A contemporary development of the legendary U 67. K 67 capsule, new circuit design, which closely reproduces the U 67 sound characteristics, three directional pattern, pre-attenuation and high-pass filter. Novel Neumann dual-color design. In the world of studio microphones, the numbers 47 , 67 and 87 have associations that inspire enthusiasm among professionals in the field. It is of course no coincidence that the name of the new TLM 67* contains the number 67 . In many respects, the TLM 67 is based on the workhorse of the 1960s, the legendary U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the special new circuit design closely reproduces the sound characteristics of the classic U 67, without the use of tubes. Similar Neumann circuit technology has already proved very successful in the TLM 49.The TLM 67 is extremely versatile. Its three switchable directional characteristics (omnidirectional, cardioid and figure-8), selectable 10 dB pre-attenuation and high-pass filter permit detailed adjustments to be made, depending upon the specific recording situation.Exterior designThe TLM 67 is a large-diaphragm condenser microphone in the classic Neumann style, with a unique dual-color design. The stylish pearl-gray of the microphone body combined with the classic Neumann nickel lends the microphone a touch of distinctive individuality.The legendary, frequently imitated design of the Neumann U 67 was the first to be developed by Neumann employees in collaboration with the famous German designer, Wilhelm Braun-Feldweg. The design of the TLM 67 represents a contemporary development of that of the U 67, transferring its positive impact to the present era. The enhanced exterior design thus links past and future microphone design trends.On the occasion of its 80th anniversary, the Neumann company is honoring its founder, Georg Neumann, with a three-dimensional metal emblem on the front of the TLM 67. The distinctive Neumann attraction is conveyed in every detail of the microphone.ApplicationsDue to its extensive control features, the TLM 67 is suitable for a wide range of applications. In addition to its primary role as a vocal microphone for all types of music and spoken voice, in orchestral recordings the TLM 67 can be used as a main microphone and as a spot microphone for individual instruments.Acoustic featuresThe microphone is addressed from the side on which the Neumann logo is located.A large wire mesh grille encloses the elastically mounted double diaphragm capsule. The directional characteristics omnidirectional, cardioid or figure-8 can be selected via a switch below the grille. The selected setting is indicated by a symbol shown in a window above the switch.Electrical featuresThe letters TLM stand for transformerless microphone . In the TLM 67, an electronic circuit is used rather than a conventional output transformer. Like a transformer, the circuit ensures good common mode rejection, effectively suppressing interference signals that affect the balanced modulation line. The microphone can operate at sound pressure levels of up to 105 dB without distortion, and has a dynamic range of 94 dB (A-weighted), without the use of the pre-attenuation switch.Filter and pre-attenuationThe pre-attenuation switch on the back of the microphone can be used to reduce transmission levels by approx. 10 dB. It should be used only when there is a risk of overloading following devices due to very high sound pressure levels. Use of the switch does not increase the dynamic range of the microphone, but rather shifts it by 10 dB, to higher sound pressure levels. The other switch on the back of the microphone can be used to change the cutoff frequency of the built-in high-pass filter, so as to suppress the effects of impact sound and wind noise, or to compensate for the proximity effect.Operational reliabilityElastic mounting of the capsule supplies protection from the transmission of structure-borne noise. If required, the EA 87 elastic suspension and WS 87 windscreen are available as accessories, for further suppression of structure-borne and wind noise. The PS 15 or PS 20 a popscreen can be used if the microphone is to be addressed at close range. SpecificationsAcoustical operating principle Pressure gradient transducerDirectional pattern Omni/cardioid/figure-8Frequency range 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm 10/18/9 mV/PaRated impedance 50 ohmsRated load impedance 1 kohmsEquivalent noise level, CCIR1) 29/24/30 dBEquivalent noise level, A-weighted1) 16/11/17 dB-ASignal-to-noise ratio, CCIR1) (rel. 94 dB SPL) 65/70/64 dBSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) 78/83/77 dB-AMaximum SPL (tube characteristic) for THD < 0.5 %2) 110/105/111 dBMaximum SPL (tube characteristic) for THD < 5 %2) 130/125/131 dBMaximum output voltage -1 dBuDyn. range of the mic. amplifier (A-weighted, 0.5 %2)) 94 dBDyn. range of the mic. amplifier (A-weighted, 5 %2)) 114 dBPower supply P48Matching connector XLR 3FWeight 490 gDiameter 56 mmLength 200 mm

Studio microphone with Retro look. Warm sound, optimized for vocal recordings. Uses the capsule of the legendary M 49 and U 47.Cardioid polar pattern. Set includes elastic suspension. The TLM 49* is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension.The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The sound design is also oriented toward that of the M 49 and the U 47.By combining its retro look with proven Neumann transformerless circuit technology, this microphone ensures low self-noise and the use of high gain levels.ApplicationsDuring the development phase, the sound was adjusted in extensive practical tests, so as to make the TLM 49 ideal particularly for vocal and speech recording. However, in addition, it is also suitable for instrumental applications in professional production studios and demanding home recordings.Polar patternThe large-diaphragm capsule of the TLM 49 provides a cardioid directional characteristic with a tendency toward supercardioid, due to the special capsule construction. Following the example of the M 49, high frequencies are more directional. The capsule diameter is 34 mm.The front of the microphone is indicated by the red Neumann logo on the microphone body. The capsule is oriented so that the microphone is addressed from the front.Acoustic featuresThe TLM 49 uses the famous K 47 capsule, which was also used in the M 49 and the U 47. The capsule has a linear frequency response up to the upper mid-range. Above 2 kHz there is a gentle presence boost up to 3 dB.The capsule is enclosed by a large microphone headgrille, which is acoustically very open and is hence neutral with regard to the sound.Electrical featuresThe letters TLM stand for transformerless microphone . With TLM technology the usual output transformer is replaced by an electronic circuit.As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.Noise signals which affect the balanced modulation line are therefore effectively suppressed. The microphone can operate at sound pressure levels of up to 129 dB without distortion, and provides a dynamic range of 117 dB (A-weighted).Operational safetyThe entire interior structure is mounted elastically, to prevent the transmission of structure-borne noise. In addition, the capsule is mounted with a rubber shock mount.Due to the wide frequency response, the TLM 49 can also transmit extremely low-frequency signals without coloration. Of course this means that the microphone is also sensitive to noise signals such as vibration noise and wind noise in this frequency range. The TLM 49 is therefore supplied with the elastic suspension EA 3, which effectively protects the microphone from structure-borne noise. If the microphone is addressed at extremely close range, pop screen PS 15 or PS 20 a can be used in front of the microphone to provide protection against plosive sounds.SpecificationsAcoustical operating principle : Pressure gradient transducerDirectional pattern : CardioidFrequency range : 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm : 13 mV/PaRated impedance : 50 ohmsRated load impedance : 1 kohmsEquivalent noise level, CCIR1) : 23 dBEquivalent noise level, A-weighted) : 12 dB-ASignal-to-noise ratio, CCIR1) (rel. 94 dB SPL) : 71 dBSignal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) : 82 dBMaximum SPL for THD < 0.5 % : 110 dBMaximum SPL for THD < 5 % : 129 dBMaximum output voltage for THD < 5%2) : -1 dBuDyn. range of the mic. amplifier /A-weighted, 0.5 %) : 98 dBDyn. range of the mic. amplifier /A-weighted, 5 %) : 117 dBSupply voltage (P48, IEC 61938) : 48 V ± 4 VCurrent consumption (P48, IEC 61938) : 3.2 mAMatching connector : XLR 3FWeight : 825 gDiameter : 78 mmLength : 165 mm

The M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49. Following the capsule is a tube that functions as an impedance converter. The next stage is an efficient, transformerless output circuit, that guarantees an extremely low self-noise level. Note: This innovative combination of current tube technology with the most advanced solid-state circuitry was decisive in awarding the 1997 TEC Award to the related M 149 Tube mic. The M 147 Tube can feed extremely long microphone cables without affecting the quality of the audio signal. Like all Neumann tube microphones, the M 147 Tube comes with an elegant satin nickel finish. The microphone is delivered as a complete set in a high-quality aluminum case. Included with the microphone are a microphone cable, a metal swivel mount for a mic stand, and a compact universal power supply for standard mains sockets. Our modern manufacturing methods makes it possible to offer this complete set at a very attractive price. Applications The famous capsule, together with complimenting tube characteristics, makes the M 147 Tube especially well suited as a vocal mic. In addition, it is a superb spot mic for all types of musical instruments. The extremely low self-noise of its tube circuitry makes the mic perfectly suited for use in modern recording chains, analog and digital. Acoustic features The M 147 Tube is addressed from the side, where the microphone body has the diamond-shaped Neumann company logo. The black color identifies tube microphones. The capsule is equivalent to the one used in the U 47, and is the deciding factor in determining the sound characteristic. It has a flat frequency response to the upper midrange, and a boost of up to 3 dB above 2 kHz. The headgrille design is a smaller version of the U 47. It protects the capsule effectively against popping and wind noise. Polar pattern The M147 Tube has a cardioid characteristic, leaning more toward super-cardioid due to its distinctive capsule design. At higher frequencies the pattern becomes more directional. This is very similar to the model after which this new tube microphone was patterned, the U 47 and the successor, the U 47 fet. Electrical features When compared to other microphones, the impedance converter used in the M 147 Tube is distinguished by its extremely low self-noise level of only 12 dB-A / 24 dB CCIR weighted. Similar to the recently introduced M 149 Tube, the new M 147 Tube combines a specifically selected vacuum tube (triode) with modern circuitry. This technique takes full advantage of the special transfer characteristics of the tube and passes the processed audio signal of the capsule to the microphone output, without any coloration or unwanted side effects. The tube amplifies the capsule's signal by approximately 10 dB, thus preventing any possible influences from subsequent electronics. The M 147 Tube delivers a high output voltage, and therefore can feed microphone cables up to 300 m length without signal degradation. The ideal operating conditions (anode current, heater voltage) of the tube are maintained throughout its life expectancy. A sensor lead detects any voltage drop that occurs through the microphone cable and compensates for it in the N 149 A power supply. The tube warms up gradually using inverse current limiting to guarantee long life. Filter The electronic circuitry of the M 147 Tube mic has a flat frequency response from 20 Hz to well above 20 kHz. Only the attributes of the capsule determine the typical sound characteristics of the microphone. Operational Stability Both, the capsule and the entire circuitry are shock mounted to prevent any structure-borne noise. Because of its wide operating range, the M 147 Tube can reproduce extremely low frequency signals without distortion. This implies that the microphone may also be sensitive to unwanted LF interference by structure-borne noise, or wind noise. To avoid possible signal degradation, we offer the EA 1 elastic suspension and the WS 87 windscreen as accessories. During close miking of vocals we recommend using the PS 15 or PS 20a pop screen. N 149 A Power Supply The N 149 A universal power supply works with all mains AC voltages from 100 V to 240 V, 50 or 60 Hz. Mains power is connected through a standard IEC 320 mains socket. The only difference between the three available versions of the M 147 Tube set is the power cord supplied. Note: The N 149 V power supply is fully compatible with the M 147 Tube microphone.

In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications. The U 87* is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion.Furthermore, the low frequency response can be reduced to compensate for proximity effect.ApplicationsThe U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic.Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.Acoustic featuresThe U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.Polar patternsThe dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.Electrical featuresThe letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.Filter and attenuationA switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm. SpecificationsAcoustical operating principle Pressure gradient transducerDirectional pattern Omnidirectional, cardioid, figure-8 plusFrequency range 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa1)Rated impedance 200 ohmsRated load impedance 1 kohmsEquivalent noise level, CCIR2) 26/23/25 dB1)Equivalent noise level, A-weighted2) 15/12/14 dB-A1)Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) 68/71/69 dB1)Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) 79/82/80 dB1)Maximum SPL for THD 0.5%3) 117 dB (cardioid)Maximum SPL for THD 0.5% with preattenuation3) 127 dBMaximum output voltage 390 mVDynamic range of the microphone amplifier (A-weighted) 105 dBSupply voltage (P48, IEC 61938) 48 V ± 4 VCurrent consumption (P48, IEC 61938) 0.8 mAMatching connectors XLR3FWeight 500 gDiameter 56 mmLength 200 mmCaution: Shockmount EA 87 sold separately

In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications. The U 87* is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion.Furthermore, the low frequency response can be reduced to compensate for proximity effect.ApplicationsThe U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic.Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.Acoustic featuresThe U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.Polar patternsThe dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.Electrical featuresThe letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.Filter and attenuationA switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm. SpecificationsAcoustical operating principle Pressure gradient transducerDirectional pattern Omnidirectional, cardioid, figure-8 plusFrequency range 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa1)Rated impedance 200 ohmsRated load impedance 1 kohmsEquivalent noise level, CCIR2) 26/23/25 dB1)Equivalent noise level, A-weighted2) 15/12/14 dB-A1)Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) 68/71/69 dB1)Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) 79/82/80 dB1)Maximum SPL for THD 0.5%3) 117 dB (cardioid)Maximum SPL for THD 0.5% with preattenuation3) 127 dBMaximum output voltage 390 mVDynamic range of the microphone amplifier (A-weighted) 105 dBSupply voltage (P48, IEC 61938) 48 V ± 4 VCurrent consumption (P48, IEC 61938) 0.8 mAMatching connectors XLR3FWeight 500 gDiameter 56 mmLength 200 mmCaution: Shockmount EA 87 sold separately

In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications. The U 87* is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion.Furthermore, the low frequency response can be reduced to compensate for proximity effect.ApplicationsThe U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic.Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.Acoustic featuresThe U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.Polar patternsThe dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.Electrical featuresThe letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.Filter and attenuationA switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm. SpecificationsAcoustical operating principle Pressure gradient transducerDirectional pattern Omnidirectional, cardioid, figure-8 plusFrequency range 20 Hz ... 20 kHzSensitivity at 1 kHz into 1 kohm 20/28/22 mV/Pa1)Rated impedance 200 ohmsRated load impedance 1 kohmsEquivalent noise level, CCIR2) 26/23/25 dB1)Equivalent noise level, A-weighted2) 15/12/14 dB-A1)Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) 68/71/69 dB1)Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) 79/82/80 dB1)Maximum SPL for THD 0.5%3) 117 dB (cardioid)Maximum SPL for THD 0.5% with preattenuation3) 127 dBMaximum output voltage 390 mVDynamic range of the microphone amplifier (A-weighted) 105 dBSupply voltage (P48, IEC 61938) 48 V ± 4 VCurrent consumption (P48, IEC 61938) 0.8 mAMatching connectors XLR3FWeight 500 gDiameter 56 mmLength 200 mmCaution: Shockmount EA 87 sold separately