Small Diaphragm Condensor Microphone Compact condenser microphone with wide cardioid polar pattern for studio and live use Suitable for broadcast applications, studio use for recording musical instruments, vocals and speech, as well as for sound reinforcement tasks even under acoustically unfavourable conditions, such as in churches. Particularly suitable for vocal and instrumental soloists due to its slight treble presence. High sound fidelity even with varying speech directions Low-noise, high-output impedance converter using hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability. Specifications: Polar pattern: Wide cardioid Acoustic operating principle: Pressure gradient transducer Frequency range: 20 - 20,000 Hz Sensitivity: 11 mV/Pa at 1 kHz Nominal impedance: 100 Ohm Equivalent noise level: 14 dB A-weighted Signal-to-noise ratio: 80 dB A-weighted Maximum sound pressure level: 148 dB at 0.5% THD Dynamic range: 134 dB Power supply: 48V phantom power Current consumption: 3.8 mA Connector: XLR3M Dimensions: Length 130 mm Diameter: 21 mm Weight: 126 g Colour: Dark Bronze Includes wooden case

The M 294 extens the studio microphone System SMS 2000. The proved microphone capsules M 70 and M 94 form a unit with the modified microphone amplifier MV 200. These microphones are designed for a universal applications in professional recording and sound reinforcement and meet the requirements of modern technics. The newly developed, transformerless circuit design substitutes the previous transformer for a symmetrical output stage. Its intrinsic noise and remarkably output capability emphasize the advantages of the microphone capsules M 70 and M 94. Microphone capsules with an extremly thin metal diaphragm enable brilliant sound transmission. The direction of maximum sensitivity is axial. The studio microphones are equipped with a wide range of accessories for many microphone mounting methods. lt is possible to activate a 10 dB-attenuator pad for handling very high sound pressure levels. A sensitivity reduction for low frequencies can be utilized to suppress the proximity effect. The two switches are into the middle of the preamplifiers. The microphone is equipped with a standard 3-pin XLR connector fitting to a microphone cable, e.g. C70. The operation voltage is provided by 48 V phantom powering, according to the international standards DIN 45596 and IEC 268-15. They are available in a satin nickel or a black matt finish. Both condenser microphone capsules are pressure gradient transducer. The converter elements contain a nickel diaphragm with a thickness of less than 1 µm. The back-plate electrodes are Teflon-coated to increase operational reliability. M294 The desired presence boost of ca. 5dB in the 8kHz range gives this microphone its special clarity. lt is recommended to use a popscreen and to switch on the microphone bass rolI-off for closerange applications.A windscreen can be utilized to enhance life-like recording.

Small Diaphragm Condensor Microphone- With 1/2" nickel diaphragm capsule from measuring microphone construction for studio use- Ideal as a main microphone for recordings that should include a certain amount of the room response- As a support for close-range miking of musical instruments, especially in the bass range, as well as for multi-channel miking.- Particularly suitable for recording percussive instruments thanks to its excellent transient response- Low equivalent noise level and low-noise, high-output impedance converter in hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability- Colour: Dark Bronze- Includes shock mount MH 93.1 and wooden case- Polar pattern: Omnidirectional- Acoustic operating principle: Pressure gradient transducer- Frequency range: 20 - 20,000 Hz- Sensitivity: 50 mV/Pa at 1 kHz- Nominal impedance: 100 Ohm- Equivalent noise level: 15 dB A-weighted- Equivalent noise level: 83 dB A-weighted (relative to 1 Pa at 1 kHz)- Maximum sound pressure level: 136 dB at 0.5% THD- Dynamic range: 121 dB- Power supply: 48V phantom power- Current consumption: 5.5 mA- Connector: XLR3M- Dimensions (L x diameter): 170.4 x 21 - 23.8 mm- Weight: 123 g

Small Diaphragm Condenser Microphone Compact condenser microphone for studio and live use Suitable for broadcast applications, studio use for recording musical instruments, vocals and speech, as well as for sound reinforcement tasks even under acoustically unfavourable conditions, such as in churches. Particularly suitable for vocal and instrumental soloists due to its slight treble presence. High sound fidelity even with varying speech directions Low-noise, high-output impedance converter using hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability. Polar pattern: Cardioid Acoustic operating principle: Pressure gradient transducer Frequency range: 20 - 20,000 Hz Sensitivity: 12 mV/Pa at 1 kHz Nominal impedance: 100 Ohm Equivalent noise level: 16 dB A-weighted Signal to noise ratio: 78 dB A-weighted (relative to 1 Pa at 1 kHz) Maximum sound pressure level: 147 dB at 0.5% THD Dynamic range: 135 dB Power supply: 48V phantom power Current consumption: 3.3 mA Connector: XLR3M Dimensions (L x Ø): 130 x 21 mm Weight: 126 g Colour Dark Bronze Contents of delivery: M 300, wooden case

Small Diaphragm Condensor Microphone Compact condenser microphone with supercardioid polar pattern for studio and live use Suitable for broadcast applications, studio use for recording musical instruments, vocals and speech, as well as for sound reinforcement tasks even under acoustically unfavourable conditions, such as in churches. Particularly suitable for vocal and instrumental soloists due to its slight treble presence. High sound fidelity even with varying speech directions Low-noise, high-output impedance converter using hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability. Specifications: Polar pattern: Supercardioid Acoustic operating principle: Pressure gradient transducer Frequency range: 20 - 20,000 Hz Sensitivity: 17 mV/Pa at 1 kHz Nominal impedance: 100 Ohm Equivalent noise level: 13 dB A-weighted Signal-to-noise ratio: 81 dB A-weighted Maximum sound pressure level: 147 dB at 0.5% THD Dynamic range: 134 dB Power supply: 48V phantom power Current consumption: 3.3 mA Connector: XLR3M Diameter: 21 mm Length: 130 mm Weight: 126 g Colour: Dark Bronze Includes wooden case

Small Diaphragm Condensor Microphone- 1″ nickel-diaphragm capsule derived from precision measurement microphone design, optimized for studio applications- Ideal as a main microphone for recordings that should include a certain amount of the room response- As a support for close-range miking of musical instruments, especially in the bass range, as well as for multi-channel miking.- Low equivalent noise level and low-noise, high-output impedance converter in hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability- Colour: Dark Bronze- Includes wooden case and microphone holder MH 93.1- Polar pattern: Omnidirectional- Acoustic operating principle: Pressure gradient transducer- Frequency range: 20 - 20.000 Hz- Sensitivity: 50 mV/Pa at 1 kHz- Nominal impedance: 100 Ohm- Equivalent noise level: 11 dB A-weighted- Equivalent noise level: 83 dB A-weighted (relative to 1 Pa at 1 kHz)- Maximum sound pressure level: 136 dB at 0.5% THD- Dynamic range: 125 dB- Power supply: 48V phantom power- Current consumption: 5.5 mA- Connector: XLR3M- Dimensions (L x diameter): 180 x 21 - 23.8 mm- Weight: 210 g

Stereo Set with Two Small Diaphragm Condenser Microphone Easy-to-use and versatile microphone system for high-quality stereo recordings Two omnidirectional small diaphragm microphones Enables various precise and reproducible stereo microphone arrangements for recordings using different stereophonic techniques. Consists of a specially selected pair of M 320 microphones and the necessary mounts for setting up stereo microphone arrays. Suitable for broadcast applications, studio use for recording musical instruments, vocals and speech, as well as for sound reinforcement tasks even under acoustically unfavourable conditions, such as in churches. Particularly suitable for vocal and instrumental soloists due to its slight treble presence. High sound fidelity even with varying speech directions Low-noise Highly controllable impedance converter using hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability Specifications: Polar pattern: Omnidirectional Acoustic operating principle: Pressure gradient transducer Frequency range: 20 - 20,000 Hz Sensitivity: 16 mV/Pa at 1 kHz Nominal impedance: 100 Ohm Equivalent noise level: 14 dB A-weighted Signal-to-noise ratio: 80 dB A-weighted Maximum sound pressure level: 144 dB at 0.5% THD Dynamic range: 130 dB Power supply: 48V phantom power Current consumption: 3.3 mA Connector: XLR3M Microphone dimensions: Length 130 mm Diameter 21 mm Weight: 125 g Colour Dark Bronze Contents of delivery: 2 x selected M 320 2 x MH 93.1 shockmounts Spacer 2 x KS25 stereo rail Connecting piece for microphone rails 2 x W 20 windshield Threaded Adapter Weatherproof plastic case

Small Diaphragm Condensor Microphone Compact omnidirectional condenser microphone for studio and live use Suitable for broadcast applications, studio use for recording musical instruments, vocals and speech, as well as for sound reinforcement tasks even under acoustically unfavourable conditions, such as in churches. Particularly suitable for vocal and instrumental soloists due to its slight treble presence. High sound fidelity even with varying speech directions Low-noise, high-output impedance converter using hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability. Specifications: Polar pattern: Omnidirectional Acoustic operating principle: Pressure gradient transducer Frequency range: 20 - 20,000 Hz Sensitivity: 16 mV/Pa at 1 kHz Nominal impedance: 100 Ohm Equivalent noise level: 14 dB A-weighted Signal-to-noise ratio: 80 dB A-weighted Maximum sound pressure level: 144 dB at 0.5% THD Dynamic range: 130 dB Power supply: 48V phantom power Current consumption: 3.3 mA Connector: XLR3M Dimensions: Length 130 mm Diameter 21 mm Weight: 125 g Colour: Dark Bronze Includes wooden case

Stereo Set with Two Small Diaphragm Condenser Microphone Simple and versatile microphone system for high-quality stereo recordings Two small diaphragm microphones with cardioid polar pattern Enables various precise and reproducible stereo microphone arrangements for recordings using different stereophonic techniques. Consists of a specially selected pair of M 300s and the necessary mounts for setting up XY, ORTF, DIN or DINa stereo microphone arrangements. Suitable for broadcast applications, studio use for recording musical instruments, vocals and speech, as well as for sound reinforcement tasks even under acoustically unfavourable conditions, such as in churches. Particularly suitable for vocal and instrumental soloists due to its slight treble presence. High sound fidelity even with varying speech directions Low-noise, high-output impedance converter using hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability. Polar pattern: Cardioid Acoustic operating principle: Pressure gradient transducer Frequency range: 20 - 20,000 Hz Sensitivity: 12 mV/Pa at 1 kHz Nominal impedance: 100 Ohm Equivalent noise level: 16 dB A-weighted Signal-to-noise ratio: 78 dB A-weighted Maximum sound pressure level: 147 dB at 0.5% THD Dynamic range: 135 dB Power supply: 48 V phantom power Current consumption: 3.3 mA Connector: XLR3M Microphone dimensions (L x Ø): 130 x 21 mm Weight: 126 g Colour Dark Bronze Scope of delivery: 2 selected M 300, 2x MH 93.1 shock mount, stereo bar, Tandem TD 93, 2x W 20 windshields and weatherproof plastic case