to cut out the middlemen and reduce manufacturing costs, without lowering the quality, so that previously unobtainable professional products could be made available to everyone. The Lanen model follows the same rule.A SUCCESS. ALL MY REQUIREMENTS ARE TAKEN INTO ACCOUNT, THIS EXCELLENT PRODUCT IS AVAILABLE TODAY THANKS TO PRODIPE. Ludovic Lanen Specifications Transducer Principle: True Condenser Directivity Characteristic: cardioid Frequency Response: 20Hz-20kHz Sensitivity: -37dB±2dB (0dB=1V/Pa at 1kHz) Output Impedance: 100 ±30% (at 1kHz) Load Impedance: 1000 Equivalent Noise Level: 20dB A (IEC 581-5) Max. Input SPL: 130dB (at 1kHz 1% T.H.D) Bass Filter: 10dB /octave at 100Hz Phantom Power Requirement: 48V DC

Descriptions The brand new Claude Salmieri drum mic pack was designed to restore your playing with as much accuracy as possible. The pack consists of 8 microphones: DRM-KD : 1 new generation bass drum mic. The look and feel of this mic will bring back fond memories for sound engineers of a certain age. But more than the look, it s the quality of the sound that has improved: full, warm and precise. Unlike a number of today s mics and their artificially scooped frequency response, the DRM-KD restores the complete sound of the bass drum, so all the engineer has left to do is choose the amount of equalization that fits the musical style and arrangement. DRM-C : 4 unidirectional dynamic mics for toms and snare drums. These mics offer ultra versatility, so they perform well with other percussion instruments such as congas and bongos. What we ve given you is the compact version of the TT1 instrument mic with its wide frequency range and extensive dynamic capabilities. DRM-OV : 3 overhead mics (condenser mics). These mics perfectly capture the different moods created by drum kits and percussion instruments, and they are ideally suited for the Charleston drum. We wanted them to achieve excellent highs and they are particularly good at rendering the harmonic richness of cymbals. They also produce a stereo image which is wide and defined. The ST-8 set is supplied in a durable carrying case and includes 3 windshields and 7 holder mounts to use with the overheads (x3) and also as rim clip (x4). SPECIFICATIONS DRM C - Directivity: Uni-directional - Sensitivity: -49dBV/Pa (2.2mV/Pa) - Frequency response: 50Hz-15kHz - Output impedance: 600 ±30% (@ 1 kHz) DRM KD - Type: dynamic - Frequency response: 30Hz-15kHz - Directivity: super cardioid - Sensitivity: -50±3dB¬0dB=1V/Pa @ 1kHz - Output impedance: 300 ±30% (@ 1KHz) DRM-OV - Type: back-electret 16 ø (static) - Directivity: cardioid - Frequency response: 30Hz 18 kHz - Sensibility: -38dB±3dB (0dB=1V/Pa @ 1kHz) - Output impedance: 100 ±30% (@ 1 kHz) - Noise: 20dB A - Max SPL: 135dB (@ 1 kHz 1% T.H.D) - S/N Ratio: 74dB - Phantom power: 9V-52V

Microphone for percussion instruments, bass guitar amps, djembes, trombones, tubas and many more. A wide bandwidth dynamic mic designed to handle low frequencies. Able to withstand very high levels of sound pressure and perfect for recording/reproducing the sound of percussion instruments, bass drums, bass guitars, large brass instruments (trombone, tuba) and any extra loud instrument. The look and feel of this mic will bring back fond memories for sound engineers of a certain age. But more than the look, it s the quality of the sound that has improved: full, warm and precise. Unlike a number of today s mics and their artificially scooped frequency response, the DRM-KD restores the complete sound of the bass drum, so all the engineer has left to do is choose the amount of equalization that fits the musical style and arrangement. SPECIFICATIONS - Type: dynamic - Frequency response: 30Hz-15kHz - Directivity: super cardioid - Sensitivity: -50±3dB¬0dB=1V/Pa @ 1kHz - Output impedance: 300 ±30% (@ 1KHz)